14 Facts About The Muppet Christmas Carol

Walt Disney Studios
Walt Disney Studios

'Tis the season to be jolly, joyous, and watch The Muppet Christmas Carol. Maybe you know every word to this charming Muppet musical. Perhaps you count it as your favorite adaptation of Charles Dickens's tale of Ebenezer Scrooge. But do you know all the secrets behind this holiday classic's creation?

1. It was the first Muppet movie made without Jim Henson.

A photo of Jim Henson
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The man behind the Muppets passed away on May 16, 1990 at the age of 53. The Muppet Christmas Carol debuted on December 11, 1992 with Steve Whitmire taking over Kermit the Frog for Henson. The film is dedicated to Henson and his longtime collaborator Richard Hunt, who performed Scooter, Beaker, Janice, Statler, and Sweetums, and passed away on January 7, 1992.

2. It was Brian Henson’s feature directorial debut.

As the son of Jim Henson, Brian Henson's earliest credits date back to a childhood spent in front of the camera on Sesame Street. He began performing as a Muppeteer on 1981's The Great Muppet Caper, and went on to direct Muppet Treasure Island in 1996. Today, Brian and his sister Lisa run The Jim Henson Company.

3. The shooting star is in memory of Jim Henson.

The song "One More Sleep 'Til Christmas" ends with Kermit staring wistfully at the sky as a shooting star streaks by. In the DVD's audio commentary, Brian Henson said this was a nod to The Muppet Movie, wherein a shooting star flies over Kermit. It has since become a recurring element to frame Kermit with a shooting star, as seen in Muppet Treasure Island, Kermit's Swamp Years, It's A Very Merry Muppet Christmas Movie, and The Muppets.

4. Steve Whitmire got Henson’s blessing in a dream.


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Talking to Muppet Central, Steve Whitmire spoke of a dream he had the night before shooting his first scene as Kermit. In it, he found Henson in a gleaming white hotel lobby and confessed his anxiety about taking on the character so identified with its creator.

"He stopped, and there was a thoughtful gesture Jim would do where he would take both of his index fingers and put them under his chin, and he did that and thought and he said, 'It will pass,'" Whitmire recalled. "Which is exactly what Jim would have said. You would have to really know Jim to know this, but that’s exactly what he would have said. Then he turned and he said, 'I’ve really got to run …' and he took off out the door. I woke up and I felt great. I remembered this dream and I went in the next day, I did the work, and it was smooth, it worked fine, and I felt great. Just that little bit of encouragement. I really think he showed up for me."

5. George Carlin was considered for the role of Ebenezer Scrooge.

Best known for his searing stand-up act, by the time The Muppet Christmas Carol came around, George Carlin had made memorable big-screen appearances in Bill & Ted's Excellent Adventure, Bill & Ted's Bogus Journey, and The Prince of Tides, but he didn't land the role. Aside from the curmudgeonly American comedian, English actors David Hemmings, Ron Moody, and David Warner were also eyed for the part. Ultimately, the role went to Michael Caine.

6. There’s a subtle nod to Michael Caine’s name.

Two-time Academy Award winner and English acting legend Michael Caine brought a considerable amount of prestige to the production, which was the first Muppet movie to focus on its human characters. Perhaps as a sign of thanks, The Muppet Christmas Carol's production design team added a nod to Caine's given name, Maurice Micklewhite, to Scrooge's 19th-century London. In the film's finale, keep your eyes peeled for a shop named Micklewhite's.

7. Michael Caine had to watch his step.


Walt Disney Studios

The Muppet Christmas Carol's sets were specially built to accommodate the Muppeteers, meaning they were elevated to leave room for them to walk around below the "London" streets. Planks and platforms were put in place for Caine and his human co-stars to walk on. In a promotional behind-the-scenes video, you can see how crucial careful foot placement was as the Muppets swarmed him singing the opening song "Scrooge." Despite this trickiness, Caine called it "very fun."

8. Scooter was booted from a major role.

The long-time gofer for The Muppet Show was originally supposed to appear as the Ghost of Christmas Past in The Muppet Christmas Carol. Similarly, Miss Piggy and Gonzo were considered for the Ghosts of Christmas Present and Yet To Come. However, this idea was scrapped in favor of new Muppet creations that could better underline the ominous nature of the story. Piggy was recast as Mrs. Cratchit, and Gonzo as Charles Dickens. But Scooter was cut completely.

9. Gonzo was recast as a device to bring in Dickens’s prose.

Though it added in plenty of zany Muppets and split the role of Jacob Marley for Statler and Waldorf, The Muppet Christmas Carol remains pretty true to its source material. Screenwriter Jerry Juhl wanted to make use of Dickens's graceful narration, so Gonzo was cast as the beloved author. Rizzo the Rat was added to infuse some humor and serve as a Greek chorus of sorts.

10. The Ghost of Christmas Past’s movements were aquatic.

The spirit that guides Scrooge into his childhood has an eerie, floating physicality. To achieve this look, puppeteers were submerged with the Muppet in a tank of baby oil backed by a green screen to record the performance. However, the cost of a tank of baby oil soon stacked up, pushing the filmmakers to switch to water. Though the rod puppet's glues and paints interacted poorly with the water, they got the shots they needed.

11. Kermit’s full-bodied stroll was a big production.

To achieve the "Tis The Season" shot of Kermit walking down a snow-covered street with nephew Robin (playing Tiny Tim) on his shoulder, Brian Henson had to employ 10 puppeteers. A rotating drum covered in fake snow was positioned beneath Kermit's feet, to allow for a natural gait. If you pay close attention, you can see it in action. Behind that was a blue screen and various puppeteers working the characters' limbs and mouths. These were swapped for lit-up London homes in post-production.

12. “When Love Is Gone” was cut from the theatrical release.

The song sung to a young Ebenezer by his heartbroken Belle (Meredith Braun) was cut from the film's theatrical version because it was considered a bit too slow (and too Muppet-free) to keep the interest of children in test audiences. However, the tune was included in some home entertainment releases and several TV airings of The Muppet Christmas Carol. ABC Family's preferred cut excludes this melancholy melody.

13. Bunsen, Beaker, and Sam the Eagle had songs cut.

In The Muppet Christmas Carol, Dr. Bunsen Honeydew and his loyal assistant Beaker pop in on Scrooge seeking donations for the poor. Early on, their plea included a song called "Room in Your Heart." Similarly Sam Eagle, playing a young Scrooge's headmaster, had a ditty called "Chairman of the Board." Both songs were recorded but cut from the script before their performances were shot, as neither added much to the story's exposition. They do, however, show up on the film's soundtrack.

14. Fred Scrooge did not lose his wife.

In the final Christmas feast scene, sharp-eyed viewers may have noticed that Scrooge's nephew Fred is present, but his wife Clara is not. In the DVD commentary, Henson shared that he received letters demanding to know what happened to Fred's better half. The simple answer is that the actress playing her (Robin Weaver) wasn't available to shoot that day. It's not meant as some hint that he's on the same rocky, loveless road his uncle once trod.

12 Good Ol' Facts About The Dukes of Hazzard

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When The Dukes of Hazzard premiered on January 26, 1979, it was intended to be a temporary patch in CBS’s primetime schedule until The Incredible Hulk returned. Only nine episodes were ordered, and few executives at the network had any expectation that the series—about two amiable brothers at odds with the corrupt law enforcement of Hazzard County—would become both a ratings powerhouse and a merchandising bonanza. Check out some of these lesser-known facts about the Duke boys, their extended family, and the gravity-defying General Lee.

1. CBS's chairman hated The Dukes of Hazzard.

CBS chairman William Paley never quite bought into the idea of spinning his opinion to match the company line. Having built CBS from a radio station to one of the “Big Three” television networks, he had harvested talent as diverse as Norman Lear and Lucille Ball, a marked contrast to the Southern-fried humor of The Dukes of Hazzard. In his 80s when it became a top 10 series and seeing no reason to censor himself, Paley repeatedly and publicly described the show as “lousy.”

2. The Dukes of Hazzard's General Lee got 35,000 fan letters a month.


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While John Schneider and Tom Wopat were the ostensible stars of the show, both the actors and the show's producers quickly found out that the main attraction was the 1969 Dodge Charger—dubbed the General Lee—that trafficked brothers Bo and Luke Duke from one caper to another. Of the 60,000 letters the series was receiving every month in 1981, 35,000 wanted more information on or pictures of the car.

3. Dennis Quaid wanted to be The Dukes of Hazzard's Luke Duke—on one condition.

When the show began casting in 1978, producers threw out a wide net searching for the leads. Dennis Quaid was among those interested in the role of Luke Duke—which eventually went to Wopat—but he had a condition: he would only agree to the show if his then-wife, P.J. Soles, was cast at the Dukes’ cousin, Daisy. Soles wasn’t a proper fit for the supporting part, which put Quaid off; Catherine Bach was eventually cast as Daisy.

4. John Schneider pretended to be a redneck for his Dukes of Hazzard audition.

New York native Schneider was only 18 years old when he went in to read for the role of Bo Duke. The problem: producers wanted someone 24 to 30 years old. Schneider lied about his age and passed himself off as a Southern archetype, strutting in wearing a cowboy hat, drinking a beer, and spitting tobacco. He also told them he could do stunt driving. It was a good enough performance to land him the show.

5. The Dukes of Hazzard co-stars John Schneider and Tom Wopat met while taking a poop.

After Schneider was cast, the show needed to locate an actor who could complement Bo. Stage actor Wopat was flown in for a screen test; Schneider happened to be in the bathroom when Wopat walked in after him. The two began talking about music—Schneider had seen a guitar under the stall door—and found they had an easy camaraderie. After flushing, the two did a scene. Wopat was hired immediately.

6. Daisy's Dukes needed a tweak on The Dukes of Hazzard.

Bach’s omnipresent jean shorts were such a hit that any kind of cutoffs quickly became known as “Daisy Dukes,” after her character. But they were so skimpy that the network was concerned censors wouldn’t allow them. A negotiation began, and it was eventually decided that Bach would wear some extremely sheer pantyhose to make sure there were no clothing malfunctions.

7. Nancy Reagan was fan of The Dukes of Hazzard's Daisy.

Shirley Moore, Bach’s former grade school teacher, went on to work in the White House. After Bach sent her a poster, she was surprised to hear back that then-First Lady Nancy Reagan was enamored with it. “I’m the envy of the White House and I’m having your poster framed,” Moore wrote in a letter. “Mrs. Reagan saw the picture and fell in love with it.” Bach sent more posters, which presumably became part of the decor during the Reagan administration.

8. The Dukes of Hazzard's stars had some very bizarre contract demands.

Wopat and Schneider famously walked off the series in 1982 after demanding a cut of the show’s massive merchandising revenue—which was, by one estimate, more than $190 million in 1981 alone. They were replaced with Byron Cherry and Christopher Mayer, “cousins” of the Duke boys, who were reviled by fans for being scabs. The two leads eventually came back, but it wasn’t the only time Warner Bros. had to deal with irate actors. James Best, who portrayed crooked sheriff Rosco P. Coltrane, refused to film five episodes because he had no private dressing room in which to change his clothes; the production just hosed him down when he got dirty. Ben Jones, who played “Cooter” the mechanic, briefly left because he wanted his character to sport a beard and producers preferred he be clean-shaven.

9. A miniature car was used for some stunts in The Dukes of Hazzard.

As established, the General Lee was a primary attraction for viewers of the series. For years, the show wrecked dozens of Chargers by jumping, crashing, and otherwise abusing them, which created some terrific footage. For its seventh and final season in 1985, the show turned to a miniature effects team in an effort to save on production costs: it was cheaper to mangle a Hot Wheels-sized model than the real thing. “It was a source of embarrassment to all of us on the show,” Wopat told E!.

10. The Dukes of Hazzard's famous "hood slide" was an accident.

A staple—and, eventually, cliché—of action films everywhere, the slide over the hood was popularized by Tom Wopat. While it may have been tempting to take credit, Wopat said it was unintentional and that the first time he tried clearing the hood, the car’s antenna wound up injuring him.

11. The Dukes of Hazzard cartoon went international.


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Warner Bros. capitalized on the show’s phenomenal popularity with an animated series, The Dukes, which was produced by Hanna-Barbera and aired in 1983. Taking advantage of the form, the Duke boys traveled internationally, racing Boss Hogg through Greece or Hong Kong. Perhaps owing to the fact that the live-action series was already considered enough of a cartoon, the animated series only lasted 20 episodes.

12. In 2015, Warner Bros. banned the Confederate flag from The Dukes of Hazzard merchandising.

At the time the series originally aired, little was made of the General Lee sporting a Confederate flag on its hood. In 2015, after then-South Carolina Governor Nikki Haley spoke out against the depiction of the flag in popular culture, Warner Bros. elected to stop licensing products with the original roof. The company announced that all future Dukes merchandise would drop the design element. Schneider disagreed with the decision, telling The Hollywood Reporter, “Is the flag used as such in other applications? Yes, but certainly not on the Dukes ... Labeling anyone who has the flag a ‘racist’ seems unfair to those who are clearly ‘never meanin’ no harm.'”

8 Surprising Facts About Paul Newman

Hulton Archive/Getty Images
Hulton Archive/Getty Images

With roles as varied as pool shark “Fast” Eddie Felson in 1961’s The Hustler (and 1986's The Color of Money) and alcoholic lawyer Frank Galvin in 1982’s The Verdict, Paul Newman never conformed to type. The versatile actor spent decades as a movie star, auto racer, and part-time salad dressing pitchman. In honor of what would have been Newman’s 95th birthday on January 26, 2020, take a look at some lesser-known details of the performer’s life and career.

1. Paul Newman originally wanted to be a football player.

Born in Cleveland and raised in Shaker Heights, Ohio, Paul Newman was the offspring of Arthur, a sporting goods store owner, and Teresa, whose love of theater eventually proved contagious. But Newman originally had his sights set on a sports career. He played football in high school and college before enlisting in the U.S. Navy Air Corps, where he served as a radio operator (as he was ineligible to be a pilot due to being colorblind).

When Newman returned home in 1946, he attended Kenyon College in Gambier, Ohio on a football scholarship. After getting arrested for fighting and being kicked off the team, Newman decided to shift his major to theater. He eventually wound up in summer stock and then the Yale School of Drama before heading off to be a full-time actor in New York.

2. Paul Newman thought his first film was the worst movie ever made.

After stints on stage and in television, including roles in Playhouse 90, Newman was offered the starring role in 1954’s The Silver Chalice, about a Greek slave who crafts the cup used during the Last Supper. While the $1000 weekly salary was welcome, the film was not. Newman later asked friends to sit through it while drubbing it as the worst film ever made. He had better luck two years later when he played boxer Rocky Graziano in Somebody Up There Likes Me (1956). In 1958, Newman earned his first of 10 Academy Award nominations for Cat on a Hot Tin Roof.

3. Paul Newman was often mistaken for Marlon Brando.

Paul Newman and Joanne Woodward standing outdoors, circa 1962
Paul Newman and wife Joanne Woodward, circa 1962.
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Early in their respective careers, Newman was regularly approached by people who thought he was Marlon Brando. Rather than correct them, he would oblige their request for an autograph by signing, “Best Wishes, Marlon Brando.”

4. Paul Newman frequently enjoyed faking his own death.

Newman, who was described by most who knew him as an affable man, had a mischievous streak that often manifested in practical jokes on his directors. A frequent target was George Roy Hill, who directed Newman in 1969’s Butch Cassidy and the Sundance Kid, 1973’s The Sting, and 1977’s Slap Shot. Newman cut Hill’s desk and car in half during filming of the first two films. While making Slap Shot, he crawled behind the wheel of a wrecked car and pretended he had been in an accident, much to Hill’s horror.

While making 1960’s Exodus, Newman pranked director Otto Preminger by tossing a dummy off a building knowing Preminger would think it was him: Preminger collapsed in shock. He repeated the joke during shooting of 1973’s The MacKintosh Man, tossing another dummy off a 60-foot building in front of director John Huston.

5. A movie introduced Paul Newman to racing.

It was starring in the 1969 racing film Winning that led Newman down a path of competitive racing in his private life. In 1972, Newman started driving on an amateur level before winning his first professional race in 1982. At age 70, he was part of the winning team in the 1995 Daytona 24-Hours sports car endurance race and continued to drive through 2005. The hobby was one of the few things that could get Newman, who was notoriously press-shy, to open up to media. “I’ll always talk about racing because the people are interesting and fun, the sport is a lot more exciting than anything else I do, and nobody cares that I’m an actor,” Newman said. “I wish I could spend all my time at the racetrack.”

6. Richard Nixon considered Paul Newman an enemy.

Actor Paul Newman is pictured in Venice, Italy in 1963
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President Richard Nixon, who was no stranger to controversy, liked to keep tabs on people he considered volatile and in opposition to his politics. While that normally included political figures, his “enemies list” also included Newman. The actor earned the honor by supporting 1968 presidential candidate Hubert Humphrey and being an outspoken critic of the Vietnam War. Oddly, Newman and Nixon had some personal history: Both men shared use of a Jaguar on loan from an automobile dealer. When Newman learned that Nixon was driving the car during part of the week, he left a note saying Nixon should find no trouble operating a car with a “tricky clutch,” a nod to Nixon’s “Tricky Dick” nickname. When Nixon gathered his list of rivals in 1971, Newman’s name was on it. The actor later got a copy and had it framed.

7. Martha Stewart helped put Paul Newman’s salad dressing on the map.

Today it's not uncommon for major actors to lend their images to food and alcoholic beverages. In the early 1980s, it was unusual, though Newman wasn’t looking to make history—only salad dressing. The actor enjoyed mixing an oil and vinegar blend and giving it out to friends and family around the holidays. With friend A.E. Hotchner, Newman bottled a batch and dispensed it over the 1980 Christmas season. Martha Stewart, who was then a caterer, was living in Newman's neighborhood at the time and reported a blind taste test was in favor of the dressing. Newman agreed to put his face on the bottle and call it Newman’s Own. The dressing and the foods to come—including spaghetti sauce—generated profits that Newman donated entirely to charity. As of 2015, the company has delivered an estimated $430 million to charitable causes.

8. Paul Newman once offered part of his salary to a co-star.

While making the 1998 film Twilight with Gene Hackman and Susan Sarandon, Newman was surprised to discover that both he and Hackman were making considerably more than Sarandon, despite all three receiving equal billing. Sarandon told the BBC in 2018 that Newman then offered to give up a portion of his salary to make things equitable.

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