12 Out-of-This-World Facts About 2001: A Space Odyssey

Warner Bros.
Warner Bros.

Stanley Kubrick’s 2001: A Space Odyssey was a watershed moment in filmmaking. The epic sci-fi story of extraterrestrials and higher planes of existence bridged the gap between studio pictures and art films, all because of the inimitable genius of its writer/director. Here are 12 facts about the sci-fi classic.

1. The book and the movie were developed concurrently.

2001: A Space Odyssey sprang from a February 1964 lunch between director Stanley Kubrick and Roger Caras, the publicist for Kubrick’s previous film Dr. Strangelove. Kubrick told Caras that for his next movie he wanted to do a movie about extraterrestrial life, which prompted Caras to suggest he get in touch with his friend, collaborator, and science fiction author, Arthur C. Clarke.

Caras introduced the two, with Clarke sending a telegram saying, “Frightfully interested in working with enfant terrible,” and soon the two were working on expanding Clarke’s short story “The Sentinel” into a movie treatment. Per Kubrick, “The novel came about after we did a 130-page prose treatment of the film at the very outset. This initial treatment was subsequently changed in the screenplay, and the screenplay in turn was altered during the making of the film. But Arthur took all the existing material, plus an impression of some of the rushes, and wrote the novel.”

2. It had a few alternate titles.

During development on the movie, Kubrick and Clarke humorously referred to their lofty project as “How the Solar System Was Won,” a play on the title of the 1962 western epic, How the West Was Won. It was never a serious title option, though in author Jerome Agel's 1972 book, The Making of Kubrick's 2001, Clarke admitted, "[It] was our private title. It was exactly what we tried to show."

The pair’s first working title for the movie was Project: Space, which is listed in their first outline. Other temporary titles included Across the Sea of Stars, Universe, Tunnel to the Stars, Earth Escape, Jupiter Window, Farewell to Earth, and Planetfall. The official MGM press release for the movie from February 1965 lists the title as Journey Beyond the Stars, though two months later Kubrick selected 2001: A Space Odyssey for the final title, as an homage to Homer’s Odyssey. “Stanley selected 2001: A Space Odyssey,” Clarke said in his book, The Lost Worlds of 2001. “As far as I can recall, it was entirely his idea.”

3. One of Stanley Kubrick's biggest inspirations was a 1960 animated short from Canada.

It’s no surprise that Kubrick selected “Universe” as a possible title for his movie, as it was also the name of one of the biggest inspirations he had while making it. Universe is a 28-minute, Oscar-nominated animated documentary from 1960 made by the National Film Board of Canada that was meant to be an awe-inspiring look at what it would be like to sail through space beyond the Milky Way.

Kubrick was so taken by the short film that he hired Douglas Rain, the narrator of Universe, to be the voice of the evil computer HAL 9000 in 2001: A Space Odyssey, and also hired Universe’s optical effects artist Wally Gentleman to do special effects for the movie.

4. Kubrick had a little help from Carl Sagan.

Kubrick began principal production on the movie without knowing how to convey many of the film’s key scenes, most notably the ending where Dr. Dave Bowman makes contact with extraterrestrial life. One of the biggest problems Kubrick had while developing the movie was how to depict these extraterrestrial life forms in a way that suited his abstract ideas, but could also be covered by the film’s budget. So he asked noted astrophysicist/author Carl Sagan for help.

In his book The Cosmic Connection: An Extraterrestrial Perspective, Sagan explained, “I argued that the number of individually unlikely events in the evolutionary history of Man was so great that nothing like us is ever likely to evolve again anywhere in the universe. I suggested that any explicit representation of an advanced extraterrestrial being was bound to have at least an element of falseness about it, and that the best solution would be to suggest, rather than explicitly to display, the extraterrestrials.”

Though Kubrick would experiment with literal ways to show aliens in 2001, like hiring a ballet dancer in a special polka-dotted suit filmed against a black background, he settled on Sagan’s insinuation of extraterrestrials.

5. Kubrick tried to take out an alien insurance policy.

Kubrick was paranoid that he’d put all this work into getting as close to reality with the concept of extraterrestrial life as he possibly could and then aliens would be discovered just before his expensive sci-fi movie was finished. In order to literally insure his movie wouldn’t become obsolete, Kubrick attempted to take out an insurance policy at Lloyd’s of London to protect himself against losses in case extraterrestrial intelligence was discovered before the film’s release. Lloyd’s declined the policy because they figured the probability of discovering extraterrestrial intelligence in such a short period in the mid-1960s was too small.

6. The film was shot almost entirely indoors.

The film was shot almost entirely at England’s Shepperton Studios and MGM-British Studios. Massive sets were built for the film’s locations, including a 30-ton rotating Ferris wheel set meant to portray the Discovery’s gravity, built by a British aircraft company called the Vickers-Armstrong Engineering Group.

The film’s iconic monolith was actually comprised of wood and a special graphite mix black paint in order to get an extremely smooth sheen on the outside surface.

The only on-location exterior shot of the movie was of the Moon-Watcher ape smashing the animal bones with his own bone weapon, which was shot on an elevated platform near the studio so that Kubrick could get a low angle of actor Dan Richter, who played the Moon-Watcher, tossing the bone into the air. The shot, which would be the first part of the film’s infamous bone-to-spaceship match cut, was thought up during the shoot after Kubrick tossed a broomstick to a crew member before directing a shot.

7. All the apes were mimes.

One of the last sequences Kubrick shot was the opening “Dawn of Man” sequence, mostly because the director had difficulty in figuring out who could portray the apes in the scenes. He auditioned actors, dancers, and even comedians to potentially perform the parts, and initially hired Richter (who was working as a professional mime in London at the time) to simply choreograph the sequence. Instead, Kubrick hired Richter to be the main ape and tasked him with recruiting 20 other mimes to be the apes.

To help with the reality of the sequence, Richter explained, “I spent a lot of time at the zoo, in front of the chimp cage and the gorillas. I got all the footage of Jane Goodall's work and watched it over and over again. I met with anthropologists. My goal was to take this group of 20 man-apes, drop them in a parking lot without telling them what to do, and they would just look right.”

8. Kubrick got some help from NASA pros.

Even though the story he was telling was science fiction, Kubrick wanted a lot of collaboration in basing the film in science fact. To work as technical consultants on the film, Kubrick hired German-born designer Harry Lange, who had previously worked at NASA as the head of its “future projects” section, and Frederick Ordway, NASA’s former chief of space information systems, who had helped develop the Saturn V rocket.

Of his collaboration with the director, Ordway said, “Kubrick wanted to make certain that every special-effects shot would be completely convincing, yielding a realism never before accomplished in motion pictures.”

9. It featured some truly groundbreaking special effects.

Entire books have been written about the elaborate special effects used to create the futuristic world of 2001. Such effects were painstakingly created because the movie existed in an era before you could just fire up a computer and make whatever is in your noggin come to life. The most famous special effect in the movie is perhaps the end “Star Gate” sequence, which was created by effects artist Douglas Trumbull using a technique called slit scan photography.

To get the trippy colors to portray Bowman traveling to a higher existence, Trumbull used nothing but two sheets of glass and a camera on a custom dolly track. He placed a static foreground sheet of glass that’s entirely blacked out, save for a small slit in the center, in front of the camera. Another static sheet in back of the blacked out sheet featured a piece of glass with interchangeable paintings, drawings, and geometric patterns on it. He then pushed the camera backward and forward to, as Trumbull explained, “produce two seemingly infinite planes of exposure,” that were edited together to create the sequence.

10. Kubrick scrapped the entire original score.

Kubrick called 2001 “a visual, nonverbal experience,” and to help create that the director wanted to stress the music of the film. In the early stages of production, Kubrick commissioned composer Alex North, whom he’d previously worked with on creating the music for Spartacus, to score the movie. North composed a full score, but Kubrick ultimately abandoned it during post-production in favor of iconic classical music cues like Johann Strauss’s “The Blue Danube” waltz.

North didn’t even find out his score was scrapped until he attended the film’s 1968 premiere. North’s score would eventually be released on CD in 1993, and more recently received a limited-edition vinyl release on niche collectible record label Mondo.

11. HAL's death song came from a real-life experience.

The scene where Bowman deactivates HAL, who is singing “Daisy Bell,” was inspired by a visit Clarke made to Bell Labs in the early '60s to see a demonstration of an IBM 704 computer singing the very same song. It gave credence to the idea that “HAL” is a sly reference to “IBM,” since each letter in the evil computer’s name is one alphabetical letter away from the letters in the computer company’s name.

Clarke remained resolved to the fact that HAL, whose character was originally a female persona named Athena, stood for “Heuristically programmed ALgorithmic computer,” and any connection to IBM was pure coincidence.

12. Kubrick supposedly burned all of the extraneous footage, but it was found decades later.

Kubrick was legendarily secretive about his movie, going so far as to have all the props for the movie destroyed so replicas couldn’t be made. He also didn’t want anyone seeing extra footage he deemed unworthy of being in the final movie. Extra footage was only included in the film during the first premiere, which caused Kubrick to cut 19 minutes of footage from scenes like the “Dawn of Man” over pacing issues, after which he ordered all of the negatives of those sequences destroyed.

The complete extra 19 minutes was thought lost until 17 minutes of footage were found, preserved in a salt mine in Kansas, in 2010. Special effects supervisor Trumbull hopes to feature never-before-seen images from the once-lost footage in an upcoming behind-the-scenes photo book.

Additional Sources: The Making of Kubrick's 2001, by Jerome Agel

10 Christmasy Movies That Might Not Be "Christmas Movies"

Renée Zellweger and Colin Firth in Bridget Jones's Diary (2001).
Renée Zellweger and Colin Firth in Bridget Jones's Diary (2001).
Miramax

While action addicts love to extol the Christmas themes of 1988’s Die Hard every time December rolls around, the Bruce Willis-led blockbuster has plenty of company in the no man’s land between “Definitely a Christmas movie” and “Definitely not a Christmas movie.” From romantic comedies to rip-roaring thrillers, here are some other Hollywood hits that you can definitely justify adding to an upcoming holiday movie marathon (whether your guests like it or not).

1. Bridget Jones's Diary (2001)

The only thing that screams “Christmas movie!” louder than an image of Colin Firth in a Rudolph-themed knit sweater (a.k.a. jumper) is a final scene where the two romantic leads kiss amidst a backdrop of falling snow and twinkling Christmas lights. Renée Zellweger’s classic rom-com Bridget Jones’s Diary has—you guessed it—both those things.

2. Trading Places (1983)

If your conception of Christmas includes a boozed-up, belligerent Dan Aykroyd stealing assorted meats from an upscale holiday party while dressed in full Santa garb, then this ’80s comedy is your quintessential Christmas flick. The plot revolves around a social experiment in which a well-to-do broker (Aykroyd) is unwittingly forced to swap lives with a petty criminal (Eddie Murphy), and the movie’s June release suggests that the filmmakers didn’t intend for its Christmas setting to factor into the public reception of the film in any significant way. In America, it might not have—but Trading Places is broadcast in Italy every Christmas Eve.

3. The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)

It’s hard to see the snow-covered forests and fields of Narnia without thinking about Christmas, but the White Witch’s meteorological curse isn’t really why the film adaptation of C.S. Lewis’s universally beloved novel is on this list. (After all, if an unforgiving winter is all it takes to make something holiday-themed, then 1980’s The Shining is also technically a Christmas movie.) Instead, the qualifying factor here is the scene where Father Christmas appears to hand out highly personalized gifts to the Pevensie children. Scored by a carol-esque children’s chorus and complete with a jingly, reindeer-led sleigh, the scene is so magical it makes you forget that the plot of the film is centered around ending Narnia’s endless winter.

4. Eyes Wide Shut (1999)

There are so many Christmas trees in Stanley Kubrick’s erotic thriller that, if you ignore everything else in the film, it could pass for a really festive game of “I Spy.” In addition to the heavy-handed Christmas imagery, Kubrick opens the film with a ritzy holiday party and closes it with a feel-good (at least, relative to the other scenes) shopping trip to Manhattan’s FAO Schwarz. Interestingly enough, the characters in the source material, Arthur Schnitzler’s 1926 novella Traumnovelle, were Jewish.

5. Gremlins (1984)

The cackling, spawning, murderous demons make Gremlins a near-perfect contender for a Halloween horror classic—if it weren’t for the fact that all the chaos ensues over the holidays, and the original gremlin was purchased as a Christmas gift. Though Warner Bros. ultimately went with a summer release, the film was initially slated to premiere during the Christmas season, and Steven Spielberg actually considered Tim Burton—the man behind another confusing horror/holiday hybrid film, The Nightmare Before Christmas (1993)—to direct it.

6. Batman Returns (1992)

And, just a year before Burton dove head-first into the deep end of the “Kind of a Christmas movie” pool with The Nightmare Before Christmas (which he wrote and produced, but did not direct), he got his feet wet with this follow-up to 1989's Batman, starring Michael Keaton. It’s not exactly overflowing with holiday cheer, but it does contain enough evidence of Christmas to justify making your family watch it this December instead of a traditional old talkie (or more accurately, shout-ie) like It’s a Wonderful Life. In addition to the ill-fated tree-lighting ceremony during which masked troublemakers burst forth from an enormous Christmas gift and wreak havoc across Gotham’s plaza, there’s also a Christmas-themed beauty queen called the Ice Princess, penguins who waddle around with candy cane-like torpedos strapped to their backs, and a pretty unforgettable mention of mistletoe.

7. While You Were Sleeping (1995)

Due to a comedy of errors, Sandra Bullock’s character ends up spending the holidays with a coma-ridden Peter Gallagher’s family—who believes her to be his fiancée—and falling in love with his brother (Bill Pullman). But even if this ’90s rom-com didn’t mention Christmas, the big sweaters, snow, and familial love give it a distinctly Christmasy vibe all the same.

8. Lethal Weapon (1987)

This classic buddy cop film, starring Mel Gibson and Danny Glover, has heroin smugglers, hand grenades, prostitution, and plenty of other R-rated, non-holiday content. However, the film opens to “Jingle Bell Rock,” features a drug bust at a Christmas tree lot, and ends with a rather heartwarming exchange between the main characters that happens on Christmas Day. Also, it’s written by Shane Black, famed for setting many a movie during the Christmas season—others include The Last Boy Scout (1991), The Long Kiss Goodnight (1996), Kiss Kiss Bang Bang (2005), Iron Man 3 (2013), and The Nice Guys (2016).

9. Meet Me in St. Louis (1944)

Meet Me in St. Louis covers an entire year in the life of the Smith family, so there’s definitely no shortage of spring-, summer-, and autumn-based scenes and musical numbers throughout the film. But not even the sunny atmosphere and vibrantly-colored ensembles of the trolley passengers in “The Trolley Song” can compete with the extravagant Christmas Eve ball, after which Judy Garland’s character, Esther, warbles “Have Yourself a Merry Little Christmas” to her little sister. It was actually the very first version of the now-classic Christmas song, and it’s also probably the reason that some people consider the movie musical a Yuletide classic.

10. Die Hard (1988)

Lastly: This list would hardly be complete if we didn’t include Die Hard, the internet’s favorite so-called Christmas movie to argue about. Not only was the film released in July, its action-packed plot has nothing to do with Christmas, and Bruce Willis himself actually said it wasn’t a Christmas movie. However, Die Hard does take place between Christmas Eve and Christmas Day, contains countless Christmas symbols (plus a few Christmas songs), and, at its simplest, is really about a father trying to reconcile with his family in the spirit of Christmas. Furthermore, Die Hard screenwriter Steven de Souza is a die-hard member of the “Die Hard is a Christmas movie” camp.

35 Fabulous Facts About Frank Sinatra

Keystone/Getty Images
Keystone/Getty Images

You know that Frank Sinatra was as talented a singer as he was an actor. That he had a collection of nicknames, from The Voice to Ol’ Blue Eyes. And that he liked to do things “My Way.” Here are 35 things you might not have known about the legendary crooner.

1. Frank Sinatra's birth was a traumatic one.

Born on December 12, 1915, in an apartment in Hoboken, New Jersey, Francis Albert Sinatra was blue and not breathing when he was yanked out of his mother with forceps. Thought to be dead, the infant was laid on the kitchen counter while the doctor attended to his mother. His grandmother picked up the newborn, stuck him under some cold water, and little Frank wailed out his first song.

2. Those forceps caused some damage.

Those forceps left their mark on the left side of Sinatra's face, in the shape of a scar that ran from the corner of his mouth to his jaw line and a cauliflower ear. As a teenager, he was nicknamed “Scarface.” He also suffered a bad case of adolescent acne, which left his cheeks pitted. Self-conscious about his looks as an adult, Sinatra often applied makeup to hide the scars. Even with that, he hated to be photographed on his left side. The physical insecurities didn't end there: Sinatra also wore elevator shoes to boost his five-foot-seven stature.

3. Frank Sinatra was a rather large baby.


By Family photo. - Sinatra.com, Public Domain, Wikimedia Commons

The future crooner weighed a whopping 13.5 pounds.

4. Frank Sinatra carried his own P.A. system.

When Sinatra was just starting out as a singer, he came prepared: he carried his own P.A. system to the dives in which he typically performed.

5. Frank Sinatra’s bad boy image was real.

Sinatra's bad boy image began with his infamous 1938 mug shot. The charge? The most Frank reason possible: “seduction.” The charge was reduced to “adultery,” then later dropped.

6. Frank Sinatra was one of America’s first teen idols.


Hulton Archive/Getty Images

In the 1940s, Frank—or Frankie, as he was then known—became one of America's first teen idols. “The sound that greeted me was absolutely deafening,” Sinatra later recalled of a series of shows he performed in 1942 at New York City’s Paramount Theater. “I was scared stiff. I couldn't move a muscle.”

7. Some of Frank Sinatra’s screaming fans were paid to be screaming fans.

Not to take anything away from his amazing voice and his ability to excite the female throngs, but the bobbysoxer craze Sinatra incited (so called because the coed fans wore Catholic school-style bobby socks, rolled down to their ankles) had a little help. George Evans, Sinatra’s publicist, auditioned girls for how loud they could scream, then paid them five bucks and placed them strategically in the audience to help whip up excitement.

8. A short film got Frank Sinatra tagged as a Communist sympathizer.

In 1945, Sinatra made a short film, The House I Live In, that spoke out against anti-Semitism and racial intolerance. Ironically, a decade later, its liberal slant got him tagged as a Communist sympathizer during the McCarthy trials. (Sinatra never testified.)

9. The FBI had a file on Frank Sinatra.


Hulton Archive/Getty Images

Sinatra’s FBI file had been started by J. Edgar Hoover after a radio listener wrote to the Bureau, saying, "The other day I turned on a Frank Sinatra program and I thought how easy it would be for certain-minded manufacturers to create another Hitler here in America through the influence of mass hysteria." Sinatra had also been investigated by the FBI for reportedly paying doctors $40,000 to declare him unfit to serve in the armed services.

10. Frank Sinatra helped introduce the concept album and box set.

In 1946, Sinatra's debut release, The Voice of Frank Sinatra, helped introduce both the concept album and the box set. At a time when long-playing records were still novel, Sinatra issued a set of 78 rpm records with eight songs, all with a theme of lost love. It sold for a hefty $2.50 (the equivalent of about $30 today). But the price didn't prevent it from topping the charts for seven weeks. Two years later, it became one of the first-ever pop music vinyl 10" LPs.

11. Frank Sinatra attempted suicide several times.

Sinatra's star fell hard in the early 1950s. He was so low that he even attempted suicide. Walking through Times Square, he saw mobs of girls waiting to get into a concert by new singing sensation Eddie Fisher. Feeling washed up, Sinatra went back to his apartment, put his head on the stove, and turned on the gas. Luckily, his manager found him in time, lying on the floor, sobbing. Sinatra made three other suicide attempts, all of them in the throes of his volatile relationship with actress Ava Gardner.

12. The Rat Pack didn’t call themselves that.


Hulton Archive/Getty Images

With his pals Dean Martin, Sammy Davis, Jr., Joey Bishop, and Peter Lawford, Sinatra led the Vegas clique known as the Rat Pack. The name was coined by actress Lauren Bacall years earlier, to describe a Hollywood drinking circle that included her then-husband Humphrey Bogart and Sinatra. The guys in the Rat Pack actually referred to themselves by a different name—The Summit—playing on a 1960 summit meeting in Paris between top world leaders.

13. Frank Sinatra reunited Jerry Lewis and Dean Martin.

In 1976, Sinatra appeared on Jerry Lewis’ annual Muscular Dystrophy Association telethon and surprised the host when he brought out Dean Martin, Lewis’s former comedy partner, from whom he’d been estranged for 20 years.

14. In Hollywood, Frank Sinatra was known as “one-take Charlie.”

Sinatra’s preference for approaching film roles in a spontaneous, rather than over-rehearsed, way earned him the nickname of “One-Take Charlie” in Hollywood.

15. Frank Sinatra threatened to have Woody Allen’s legs broken.

Sinatra was married to Mia Farrow from 1966 to 1968, and the two remained close friends. In Farrow’s autobiography, What Falls Away, she shared that when Sinatra learned of Woody Allen’s affair with Soon-Yi Previn, he offered to have the filmmaker’s legs broken.

16. A magazine claimed that Frank Sinatra got his stamina from Wheaties.


Hulton Archive/Getty Images

In 1956, Confidential magazine disclosed how Sinatra managed to satisfy so many Hollywood starlets—Wheaties! The article stated, "Where other Casanovas wilt under the pressure of a torrid romance, Frankie boy just pours himself a big bowl of crispy, crackly Wheaties and comes back rarin' to go.” General Mills kept quiet as the tabloids talked up Wheaties' power to fuel Sinatra's exploits, and it wasn't long before teenage boys were stampeding the cereal aisles.

17. Frank Sinatra had two hits called “New York, New York.”

Sinatra actually had two hits called "New York, New York." The first was in 1949, from the film On the Town, and was written by Leonard Bernstein, Adolph Green, and Betty Comden. Thirty years later, Sinatra cut "(Theme From) New York, New York," by John Kander and Fred Ebb. Originally from Martin Scorsese's 1977 bomb New York, New York, Sinatra turned it into his signature song and onstage closer. He also angered the lyricist, Ebb, by customizing the words (Sinatra had done this to a few songwriters, most famously Cole Porter), adding the climactic phrase "A-number-one." In 1993, Sinatra recorded the song again, this time as a duet with Tony Bennett.

18. Frank Sinatra hated being called “Chairman Of The Board.”

It’s a nickname he acquired while president at Reprise Records. According to his fourth (and final) wife, Barbara, Sinatra hated it.

19. Frank Sinatra wasn’t a fan of “My Way” or “Strangers In The Night.”

Barbara also maintains “My Way,” one of Frank’s most loved songs, did absolutely nothing for him. But that was a kind assessment compared to “Strangers in the Night,” which Frank called “a piece of sh*t” and “the worst f**king song I’ve ever heard.”

20. “My Way” has been covered by more than 60 people.

Sinatra may not have loved it, but “My Way” has been covered by more than 60 artists, including Elvis Presley, Aretha Franklin, and Sid Vicious. It has also been recorded in various languages.

21. Several people have died after performing “My Way.”

Since 2000, at least half a dozen people have been murdered after (or while) performing the Sinatra classic. Dubbed the “‘My Way’ Killings,” the strange phenomenon has gotten so bad that some bar owners have removed it from the selection list entirely.

22. Frank Sinatra inadvertently helped name Scooby-Doo.

At least according to former CBS exec Fred Silverman, who found inspiration in Frank’s signature “Scoo-Be-Do-Be-Do.”

23. Frank Sinatra directed the first Japanese/American co-production.


Hulton Archive/Getty Images

In 1965, Sinatra stepped behind the camera to make his directorial debut with None But the Brave, which was produced with Toho Studios. It was the first Japanese/American co-production filmed in the United States.

24. Frank Sinatra has a special place in New York Yankees history.

“New York, New York” has closed out every one of the Yankees’ home games since 1980.

25. Frank Sinatra had his own pasta sauces.

The year 1990 was a post-Paul Newman, pre-Marky Ramone time in celebrity spaghetti sauce, and leave it to Frank to fill the zesty void. But despite being inspired by his mother’s very own recipe, the sauce flopped. Thankfully, you can now find Mama Sinatra’s recipe online.

26. Frank Sinatra got first dibs on playing John McClane in Die Hard.

Think some action-loving Hollywood scribe came up with the concept for Die Hard? Think again. The movie is based on Roderick Thorp’s 1979 crime novel Nothing Lasts Forever, which is a sequel to his 1966 novel, The Detective. Because Sinatra had starred in the big-screen adaptation of The Detective, he had to be offered the role in its sequel. At the age of 73, he smartly turned it down.

27. Frank Sinatra didn’t like Marlon Brando, and Marlon Brando didn’t like Frank Sinatra.


MGM

Sinatra was always known as one of Hollywood’s most likeable stars, but Marlon Brando apparently didn’t agree. The two didn’t hit it off when they starred in 1955’s Guys and Dolls. Sinatra, who allegedly wanted Brando’s role in the film, referred to his co-star as “Mr. Mumbles,” while Brando nicknamed Sinatra “Mr. Baldy.”

28. Frank Sinatra briefly retired in 19671.

In 1971. Thankfully for you “Send in the Clowns” fans, his self-imposed exile from the entertainment industry lasted less than two years, before he returned for good with his comeback “Ol’ Blue Eyes is Back.”

29. There's an asteroid named after Frank Sinatra.

The rock, called 7934 Sinatra, was discovered on September 26, 1989 by E. W. Elst at the European Southern Observatory.

30. Frank Sinatra sang one half of the only father-daughter tune to ever top the charts.


By CBS Television, Public Domain, Wikimedia Commons

Sinatra has a unique distinction in Billboard history: He’s the “father” half of the only father-daughter duet to ever hit number one—thanks to “Something Stupid,” which he sang with Nancy.

31. Frank Sinatra was an honorary tribal chief.

Specifically, the “Order of the Leopard,” the highest honor in Bophuthatswana, a quasi-nation state in apartheid-era South Africa. The honor was a show of gratitude from president Lucas Mangope for Sinatra’s performances at the maligned—and later boycotted—Sun City casino.

32. The Beatles’s “Something” was one of Frank Sinatra’s favorite songs.

Frank may not have loved (okay, he hated) rock and roll, but he was a big fan of the George Harrison-penned “Something.” The song became a sample in Sinatra’s live set toward the end of his career.

33. The last song Frank Sinatra ever performed live is “The Best Is Yet To Come.”

On February 25, 1995, Sinatra sang the song for a group of 1200 people on the last night of a golf tournament named for him. The words "The Best is Yet to Come" are also on his tombstone.

34. Frank Sinatra reportedly took some Tootsie Rolls to the grave.

According to celebrity expert Alan Petrucelli, Ol’ Blue Eyes was buried with some Tootsie Rolls, along with a few other choice effects, including cigarettes, a lighter, and a bottle of Jack Daniels.

35. A provision in Frank Sinatra’s will helped to ensure it wouldn’t be contested.

In order to ensure that his passing wouldn’t lead to any legal battles, Sinatra’s will included a “no-contest” clause, which essentially says that anyone who contested it would be disinherited completely.

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