12 Wild Facts About Butch Cassidy and the Sundance Kid

Paul Newman and Robert Redford star in Butch Cassidy and the Sundance Kid (1969).
Paul Newman and Robert Redford star in Butch Cassidy and the Sundance Kid (1969).
20th Century Fox

Lovable outlaws, buddy comedies, and Westerns have always been a part of the cinematic landscape. But it was Butch Cassidy and the Sundance Kid that first combined those elements into a box office smash, setting the tone for the dozens (hundreds?) of action comedies that have followed. It also put Robert Redford on the A-list (Paul Newman was already there), and introduced audiences to the bizarrely anachronistic pop song “Raindrops Keep Fallin’ on My Head.” Here are a dirty dozen facts about one of our favorite movies about bad guys, which was released 40 years ago.

1. “Most of what follows is true” isn’t true.

That disclaimer at the beginning of the film, a variation of the familiar “based on a true story,” is tongue-in-cheek. The reality is that much of the lore surrounding Butch and Sundance was difficult or impossible to confirm or debunk, so screenwriter William Goldman (who’d primarily been a novelist before this) just went with it. In fact, that’s why he wrote a movie instead of a book: he was interested in the story, but he didn’t want to do the laborious research into day-to-day turn-of-the-century frontier life that a novel would require.

2. Paul Newman was in from the beginning, but finding his co-star took some work.

Paul Newman and Robert Redford star in Butch Cassidy and the Sundance Kid
20th Century Fox

When he wrote it, Goldman had in mind Newman—then perhaps the biggest movie star in the world—and Jack Lemmon, who’d done a 1958 Western called Cowboy and seemed like a good fit. Lemmon turned out not to be interested, and numerous other candidates were approached, including Steve McQueen (see below), Warren Beatty, and Marlon Brando. Newman’s wife, Joanne Woodward, suggested Robert Redford—then a stage actor who’d been in a few films but was considered something of a lightweight. Woodward, Newman, and director George Roy Hill all pestered the reluctant 20th Century Fox bosses until they conceded to casting Redford.

3. The president of 20th Century Fox could have lost his job for buying the screenplay.

Not because he bought it, but because he paid $400,000 for it. Richard Zanuck, son of Fox co-founder Darryl F. Zanuck, was authorized to spend $200,000, and later had to justify to the board of directors his decision to spend twice that much, especially since $400,000 was more than anyone had ever paid for a screenplay before. (That’s about $2.8 million in 2019 dollars, a figure that has been paid plenty of times.) The price turned out to be worth it, as Butch Cassidy and the Sundance Kid was the top-grossing film of 1969. But despite that and a few other hits, Fox was hemorrhaging money due to expensive flops like Dr. Dolittle, and Zanuck was fired in 1970.

4. Steve Mcqueen dropped out over billing.

If Newman was the biggest movie star in the world at the time, Steve McQueen was right up there with him. The idea of casting not one but two mega-stars as Butch and Sundance made perfect sense, but there was a problem: whose name would go first in the credits? Fox president Darryl F. Zanuck later said that he proposed an unusual arrangement where half the prints of the film would list Newman first, the other half McQueen, but McQueen (or his representatives) wouldn’t accept anything other than top billing across the board. And that was that.

5. It was titled “The Sundance Kid And Butch Cassidy” until the casting was settled.

Once they’d settled on Redford as Newman’s costar, a new (minor) issue arose. Newman thought he was playing Sundance in what had heretofore been known as The Sundance Kid and Butch Cassidy. It turned out Hill, the director, actually wanted him to play Butch, and Redford to play Sundance. No problem; Newman was fine with the switch. But now they had a situation where the character being played by the less-famous actor came first in the title. The obvious Hollywood solution: reverse the title. “The Sundance Kid and Butch Cassidy” sounds weird to us now (as does the notion of Redford being significantly less famous than Newman), but there you go.

6. They had to change the name of Butch and Sundance’s gang to steer clear of Sam Peckinpah.

In real life, Butch and Sundance’s crew of bandits were collectively known as the Wild Bunch, and were so named in Goldman’s script. But as the film was going into production, Fox execs became aware of a Warner Bros. property called The Wild Bunch, written and directed by Sam Peckinpah. It wasn’t about the same guys, but it was a Western, and the story bore some coincidental similarities. What’s more, WB was rushing to get it into theaters before Butch Cassidy and the Sundance Kid. So calling anybody “the Wild Bunch” in the Butch and Sundance movie was out of the question. Fox’s solution was to rename them the Hole-in-the-Wall Gang, after a place in Wyoming that Butch (and other bad guys) sometimes used as home base.

7. Newman did his own bicycling stunts—because the stuntman couldn’t.

The studio sent a guy who practiced Butch’s showing-off moments for days ahead of time, but when it came time to shoot it, he couldn’t stay upright. Newman ended up doing most of it himself, which looked better on camera anyway. (The one shot he didn’t perform—the one at the end where the bike crashes through a fence—was done by cinematographer Conrad Hall.) Director Hill was duly annoyed by the waste of money on the bike stuntman.

8. Newman got mad at Redford for doing his own stunts.

To be fair, Redford’s stunts were a lot more dangerous. It was the scene where Sundance leaps onto the top of a moving train and runs stealthily across the cars. It wasn’t that Newman was jealous of Redford’s derring-do—he was concerned for his safety. “I don’t want to lose a costar” is what Redford recalls Newman saying. Chastened (and touched), Redford agreed it was a selfish move on his part, and he refrained from risking his life after that.

9. Katharine Ross was banned from the set for being too helpful.

Katharine Ross and Paul Newman in 'Butch Cassidy and the Sundance Kid' (2019)
20th Century Fox

The 29-year-old actress, an Oscar nominee for playing Elaine Robinson in The Graduate, played Sundance’s girlfriend, Etta Place. In real life, she was dating (and would soon marry) cinematographer Conrad Hall, and that’s how she got into trouble. Ross was interested in photography, and while observing a scene that she wasn’t in, she asked Hall if she could operate one of the cameras. There were several cameras in use for this particular scene, so it didn’t matter (to Hall, anyway) if one of the less important ones was operated by an amateur, just for fun. Many crew members felt otherwise, and director Hill was furious when he found out. He sent word to Ross back at her hotel that she was no longer allowed on the set except when she was working. “It became a very difficult shoot for me,” she later said. “In fact, it took me a long time before I even wanted to see the film.”

Ross and Hall were married in 1969, the same years as the film's release, and divorced in 1974. Ten years later, Ross married fellow actor Sam Elliott; the couple is celebrating their 35th anniversary this year.

10. The film had to endure additional editing because it was too funny.

One of the complaints some critics had about the movie was that the glib, humorous tone felt anachronistic. They should have seen the earlier cut, which was even more uproarious. Zanuck later recalled that test-screening audiences found it too funny, funnier than the studio had in mind. They wanted it to be an amusing Western, but not an all-out comedy Western (a genre that tended to do poorly). The film was sent back for re-editing to take a few laughs out and make the whole thing feel a little more respectable.

11. There was a super-posse in real life, but with a very different outcome.

The film depicts several of the best lawmen teaming up to hunt Butch and Sundance as a group (which could actually make for a very interesting movie on its own). For a 30-minute chunk of the film, our heroes are on the run, barely staying a step ahead, ultimately escaping by leaping into a river and then moving to Bolivia. That’s all an embellishment of the truth. There was a super-posse, but they didn’t engage Butch and Sundance in much of a chase: as soon as Butch and Sundance heard who was in the group, they fled, knowing they’d never be able to beat them. The hunt was over before it started.

12. They wanted to shoot some of it on the set of Hello, Dolly!

The script called for a sequence where Butch, Sundance, and Etta go to New York before heading for South America. Recreating turn-of-the-century New York would be prohibitively expensive—but as it happened, 20th Century Fox had another movie in production for which just such a set had been built: Hello, Dolly!, the movie version of the hit Broadway musical. Maybe the Butch Cassidy team could borrow it for a few days? But Fox’s Zanuck nixed it for general cost-cutting reasons (and possibly because the Hello, Dolly! team objected). Instead, Hill created a montage of period photographs with the actors pasted in.

Additional Sources: DVD interviews and features Paul Newman: A Life, by Shawn Levy American Film Institute

10 Forgotten Rankin/Bass Christmas Specials

A scene from Rudolph's Shiny New Year (1976).
A scene from Rudolph's Shiny New Year (1976).
Rankin/Bass Productions

If you're prone to picturing your favorite Christmas characters as stop-motion puppets, you can thank Rankin/Bass. The production company founded by Arthur Rankin Jr. and Jules Bass found success in transforming holiday songs and myths into fully-developed television specials in the 1960s, '70s, and '80s. Their most popular specials, like Rudolph the Red-Nosed Reindeer and Frosty the Snowman, are still staples of holiday programming decades after they first aired.

But not every holiday film that played under the Rankin/Bass banner was an instant success. After adapting the most beloved Christmas stories, the company broadened its definition of holiday material, with varying degrees of success. Some films were forgettable, and others were so strange and unsettling that young viewers forced themselves to forget. Here are some Rankin/Bass specials that may be missing from holiday television marathons this year.

1. Rudolph’s Shiny New Year (1976)

Scene from Rudolph's Shiny New Year.
Rankin/Bass Productions

After the stressful events of his 1964 Christmas special, Rudolph deserved a vacation. In Rudolph's Shiny New Year (1976), the red-nosed reindeer barely has a day to rest before being sent on his next adventure. When Santa Claus and his reindeer return home to the North Pole after delivering presents on Christmas, they learn that Happy the Baby New Year is missing. It’s up to Rudolph to bring him home before midnight on New Year’s Eve or else the calendar will be stuck at December 31. And because it wouldn’t be a Rankin/Bass cartoon without a terrifying villain, a vulture named Eon the Terrible is racing to catch Happy first so he can live forever. Thankfully, Rudolph has a caveman, a Medieval knight, and Benjamin Franklin on his side.

2. The Little Drummer Boy, Book II (1976)

Scene from The Little Drummer Boy, Book II.
Rankin/Bass Productions

The Little Drummer Boy from 1968 ends with the birth of Jesus Christ, a.k.a. the events of Christmas. This meant that Rankin/Bass’s most overtly religious Christmas special wasn’t an obvious choice for a follow-up, but the studio still released one in 1976. The Little Drummer Boy, Book II is inspired by "Silver Bells"—a song whose lyrics have nothing to do with the first Christmas at Bethlehem. In the sequel, the drummer boy Aaron and the wise man Melchior join forces to protect silver bells made for baby Jesus from the Roman soldiers plotting to steal them.

3. Nestor, the Long-Eared Christmas Donkey (1977)

Scene from Nestor, the Long-Eared Christmas Donkey.
Rankin/Bass Productions

By the late 1970s, it was apparent that Rankin/Bass was running out of Christmas myths to expand into television specials. Nestor, the Long-Eared Christmas Donkey, their 1977 stop motion film, tells the story of an outcast donkey who experiences a series of traumatic events during the Roman Empire. After being bullied by other animals, left for dead by his owner, and suffering the loss of his mother, Nestor becomes a hero by carrying a pregnant Mary to Bethlehem, where she gives birth to Jesus. Needless to say, Nestor, the Long-Eared Donkey didn’t have the same cultural impact as Rudolph the Red-Nosed Reindeer.

4. The First Christmas: The Story of the First Christmas Snow (1975)

Scene from The First Christmas.
Rankin/Bass Productions

It may have a happy ending, but The First Christmas (1975) is the bleakest movie on this list. An orphaned shepherd named Lucas is taken in by a group of nuns after he’s blinded by lightning. When snow falls during the abbey’s Christmas pageant, Lucas miraculously regains his eyesight and sees snow for the first time. The story swaps Rankin/Bass's signature humor and fantasy for heavy-handed sentimentality, which may be why it didn’t land as well with kids as the company’s other holiday specials. One highlight is a voice performance by Angela Lansbury as the narrator.

5. Jack Frost (1979)

Scene from Jack Frost.
Rankin/Bass Productions

So this film from 1979 is technically a Groundhog Day special, but its connection to winter means it’s usually lumped in with the rest of Rankin/Bass’s Christmas programming. A groundhog named Pardon-Me-Pete (voiced by Buddy Hackett) narrates the story of Jack Frost. After Jack Frost falls in love with a woman on Earth, Father Winter agrees to make him human, with the catch that Jack will turn back into a sprite if he fails to obtain a house, a horse, a bag of gold, and a wife by the first sign of spring. The special is notable for its weird characters, including a villain with a clockwork horse and henchmen. And—spoiler alert!—because Jack doesn’t get the girl at the end, it’s one of the few Rankin/Bass films that doesn’t have a happy ending.

6. Rudolph and Frosty's Christmas in July (1979)

Scene from Rudolph and Frosty's Christmas in July.
Rankin/Bass Productions

In 1979, Rankin/Bass gave two of its most iconic Christmas characters—Frosty the Snowman and Rudolph the Red-Nosed Reindeer—their own movie. The studio was so confident in the product that Rudolph and Frosty's Christmas in July even had a brief theatrical release overseas. But the film has failed to take the place of the original specials in the public consciousness—maybe because seeing snow snakes terrorize Rudolph and watching an evil wizard transform into a tree were too much for younger viewers to handle.

7. Pinocchio's Christmas (1980)

Scene from Pinocchio's Christmas.
Rankin/Bass Productions

The story of Pinocchio may not be the first thing that comes to mind when you think of Christmas, but that didn’t stop Rankin/Bass from turning the classic Italian fairytale into a holiday special. Pinocchio's Christmas (1980) features many of the same themes and characters as The Adventures of Pinocchio—only this version of the tale centers around the puppet’s first Christmas. Santa Claus even makes a cameo appearance.

8. The Stingiest Man in Town (1978)

Scene from The Stingiest Man in Town.
Rankin/Bass Productions

Charles Dickens’s A Christmas Carol is one of the most widely adapted stories of all time, so of course it shows up in Rankin/Bass’s filmography. An insect named B.A.H. Humbug narrates this musical retelling from 1978, with Walter Matthau starring as Ebeneezer Scrooge. The Stingiest Man in Town joins Frosty the Snowman as one of the few Rankin/Bass Christmas productions made with traditional 2D animation instead of stop-motion.

9. The Leprechauns' Christmas Gold (1981)

Scene from The Leprechaun's Christmas Gold.
Rankin/Bass Productions

Rankin/Bass’s streak of mashing up Christmas with other holidays reached peak weirdness in 1981. That’s when the studio released The Leprechauns' Christmas Gold—a story that follows a young Irish sailor who helps a clan of leprechauns protect their gold from an evil banshee named Old Mag the Hag. By trying to create a special that could air around Christmas and St. Patrick’s Day, the filmmakers ended up with something that made little sense at any time of year.

10. The Life and Adventures of Santa Claus (1985)

Scene from The Life and Adventures of Santa Claus.
Rankin/Bass Productions

In 1970, Rankin/Bass explored how Kris Kringle became Santa Claus with Santa Claus Is Comin’ to Town. Fifteen years later, the studio produced a film that provided an alternate origin story for the character, based on L. Frank Baum's 1902 children's book of the same name. This second special wasn’t as well-received as the first. It starts with an antler-sporting sorcerer called the Great Ak finding an abandoned baby in the forest. The child is taken in and raised by wood nymphs, eventually growing up to become a jolly man who delivers toys to children—all while fighting monsters called Awgwas on the side. It ends with a council of mythical beings granting Santa Claus immortality. What was arguably Rankin/Bass’s most unusual Christmas special was also the last to use stop-motion animation.

2020 Golden Globes: The Full List of Nominees

Andrew Scott stars in Fleabag.
Andrew Scott stars in Fleabag.
Steve Schofield/Amazon Studios

Awards season is officially upon us and we're all rushing out to the movie theater—or, more frequently, our own couches—to load up on some of the year's biggest movie and television titles.

Now that the 2020 Golden Globe nominations have been announced, it's clear that Netflix's investment in original content like Martin Scorsese's The Irishman and Noah Baumbach's Marriage Story, which scored the most nominations with six, was a wise decision.

On the television side, streaming emerged victorious as well; The Crown landed a total of four nominations while Phoebe Waller-Bridge's Amazon hit Fleabag earned three, including one for "Hot Priest" Andrew Scott, who was a notable Emmy snub. Amazingly, Game of Thrones was nominated for just a single award: a Best Actor in a Drama Series nomination for Kit Harington.

Below is the full list of nominees for the 77th annual Golden Globe Awards, which will take place on January 5, 2020.

Best Motion Picture, Drama

1917
The Irishman
Joker
Marriage Story
The Two Popes

Best Motion Picture—Musical or Comedy

Once Upon a Time in Hollywood
Jojo Rabbit
Knives Out
Rocketman
Dolemite Is My Name

Best Motion Picture—Foreign Language

The Farewell
Pain and Glory
Portrait of a Lady on Fire
Parasite
Les Misérables

Best Director, Motion Picture

Bong Joon Ho, Parasite
Sam Mendes, 1917
Todd Phillips, Joker
Martin Scorsese, The Irishman
Quentin Tarantino, Once Upon a Time … in Hollywood

Best Screenplay—Motion Picture

Noah Baumbach, Marriage Story
Bong Joon-ho and Han Jin-won, Parasite
Anthony McCarten, The Two Popes
Quentin Tarantino, Once Upon a Time in Hollywood
Steven Zaillian, The Irishman

Best Original Score, Motion Picture

Alexandre Desplat, Little Women
Hildur Gudnadottir, Joker
Randy Newman, Marriage Story
Thomas Newman, 1917
Daniel Pemberton, Motherless Brooklyn

Best Original Song—Motion Picture

Beautiful Ghosts, Cats
I'm Gonna Love Me Again, Rocketman
Into the Unknown, Frozen II
Spirit, The Lion King
Stand Up, Harriet

Best Actor in a Supporting Role in Any Motion Picture

Tom Hanks, A Beautiful Day in the Neighborhood
Anthony Hopkins, The Two Popes
Al Pacino, The Irishman
Joe Pesci, The Irishman
Brad Pitt, Once Upon a Time in Hollywood

Best Actress in a Supporting Role in Any Motion Picture

Kathy Bates, Richard Jewell
Annette Bening, The Report
Laura Dern, Marriage Story
Jennifer Lopez, Hustlers
Margot Robbie, Bombshell

Best Actor in a Motion Picture—Musical or Comedy

Daniel Craig, Knives Out
Roman Griffin Davis, Jojo Rabbit
Leonardo DiCaprio, Once Upon a Time in Hollywood
Taron Egerton, Rocketman
Eddie Murphy, Dolemite Is My Name

Best Motion Picture—Animated

Frozen II
How to Train Your Dragon: The Hidden World
Missing Link
Toy Story 4
Lion King

Best Actor in a Motion Picture—Drama

Christian Bale, Ford v Ferrari
Antonio Banderas, Pain and Glory
Adam Driver, Marriage Story
Joaquin Phoenix, Joker
Jonathan Pryce, The Two Popes

Best Actress in a Motion Picture—Drama

Cynthia Erivo, Harriet
Scarlett Johansson, Marriage Story
Saoirse Ronan, Little Women
Charlize Theron, Bombshell
Renée Zellweger, Judy

Best Actress in a Motion Picture—Musical or Comedy

Awkwafina, The Farewell
Ana de Armas, Knives Out
Cate Blanchett, Where'd You Go, Bernadette
Beanie Feldstein, Booksmart
Emma Thompson, Late Night

Best Performance by an Actor in a Limited Series or Motion Picture Made for Television

Christopher Abbott, Catch-22
Sacha Baron Cohen, The Spy
Russell Crowe, The Loudest Voice
Jared Harris, Chernobyl
Sam Rockwell, Fosse/Verdon

Best Performance by an Actress in a Limited Series or Motion Picture Made for Television

Kaitlyn Dever, Unbelievable
Joey King, The Act
Helen Mirren, Catherine the Great
Merritt Wever, Unbelievable
Michelle Williams, Fosse/Verdon

Best Television Limited Series or Motion Picture Made for Television

Catch-22, Hulu
Chernobyl, HBO
Fosse/Verdon, FX
The Loudest Voice, Showtime
Unbelievable, Netflix

Best Performance by an Actress in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television

Patricia Arquette, The Act
Helena Bonham Carter, The Crown
Toni Collette, Unbelievable
Meryl Streep, Big Little Lies
Emily Watson, Chernobyl

Best Performance by an Actor in a Television Series, Drama

Brian Cox, Succession
Kit Harington, Game of Thrones
Rami Malek, Mr. Robot
Tobias Menzies, The Crown
Billy Porter, Pose

Best Performance by an Actor in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television

Alan Arkin, The Kominsky Method
Kieran Culkin, Succession
Andrew Scott, Fleabag
Stellan Skarsgård, Chernobyl
Henry Winkler, Barry

Best Television Series—Drama

Big Little Lies, HBO
The Crown, Netflix
Killing Eve, AMC
The Morning Show, Apple TV+
Succession, HBO

Best Performance by an Actress in a Television Series, Drama

Jennifer Aniston, The Morning Show
Olivia Colman, The Crown
Jodie Comer, Killing Eve
Nicole Kidman, Big Little Lies
Reese Witherspoon, The Morning Show

Best Television Series—Musical or Comedy

Barry, HBO
Fleabag, Amazon
The Kominsky Method, Netflix
The Marvelous Mrs. Maisel, Amazon
The Politician, Netflix

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