12 Out-of-This-World Facts About 2001: A Space Odyssey

Warner Bros.
Warner Bros.

Stanley Kubrick’s 2001: A Space Odyssey was a watershed moment in filmmaking. The epic sci-fi story of extraterrestrials and higher planes of existence bridged the gap between studio pictures and art films, all because of the inimitable genius of its writer/director. Here are 12 facts about the sci-fi classic.

1. The book and the movie were developed concurrently.

2001: A Space Odyssey sprang from a February 1964 lunch between director Stanley Kubrick and Roger Caras, the publicist for Kubrick’s previous film Dr. Strangelove. Kubrick told Caras that for his next movie he wanted to do a movie about extraterrestrial life, which prompted Caras to suggest he get in touch with his friend, collaborator, and science fiction author, Arthur C. Clarke.

Caras introduced the two, with Clarke sending a telegram saying, “Frightfully interested in working with enfant terrible,” and soon the two were working on expanding Clarke’s short story “The Sentinel” into a movie treatment. Per Kubrick, “The novel came about after we did a 130-page prose treatment of the film at the very outset. This initial treatment was subsequently changed in the screenplay, and the screenplay in turn was altered during the making of the film. But Arthur took all the existing material, plus an impression of some of the rushes, and wrote the novel.”

2. It had a few alternate titles.

During development on the movie, Kubrick and Clarke humorously referred to their lofty project as “How the Solar System Was Won,” a play on the title of the 1962 western epic, How the West Was Won. It was never a serious title option, though in author Jerome Agel's 1972 book, The Making of Kubrick's 2001, Clarke admitted, "[It] was our private title. It was exactly what we tried to show."

The pair’s first working title for the movie was Project: Space, which is listed in their first outline. Other temporary titles included Across the Sea of Stars, Universe, Tunnel to the Stars, Earth Escape, Jupiter Window, Farewell to Earth, and Planetfall. The official MGM press release for the movie from February 1965 lists the title as Journey Beyond the Stars, though two months later Kubrick selected 2001: A Space Odyssey for the final title, as an homage to Homer’s Odyssey. “Stanley selected 2001: A Space Odyssey,” Clarke said in his book, The Lost Worlds of 2001. “As far as I can recall, it was entirely his idea.”

3. One of Stanley Kubrick's biggest inspirations was a 1960 animated short from Canada.

It’s no surprise that Kubrick selected “Universe” as a possible title for his movie, as it was also the name of one of the biggest inspirations he had while making it. Universe is a 28-minute, Oscar-nominated animated documentary from 1960 made by the National Film Board of Canada that was meant to be an awe-inspiring look at what it would be like to sail through space beyond the Milky Way.

Kubrick was so taken by the short film that he hired Douglas Rain, the narrator of Universe, to be the voice of the evil computer HAL 9000 in 2001: A Space Odyssey, and also hired Universe’s optical effects artist Wally Gentleman to do special effects for the movie.

4. Kubrick had a little help from Carl Sagan.

Kubrick began principal production on the movie without knowing how to convey many of the film’s key scenes, most notably the ending where Dr. Dave Bowman makes contact with extraterrestrial life. One of the biggest problems Kubrick had while developing the movie was how to depict these extraterrestrial life forms in a way that suited his abstract ideas, but could also be covered by the film’s budget. So he asked noted astrophysicist/author Carl Sagan for help.

In his book The Cosmic Connection: An Extraterrestrial Perspective, Sagan explained, “I argued that the number of individually unlikely events in the evolutionary history of Man was so great that nothing like us is ever likely to evolve again anywhere in the universe. I suggested that any explicit representation of an advanced extraterrestrial being was bound to have at least an element of falseness about it, and that the best solution would be to suggest, rather than explicitly to display, the extraterrestrials.”

Though Kubrick would experiment with literal ways to show aliens in 2001, like hiring a ballet dancer in a special polka-dotted suit filmed against a black background, he settled on Sagan’s insinuation of extraterrestrials.

5. Kubrick tried to take out an alien insurance policy.

Kubrick was paranoid that he’d put all this work into getting as close to reality with the concept of extraterrestrial life as he possibly could and then aliens would be discovered just before his expensive sci-fi movie was finished. In order to literally insure his movie wouldn’t become obsolete, Kubrick attempted to take out an insurance policy at Lloyd’s of London to protect himself against losses in case extraterrestrial intelligence was discovered before the film’s release. Lloyd’s declined the policy because they figured the probability of discovering extraterrestrial intelligence in such a short period in the mid-1960s was too small.

6. The film was shot almost entirely indoors.

The film was shot almost entirely at England’s Shepperton Studios and MGM-British Studios. Massive sets were built for the film’s locations, including a 30-ton rotating Ferris wheel set meant to portray the Discovery’s gravity, built by a British aircraft company called the Vickers-Armstrong Engineering Group.

The film’s iconic monolith was actually comprised of wood and a special graphite mix black paint in order to get an extremely smooth sheen on the outside surface.

The only on-location exterior shot of the movie was of the Moon-Watcher ape smashing the animal bones with his own bone weapon, which was shot on an elevated platform near the studio so that Kubrick could get a low angle of actor Dan Richter, who played the Moon-Watcher, tossing the bone into the air. The shot, which would be the first part of the film’s infamous bone-to-spaceship match cut, was thought up during the shoot after Kubrick tossed a broomstick to a crew member before directing a shot.

7. All the apes were mimes.

One of the last sequences Kubrick shot was the opening “Dawn of Man” sequence, mostly because the director had difficulty in figuring out who could portray the apes in the scenes. He auditioned actors, dancers, and even comedians to potentially perform the parts, and initially hired Richter (who was working as a professional mime in London at the time) to simply choreograph the sequence. Instead, Kubrick hired Richter to be the main ape and tasked him with recruiting 20 other mimes to be the apes.

To help with the reality of the sequence, Richter explained, “I spent a lot of time at the zoo, in front of the chimp cage and the gorillas. I got all the footage of Jane Goodall's work and watched it over and over again. I met with anthropologists. My goal was to take this group of 20 man-apes, drop them in a parking lot without telling them what to do, and they would just look right.”

8. Kubrick got some help from NASA pros.

Even though the story he was telling was science fiction, Kubrick wanted a lot of collaboration in basing the film in science fact. To work as technical consultants on the film, Kubrick hired German-born designer Harry Lange, who had previously worked at NASA as the head of its “future projects” section, and Frederick Ordway, NASA’s former chief of space information systems, who had helped develop the Saturn V rocket.

Of his collaboration with the director, Ordway said, “Kubrick wanted to make certain that every special-effects shot would be completely convincing, yielding a realism never before accomplished in motion pictures.”

9. It featured some truly groundbreaking special effects.

Entire books have been written about the elaborate special effects used to create the futuristic world of 2001. Such effects were painstakingly created because the movie existed in an era before you could just fire up a computer and make whatever is in your noggin come to life. The most famous special effect in the movie is perhaps the end “Star Gate” sequence, which was created by effects artist Douglas Trumbull using a technique called slit scan photography.

To get the trippy colors to portray Bowman traveling to a higher existence, Trumbull used nothing but two sheets of glass and a camera on a custom dolly track. He placed a static foreground sheet of glass that’s entirely blacked out, save for a small slit in the center, in front of the camera. Another static sheet in back of the blacked out sheet featured a piece of glass with interchangeable paintings, drawings, and geometric patterns on it. He then pushed the camera backward and forward to, as Trumbull explained, “produce two seemingly infinite planes of exposure,” that were edited together to create the sequence.

10. Kubrick scrapped the entire original score.

Kubrick called 2001 “a visual, nonverbal experience,” and to help create that the director wanted to stress the music of the film. In the early stages of production, Kubrick commissioned composer Alex North, whom he’d previously worked with on creating the music for Spartacus, to score the movie. North composed a full score, but Kubrick ultimately abandoned it during post-production in favor of iconic classical music cues like Johann Strauss’s “The Blue Danube” waltz.

North didn’t even find out his score was scrapped until he attended the film’s 1968 premiere. North’s score would eventually be released on CD in 1993, and more recently received a limited-edition vinyl release on niche collectible record label Mondo.

11. HAL's death song came from a real-life experience.

The scene where Bowman deactivates HAL, who is singing “Daisy Bell,” was inspired by a visit Clarke made to Bell Labs in the early '60s to see a demonstration of an IBM 704 computer singing the very same song. It gave credence to the idea that “HAL” is a sly reference to “IBM,” since each letter in the evil computer’s name is one alphabetical letter away from the letters in the computer company’s name.

Clarke remained resolved to the fact that HAL, whose character was originally a female persona named Athena, stood for “Heuristically programmed ALgorithmic computer,” and any connection to IBM was pure coincidence.

12. Kubrick supposedly burned all of the extraneous footage, but it was found decades later.

Kubrick was legendarily secretive about his movie, going so far as to have all the props for the movie destroyed so replicas couldn’t be made. He also didn’t want anyone seeing extra footage he deemed unworthy of being in the final movie. Extra footage was only included in the film during the first premiere, which caused Kubrick to cut 19 minutes of footage from scenes like the “Dawn of Man” over pacing issues, after which he ordered all of the negatives of those sequences destroyed.

The complete extra 19 minutes was thought lost until 17 minutes of footage were found, preserved in a salt mine in Kansas, in 2010. Special effects supervisor Trumbull hopes to feature never-before-seen images from the once-lost footage in an upcoming behind-the-scenes photo book.

Additional Sources: The Making of Kubrick's 2001, by Jerome Agel

10 Wireless Chargers Designed to Make Life Easier

La Lucia/Moshi
La Lucia/Moshi

While our smart devices and gadgets are necessary in our everyday life, the worst part is the clumsy collection of cords and chargers that go along with them. Thankfully, there are more streamlined ways to keep your phone, AirPods, Apple Watch, and other electronics powered-up. Check out these 10 wireless chargers that are designed to make your life convenient and connected.

1. Otto Q Wireless Fast Charging Pad; $40

Otto Q Wireless Fast Charging Pad
Moshi

Touted as one of the world's fastest chargers, this wireless model from Moshi is ideal for anyone looking to power-up their phone or AirPods in a hurry. It sports a soft, cushioned design and features a proprietary Q-coil module that allows it to charge through a case as thick as 5mm.

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2. Gotek Wireless Charging Music Station; $57

Gotek Wireless Charging Music Station
Rego Tech

Consolidate your bedside table with this clock, Bluetooth 5.0 speaker, and wireless charger, all in one. It comes with a built-in radio and glossy LED display with three levels of brightness to suit your style.

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3. BentoStack PowerHub 5000; $100 (37 percent off)

BentoStack PowerHub 5000
Function101

This compact Apple accessory organizer will wirelessly charge, port, and store your device accessories in one compact hub. It stacks to look neat and keep you from losing another small piece of equipment.

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4. Porto Q 5K Portable Battery with Built-in Wireless Charger; $85

Porto Q 5K Portable Battery with Built-in Wireless Charger
Moshi

This wireless charger doubles as a portable battery, so when your charge dies, the backup battery will double your device’s life. Your friends will love being able to borrow a charge, too, with the easy, non-slip hook-up.

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5. 4-in-1 Versatile Wireless Charger; $41 (31 percent off)

4-in-1 Versatile Wireless Charger
La Lucia

Put all of those tangled cords to rest with this single, temperature-controlled charging stand that can work on four devices at once. It even has a built-in safeguard to protect against overcharging.

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6. GRAVITIS™ Wireless Car Charger; $20 (31 percent off)

GRAVITIS™ Wireless Car Charger
Origaudio

If you need to charge your phone while also using it as a GPS, this wireless device hooks right into the car’s air vent for safe visibility. Your device will be fully charged within two to three hours, making it perfect for road trips.

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7. Futura X Wireless 15W Fast Charging Pad; $35 (30 percent off)

Futura X Wireless 15W Fast Charging Pad
Bezalel

This incredibly thin, tiny charger is designed for anyone looking to declutter their desk or nightstand. Using a USB-C cord for a power source, this wireless charger features a built-in cooling system and is simple to set up—once plugged in, you just have to rest your phone on top to get it working.

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8. Apple Watch Wireless Charger Keychain; $20 (59 percent off)

Apple Watch Wireless Charger Keychain
Go Gadgets

This Apple Watch charger is all about convenience on the go. Simply attach the charger to your keys or backpack and wrap your Apple Watch around its magnetic center ring. The whole thing is small enough to be easily carried with you wherever you're traveling, whether you're commuting or out on a day trip.

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9. Wireless Charger with 30W Power Delivery & 18W Fast Charger Ports; $55 (38 percent off)

Wireless Charger from TechSmarter
TechSmarter

Fuel up to three devices at once, including a laptop, with this single unit. It can wirelessly charge or hook up to USB and USB-C to consolidate your charging station.

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10. FurniQi Bamboo Wireless Charging Side Table; $150 (24 percent off)

FurniQi Bamboo Wireless Charging Side Table
FoneSalesman

This bamboo table is actually a wireless charger—all you have to do is set your device down on the designated charging spot and you're good to go. Easy to construct and completely discreet, this is a novel way to charge your device while entertaining guests or just enjoying your morning coffee.

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12 Facts About Richard Simmons

Getty
Getty

Richard Simmons was everywhere during the 1980s and 1990s. From talk show appearances to Sweatin' to the Oldies video tapes, Simmons was the world's most memorable exercise advocate ... until he dropped out of sight.

In 2017, Simmons became the subject of the Missing Richard Simmons podcast, which took the central conceit of Serial and dropped it into a group fitness class. The podcast recounted filmmaker Dan Taberski’s attempts to coerce Simmons out of an apparently self-imposed three-year exile, but still left plenty of Simmons lore to pore over. Check out 12 things that may help you better understand the man behind the sequined tank tops, who was born on July 12, 1948.

1. Richard Simmons was almost Father Simmons.

Born in 1948, Simmons was raised in a very religious household in the French Quarter of New Orleans. After graduating from high school, he entered a Dominican seminary in Iowa and stayed for nearly two years before leaving. “It just wasn’t for me,” he said, citing his 240-pound frame that had been engorged on food addiction from an early age and his “loud” persona as being less than fitting for the job. Simmons also tried getting into medicine but found that “dead bodies [and] blood” were unnerving. He also had stints as a cosmetics executive and fashion illustrator before finding his niche in the fitness industry, opening the Anatomy Asylum exercise studio in 1975.

2. An anonymous note led to Richard Simmons's body transformation.

A photo of Richard Simmons
Getty Images

According to a 1981 feature in The New York Times, Simmons was working as a “fat model” in Europe in 1968 when he found a handwritten note stuck to his car. “Fat people die young,” the paper read. “Please don’t die. Anonymous.” Rattled by the message, the then-268-pound Simmons developed an eating disorder, surviving on water and lettuce for more than two months. Eventually, he recovered and developed a new philosophy: "Love yourself, move your body and watch your portions."

3. Richard Simmons appeared in two Federico Fellini movies.

Before Simmons slimmed down, he was enjoying the cuisine of Florence, Italy, where he was studying art in the late 1960s. While there, Simmons nabbed parts in two movies by acclaimed Italian filmmaker Federico Fellini: Satyricon and The Clowns. The footage is apparently the only existing evidence of his former frame: Simmons once said he “burned” all other photos prior to his weight loss.

4. Richard Simmons revolutionized the '80s fitness tape craze.

No video store in the 1980s was complete without a section devoted to fitness. Industry stars like Jake Steinfeld and Tony Little shared shelf space with tapes from Jane Fonda and Arnold Schwarzenegger. In almost all of these releases, perfectly-proportioned motivators and models led viewers through rigorous workout routines. When Simmons started his Sweatin’ to the Oldies series in 1988, he elected to populate his stage with regular people who were still struggling with weight loss. Consumers appreciated that Simmons wasn’t holding them up to a fitness magazine ideal, and the Sweatin’ series went on to sell 25 million copies.

5. Richard Simmons has been known to confront overeaters.

Early in his mission to eliminate excess adipose tissue, Simmons admitted to confronting total strangers over some of their dietary choices. “I’ll see an overweight woman eating a butterscotch sundae,” he told People in 1981, “and I’ll sit at her table and say, ‘What is this?’” When he operated a trendy Los Angeles eatery he called Ruffage in 1975, he’d also sit down with his customers and tell them if they needed to lose weight.

6. Richard Simmons once replaced Alex Trebek.

In 1987, syndicated TV distributor Lorimar attempted to capitalize on the home-shopping craze with ValueTelevision, a one-hour show where viewers could place orders via the telephone for featured products. The series was co-hosted by Jeopardy! star Alex Trebek. When the ratings were less than Lorimar anticipated, they fired Trebek and replaced him with Simmons. Nothing seemed to work, and the show was canceled in June.

7. Richard Simmons used to tour shopping malls.

Beginning in 1979, Simmons appeared on the ABC soap opera General Hospital as a fitness instructor. With the cast, he began making personal appearances at shopping malls: Simmons was so impressed by the number of people he could reach this way that he continued even after leaving the show in the early 1980s. “I travel almost 300 days a year,” he said in 1991. “I do mostly shopping malls, because everyone will come to a shopping mall, no matter what they weigh, no matter their economic structure, no matter what they drive. The malls are the meeting places of America. And so that's where I go."

8. Richard Simmons doesn't like sarcasm.

A photo of Richard Simmons
Getty Images

In 2004, Simmons was at Phoenix’s Sky Harbor Airport when a fellow passenger made a caustic remark about his Sweatin’ to the Oldies series of tapes. According to police, the man spotted Simmons and shouted, “Hey, everybody, it’s Richard Simmons. Let’s drop our bags and rock to the ‘50s.” The heckling was unappreciated by Simmons, who reportedly walked over and slapped the man across the face. According to the Bangor Daily News, police cited him with misdemeanor assault. The case was later settled and dropped.

9. David Letterman gave Richard Simmons an asthma attack.

Simmons was a frequent guest on David Letterman’s late-night talk shows, with Letterman often playing the straight man to the hyper antics of Simmons. In 2000, Simmons took a break from the appearances after Letterman playfully sprayed him with a fire extinguisher, prompting the asthmatic Simmons to have so much trouble breathing that paramedics were called. The normally affable Simmons was so upset by the incident that he refused to appear on the show for six years.

10. Richard Simmons doesn't like restaurants.

Speaking with the Denver Post in 2008, Simmons said that he very rarely visits restaurants owing to the fact that people can’t stop craning their necks to see what the diet guru has ordered. To maintain some semblance of privacy, Simmons typically gets room service while traveling. He also avoids grocery stores, citing concerns that people tend to call him over and ask him to read the ingredients label to see if it’s a healthy option.

11. Richard Simmons called his dogs on the phone.

A photo of Richard Simmons
Getty Images

Describing himself as a “loner” who doesn’t have many friends, Simmons once revealed a strong emotional bond with his three Dalmatians he named after characters in Gone with the Wind. When traveling, Simmons said he would call his house and sing to them over the telephone.

12. Richard Simmons foreshadowed his own exit in 1981.

As his fame and success grew, Simmons became a fixture on television and in print. Speaking to People for a profile in November 1981, the fitness expert said he received 25,000 to 30,000 letters every day and tried to meet as many people who requested his help as possible. “The day I don’t love any of this,” he said, “I’ll walk away.”

This story has been updated for 2020.