5 Movies That Got Their Filmmakers Arrested

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Getty Images

While some audiences would like to have filmmakers brought up on charges for a truly bad movie, no such law currently exists. (Write your Congressman—we’ll happily sign the petition.) It takes more than creative misdemeanors to put cast or crew in the back of a police car. These five films managed to do just that.  

1. Lost River Gets Ryan Gosling in Trouble

Gosling had designs on directing his first feature at least as far back as 2011, when he was filming The Ides of March in Detroit with George Clooney. The then-30-year-old actor finished principal photography on that film and proceeded to wander around the city with a camera to get ideas for what would become his 2015 drama Lost River. At one point, Detroit police found Gosling in an abandoned building and thought he was trying to steal copper. Apparently unfamiliar with either Gosling’s work or his Internet memes, they hauled him in. Though he told the Los Angeles Times he was “not proud that I got arrested,” he said the experience gave him some ideas for the project.  

2. The Minnesota Delivery And A Too-Real Robbery

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When other locations fell through, producer Tim Christian decided to shoot the climax of his independent feature, 2013’s Minnesota Delivery, on a public block in St. Paul, Minnesota. As actors with guns stormed around, took cover behind a car, and generally did their best to look suspicious, 10 St. Paul police cruisers surrounded the scene, drew their (real) weapons, and ordered the men to the ground. Christian had failed to secure a shooting permit from the city; he and three performers were arrested and held until authorities checked out their story. “That was some bad producing on my part,” Christian told the St. Paul Pioneer Press.  

3. The Wizard of Oz Revisited

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Gigapix Studios may not sound familiar, but that could change if you happen to work for the FBI: The film company enlisted over 750 investors beginning in 2011 to finance a 3-D animated version of The Wizard of Oz. Over $22 million was raised for that film and other projects—but none of the films were ever made. After receiving several complaints, Federal agents arrested several Gigapix employees in 2014 and handed down a 36-count indictment. Quoting the charges, the Los Angeles Times reported that instead of investing in the picture, Gigapix honchos “spent investor money on salaries for themselves … and to pay their personal expenses, employee salaries, and commissions.” In February 2015, two were sentenced to eight and five years in prison, respectively.

4. Gasland And The Fracking Controversy

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The practice of fracking as a means to obtain natural gas has become a controversial issue—one that certainly lends itself to a documentary-length examination. Perhaps director Josh Fox thought the gravity of such a film, a sequel to his own Gasland, would invite cooperation. In the case of an interrupted congressional hearing, it did not. In 2012, Fox was told Gasland would be discussed during an Environmental Protection Agency report meeting; when he was denied attendance after a short-notice request, he decided to go anyway. After he refused to put away his camera, Capitol Hill police arrested him, citing unlawful entry. Fox later told Huffington Post that he felt “my [press] credentials are my American citizenship.”

5. Midnight Rider

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Shooting on train tracks can be a perilous situation. In 2014, director Randall Miller set up a scene for Midnight Rider, a biopic about musician Gregg Allman, that was intended to show Allman (played by William Hurt) in a dream sequence. But as a train loomed, several crew members were unable to get out of its path in time. As it smashed into set props, seven people were injured; one, Sarah Jones, died as a result of her injuries. Miller and three others were charged with involuntary manslaughter and criminal trespass; Miller pled guilty to the charges and, according to an ABC News report, was sentenced to 2 years in prison and is prohibited from directing or assistant directing a film for 10 years. It’s believed to be the first time a director has ever been held responsible for the death of a crew member.

Celebrate the Holidays With the 2020 Harry Potter Funko Pop Advent Calendar

Funko
Funko

Though the main book series and movie franchise are long over, the Wizarding World of Harry Potter remains in the spotlight as one of the most popular properties in pop-culture. The folks at Funko definitely know this, and every year the company releases a new Advent calendar based on the popular series so fans can count down to the holidays with their favorite characters.

Right now, you can pre-order the 2020 edition of Funko's popular Harry Potter Advent calendar, and if you do it through Amazon, you'll even get it on sale for 33 percent off, bringing the price down from $60 to just $40.

Funko Pop!/Amazon

Over the course of the holiday season, the Advent calendar allows you to count down the days until Christmas, starting on December 1, by opening one of the tiny, numbered doors on the appropriate day. Each door is filled with a surprise Pocket Pop! figurine—but outside of the trio of Harry, Hermione, and Ron, the company isn't revealing who you'll be getting just yet.

Calendars will start shipping on October 15, but if you want a head start, go to Amazon to pre-order yours at a discount.

This article contains affiliate links to products selected by our editors. Mental Floss may receive a commission for purchases made through these links.

13 Facts About Miller's Crossing On Its 30th Anniversary

Gabriel Byrne and John Turturro in Joel and Ethan Coen's Miller's Crossing (1990).
Gabriel Byrne and John Turturro in Joel and Ethan Coen's Miller's Crossing (1990).
20th Century Fox Home Entertainment

In 1990 Joel and Ethan Coen were not yet the Oscar-winning, cinephile-worshipped filmmaking legends they are today. They had only written and directed two films: 1984’s inventive neo-noir Blood Simple and 1987’s screwball kidnapping comedy Raising Arizona. Though the brothers had drawn critical acclaim for both, they hadn’t yet proven themselves as the true cinematic chameleons we know them as now.

With Miller’s Crossing, an intricate gangster drama that contrasts fedoras and overcoats with the serenity of the forest, the Coens proved they were capable of even more than their brilliant first two efforts suggested. Though it was critically acclaimed, Miller’s Crossing was lost to most audiences in the mire of that year’s other gangster pictures (most notably Martin Scorsese’s Goodfellas, which was released just two weeks ahead of Miller’s Crossing) and as such is one of the lesser-known entries in the Coens’s filmography. In honor of its 30th anniversary, we dug up some fascinating facts in the hope of changing that.

1. Miller's Crossing was inspired by a single contrasting image.

One of the most memorable shots in Miller’s Crossing features a hat belonging to Tom Reagan (Gabriel Byrne's character) floating through the forest on a breeze. It’s more than a pretty shot; it’s an indicator of the deliberate contrast that inspired the film. The Coen brothers noted that the film was conceived based on the idea of “the incongruity of urban gangsters in a forest setting.”

2. The Coen brothers turned down Batman to make Miller's Crossing.

After Raising Arizona’s success established the Coens as more than one-hit indie film wonders, the brothers had some options with regard to what project they could tackle next. Reportedly, their success meant that they were among the filmmakers being considered to make Batman for Warner Bros. Of course, the Coens ultimately decided to go the less commercial route, and Tim Burton ended up telling the story of The Dark Knight on the big screen.

3. Miller's Crossing was the final film the Coens made with Barry Sonnenfeld.

Barry Sonnenfeld became a very sought-after cinematographer throughout the 1980s, in part because of his collaborations with the Coens. Their directorial debut, Blood Simple, was his first feature film as a director of photography, and he went on to shoot both Raising Arizona and Miller’s Crossing for them. The year after Miller’s Crossing was released, Sonnenfeld made his directorial debut with The Addams Family, and went on to direct further hits like Men In Black and Get Shorty.

4. Miller's Crossing was the Coens's first collaboration with Steve Buscemi.

Steve Buscemi in Miller's Crossing (1990).20th Century Fox Home Entertainment

Throughout their careers, the Coens have developed a very prestigious company of actors who frequently appear in their films, and Steve Buscemi is among the most prolific. He has appeared in six Coen films, most famously Fargo (1996) and The Big Lebowski (1998). The collaboration started here, when Buscemi was cast as Mink, apparently because he was able to speak faster than anyone else, and fast-talking was crucial to the role.

5. Miller's Crossing was also the Coens's first movie with John Turturro.

When John Turturro was cast as Bernie Bernbaum, the bookie who ignites the mob war at the center of Miller's Crossing, it marked the beginning of a fruitful four-film collaboration with the Coens. They wrote the title role of their next film, 1991’s Barton Fink, specifically for Turturro (who won the Cannes Film Festival’s Best Actor Award for his performance). Of the brothers’s working relationship with Turturro, Ethan Coen once said: “It’s beyond shorthand. We don’t even talk to him!”

6. Miller's Crossing is one of the few Coen brothers movies (so far) not edited by Roderick Jaynes.

To date, the Coen brothers have written and directed 18 feature films, and 15 of them have been either edited or co-edited by Roderick Jaynes. That level of deep collaboration would make Jaynes the Coens’s most frequent collaborator ever … if he were a real person. Jaynes is actually a pseudonym used when the Coens edit their own movies.

7. A sudden death led to Albert Finney being cast as Leo O'Bannon in Miller's Crossing.

As Irish mob boss Leo O’Bannon, Albert Finney is at the center of some of the film’s best scenes—and he’s fantastic in them. Sadly, though, he’s only in the film because another actor died tragically before filming began. The Coens originally cast American actor Trey Wilson, whom they had worked with on Raising Arizona, as Leo. But when Wilson died suddenly from a cerebral hemorrhage at the age of 40, the part went to Finney instead.

8. Peter Stormare was supposed to play a mob enforcer in Miller's Crossing.

The Coens’ original plan for Miller’s Crossing involved Peter Stormare playing a character called “The Swede,” who would be the trusted enforcer of Italian mob boss Johnny Caspar (Jon Polito). A commitment to a theatrical production in Sweden meant that Stormare had to turn down the role, though, so the part was rewritten as “The Dane” and played by J.E. Freeman. Stormare ultimately got to work with the Coens six years later on Fargo, and again two years after that on The Big Lebowski.

9. Gabriel Byrne had to convince the Coens to let him keep his Irish accent in Miller's Crossing.

Gabriel Byrne in Miller's Crossing (1990).20th Century Fox Home Entertainment

Though he was an Irish native playing a lieutenant to an Irish mobster, the Coens did not originally want Gabriel Byrne to use his own accent in the film. Byrne argued that his dialogue was structured in such a way that it was a good fit for his accent, and after he tried it, the Coens agreed. Ultimately, both Byrne and Finney used Irish accents in the film.

10. Marcia Gay Harden faced some stiff competition for her role in Miller's Crossing.

As Verna Bernbaum, whose relationships with both Leo and Tom ignite some of the film’s key tensions, Marcia Gay Harden delivered one of the best performances of her career, but it wasn’t an easy role to get. She reportedly competed for the role against the likes of Julia Roberts, Demi Moore, and Jennifer Jason Leigh.

11. Jon Polito had to convince the Coens to cast him in a different role in Miller's Crossing.

Jon Polito in Miller's Crossing (1990).20th Century Fox Home Entertainment

When Polito read the Miller’s Crossing script, he loved it and immediately wanted to audition for the role of Johnny Caspar. The Coens had different ideas, and were considering the 39-year-old actor for the role of Caspar’s enforcer, Eddie Dane, instead. The role of Caspar was originally supposed to go to an actor in his mid-50s, but Polito was adamant.

“Anyway, I said I won’t read for anything but Johnny Caspar,” Polito, who passed away in 206, told The A.V. Club. “’And tell them that they’re gonna have to come back to me cause I’m gonna play Johnny.’”

The Coens ultimately gave in, and Polito was cast. They must have liked what they saw, too, because they ended up casting him in four more films after that.

12. A snag in the Miller's Crossing script ultimately led to Barton Fink.

Miller’s Crossing is a complicated beast, full of characters double-crossing each other and scheming for mob supremacy. In fact, it’s so complicated that at one point during the writing process the Coens had to take a break. It turned out to be a productive one: While Miller’s Crossing was on pause, the brothers wrote the screenplay for Barton Fink, the story of a writer who can’t finish a script.

13. Miller's Crossing features several cameos from regular Coen collaborators.

The Coens frequently include cameos from actors and friends in their films, and Miller’s Crossing is particularly full of them. Frances McDormand, who is married to Joel Coen and has appeared in several of their films to date (including Fargo, for which she won an Oscar), plays the mayor’s secretary in one scene. In another, Sam Raimi—a Coen friend and collaborator (the Coens wrote 1985’s Crimewave with Raimi, which Raimi directed, and Raimi later co-wrote The Hudsucker Proxy with the brothers—appears as a crooked cop in a shootout scene. Albert Finney already had a prominent role as Leo, but he enjoyed making the movie so much that he stuck around after his scenes were completed and showed up in drag in a ladies’ room scene. (He’s the “woman” in black on the right side of the screen.)

This story has been updated for 2020.