15 Behind-the-Scenes Secrets of The Great British Baking Show

Netflix
Netflix

by Sarah Dobbs

If you’re an American fan of The Great British Bake Off you probably know it better as The Great British Baking Show (though its most devoted fans simply call it GBBO, which saves a lot of time). The show's tenth season recently kicked off on England’s Channel 4, and is streaming for American audiences via Netflix (though only one episode is being rolled out per week).

A bona fide global sensation, the baking competition has the power to cause otherwise rational human beings to immediately run to their nearest supermarket in search of obscure ingredients like psyllium or Amarula cream liqueur. It’s a charming, retro, warming hug of a TV show. But how much do you know about what goes on behind the scenes? Without destroying any of your illusions, here are some secrets about how the producers whip up one of the world's most beloved cooking shows.

1. The reason why it has two different names is simple.

A scene from The Great British Bake Off
Netflix

If you’ve ever wondered why the series is called The Great British Bake Off in England and The Great British Baking Show in America, the answer is simple: Pillsbury. The Pillsbury Bake Off, which kicked off in 1949, is probably America’s most famous baking contest. And the company didn’t want there to be any confusion among viewers, hence The Great British Baking Show.

2. Each oven has to be tested every day.

It’s difficult enough to make a cake that Paul Hollywood won’t declare either under- or over-baked without having to worry about whether your oven is working properly. So for every day of filming, every oven has to be tested. And because this is a baking show, they’re tested with cakes. Yes, every day every oven has a Victoria sponge cake cooked in it, to make sure everything’s working exactly as it should be.

3. Every time someone opens an oven door, there's a camera watching them.

To make sure they catch all the drama, GBBO producers insist that every time a bake is put into or taken out of an oven, the moment must be caught on camera. So whenever a baker wants to put their goodies into an oven, or check if they’re ready to come out, they need to grab someone to make sure the moment gets captured on film. (Which must be a hassle for the first couple of weeks, when there are more than 10 bakers all trying their best to produce a perfect bake at once.)

4. The contestants have to wear the same clothes all weekend.

It’s a minor thing, but have you ever noticed that the bakers wear the same clothes for an entire episode, even though it’s shot over two days? For continuity purposes, the contestants are asked to wear the same outfits for the entire weekend. If you’re the kind of baker who ends up with flour all over your shirt whenever you bake up a loaf of bread, the second day of filming could be a bit of a nightmare.

"Luckily they change the aprons so we don't look like a Jackson Pollock painting by the end of it," 2013 champion Frances Quinn told Cosmopolitan. "I think layers [is the answer], but even then you still have to wear what you had on, on top. Difficult."

5. The contestants don't have a lot of downtime.

Having any time to spare is not something that season seven contestant Jane Beedle remembers happening regularly for the contestants. "Maybe once or twice, and when they did we would just sit and have a cup of tea and chat with the people around us,” she told the Mirror. "They don't like it if you have nothing to do, so they try and make the challenges as difficult as possible to keep you busy."

6. The temperature in the tent can make or break a bake.

Sue Perkins, Mary Berry, Paul Hollywood, and Frances Quinn in 'The Great British Bake Off'
BBC

Forget setting the oven to the correct temperature—the temperature inside the tent is just as important to a bake. "It's completely alien to your own kitchen at home,” Quinn told Cosmopolitan. “The temperature fluctuates—you'd be making a meringue and it would start raining, or we'd try and make pastry and it would be 27 degrees outside. The technical challenges and lack of time and lack of fridge and work space are the enemy on that show."

7. The illustrations are created by Tom Hovey, after the episode has filmed.

You know those fun illustrations of the confections that pop up when each baker explains what they’re going to make that day? Those are all drawn by illustrator Tom Hovey. He was working as a video editor on the first season of GBBO when the producers realized they needed an extra visual element—so he offered his illustration skills. And while we see the illustrations on screen before the bakers attempt to make them a reality, Hovey told the BBC he draws them “a pack of photos of the finished bakes from the set after each episode has been filmed … I sketch out all the bakes quickly in pencil to get the details, form and shape I am after. I then work these up by hand drawing them all in ink, then they’re scanned and colored digitally, and then I add the titles and ingredient arrows. It's a fairly well streamlined process now.”

Even if a bake goes horribly wrong, Hovey said his “illustrations are a representation of what the bakers hope to create. Even if the bakers don't produce what they’ve intended to I have a degree of artistic license to make them look good.”

8. The contestants don't interact with the judges very much.

“They very much tried to keep it unbiased,” Quinn said about how the bakers don’t spend much time interacting with the judges. “We saw a lot more of Mel and Sue. Mary and Paul would purely come in to do what we called the royal tour—where they'd come in and find out what you were making, and then they'd come back in for judging. You're not in the same hotel having sleepovers! You form more of a relationship after the show when you see them at things like BBC Good Food or whatever—but they need to keep their distance [on the show]. They're there as judges."

9. Making sure that the technical challenge is actually possible is one person's job.

Sandi Toksvig in 'The Great British Bake Off'
Netflix

Another vital behind-the-scenes role is that of the food researcher. It’s down to them to make sure that the elaborate concoction the judges have decided the bakers have to whip up is actually possible, given the ingredients, instructions, and time the bakers will be allowed.

The tent presents its own challenges, too, because it could be hot or cold, depending on the weather, and it tends to have quite a wobbly floor, which can make delicate decorating work trickier than it might otherwise seem. “The tent is just mocked up, so the floor is really bumpy and bouncy because you’d got so many camera guys running around,” Quinn told the Irish Examiner.

10. The show got into some trouble for its partnership with Smeg.

Part of GBBO’s homey charm has to do with the setup of the tent where the bakers do their cooking, and few appliances spell “retro” as well as a colorful Smeg refrigerator. A viewer fed up with what they described as “blatant product promotion” wrote to the Radio Times to complain, and an investigation was launched into the series’ agreement with Smeg. As BBC guidelines state that a series may "not accept free or reduced cost products" in return for "on-air or online credits, links or off-air marketing,” the broadcaster ended up having to write the company a check for all the times their product got some screen time.

11. There are never any leftovers.

The judges only take a mouthful of every bake, which seems to leave an awful lot of leftover pastries, cakes, and ridiculously complicated bread sculptures. But don’t worry—none of it goes to waste. “The crew eats all the leftovers," Beedle told The Mirror. "We get some brought to us in the green room so we can taste each other's bakes, but it's only slithers."

12. Hundreds of season five viewers wrote in to complain about "sabotage."

Midway through season five, contestant Iain Watters had a bit of an issue with his Baked Alaska. Realizing that his ice cream had not yet set, he threw the entire dish into the trash rather than serve the judges a subpar dessert and was sent home as a result. Footage from the episode made is seem as if fellow contestant Diana Beard had removed his ice cream from the freezer. Beard left the show at just about the same time due to health issues, but some viewers (811, to be exact) smelled sabotage—and wrote in to the show’s producers to complain. Media watchdog group Ofcom looked into the matter, but said that they had assessed viewers’ complaints and “they do not raise issues warranting further investigation under Ofcom’s rules.”

Paul Hollywood took to Twitter to clear up what became known as “bingate,” tweeting: “Ice cream being left out of fridge last night for 40 seconds did not destroy Iain’s chances in the bake off, what did was his decision BIN.”

13. Mary Berry watched Breaking Bad backstage.

Although it looks pretty nonstop on screen, there’s quite a bit of downtime during the show’s filming days. Especially for the show’s judges and hosts. Former judge Mary Berry had one unique way of passing the time: binge-watching Breaking Bad. “It’s shocking,” Berry told The Telegraph. “Then you get into it and you think: ‘Have I seen episode four or five?’ You get hooked. It’s better than motor racing, which [my husband] Paul watches—though I’d prefer Downton Abbey.” She’d apparently rope former hosts Mel and Sue into watching it with her on occasion. What better way to relax during a long day of baking than by watching Walter White, umm, baking?

14. The application form is no joke.

Fancy your chances in the Bake Off tent? If you’ve been inspired by the show and reckon you could nab a couple of Star Baker titles, brace yourself: The application form is a whopping eight pages long, and it’s full of probing questions. As well as giving details of your hobbies, lifestyle, and level of experience with various types of baked goods, it also asks applicants to describe their baking style, and answer a couple of existential-sounding questions.

"It's a long application form. I think it's designed to put some people off, essentially," fourth season contestant Beca Lyne-Pirkis said. "It asks you about everything you have done, good and bad. It's designed to get information about your character, stories, mishaps and successes."

Still fancy applying? Though submissions are not open at the moment, you can keep your eyes open for when the next batch of contestants are being accepted here.

15. The audition process is a grueling one.

If you happen to make it through the application process, the audition process is even more difficult. “Every person who makes it into the marquee has passed a rigorous series of tests,” GBBO creator and executive producer Anna Beattie told The Telegraph. In addition to the application form, The Telegraph reported that there is “a 45-minute telephone call with a researcher, bringing two bakes to an audition in London, a screen test and an interview with a producer. If they get through that, there is a second audition baking two recipes … in front of the cameras, and an interview with the show psychologist to make sure they can cope with being filmed for up to 16 hours a day.”

11 Fascinating Facts About Mad Max

Mel Gibson stars in George Miller's Mad Max (1979).
Mel Gibson stars in George Miller's Mad Max (1979).
Metro-Goldwyn-Mayer Studios Inc.

What began as director George Miller's ambitious action film about a solitary cop (Mel Gibson) on a mission to take down a violent biker gang has evolved into a post-apocalyptic sensory overload of a franchise that now has four films to its credit—Mad Max (1979), The Road Warrior (1981), Mad Max Beyond Thunderdome (1985), and Mad Max: Fury Road (2015)—and additional sequels in the works. So let's obsess over Miller’s masterpieces even more with these 11 things you might not know about the franchise.

1. Director George Miller worked as a doctor to raise money for Mad Max.

Mel Gibson in Mad Max (1979)
Mel Gibson in Mad Max (1979).
Metro-Goldwyn-Mayer Studios Inc.

Since the film only had a budget of $350,000, Miller scraped together extra money as an emergency room doctor to keep the movie going. “It was very low budget and we ran out of money for editing and post-production, so I spent a year editing the film by myself in our kitchen, while Byron Kennedy did the sound,” Miller told CraveOnline. “And then working as an emergency doctor on the weekends to earn money to keep going. I’d got my best friend, and friends of friends of friends of his, and Byron ditto, and I thought, ‘Oh my God, we made a film and it won’t cut together and we’re going to lose all their money.’”

Miller’s medical training is all over the film: Max Rockatansky is named after physician Carl von Rokitansky, a pathologist who created the Rokitansky procedure, a method for removing organs in an autopsy.

2. Mel Gibson went to the Mad Max audition to accompany his friend, not for the part.

Gibson was black and blue after a recent brawl with “half a rugby team” when his friend asked him to drop him off at his Mad Max audition. Because the agency was also casting “freaks,” they took pictures of Gibson, who was simply waiting around, and asked him to come back when he healed. When he did, Miller gave him the role on the spot. In a clip for Scream Factory, Gibson recalled the moment: “It was real weird. [Miller] said, ‘Can you memorize this?’ and it was like two pages of dialogue with a big speech and stuff. I was like, ‘Yeah, sure.’ I went into the other room and just got a gist of what it was and I came out and just ad-libbed what I could remember. I guess they bought it.”

3. George Miller paid Mad Max crew members in beer.

With barely enough money to finish the original film, Miller offered to pay ambulance drivers, a tractor driver, and some of the bikers on set with “slabs” (Australian for a case of 24 cans) of beer, according to The Guardian.

4. Real-life motorcycle club the Vigilanties played Toecutter’s gang for Mad Max.

Forget the money required to train stuntmen; Miller and crew hired real bikers to professionally ride into production. In an interview with Motorcyclist Online, actor Tim Burns said about working with them: “[The Vigilanties] all wanted to ride the bikes as fast as possible, as often as possible, by their nature. Their riding was individually and collectively superb.” Additionally, stuntman Dale Bensch, a member of The Vigilanties, recalled seeing the ad for the shoot at a local bike shop, and took a moment to clarify a mishap that had happened during production. Bensch said, “There’s an urban myth that a stuntman was killed, and that was me. The scariest thing was dropping the bike on that bridge. They took the speedo and tach off because they didn’t want to damage more than they had to. They wet the surface to make it easier, but I hung onto the bike too long and it flipped me over with it; that’s why it looked bad. But it’s a famous scene, so it worked out all right!”

5. Mad Max 2: The Road Warrior was inspired by the oil crises of the 1970s.

During an interview with The Daily Beast, Miller discussed the making of The Road Warrior. Of its inspiration, he said, “I’d lived in a very lovely and sedate city in Melbourne, and during OPEC and the extreme oil crisis—where the only people who could get any gas were emergency workers, firemen, hospital staff, and police—it took 10 days in this really peaceful city for the first shot to be fired, so I thought, ‘What if this happened over 10 years?’”

6. Mel Gibson only had 16 lines of dialogue in The Road Warrior.

Upon Fury Road’s release in 2015, social media lit up with complaints that Tom Hardy was underutilized, only there to grunt and utter a couple of one-liners. But just to remind you, in Mad Max 2, Mel Gibson only has 16 lines of dialogue in The Road Warrior.

On his use of sparse dialogue, Miller told The New York Times, “Hitchcock had this wonderful saying: ‘I try to make films where they don’t have to read the subtitles in Japan.’ And that was what I tried to do in Mad Max 1, and I’m still trying to do that three decades later with Fury Road.”

7. Mel Gibson says The Road Warrior is his favorite movie in the original trilogy.

Once upon a time Mel Gibson enthusiastically spoke about Beyond Thunderdome, telling Rolling Stone, "[The films are] a sort of cinematic equivalent to rock music. It's something to do with the nihilistic sentiments of the music of the ’80s—which can't continue. I say, let's get back to romanticism. And this film [Thunderdome] is actually doing that. It's using that nihilism as a vehicle, I think, to get back to romance.”

Years later, he told Playboy what he really thought of the films, namely that The Road Warrior was his favorite. “It still holds up because it’s so basic,” Gibson said. “It’s about energy—it didn’t spare anyone: people flying under wheels, a girl gets it, a dog gets it, everybody gets it. It was the first Mad Max, but done better. The third one didn’t work at all.”

8. Beyond Thunderdome was inspired by Lord Of The Flies.

Mel Gibson and Tina Turner in Mad Max Beyond Thunderdome (1985).
Mel Gibson and Tina Turner in Mad Max Beyond Thunderdome (1985).
Warner Home Video

Even though Miller and his producers were on the fence about a third Mad Max, they couldn’t help but give in. "George was sitting and talking to me about … quantum mechanics, I think," Miller’s co-writer Terry Hayes recalled to Rolling Stone. "The theory of the oscillating universe. You could say he's got a broad range of interests. And I said something about ‘Well, if there was ever a Mad Max III ...' And he said, 'Well, if there was ...'"

In a 1985 interview with Time Out, Miller recalled the story himself. “We were talking one day and Terry Hayes started talking about mythology and how where people are short on knowledge, they tend to be very big on belief. In other words, they take a few fragments of knowledge and, if you take like the Aboriginal tribes of Australia, they just take simple empirical information and using those little bits of the jigsaw construct very elaborate mythological beliefs, which explain the whole universe,” Miller said. “Terry was saying if you had a tribe of kids after the apocalypse who had only a few fragments of knowledge, [they would construct] a mythological belief as to what was before. And what would happen if Max or someone like that [came in] ... and it kicked off the idea of kids who were Lord of the Flies-type kids, and that led to this story.”

9. Tina Turner was cast in Beyond Thunderdome because of her positive persona.

According to Rolling Stone, Tina Turner beat out Jane Fonda and Lindsay Wagner for the role of Aunty Entity. On her casting, Miller told Time Out, “One of the main reasons we cast Tina Turner is that she’s perceived as being a fairly positive persona. You don’t think of Tina Turner as someone dark. You think of the core of Tina Turner being basically a positive thing. And that’s what we wanted. We felt that she might be more tragic in that sense. But more importantly [when] we actually wrote the character, as a shorthand way of describing the character we said someone ‘like Tina Turner’—without even thinking of casting her. We wanted a woman ... we wanted someone who had a lot of power, charisma, someone who would hold a place like that together—or build it in the first place. And we wanted someone who was a survivor.”

10. Mad Max characters’ names hint at their backstories.

One of the most peculiar quirks of Miller’s franchise has to be his bizarre character names. In an interview with Fandango, Miller explained exactly how he comes up with them: “One of the things is that everything in the story has to have some sort of underlying backstory. Not just every character, but every vehicle, every weapon, every costume—and the same with the language. So [the concept] was always found objects, repurposed. Immortan Joe is a slight adjustment to the word 'immortal.' The character Nux says 'mcfeasting' instead of using the word 'feasting,’” Miller explained, adding that his favorite name of all is Fury Road’s The Dag (played by Abbey Lee). “In Australia, the dag is sort of a goofball-type.”

11. George Miller is a proud feminist.

Director George Miller, recipient of the Feature Film Nomination Plaque for “Mad Max: Fury Road," poses in the press room during the 68th Annual Directors Guild Of America Awards at the Hyatt Regency Century Plaza on February 6, 2016 in Los Angeles
George Miller poses with the Feature Film Nomination Plaque for Mad Max: Fury Road during the 68th annual Directors Guild Of America Awards in 2016.
Frederick M. Brown/Getty Images

Perhaps evidenced by Charlize Theron’s scene-stealing role as Imperator Furiosa, Miller is a proud, outspoken feminist. He told Vanity Fair, “I’ve gone from being very male dominant to being surrounded by magnificent women. I can’t help but be a feminist.” That female influence even stretched behind the scenes, with Miller asking his wife Margaret Sixel to edit Fury Road. “I said, ‘You have to edit this movie, because it won’t look like every other action movie,” Miller recalled. Moreover, feminist activist Eve Ensler also consulted on the film to offer, according to Ensler herself, “perspective on violence against women around the world, particularly in war zones.”

What Happens During a Jeopardy! Commercial Break?

Jeopardy! host Alex Trebek chats with the show's contestants.
Jeopardy! host Alex Trebek chats with the show's contestants.
Getty Images Entertainment

Jennifer Quail:

Typical Break One: First, if there are "pickups" (re-recordings where Alex misspoke or coughed or stuttered, or Johnny mispronounced someone’s name or hometown) to record, they do those. A stagehand brings water bottles for the contestants. The production team who wrangles contestants comes over and gives their pep talk, makes any corrections, like if someone is consistently buzzing early; and keeps you quiet if there are pickups. Alex gets the cards with the "fun facts" (there are about three, one highlighted, but which one he goes for is ultimately up to Alex alone) and when the crew is ready, they come back from commercial to Alex’s chat with the contestants.

Typical Break Two: If there are any pickups from the second half of the Jeopardy! round they do those, the water gets distributed, the production team reminds the contestants how Double Jeopardy! works and that there’s still lots of money out there to win, and Alex comes over to take a picture with the two challengers (the champion will have had their picture taken during their first match.) Then we come back to Double Jeopardy!.

Typical Third Break: This is the big one. There are pickups, water, etc. and they activate the section of the screen where you write your wager. One of the team members brings you a half-sheet of paper ... and you work out what you want to bet. One of your "wranglers" checks it, as does another production team member, to make sure it’s legible and when you’re sure that’s what you want, you lock it in. At that point you can’t change it. They take away the scratch paper and the part of the board where you write your answer is unlocked. Someone will tell you to write either WHO or WHAT in the upper left corner, so you do know at least whether it’s a person or thing. They make sure the "backup card" (a piece of card stock sitting on your podium) is turned to the correct who or what side, just in case your touchscreen fails. If everything’s ready, then as soon as the crew says, they come back and Final Jeopardy! starts.

There are breaks you don’t [even know about, too]. If there is a question about someone’s final answer, they will actually stop tape while the research team checks. Sometimes if something goes really off, like Alex completely misreads a category during the start of a round, they’ll stop and pick it up immediately. Those [are breaks] you’ll never notice because they’ll be completely edited out.

This post originally appeared on Quora. Click here to view.

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