15 Royally Amazing Facts About Queen Elizabeth I

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Queen Elizabeth I took the crown of England on January 15, 1559. To honor the 456th anniversary of her coronation, here are 15 things you might not know about Good Queen Bess.

1. She very nearly wasn’t queen at all.

Elizabeth’s ascension to the throne required a great deal of good luck… or bad luck, depending on whose perspective you take. Following the death of her father, King Henry VIII, Elizabeth was third in line for the throne after her younger half-brother Edward and her older half-sister Mary. A 10-year-old Edward took the throne in 1547, ruling for only six years before dying of a fever.

Just before his passing, Edward named his cousin, Lady Jane Grey, his successor (bumping Elizabeth down yet another spot). However, Jane’s stint on the throne was a brief 13 days—Mary succeeded in having Jane deposed and took over the crown herself for five years. Influenza took the childless Mary’s life in 1558, allowing Elizabeth to at last become the Queen of England, Wales, and Ireland.

2. Before she was queen, she was a political prisoner.

In 1554, Elizabeth was tried and imprisoned on suspicion of abetting Wyatt’s Rebellion, an uprising against Queen Mary I that many believed to be motivated by the quest for Protestant liberation.

3. She was a clotheshorse.

Even though she’s remembered for her high fashions, it’s surprising to know just how expansive Elizabeth’s wardrobe was. According to one estimate, she may have owned as many as 2,000 pairs of gloves!

4. She was a firm believer in astrology.

The Queen kept a personal advisor named John Dee—a renowned mathematician, astronomer, astrologer, and professed alchemist—in her regular company. Elizabeth relied on Dee’s counsel in the scheduling of important events and, as one rumor suggests, in the removal of a troublesome “death curse.”

5. There was a “cult” surrounding her.

Upon Elizabeth’s claim of the throne, her team of advisors encouraged a trend of flattering depictions among her portrait artists. As time went on, depictions of Queen Elizabeth I in both visual and written media began to incorporate likenesses of classic goddesses—she was compared to Venus, Astraea, and the Greek deity Diana, all in an effort to espouse connotations of divinity and purity. This trend of work is known as the Cult of Elizabeth, or the Cult of the Virgin Queen.

6. She pioneered legislation to help feed the poor.

When it wasn’t spreading propaganda, Elizabeth’s administration was actually doing some good. The Queen oversaw the nation’s first attempts at poverty relief: a gradual accumulation of rulings like mandatory taxation towards this end, which culminated with the 1601 Elizabethan Poor Law.

7. She could speak many languages.

In addition to her native English, Queen Elizabeth I was known to be fluent in French, Italian, and Latin, going so far as to translate collections of lengthy texts into these languages. The Queen is also believed to have spoken Spanish, Welsh, Irish, Flemish, Greek, and the now nearly defunct tongue of Cornish.

8. A few rumors still tie her to Shakespeare.

Clearly the intellectual type, Elizabeth made it her mission while in power to patronize the theatrical arts. Her devotion to stage led to an assortment of musings regarding her relationship to William Shakespeare. Some scholars surmise that the Queen had a personal kinship with the playwright, who alludes to her (quite amorously) in the second act of A Midsummer Night’s Dream:

That very time I saw, but thou couldst not
Flying between the cold moon and the earth,
Cupid all arm'd: a certain aim he took
At a fair vestal throned by the west,
And loosed his love-shaft smartly from his bow,
As it should pierce a hundred thousand hearts;
But I might see young Cupid's fiery shaft
Quench'd in the chaste beams of the watery moon,
And the imperial votaress passed on,
In maiden meditation, fancy-free.

9. She was at the center of a romantic scandal…

If the tabloids had existed in the 16th century, they would have had a field day with Queen Elizabeth I. She turned down proposals from the likes of King Philip II of Spain, King Eric XIV of Sweden, Archduke Charles of Austria, and French brothers Henry III and Francis, Dukes of Anjou. Throughout her life, Elizabeth’s one true love remained her childhood friend Robert Dudley, whose marriage to Amy Robsart kept the two from achieving Elizabeth’s long desired union.

Even after the sudden death of Robsart in 1560 Elizabeth resisted marrying her lifelong friend. Eighteen years later, he’d go on to find a second wife, Lettice Knollys, whom Elizabeth was said to treat with merciless scorn.

10. Her scandals weren’t limited to proposals.

In addition to these many spotlighted proposals, Queen Elizabeth I found (and continues to find) herself the subject of plentiful rumors about secret love affairs, mainly to high-profile men: Aristocrat and writer Sir Walter Raleigh, Robert Devereux, 2nd Earl of Essex, and Lord Chancellor Christopher Hatton rank as her most noteworthy would-be loves.

11. She was the only English queen who never married.

Despite the many men who vied for her hand, Elizabeth never took a husband. She is the only English queen to bear this distinction, although eight kings before her also remained lifelong bachelors (Æthelstan, Eadred, Edward the Martyr, Harthacnut, Edgar the Ætheling, William II, Edward V, and Elizabeth’s brother Edward VI).

12. She can claim many “lasts.”

In addition to being the last monarch to reign unmarried, she was also the last to rule over England before its union with Scotland. Elizabeth died in 1603, the same year that the Treaty of Union (or the Union of England and Scotland Act) would take effect, under the watch of her successor, James I. Finally, Elizabeth was the final of five kings and queens to rule under the Tudor dynasty.

13. She held one impressive record.

Aged 69 at the time of her death, Elizabeth I was, at the time, the oldest monarch in English history (breaking the nearly 300-year record set by 68-year-old Edward I). Elizabeth held this honor until 1754 (151 years), when King George II hit a ripe old 70 while still ruling over what had become Great Britain.

14. Her looks were quite deceiving.

Following a bout with smallpox in the early 1560s, Elizabeth I suffered facial scarring and hair loss… but nobody would have known it. She kept up appearances with an ample supply of gallant wigs and the application of white makeup over her face, which was in keeping with the style of the era.

15. She cursed like a sailor.

Elizabeth was infamous for her proclivity for colorful language, a characteristic she is said to have inherited from her father, King Henry VIII.

You may not be a king or queen, but any time you need GEICO's customer service, they'll give you the royal treatment.

Why We Eat What We Eat On Thanksgiving

monkeybusinessimages/iStock via Getty Images
monkeybusinessimages/iStock via Getty Images

When Americans sit down with their families for Thanksgiving dinner, most of them will probably gorge themselves on the same traditional Thanksgiving menu, with turkey, cranberry sauce, stuffing, and pumpkin pie taking up the most real estate on the plates. How did these dishes become the national "what you eat on Thanksgiving" options, though?

Why do we eat turkey on Thanksgiving?

It's not necessarily because the pilgrims did it. Turkey may not have been on the menu at the 1621 celebration by the Pilgrims of Plymouth that is considered the first Thanksgiving (though some historians and fans of Virginia's Berkeley Plantation might quibble with the "first" part). There were definitely wild turkeys in the Plymouth area, though, as colonist William Bradford noted in his book Of Plymouth Plantation.

However, the best existing account of the Pilgrims' harvest feast comes from colonist Edward Winslow, the primary author of Mourt's Relation: A Journal of the Pilgrims at Plymouth. Winslow's first-hand account of the first Thanksgiving included no explicit mention of turkey. He does, however, mention the Pilgrims gathering wild fowl for the meal, although that could just as likely have meant ducks or geese.

When it comes to why we eat turkey on Thanksgiving today, it helps to know a bit about the history of the holiday. While the idea of giving thanks and celebrating the harvest was popular in certain parts of the country, it was by no means an annual national holiday until the 19th century. Presidents would occasionally declare a Thanksgiving Day celebration, but the holiday hadn't completely caught on nationwide. Many of these early celebrations included turkey; Alexander Hamilton once remarked, "No citizen of the U.S. shall refrain from turkey on Thanksgiving Day."

When Bradford's journals were reprinted in 1856 after being lost for at least half a century, they found a receptive audience with advocates who wanted Thanksgiving turned into a national holiday. Since Bradford wrote of how the colonists had hunted wild turkeys during the autumn of 1621 and since turkey is a uniquely North American (and scrumptious) bird, it gained traction as the Thanksgiving meal of choice for Americans after Lincoln declared Thanksgiving a national holiday in 1863.

Moreover, there were pragmatic reasons for eating turkey rather than, say, chicken at a feast like Thanksgiving. The birds are large enough that they can feed a table full of hungry family members, and unlike chickens or cows, they don't serve an additional purpose like laying eggs or making milk. Unlike pork, turkey wasn't so common that it seemed like an unsuitable choice for a special occasion, either.

Did the pilgrims have cranberry sauce?

While the cranberries the Pilgrims needed were probably easy to come by, making cranberry sauce requires sugar. Sugar was a rare luxury at the time of the first Thanksgiving, so while revelers may have eaten cranberries, it's unlikely that the feast featured the tasty sauce. What's more, it's not even entirely clear that cranberry sauce had been invented yet. It's not until 1663 that visitors to the area started commenting on a sweet sauce made of boiled cranberries that accompanied meat.

There's the same problem with potatoes. Neither sweet potatoes nor white potatoes were available to the colonists in 1621, so the Pilgrims definitely didn't feast on everyone's favorite tubers.

How about pumpkin pie?

It may be the flagship dessert at modern Thanksgiving dinners, but pumpkin pie didn't make an appearance at the first Thanksgiving. The Pilgrims probably lacked the butter and flour needed to make a pie crust, and it's not clear that they even had an oven in which they could have baked a pumpkin pie. That doesn't mean pumpkins weren't available for the meal, though; they were probably served after being baked in the coals of a fire or stewed. Pumpkin pie became a popular dish on 17th-century American tables, though, and it might have shown up for Thanksgiving as early as the 1623 celebration of the holiday.

This article originally appeared in 2008.

15 Colorful Facts About Georgia O’Keeffe

Georgia O’Keeffe’s enchanting floral still life paintings are now a deeply ingrained part of American culture—so much so that they often eclipse her other colorful accomplishments. For a more complete portrait of the artist, who was born on November 15, 1887, brush up on these 15 little-known facts about her.

1. Flower paintings make up a small percentage of Georgia O'Keeffe's body of work.

Though Georgia O'Keeffe is most famous for her lovingly rendered close-ups of flowers—like Black Iris and Oriental Poppies—these make up just about 200 of her 2000-plus paintings. The rest primarily depict landscapes, leaves, rocks, shells, and bones.

2. Georgia O'Keeffe rejected sexual interpretations of her paintings.

For decades, critics assumed that O'Keeffe's flowers were intended as homages—or at the very least, allusions—to the female form. But in 1943, she insisted that they had it all wrong, saying, “Well—I made you take time to look at what I saw and when you took time to really notice my flowers you hung all your own associations with flowers on my flower and you write about my flower as if I think and see what you think and see of the flower—and I don’t.” So there.

3. Georgia O'Keeffe was not a native of the American Southwest.


Joe Raedle/Getty Images

O'Keeffe was actually born on a Wisconsin dairy farm. She'd go on to live in Chicago; New York City; New York’s Lake George; Charlottesville, Virginia; and Amarillo, Texas. She first visited New Mexico in 1917, and as she grew older, her trips there became more and more frequent. Following the death of her husband in 1946, she moved to New Mexico permanently.

4. Georgia O'Keeffe’s favorite studio was the backseat of a Model-A Ford.

In an interview with C-SPAN, Carolyn Kastner, former curator of the Georgia O'Keeffe Museum in Santa Fe, New Mexico, explained how the artist customized her car for this use: "She would remove the driver's seat. Then she would unbolt the passenger car, turn it around to face the back seat. Then she would lay the canvas on the back seat as an easel and paint inside her Model-A Ford."

Painting inside the car allowed O'Keeffe to stay out of the unrelenting desert sun, where she painted many of her later works. The Model-A also provided a barrier from the bees that would gather as the day wore on.

5. Georgia O'Keeffe also painted skyscrapers.

While nature was O'Keeffe's main source of inspiration, the time she spent in 1920s Manhattan spurred the creation of surreal efforts like New York With Moon, City Night, and The Shelton with Sunspots.

6. Georgia O'Keeffe immersed herself in nature.

While in New Mexico, O’Keeffe spent summers and falls at her Ghost Ranch, putting up with the region's hottest, most stifling days in order to capture its most vivid colors. (The rest of the year she stayed at her second home, located in the small town of Abiquiu.) When she wasn't painting in her Model-A, O'Keeffe often camped out in the harsh surrounding terrain, to keep close to the landscapes that inspired her.

7. Not even bad weather could keep Georgia O'Keeffe away from her work.

The artist would rig up tents from tarps, contend with unrelenting downpours, and paint with gloves on when it got too cold. She went camping well into her 70s and enjoyed a well-documented rafting trip with photographer Todd Webb at age 74. Her camping equipment is occasionally exhibited at the Georgia O'Keeffe Museum.

8. Georgia O'Keeffe married the man behind her first gallery show.

"At last, a woman on paper!" That’s what modernist photographer and gallery owner Alfred Stieglitz cried when he first saw O'Keeffe's abstract charcoal drawings. He was so enthusiastic about this series of sketches that he put them on display—before consulting their creator.

When O'Keeffe arrived at his gallery, she wasn't pleased, and brusquely introduced herself: "I am Georgia O'Keeffe and you will have to take these pictures down." Despite their rocky beginnings, Stieglitz and O'Keeffe quickly made amends, and went on to become partners in art and in life.

9. Georgia O'Keeffe and Alfred Stieglitz wrote 25,000 pages of love letters to each other.

When the pair met in 1916, Stieglitz was famous and married; she was unknown and 23 years his junior. All the same, they began writing to each other often (sometimes two or three times a day) and at length (as many as 40 pages at a time). These preserved writings chart the progression of their romance—from flirtation to affair to their marriage in 1924—and even document their marital struggles.

10. Georgia O'Keeffe served as a muse to other artists.

Thanks in part to Stieglitz, O'Keeffe was one of the most photographed women of the 20th century. Stieglitz made O'Keeffe the subject of a long-term series of portraits meant to capture individuals as they aged, and she made for a striking model. Though he died in 1946, the project lived on as other photographers sought out O'Keeffe in order to capture the beloved artist against the harsh New Mexican landscapes she loved so dearly.

O'Keeffe later wrote:

"When I look over the photographs Stieglitz took of me—some of them more than 60 years ago—I wonder who that person is. It is as if in my one life I have lived many lives. If the person in the photographs were living in this world today, she would be quite a different person—but it doesn't matter—Stieglitz photographed her then."

11. Georgia O'Keeffe quit painting—three times.

The first break spanned several years (the exact number is a matter of debate), when O'Keeffe took on more stable jobs to help her family through financial troubles. In the early 1930s, a nervous breakdown led to her hospitalization, and caused her to set aside her brushes for more than a year.

In the years leading up to her death in 1986, failing eyesight forced O'Keeffe to give up painting entirely. Until then, she fought hard to keep working, enlisting assistants to prepare her canvas and mix her oil paints for pieces like 1977's Sky Above Clouds/Yellow Horizon and Clouds. She managed to use watercolors until she was 95.

12. After going blind, Georgia O'Keeffe turned to sculpting.


By Alfred Stieglitz - Phillips, Public Domain, Wikimedia Commons

Although her vision eventually made painting impossible, O'Keeffe's desire to create was not squelched. She memorably declared, "I can see what I want to paint. The thing that makes you want to create is still there.” O'Keeffe began experimenting with clay sculpting in her late 80s, and continued with it into her 96th year.

13. Georgia O'Keeffe is the mother of American Modernism.

Searching for what she called “the Great American Thing,” O'Keeffe was part of the Stieglitz Circle, which included such lauded early modernists as Charles Demuth, Arthur Dove, Marsden Hartley, John Marin, Paul Strand, and Edward Steichen. By the mid-1920s, she had become the first female painter to gain acclaim alongside her male contemporaries in New York's cutthroat art world. Her distinctive way of rendering nature in shapes and forms that made them seem simultaneously familiar and new earned her a reputation as a pioneer of the form.

14. Georgia O'Keeffe blazed new trails for female artists.

In 1946, O’Keeffe became the first woman to earn a retrospective at the Museum of Modern Art. Twenty-four years later, a Whitney Museum of American Art retrospective exhibit introduced her work to a new generation. Fifteen years after that, O'Keeffe was included in the inaugural slate of artists chosen to receive the newly founded National Medal of Arts for her contribution to American culture.

15. Georgia O'Keeffe wasn't fearless, but she rejected fear.

O'Keeffe was purported to have said, "I've been absolutely terrified every moment of my life and I've never let it keep me from doing a single thing I wanted to do."

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