12 Smashing Facts About the Super Smash Bros. Video Games

Farley Santos, Flickr // CC BY-SA 2.0
Farley Santos, Flickr // CC BY-SA 2.0

Super Smash Bros. debuted on the Nintendo 64 in 1999 (first in Japan in January, then North America in April, and then Europe in November), and since then it has grown into one of the most popular franchises in gaming. It has sold more than 40 million units with its six different releases, and it still makes fans go absolutely bonkers each time there is an announcement about the series. In a way, Smash Bros. is like the Fantasy Football of gaming: a fighting game acting as a glorified Nintendo commercial that, in effect, exposes players to some of the company's lesser-known entities (like Earthbound and Kid Icarus). Thanks to it, the series boasts an abundance of quirky facts and details from its impressive 20-year run.

1. Super Smash Bros. was first referred to as "Pepsiman" during development.

image of Pepsiman
Takashi Hososhima, Flickr // CC BY-SA 2.0

During the early stages of development, a small team of people led by Japanese designer Masahiro Sakurai worked on a prototype for a new kind of fighting game. Since Sakurai had not yet gotten the approval from Nintendo to use their characters, the original build featured some primitive polygonal figures, prompting the team to refer to the game as "Pepsiman" due to the similarity between them and the old marketing campaign mascot that Pepsi used in Japan during the 1990s. (Pepsiman, incidentally, also had his own videogame on PlayStation.)

2. The lead designer of the series voices King Dedede.

Hailing from the Kirby franchise, King Dedede is one of the few characters in Super Smash Bros. voiced by someone different than the character's original actor. Instead, he was voiced by none other than the creator of Super Smash Bros. himself, Masahiro Sakurai. His dialogue is mostly comprised of strange laughs and brawny grunts, but it is entertaining to know the lead designer of the series is the voice behind that sinister penguin, mischievous smirk and all.

3. There was an entire website that revealed new information on the latest game every day.

Masahiro Sakurai, creator and director of Nintendo's Super Smash Bros. series, welcomes the crowd at an event in 2014.
Masahiro Sakurai, creator and director of Nintendo's Super Smash Bros. series, welcomes the crowd at an event in 2014.
Bob Riha, Jr./Nintendo, Getty Images

Back before the release of the highly anticipated Super Smash Bros. Brawl in 2008, there was a special fan page that generated hype for the game. This "Smash Dojo," as it was called, delivered teasers and new bits of information about Brawl every day until the game was released, varying from little screenshots to new character announcements, all provided by Sakurai himself. One of the dojo's most memorable reveals, which they dropped about two-and-a-half months before Brawl was released, was that Sonic the Hedgehog would be a playable fighter. As one might say today, it broke the internet.

4. The soundtrack for Super Smash Bros. Ultimate features over 24 hours of songs.

The music that accompanies video games can become just as integral to culture and iconic as the game itself (is there a single person who wouldn't recognize the Super Mario Bros. theme?). But for Super Smash Bros. Ultimate, which was released at the end of 2018 and quickly became the fastest-selling Nintendo Switch game ever, the music team went above and beyond: Ultimate boasts more than 800 songs from over 25 different gaming franchises, whether you're in the mood for the heroic orchestration of Zelda or the more futuristic-rock of Splatoon. In a way, Ultimate is like a greatest hits soundtrack that just happens to have a full-fledged game included, too.

5. The Master Hand can be unlocked.

Easter eggs are commonplace in all realms of pop culture, gaming included. The Super Smash Bros. series, thanks to the sheer number of characters and properties being represented, is filled with hidden secrets to find. One of these comes from the 2001 game Super Smash Bros. Melee, which was actually discovered many years after the title's release. It revolved around unlocking the game's primary antagonist, the Master Hand, as a playable character. If done correctly, the player can seize control of the sentient hand and can use it to eradicate opponents with ease.

6. The Ice Climbers are the only characters to have been cut after appearing in multiple releases.

Depending on who you ask, the Ice Climbers are either the greatest ally or a most feared adversary when it comes to combat. Nobody would argue, though, that their exclusion from the Wii U iteration of Super Smash Bros. was enormously disappointing, especially considering they'd appeared in multiple games already.

According to Sakurai in an interview in Eurogamer, the characters were cut because they were too complicated for the hardware of the Nintendo 3DS. Both versions of the game (for Wii U and 3DS) were being released in 2014, so Sakurai chose to remove them entirely so that one version wasn't viewed as having less content. Because of the brief absence of the Ice Climbers duo in that series, the announcement that they were returning for Ultimate—along with every other character ever featured in the history of Super Smash Bros.—was a delightful surprise.

7. Solid Snake was added to the game because of a friendship with the creator.

Designer Hideo Kojima at a gaming event in 2008.
Designer Hideo Kojima at a gaming event in 2008.
Rene, Flickr // CC BY 2.0

Helmed by director Hideo Kojima, Metal Gear Solid is one of the most innovate franchises in video games (who could forget the boss battle that featured the enemy breaking the fourth wall and literally reading and commentating on the saves of your memory card?). The debut of its main character, Solid Snake, in Super Smash Bros. Brawl, however, was a surprising one. Considering the character's background consists largely of M-rated titles involving plenty of gun violence, Snake was a clear outlier from the more cartoonish and family-friendly Nintendo image. Apparently, Snake's addition to the series came after Kojima—who is a close friend of Sakurai's—"practically begged" to have the character included because his son was such a big fan.

8. The announcer from Bill Nye the Science Guy is the narrator in Super Smash Bros. Brawl.

Most '90s kids will remember the eccentric educational TV series Bill Nye the Science Guy, and it turns out that show's announcer also voiced some Super Smash Bros. characters. In an interview with Smashboard, voice actor and comedian Pat Cashman said that even though he didn't know much about the game beforehand, he knew that it would look "nice on my resumé to say that I was the announcer on what was one of the most popular video games on the planet."

He worked hard to make the announcer voice "big and bombastic," but in one recording session, he recalled he had been seriously dialing up his line-readings only to realize nobody was there. "I remember one time when I was really going for it. Way, way over the top. I remember thinking, 'Man, I am really killing it! This is the best I've ever done!' My arms are waving, I'm jumping up and down, spit flying all over the mic, my shirt's getting sweaty," Cashman said. But then: "The producers, the engineer—everybody had taken a break and were gone. What I thought might have been my best Brawl announcer performance ever had an audience of one: me."

9. Meta Knight and Bayonetta are the only characters to have ever been banned.

Video game character Meta Knight
Everette Murrain, Flickr // CC BY-SA 2.0

Considering how in-depth the series's history of characters are and how vastly different each of them operate from one another, there was bound to be some controversy and complaints about certain fighters being unfair or poorly balanced. In this case, the sword-wielding Meta Knight, who first made his debut in the 2008 entry Super Smash Bros. Brawl, and the gun-toting, majestic acrobat Bayonetta, who made her debut in 2014's Super Smash Bros. for Wii U, were both barred by the official Super Smash Bros. fighting-game community for use in official tournaments.

10. The developer also created Kirby.

A Kirby video game cartridge
Bryan Ochalla, Flickr // CC BY-SA 2.0

Before they masterminded Super Smash Bros., designer Sakurai and developer HAL Laboratory worked on everyone's favorite spherical alien: Kirby! Back in 1992, HAL Laboratory—which took its name not from the antagonist computer HAL 9000 in 2001: A Space Odyssey, but because "each letter put them one step ahead of IBM"—released Kirby's Dream Land for the Game Boy, the first of the franchise that starred the titular pink poof (but not yet with his signature copy ability). Kirby would go on to appear in more than 20 releases across a variety of Nintendo consoles.

11. It spawned some fan fiction that is the longest known work of English literature.

While fan-fiction is certainly capable of being just as entertaining as the original it's mimicking, not many can come close to this epic started by fanfiction.net user AuraChannelerChris in 2008. With over 4 million words, "The Subspace Emissary's Worlds Conquest" is more than three times the length of the entire Harry Potter series combined.

12. James Bond was once considered as a possible playable character.

Likely because of the success of GoldenEye 007 for Nintendo 64, the world's most famous secret agent was at one point considered as an addition to the Smash Bros. roster. Unfortunately, due to many legal issues surrounding the usage of the character and his likeness, the prospect of having James Bond fight against Bowser or Peach while sailing through the air with his rocket-belt was never realized. As Sakurai told the Smash Dojo, "Showing realistic guns = no good! Character uses an actor's likeness = no good! Since the original game is based on a movie, getting those rights = no good! He's Rare’s property = no good! Blocked on all fronts."

We suppose one could say that the idea was shaken, but not stirred.

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EvgeniyShkolenko/iStock via Getty Images
EvgeniyShkolenko/iStock via Getty Images

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The 25 Greatest Heist Movies of All Time

Steve McQueen stars in The Thomas Crown Affair (1968).
Steve McQueen stars in The Thomas Crown Affair (1968).
MGM Home Entertainment

In the vast landscape of crime cinema—from movies about murder investigations to small-time crooks to gangster pictures—the heist movie holds a special place in the heart of many fans. There's something about watching all of that planning come together, seeing the often clashing personalities of the characters work side-by-side, and even sometimes laughing or crying as it falls apart, that holds a special fascination. Perhaps because there's a certain satisfaction to seeing all the pieces click into place that more chaotic crime films just can't give you.

In the long history of crime cinema, there have been dozens of heist films ranging in size from small jobs to massive capers, but only a select few stand out as the perfect combination of planning and execution, of character chemistry and filmmaking intricacy. With those factors in mind, we took a look back at the long history of heist films and picked 25 of our very favorites (presented here in chronological order).

1. The Asphalt Jungle (1950)

Billed as a story of "the city under the city," John Huston's The Asphalt Jungle is the godfather of all modern heist films, and it's easy to see how the various hallmarks of the genre grew out of this gritty, taut caper. It's got a mastermind fresh out of prison, a down-on-his-luck hood looking to turn his life around, and a climactic heist sequence where everything starts to unravel. It's a foundational document in the subgenre, and still holds up as a tense noir masterpiece.

2. Rififi (1955)

After he was blacklisted in his home country, American director Jules Dassin went to France and produced what many people still consider to be the finest heist film ever made. Rififi bears many marks of influence from The Asphalt Jungle, but takes things into more stylized territory, particularly when it comes to the centerpiece heist. It unfolds completely free of dialogue, but the film has set it up so well that the silence is enough to keep you on the edge of your seat. It even features the crooks descending on their target from above, something numerous later heist films (including Dassin's Topkapi) would embrace.

3. The Ladykillers (1955)

Part of the appeal of heist films has always been the number of ways in which the plan can go wrong, whether it's in the execution or in the clash of personalities within the gang of criminals. The Ladykillers, one of the most distinctly British crime films ever made, has a bit of both. It features a wickedly iconic performance from Alec Guinness, an essential turn from Peter Sellers, and a final act that devolves in pure impish mayhem when the various crooks all turn on each other as their elderly landlady looks on. (If the title sounds familiar, it might be because Joel and Ethan Coen remade it with Tom Hanks in 2004.)

4. The Killing (1956)

The best heist filmmakers are often the most intricate thinkers, which means it's no surprise that Stanley Kubrick absolutely nailed his turn at the subgenre. The story of a tightly orchestrated racetrack robbery, The Killing unfolds in a somewhat nonlinear style, as Kubrick shows you one character's role, then rewinds the timeline a bit to show you what another character was doing at the exact same time. It's a risky structure, but it pays off spectacularly in Kubrick's hands, and it all builds to one of the most beautifully ironic endings in crime cinema history.

5. Bob le Flambeur (1956)

Jean-Pierre Melville's Bob le flambeur is another of those classic '50s heist films that's still influencing the subgenre in a major way today. A sleek, incredibly stylish, and sexy film about an aging gambler who hatches a plan to rob a casino, the film is a masterclass in balancing the intricate setup of the central heist with the often tumultuous lives of its characters. The arc of the title character (Roger Duchesne) in particular builds in a truly spectacular way, until the final minutes are positively quaking with tension.

6. The Thomas Crown Affair (1968)

If you wanted to make a cool movie in the 1960s, casting Steve McQueen got you halfway to where you wanted to be. The Thomas Crown Affair stars McQueen as a bored millionaire who can basically do whatever he wants with his time, and what he wants is to stage extremely intricate robberies just to see if he can. Then along comes Faye Dunaway, and Crown's plans get just a little more complicated. While John McTiernan's 1999 remake is fun in its own right, it's hard to touch the pure effortless cool of the original.

7. The Italian Job (1969)

Ideally, you want a heist film that can pull out of some kind of spectacular caper setpiece while also making you care about the characters pulling said caper off through some combination of a great script and great chemistry. Some films do one better than the other, but The Italian Job manages to excel at both. Even now, more than 50 years after its release, it stands as one of the funniest films on this list. And while the Mini Cooper car chase remains an iconic piece of heist movie history, the final scene on the bus is almost as impressive.

8. The Sting (1973)

Most heist films are about a group of guys who are going somewhere to get something, whether it's a bank or a casino or a fancy house. The Sting, anchored by the pure magic that is the Paul Newman/Robert Redford team-up, flips that and tells a story about two con artists who make the heist come to them. It's got all the hallmarks of a great heist picture, from the assembly of the team to the planning to the teasing out of the relationship with the target, but it all unfolds with an amusing sense of reversal. By the final scene, you're just as giddy that it all came together as the characters are.

9. Dog Day Afternoon (1975)

Some heist films spend most of their time setting up the caper, while others prefer to leap into it right at the beginning. No matter where they start, there's usually a clear indication that there was a plan. Dog Day Afternoon, Sidney Lumet's white-hot bank robbery picture starring Al Pacino in what is arguably his best performance, makes it clear that the crooks at the center of the story did have a plan. It was just a plan with a whole lot of flaws, and the very human response to how all of those flaws reveal themselves throughout the film makes for one of the most raw displays of empathy in crime cinema history.

10. Blue Collar (1978)

After making a name for himself as a writer with films like Taxi Driver, Paul Schrader chose this story of down-on-their-luck auto workers who plot to rob their union's safe as his directorial debut. It remains, even today, a searing portrait of income inequality, middle class pain, and the way those with power manipulate the powerless into thinking they might be able to get some of their own. Yaphet Kotto, Harvey Keitel, and Richard Pryor all turn in powerful performances, and the whole film is a masterclass in how to use the hook of a heist plot to say something bigger.

11. Thief (1981)

Michael Mann remains one of crime cinema's greatest living practitioners, and he came out of the gate swinging in the subgenre with his directorial debut. Thief is the story of a safecracker (James Caan in top form) who longs for a fulfilling life beyond criminal pursuits after he gets out of prison. Of course, in classic crime cinema fashion, he finds that having it all isn't as within reach as he'd like. Thief features some of the best scenes of fiery, authentic safe-cracking in cinema, and remains one of the highlights of both Mann and Caan's stellar careers.

12. Die Hard (1988)

Whether or not Die Hard is a Christmas movie is still up for debate. What's not up for debate is its place in the pantheon of gripping, high-octane heist films. While it's best remembered for its action setpieces that take place around the heist, the inciting incident of John McTiernan's legendary film is indeed Hans Gruber and crew plotting to steal a corporation's stash of bearer bonds under the guise of a terrorist hostage situation. It's got everything you want from a great heist, from manipulating law enforcement to drilling a safe to an amazing mastermind at the head of it all. They just didn't count on a barefoot New York cop who's really into Roy Rogers to come and steal their thunder.

13. Reservoir Dogs (1992)

Quentin Tarantino has hyped his debut film in countless interviews as a heist film where you never see the actual heist, and it's true that Reservoir Dogs never shows us exactly what happened during the planned diamond robbery at the heart of the story. So why is it on this list? Because, through a combination of careful character work, planning sequences, and absolute mayhem as everything goes wrong, Tarantino allows us to piece the heist together in our heads. By the end we feel like we were there with the characters even if we weren't.

14. Heat (1995)

At two hours and 50 minutes long, Michael Mann's Heat is the very definition of an epic crime film, and from the outside looking in it seems so massive that you might wonder what the filmmaker is possibly filling it with. Once that opening armored car robbery hits, though, the film moves at such a blistering pace that we're left wishing it was even longer. The film is best remembered now as the first time Robert De Niro and Al Pacino shared the screen, but it should be just as remembered for one of the greatest shootout sequences in film history.

15. Bottle Rocket (1996)

Wes Anderson's debut feature is his take on "what if a group of total weirdos and idiots tried to pull a heist," with everything the Wes Anderson style implies about that—and the result is an unforgettably quirky entry in the subgenre. The practice heist in which the main characters (played by Owen and Luke Wilson) steal from a predetermined list of items within one of their family owns, remains a classic Wes Anderson moment.

16. Out of Sight (1998)

Before he made a trilogy of stylish, impossibly star-packed heist films in the 2000s, Steven Soderbergh turned his eye for genre cinema to this adaptation of Elmore Leonard's novel of the same name, about a U.S. Marshal's budding romance with a bank robber she just happens to meet as he's escaping prison. George Clooney and Jennifer Lopez bring the sex appeal, Don Cheadle and Steve Zahn bring the comedy, and Soderbergh brings his eye for setups and payoffs to one of the best crime films of the 1990s.

17. Sexy Beast (2000)

At its core, Sexy Beast is less about a heist than it is about a retired criminal who can't shake the demons of his past, which arrive on his doorstep in the form of a sociopathic colleague (Ben Kingsley at the peak of his powers) who demands he do one more job for him. Through this lens of regret and fear and tension, director Jonathan Glazer also manages to deliver one of the most spectacular heist setpieces of all time, as a crew breaks into a vault by drilling through the wall of a filled swimming pool.

18. Ocean's Eleven (2001)

Steven Soderbergh is one of those directors who feels as much like a perpetual student of film as he is a filmmaker, so it makes sense that if he was going to make a star-filled heist film on the scale of Ocean's Eleven, he'd try to make the ultimate heist movie. While the sheer amount of stuff going on in Ocean's Eleven might mean it doesn't always succeed in certain respects like its heist cinema ancestors, the film still plays today as an endlessly entertaining, utterly stylish, and effortlessly witty take on the subgenre that has just about everything you could ever want in a heist film.

19. Inside Man (2006)

Spike Lee's Inside Man is a film that promised in its trailers to show us "the perfect bank robbery," and it hooks us immediately by throwing us right into things with very little prologue or sense of a plan. The plan for this perfect robbery is only revealed to the audience at the same speed as it's revealed to the NYPD detective (Denzel Washington) and the secretive fixer (Jodie Foster) who are watching it unfold from the outside as the robbery's mastermind (Clive Owen) moves forward with an agenda we can't see coming. Lee pushes the film at a breathless pace, delivering twist after twist with the grace of a master, until we finally see the whole game board.

20. The Town (2010)

What Heat was for Los Angeles, Ben Affleck's The Town is for Boston. Affleck clearly learned a lot of his tricks from Mann, but what's most striking about The Town—aside from its structural similarities to Heat—is the way that Affleck and company take that sensibility then twist it to defy our expectations. What starts with a gloriously tense opening robbery setpiece and builds to a big last job ultimately becomes a standoff not between a cop and a crook who respect each other, but between two best friends who are supposed to be on the same side, each longing for their own version of freedom.

21. Fast Five (2011)

The Fast & Furious films began as a solid street racing franchise before becoming globe-hopping action spectaculars that defy all laws of motion and speed. Fast Five is the pivot point between those two eras of the franchise, and the one that leans most heavily on heist movie conventions. As Dominic Toretto and his crew plot to steal a drug lord's safe and a relentless DSS agent (Dwayne "The Rock" Johnson, in his first appearance in the series) tries to bring them down, the film builds and builds in its ambition. By the end, a giant safe is racing through the streets of Rio, and from that daring heist on the franchise would never be the same.

22. Hell or High Water (2016)

There are a lot of films out there (Arthur Penn's brilliant Bonnie and Clyde among them) that stage a series of bank robberies in an effort to set up some kind of fiery last stand between the robbers and law enforcement, but few of them unfold with the intricacy of Hell or High Water. Chris Pine and Ben Foster shine as two brothers who've planned a high-stakes series of bank robberies, complete with a money-laundering scheme, to save their family's land. The plan is elegant in its simplicity, but grows increasingly complicated as a wise Texas Ranger (Jeff Bridges) closes in. It all builds to one of the most emotional climaxes of any film on this list.

23. Baby Driver (2017)

You'd think a film that's ostensibly about the getaway driver wouldn't necessarily lean as heavily on the heist elements, but Edgar Wright's clever car chase musical Baby Driver manages to find room for them in between all the driving. Wright's hero, Baby (Ansel Elgort), is a young man who is gifted behind the wheel yet just wants to escape the criminal life. But what's supposed to be his last job puts him in deeper than he's ever been before. Come for the car chases, stay for the complexity of the setup and the fallout that heist movie fans crave.

24. Logan Lucky (2017)

Yes, Steven Soderbergh is on this list three times. And yes, he deserves it. After completing his Ocean's trilogy and playing in various other subgenres for a while, Soderbergh returned to heist pictures with this hilarious story of two brothers who try to turn their family's luck around by robbing Charlotte Motor Speedway in the middle of a busy race weekend. The accents alone—particular Daniel Craig's turn as an explosives expert named "Joe Bang"—are worth the price of admission, but the heist itself is also every bit as satisfying and intricate as anything Danny Ocean's crew ever pulled off.

25. Widows (2018)

After the success of 12 Years a Slave, Steve McQueen could have made a lot of different movies. What he chose was a team-up with Gone Girl author Gillian Flynn to tell the story of a group of women driven to desperation after the deaths of their criminal husbands. Together they hatch a plan to rob a local corrupt politician based on an idea one of their husband's left behind, and in so doing find their own power. What's perhaps most striking about Widows is that it could have worked as a very straightforward heist film. In McQueen and Flynn's hands, though, it becomes a twist-filled ensemble drama about so much more than planning and executing a job.