12 Star-Crossed Facts About Romeo + Juliet

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When adapting William Shakespeare, most movie directors spend a lot of time fussing over Elizabethan gowns and crumbling castles. Baz Luhrmann was more concerned with guns, slang, and Ecstasy trips. For his 1996 take on Romeo and Juliet, the Australian director dropped those famously star-crossed lovers into a contemporary city with contemporary problems. The resulting Romeo + Juliet was a bombastic update that struck a chord with teens, who turned it into a major hit. Here are a few interesting details about the hurricanes and kidnappings that plagued the set.

1. BAZ LUHRMANN WANTED TO PROVE THAT SHAKESPEARE WASN’T FOR SNOBS.

In retelling Romeo and Juliet as a modern story, Baz Luhrmann hoped to shake up Shakespeare’s accessibility. “The thing I really set out to do was to smash what I call ‘club Shakespeare,’” Luhrmann told ScreenSlam. “[The idea that] you have to be a member of the club to understand it. This 26-year-old writer wrote this fantastic play so that everybody could understand it, so that everybody could be affected by it.” Luhrmann was especially committed to this goal because he was intimidated by Shakespeare as a school kid. It took a psychedelic performance of Twelfth Night to bring him over to the Bard's side, and he hoped to do the same for moviegoers with his equally brazen vision.

2. LEONARDO DICAPRIO FLEW TO AUSTRALIA ON HIS OWN DIME TO GET THE MOVIE MADE.

Romeo + Juliet

came out a year before Titanic, long before "Leo Mania" had struck. Without that star power behind him, Leonardo DiCaprio had to fight hard to get the movie made. Luhrmann told SFGate that when 20th Century Fox was still on the fence, DiCaprio flew down to Australia to help Luhrmann convince the studio of the project's viability. "He cashed in his business-class tickets so he could bring his friends, and he stayed in Australia for no money at all," Luhrmann explained. "He did a video workshop, so we could persuade the studio to do it. He was extremely passionate about it." Clearly, that passion paid off.

3. NATALIE PORTMAN ALMOST PLAYED JULIET.

Luhrmann claims many now-famous actresses read for the role of Juliet, but only one has been confirmed: Natalie Portman. She made it all the way to rehearsals, but the studio execs found her pairing with DiCaprio problematic. “Fox said it looked like Leonardo DiCaprio was molesting me when we kissed,” Portman told The New York Times. That’s probably because she was the actual age of Juliet in the text (14) while DiCaprio was already 21.

4. JANE CAMPION SUGGESTED CLAIRE DANES FOR THE MOVIE.

When Luhrmann was still struggling to find a suitable replacement for Portman, a fellow Aussie director helped him out. Jane Campion, the Oscar-winning writer/director of The Piano, asked Luhrmann if he had seen the TV show My So-Called Life. She suggested he check out the series' young star, Claire Danes, because she was “so mature for her age.” Luhrmann set a meeting with Danes and pretty soon, the role was hers.

5. DANES WASN’T IMPRESSED WITH DICAPRIO.

Luhrmann was dazzled by Danes’ maturity, but there was another quality that helped her land the job: DiCaprio said she was the only actress who looked him in the eye during auditions—which was no mean feat, considering how many women were smitten with the teenage heartthrob. “Claire just came in and was just so in the moment, so there, and so not trying to do this little angelic flower [version of] Juliet,” DiCaprio told ScreenSlam. “When we were doing the scene where we were supposed to be together, she came right up to me and looked me right in the eye and starting doing her lines.”

6. MARLON BRANDO NEARLY JOINED THE CAST.

Pete Postlethwaite ended up playing Father Laurence, the priest who marries Romeo and Juliet. But Marlon Brando was initially interested in the role. Luhrmann said that Brando sent him letters about the part, but took himself out of the running due to “personal family problems” surrounding his son, Christian. (Christian spent five years in prison for killing Dag Drollet, his half-sister’s boyfriend.) Even before Brando exited, though, he had some reservations—mainly because DiCaprio was too convincing in a previous film. “He said he saw Leonardo in [What’s Eating] Gilbert Grape,” Luhrmann recalled. “[He asked,] ‘Why is it you are going to cast a young man who’s not entirely in control of his mental facilities?’ So Leonardo had him believing that he wasn’t all that balanced.”

7. A HURRICANE HIT THE SET DURING FILMING.

Mercutio’s famous line, “A plague on both your houses!” gets some extra gravitas in this movie, thanks to the thundering skies behind him. That wasn’t CGI; it was a real hurricane. As Luhrmann explained to The Guardian, the cast and crew decided to capitalize on an actual storm rolling through their set in Mexico. They only had time to get two shots (one wide and one reverse) before things turned dangerous. “All the crew had goggles on, and the guys had stinging sand in their eyes, and then, after those two shots, the sets were completely blown away by the hurricane,” Luhrmann said. The crew returned four days later to film close-ups and had to use fans to recreate the effect.

8. THE HAIR STYLIST GOT KIDNAPPED.

That hurricane wasn’t the only disaster the production weathered. At one point, its key hair stylist, Aldo Signoretti, was kidnapped and held for ransom. “The bandidos rang up and said, ‘For $300 you can have him back,’” Luhrmann told Cinema Papers. “So Maurizio [Silvi, the key make-up artist] goes down clutching the money outside the hotel, holds it up, chucks them the bag and they threw Aldo out of the car and broke his leg.”

9. THE BILLBOARDS HAVE SECRET SHAKESPEARE QUOTES.

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Basically every billboard, sign, and scrap of paper seen onscreen contains a Shakespeare reference. Just look at the opening gas station fight alone. You’ll immediately see signs for Montague Construction and Phoenix Gas. The motto for Montague Construction is “retail’d to prosperity,” which is a reference to Richard III. Meanwhile the slogan for Phoenix Gas is “add more fuel to your fire,” a fragment from Henry VI, Part 3. Next to the gas station is Shylock Bank, named for the character in The Merchant of Venice. Look closely at the newspaper in the display rack and you’ll see the headline, “A rash fierce blaze of riot.” This comes from Richard II. And that’s all in the first eight minutes. Keep your eyes peeled and you’re bound to catch dozens more.

10. ALL THE GUNS ARE NAMED AFTER SWORDS.

Romeo, Mercutio, Tybalt, and their friends have shoot-outs in this film, as opposed to the sword duels that take place in the Shakespeare play. But Luhrmann alluded to the original weapons by stamping all of the guns with names of swords. Some characters carry a “Dagger” 9mm, while others have a “Rapier.” Benvolio got stuck with a more generic “Sword Series S” handgun. See if you can catch the “Rapier” text on Tybalt’s pistol in the clip above.

11. THE FINAL SCENE REFERENCES ANOTHER PAIR OF STAR-CROSSED LOVERS.

For the famous double-suicide finale, Luhrmann chose a classical composition. It’s called “Liebestod” (or “love death”) and it comes from the Richard Wagner opera Tristan und Isolde. That medieval story also concerns a doomed couple who die in the final act—but with more love potions and maritime mishaps.

12. THE SOUNDTRACK WENT PLATINUM.

Romeo + Juliet

featured a famously anachronistic soundtrack stacked with singles by Garbage, The Cardigans, and Des’ree. People apparently loved the dissonance. The album went multi-platinum and led to a second, gold-certified volume. But both albums were missing a song written specifically for the movie: Radiohead’s “Exit Music (for a Film).” The British band had composed the song for the Romeo + Juliet end credits at Luhrmann’s request, but didn’t formally release it until their album OK Computer dropped the following year. However, their song "Talk Show Host" does appear on the soundtrack.

K-Swiss Has Cooked Up an Entire Line of Breaking Bad Sneakers

Breaking Bad lives on in sneaker form.
Breaking Bad lives on in sneaker form.
K-Swiss

Breaking Bad has been off the air for nearly seven years, but there’s no sign that AMC’s breakthrough drama is showing any hints of slowing down. On the heels of their success with a limited-edition Breaking Bad sneaker in October 2019, K-Swiss has returned to the seedy underbelly of Albuquerque, New Mexico, with an entire line of shoes.

The company announced a joint venture with Sony Pictures Consumer Products for three new sneakers based on the popular drug-running series starring Bryan Cranston as Walter White, a chemistry teacher-turned-unlikely drug kingpin. All of the K-Swiss x Breaking Bad Classic 2000 varieties are based on the K-Swiss Classic 2000 low-top design and take inspiration from different elements of the show.

The Cooking shoe has a yellow color scheme that takes after the protective suits worn by Walter and Jesse Pinkman (Aaron Paul) during meth cooks. K-Swiss will make 1144 pairs available:

The K-Swiss x 'Breaking Bad' Classic 2000 Cooking sneaker is pictured
The K-Swiss x Breaking Bad Classic 2000 Cooking sneaker.
K-Swiss

The Cleaning shoe (1162 pairs) is patterned after the jumpers worn by the two during the cleaning of their elaborate underground lab built by drug lord Gus Fring (Giancarlo Esposito):

The K-Swiss x 'Breaking Bad' Classic 2000 Cleaning sneaker is pictured
The K-Swiss x Breaking Bad Classic 2000 Cleaning sneaker.
K-Swiss

The Recreational Vehicle design, with a stripe that looks like the exterior of White’s mobile meth laboratory, resembles the October 2019 shoe release. K-Swiss will make 1396 pairs available:

The K-Swiss x 'Breaking Bad' Classic 2000 Recreational Vehicle sneaker is pictured
The K-Swiss x Breaking Bad Classic 2000 Recreational Vehicle sneaker.
K-Swiss

The Cooking and Cleaning shoes have “Heisenberg,” Walter’s alias, written on the sole:

The K-Swiss x 'Breaking Bad' Classic 2000 Cooking sneaker sole with 'Heisenberg' printed on it is pictured
The K-Swiss x Breaking Bad Classic 2000 Cooking and Cleaning sneakers have 'Heisenberg' printed on the sole.
K-Swiss

All the sneakers come packaged in a Breaking Bad periodic table box. Men’s sizes retail for $80 to $90. No women’s sizes have been announced. You can find them in limited quantities online at KSwiss.com, FootLocker.com, Footaction.com, and ChampsSports.com beginning February 20.

8 Surprising Facts About Andy Kaufman

Andy Kaufman in 1981.
Andy Kaufman in 1981.
Joan Adlen, Getty Images

For fans of the late comedian Andy Kaufman (1949-1984), the debate over whether Kaufman was more interested in antagonizing audiences or making them laugh still rages. During a career that saw him appear on stage and on television (Taxi), the performer often blurred the lines between his real persona and the characters he inhabited.

For more on Kaufman, keep reading. Thank you very much.

1. Andy Kaufman got a letter from his doctor that kept him from being drafted.

Born in New York City on January 17, 1949, Kaufman was raised in Great Neck, Long Island and displayed an interest in performing from an early age, entertaining children at their birthday parties when Kaufman himself was only 8 years old. After graduating from high school in 1967, Kaufman though he might be drafted for military service but didn’t wind up serving. His doctor wrote a letter explaining that Kaufman seemed to have no basic grasp of reality, let alone the Vietnam conflict. Joining the Army, the doctor wrote, might cause Kaufman to completely lose his mind. The letter, which likely contained a good measure of hyperbole, earned him a permanent 4-F deferment from service. He went on to attend Grahm Junior College in Boston.

2. Andy Kaufman’s stand-up act was very, very bizarre.

Kaufman got his start in the early 1970s performing at comedy clubs in New York and Los Angeles. Unlike most comics of the time, Kaufman didn’t write a conventionally-structured act. Instead, he would take on the role of performance artist, confusing audiences with stunts like reading from The Great Gatsby and threatening to start over if they complained. He would also drag a sleeping bag on stage and climb into it or do his laundry with a portable dryer. These appearances were sufficiently provocative that Kaufman sometimes hired off-duty police officers to break up fights in the crowd or intercept people trying to attack him.

3. Andy Kaufman once opened for Barry Manilow.

Before Kaufman got television exposure, it was easy for bookers to assume he was a polished and conventional performer. As a result, Kaufman got a number of gigs in the early 1970s opening for established musical acts like the Temptations and Barry Manilow. Appearing onstage in 1972 before the Temptations came out, Kaufman wept and then shot himself in the head with a cap gun. Similarly bizarre behavior was also displayed before a Manilow concert, with irate members of the audience having to be calmed down by Manilow himself.

4. Andy Kaufman was once voted off of Saturday Night Live.

Kaufman succeeded in drawing attention to himself on stage, which led to being invited to perform on Saturday Night Live beginning in 1975. During these appearances, Kaufman would take material from his act, including his lip-syncing of the theme to the Mighty Mouse animated series. Such stunts drew a mixed reception from viewers. From 1975 to 1982, Kaufman made a total of 14 appearances on the show. Then, producers decided to offer viewers the chance to “vote” Kaufman off by calling in to cast their ballot. On the November 20, 1982 broadcast, 195,544 callers asked that the show not permit him to come back on. They outnumbered the 169,186 viewers who called in support of him. While the bit was intended to be humorous, Kaufman honored the results and never appeared on Saturday Night Live again.

5. Andy Kaufman once took his entire audience out for milk and cookies.

Kaufman eventually took his show to Carnegie Hall in 1979, where he was greeted by 2800 people who had come to appreciate his eccentric approach to performing. At the show's conclusion, he invited the entire audience to board buses waiting outside the building. Kaufman took them to the New York School of Printing in Manhattan, where he served the nearly 3000 attendees milk and cookies. He later gave them a ride on the Staten Island Ferry.

6. Andy Kaufman thought about franchising Tony Clifton.

One of Kaufman’s great ruses on the public was dressing as the abrasive lounge singer Tony Clifton, complete with prosthetic chin and torso padding, all while insisting Clifton was an entirely different person. Kaufman sometimes enlisted associates, including his brother Michael and his writing partner Bob Zmuda, to put on the make-up. In 2013, Michael told Vice that Kaufman’s plan was to have Clifton become a roving character. “Andy had been talking about franchising Tony Clifton before he died,” Michael Kaufman said. “He was going to have one in every state.”

7. Andy Kaufman insisted on an Andy Kaufman stand-in for Taxi.

When Kaufman agreed to appear on Taxi (1978-1983) as Latka Gravas, a version of the “Foreign Man” character he had been performing on stage, he had a peculiar request: He wanted to be expected on set for only two of the five shooting days for each episode. While Kaufman didn’t seem to want to do it at all, the paycheck allowed him to pursue his more experimental brand of comedy. Producers agreed. In 2018, co-star Carol Kane, who played Kaufman's love interest, told The Hollywood Reporter that the cast “would work with a fake Andy who wore a sign around his neck that said ‘Latka.’”

Kaufman also showed up to shoot an episode as his alter ego Tony Clifton, insisting that he was not Kaufman. Star Judd Hirsch got so angry that he had Clifton thrown off the set.

8. Andy Kaufman broke character for Orson Welles.

While there were certainly times Kaufman spoke from the heart, it was rare to see him break any one of his myriad characters in front of an audience. That happened—fleetingly—when Kaufman appeared on The Merv Griffin Show in 1982 on a night it was being guest-hosted by legendary film director Orson Welles. Sporting a neck brace from his stint in professional wrestling, Kaufman didn’t keep up appearances for long. After Welles told him he was “fascinated” by his characters, talk turned to Kaufman’s “Foreign Man,” his Elvis Presley imitation, and his “third character,” Tony Clifton. “Well, he wasn’t a character,” Kaufman said, correcting himself. “There’s a lot of debate over whether it’s a character or a real guy, and that’s Tony Clifton, but that’s a whole other story.”

“That’s metaphysics,” Welles replied.

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