12 Bizarre Moments From Oscar Award Ceremonies Past

La La Land producer Jordan Horowitz announces that Moonlight is the real winner of the 2017 Best Picture Oscar.
La La Land producer Jordan Horowitz announces that Moonlight is the real winner of the 2017 Best Picture Oscar.
Kevin Winter/Getty Images

The unforgettable 2017 snafu where La La Land was erroneously awarded Moonlight's Best Picture Oscar might very well be the strangest thing to ever happen at the Academy Awards, but it’s definitely not the only one. Gear up for the 92nd Oscars, which will be handed out on February 9, by revisiting 12 other unexpected events from ceremonies past.

1. When Will Rogers didn’t specify which Frank won Best Director.

Frank Capra photographed in the 1930s.Columbia Pictures, Wikimedia Commons // Public Domain

In 1934, Oscar host Will Rogers revealed the winner of the Best Director award by casually saying “Come up and get it, Frank!” Unfortunately, two Franks had been nominated that night, and Lady for a Day director Frank Capra had nearly reached the open dance floor before he realized the spotlight had spun around to illuminate the real winner, Cavalcade director Frank Lloyd. Capra would bounce back to win Best Director the following year for It Happened One Night, but he took the loss pretty hard at the time.

“I wished I could have crawled under the rug like a miserable worm,” he wrote in his autobiography. “When I slumped in my chair, I felt like one. All my friends at the table were crying.”

2. When Hattie McDaniel became the first black Oscar winner—and needed special permission to attend the ceremony.

When Hattie McDaniel was nominated for her unforgettable performance as Mammy in 1939’s Gone With the Wind, producer David O. Selznick had to call in a favor to get the Ambassador’s Cocoanut Grove nightclub to break its "no blacks" policy and let her attend the ceremony. That favor, however, didn’t secure McDaniel a seat at the table with her fellow cast members. Instead, she sat at a tiny table in the back with her escort and agent, and to trek a fairly lengthy distance to accept her Best Supporting Actress award later that night.

3. When the Oscars ended 20 minutes early and Jerry Lewis had to kill time.

When the final award of the 1959 Oscars ceremony was given out a full 20 minutes early and producers scrambled to figure out how to fill the time, co-host Jerry Lewis was left to his own comedic devices. Standing center stage among a sea of presenters and award winners, Lewis announced that they’d be singing 300 choruses of “There’s No Business Like Show Business” before watching a Three Stooges program to “cheer up the losers.” He then politely hijacked the conductor’s baton and led the orchestra in song until NBC finally cut to a sports review show for the rest of the time.

4. When Sacheen Littlefeather refused Marlon Brando’s award for him.

When Marlon Brando was announced as the winner of the Best Actor Oscar for his performance in The Godfather in 1973, Native American Sacheen Littlefeather refused the award on his behalf and explained that he was boycotting the Oscars to bring attention to the deplorable treatment of Native Americans in the film industry. Her statement was met with a smattering of applause and a chorus of boos, and Brando was criticized for the stunt. It did, however, succeed in drawing attention to the cause, and the trend of politically-charged acceptance speeches has definitely only gained popularity since then.

5. When a streaker snuck onstage behind David Niven.

In 1974, conceptual artist and photographer Robert Opel snuck into the Academy Awards ceremony disguised as a journalist and jogged across the stage in his birthday suit, flashing a peace sign and interrupting co-host David Niven. Niven laughed it off, joking, “Well, ladies and gentlemen, that was almost bound to happen,” before introducing presenter Elizabeth Taylor, who admitted it would be a “pretty hard act to follow.”

6. When Rob Lowe sang with Snow White.

An opening number centered around Snow White singing a rewritten version of “Proud Mary” with her “blind date” Rob Lowe seems like a recipe for confusion at best, and disaster at worst. At the 1989 Oscars, it was both. The long, painful performance baffled the audience, and certain high-profile Hollywood actors—Gregory Peck, Paul Newman, and Julie Andrews, to name a few—even signed a letter to the Academy condemning the program as “an embarrassment.” On top of that, Disney filed a lawsuit against the Academy for not officially licensing Snow White, though they backed down with a simple apology.

7. When Jack Palance’s acceptance speech included push-ups.

A genial Jack Palance ambled up to the podium in 1992 to accept his Best Supporting Actor award for City Slickers and treated the audience to a demonstration of three one-armed push-ups in the middle of his speech. The 72-year-old actor was attempting to illustrate what casting directors sometimes make younger actors go through during auditions, but the septuagenarian’s impressive athletic feat no doubt made a much bigger impression than anything he said.

8. When Tom Hanks outed his former drama teacher, which inspired the 1997 film In & Out.

Tom Hanks accepted his Best Actor award for Philadelphia in 1994 by thanking (among others) his former high school drama teacher, Rawley Farnsworth, and calling him one of the “finest gay Americans.” Though many people thought Hanks had accidentally outed Farnsworth, Hanks had actually gotten his permission beforehand. Still, the confusion inspired screenwriter Paul Rudnick to create In & Out, a 1997 movie about a closeted teacher (Kevin Kline) whose secret was accidentally disclosed during a former pupil’s (Matt Dillon) acceptance speech.

9. When South Park's creators dressed as Jennifer Lopez and Gwyneth Paltrow.

Trey Parker and Matt Stone dressed as Jennifer Lopez and Gwyneth Paltrow at the 2000 Oscars.David McNew, Hulton Archive/Getty Images

In 2000, South Park creators Trey Parker and Matt Stone celebrated their Best Original Song nomination (for “Blame Canada” from South Park: Bigger, Longer & Uncut) by showing up to the Oscars clad in iconic ensembles from other red carpets. Parker rocked a recreation of Jennifer Lopez’s Versace dress from the Grammys earlier that year, and Stone glowed in a low-cut, pale pink number that mirrored Gwyneth Paltrow’s from the 1999 Oscars. The pair later admitted that they took LSD right before the event, but they didn’t mention whether or not drugs were involved when they chose their outfits.

10. When John Travolta called Idina Menzel “Adele Dazeem.”

If John Travolta had just stumbled through Idina Menzel’s name during his introduction of her performance of “Let It Go” in 2014, we might have simply let it go. However, he quite clearly enunciated a completely different, fictional name, “Adele Dazeem,” which has cemented itself in the minds of anybody who watched the ceremony and many people who didn’t. Menzel exacted good-natured revenge on Travolta at the 2015 Oscars by calling him “Glom Gazingo.”

11. When the “In Memoriam” segment featured a living woman.

ABC

The 2017 “In Memoriam” segment should’ve been an especially somber affair. Not only did the slideshow feature both Debbie Reynolds and Carrie Fisher, but it was backed by Sara Bareilles’s emotional rendition of Joni Mitchell’s “Both Sides Now.” However, it also featured a photo of Australian film producer Jan Chapman—who is still alive—next to the name of costume designer Janet Patterson. Chapman, who worked with Patterson on 1992’s The Last Days of Chez Nous and 1993’s The Piano, said at the time that she was “devastated” by the mistake. “I am alive and well and an active producer,” she told Variety.

12. When La La Land won Best Picture, and then it didn’t.

The “In Memoriam” error could’ve been the wildest Oscars fail for decades to come, but it was unseated later that same night, when presenters Faye Dunaway and Warren Beatty announced the wrong winner for Best Picture—and the mistake wasn’t corrected until after the La La Land cast and crew had waltzed onstage, accepted their awards, and delivered heartfelt speeches. Then, La La Land producer Jordan Horowitz declared to a rightfully puzzled audience that Moonlight was the real winner, brandishing the correct results card and repeating “This is not a joke.” We’d later find out that Beatty had accidentally been handed a duplicate envelope for “Best Actress,” which Emma Stone had won for La La Land. (Amazingly, this was far from the first or only time the wrong winner had been announced at a major award ceremony.)

Amazon's Best Black Friday Deals: Tech, Video Games, Kitchen Appliances, Clothing, and More

Amazon
Amazon

This article contains affiliate links to products selected by our editors. Mental Floss may receive a commission for purchases made through these links.

Black Friday is finally here, and Amazon is offering great deals on kitchen appliances, tech, video games, and plenty more. We will keep updating this page as sales come in, but for now, here are the best Amazon Black Friday sales to check out.

Kitchen

Instant Pot/Amazon

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Home Appliances

Roomba/Amazon

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Video games

Sony

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Computers and tablets

Microsoft/Amazon

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Apple/Amazon

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Beats/Amazon

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HBO/Amazon

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Amazon

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Casper/Amazon

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Haus/Amazon

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Ganni/Amazon

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12 Spirited Facts About How the Grinch Stole Christmas

Warner Home Video
Warner Home Video

Each year, millions of Americans welcome the holiday season by tuning into their favorite TV specials. For most people, this includes at least one viewing of the 1966 animated classic How the Grinch Stole Christmas. Adapted from Dr. Seuss’s equally famous children’s book by legendary animator Chuck Jones, How the Grinch Stole Christmas first aired more than 50 years ago, on December 18, 1966. Here are 12 facts about the TV special that will surely make your heart grow three sizes this holiday season.

1. Theodor “Dr. Seuss” Geisel And Chuck Jones previously worked together on Army training videos.

During World War II, Geisel joined the United States Army Air Forces and served as commander of the Animation Department for the First Motion Picture Unit, a unit tasked with creating various training and pro-war propaganda films. It was here that Geisel soon found himself working closely with Chuck Jones on an instructional cartoon called Private Snafu. Originally classified as for-military-personnel-only, Private Snafu featured a bumbling protagonist who helped illustrate the dos and don’ts of Army safety and security protocols.

2. It was because of their previous working relationship that Ted Geisel agreed to hand over the rights to The Grinch to Chuck Jones.

After several unpleasant encounters in relation to his previous film work—including the removal of his name from credits and instances of pirated redistribution—Geisel became notoriously “anti-Hollywood.” Because of this, he was reluctant to sell the rights to How the Grinch Stole Christmas. However, when Jones personally approached him about making an adaptation, Geisel relented, knowing he could trust Jones and his vision.

3. Even with Ted Geisel’s approval, the special almost didn’t happen.

By Al Ravenna, World Telegram staff photographer - Library of Congress. New York World-Telegram & Sun Collection. Public Domain, Wikimedia Commons

Whereas today’s studios and production companies provide funding for projects of interest, television specials of the past, like A Charlie Brown Christmas and How the Grinch Stole Christmas, had to rely on company sponsorship in order to get made. While A Charlie Brown Christmas found its financier in the form of Coca-Cola, How the Grinch Stole Christmas struggled to find a benefactor. With storyboards in hand, Jones pitched the story to more than two dozen potential sponsors—breakfast foods, candy companies, and the like—all without any luck. Down to the wire, Jones finally found his sponsor in an unlikely source: the Foundation for Commercial Banks. “I thought that was very odd, because one of the great lines in there is that the Grinch says, ‘Perhaps Christmas doesn’t come from a store,’” Jones said of the surprise endorsement. “I never thought of a banker endorsing that kind of a line. But they overlooked it, so we went ahead and made the picture.”

4. How the Grinch Stole Christmas had a massive budget.

Coming in at over $300,000, or $2.2 million in today’s dollars, the special’s budget was unheard of at the time for a 26-minute cartoon adaptation. For comparison’s sake, A Charlie Brown Christmas’s budget was reported as $96,000, or roughly $722,000 today (and this was after production had gone $20,000 over the original budget).

5. Ted Geisel wrote the song lyrics for the special.

No one had a way with words quite like Dr. Seuss, so Jones felt that Geisel should provide the lyrics to the songs featured in How the Grinch Stole Christmas.

6. Fans requested translations of the “Fahoo Foraze” song.

True to his persona’s tongue-twisting trickery, Geisel mimicked sounds of classical Latin in his nonsensical lyrics. After the special aired, viewers wrote to the network requesting translations of the song as they were convinced that the lyrics were, in fact, real Latin phrases.

7. Thurl Ravenscroft didn’t receive credit for his singing of “You’re A Mean One, Mr. Grinch.”

The famous voice actor and singer, best known for providing the voice of Kellogg’s Tony the Tiger, wasn’t recognized for his work in How the Grinch Stole Christmas. Because of this, most viewers wrongly assumed that the narrator of the special, Boris Karloff, also sang the piece in question. Upset by this oversight, Geisel personally apologized to Ravenscroft and vowed to make amends. Geisel went on to pen a letter, urging all the major columnists that he knew to help him rectify the mistake by issuing a notice of correction in their publications.

8. Chuck Jones had to find ways to fill out the 26-minute time slot.

Because reading the book out loud only takes about 12 minutes, Jones was faced with the challenge of extending the story. For this, he turned to Max the dog. “That whole center section where Max is tied up to the sleigh, and goes down through the mountainside, and has all those problems getting down there, was good comic business as it turns out,” Jones explained in TNT’s How the Grinch Stole Christmas special, which is a special feature on the movie’s DVD. “But it was all added; it was not part of the book.” Jones would go on to name Max as his favorite character from the special, as he felt that he directly represented the audience.

9. The Grinch’s green coloring was inspired by a rental car.

Warner Home Video

In the original book, the Grinch is illustrated as black and white, with hints of pink and red. Rumor has it that Jones was inspired to give the Grinch his iconic coloring after he rented a car that was painted an ugly shade of green.

10. Ted Geisel thought the Grinch looked like Chuck Jones.

When Geisel first saw Jones’s drawings of the Grinch, he exclaimed, “That doesn’t look like the Grinch, that looks like you!” Jones’s response, according to TNT’s How the Grinch Stole Christmas Special: “Well, it happens.”

11. At one point, the special received a “censored” edit.

Over the years, How the Grinch Stole Christmas has been edited in order to shorten its running time (in order to allow for more commercials). However, one edit—which ran for several years—censored the line “You’re a rotter, Mr. Grinch” from the song “You’re a Mean One, Mr. Grinch.” Additionally, the shot in which the Grinch smiles creepily just before approaching the bed filled with young Whos was deemed inappropriate for certain networks and was removed.

12. The special’s success led to both a prequel and a crossover special.

Universal Pictures Home Entertainment

Given the popularity of the Christmas special, two more Grinch tales were produced: Halloween is Grinch Night and The Grinch Grinches The Cat in the Hat. Airing on October 29, 1977, Halloween is Grinch Night tells the story of the Grinch making his way down to Whoville to scare all the Whos on Halloween. In The Grinch Grinches The Cat in the Hat, which aired on May 20, 1982, the Grinch finds himself wanting to renew his mean spirit by picking on the Cat in the Hat. Unlike the original, neither special was deemed a classic. But this is not to say they weren’t well-received; in fact, both went on to win Emmy Awards.