25 Previously Banned TV Episodes You Can Stream Right Now

Gillian Anderson in The X-Files
Gillian Anderson in The X-Files
Fox

While there are any number of reasons why a specific episode of a television series might be pulled from the airwaves or from reruns (some of them innocuous), poor timing tends to be one of the biggest culprits. But as time passes, tempers simmer, hearts begin to heal, and once-forbidden entertainment can make its way back into the mainstream. Or, more specifically, the main stream.

Thanks to streaming services like Netflix, Hulu, Amazon, and iTunes, history-making—and controversy-causing—television is just a click away (though sometimes it'll cost you a couple of dollars).

Were these 25 previously banned television episodes deserving of the backlash they received? Now you can judge for yourself.

1. Married… With Children // "I’ll See You in Court"

Running afoul of censors was a pretty regular occurrence on Married… With Children. In fact, some might say that was the very reason why the show enjoyed an 11-season run. At a time when other networks were intent on showing what a perfect nuclear family looked like, Al and Peg Bundy were the complete antithesis of the American Dream. Sure, the couple tolerated each other, but barely. The series’ never-ending onslaught of crude jokes were typically aimed squarely at a member of the Bundy family, yet none of it seemed to affect them or change their bad behavior. And audiences loved them for it. Well, most audiences.

In 1989, during the show’s third season, an episode entitled “I’ll See You In Court” sees Al and Peg decide to spice up their love life by spending the night in a hotel. Ever-helpful neighbors Steve and Marcy Darcy recommend they spend the night at a hotel that they like to frequent for the very same reason, but it turns out that the hotel owners are secretly recording their guests’ carnal trysts. So the Bundys and the Darcys decide to take the hotel to court, where they’re subjected to a series of embarrassing questions about their love lives—not to mention those videos. Though it’s all relatively tame by today’s comparisons, some critics of the show felt the story line took the series’ signature crudeness to new depths and initiated a letter-writing campaign. Eventually, Fox caved to the complaints and pulled the episode from the schedule and any syndication lineups (though it was seen overseas). It wasn’t until 2002 that the episode—minus a few particularly controversial lines—aired on American television (this time on FX). It’s now been reinstated back into its place in the series’ regular lineup.

Where to watch it: Hulu

2. Hannibal // “Oeuf”

The fourth episode in Hannibal‘s debut season (also known as “Œuf”) was originally scheduled to air on April 25, 2013, a mere 10 days after the Boston Marathon bombings and just a few months after the tragedy at Sandy Hook Elementary School. While it was NBC that announced the decision to skip over the episode, in which former SNL star Molly Shannon plays a woman who brainwashes children into murdering other children, it was series creator Bryan Fuller who suggested pulling it.

"I didn’t want to have anyone come to the show and have a negative experience,” Fuller told Variety in 2013. "Whenever you [write] a story and look at the sensational aspects of storytelling, you think, ‘This is interesting metaphorically, and this is interesting as social commentary.’ With this episode, it wasn’t about the graphic imagery or violence. It was the associations that came with the subject matter that I felt would inhibit the enjoyment of the overall episode … It was my own sensitivity.” Though the missed episode did not cause any problems in terms of continuity, NBC did repackage the episode in a series of clips to run on NBC.com.

Where to watch it: Amazon Prime

3. Family Guy // "Partial Terms of Endearment"

In Family Guy's “Partial Terms of Endearment,” Lois agrees to be a surrogate for a couple who are then killed in a car accident, leading Lois and Peter to discuss whether or not she should terminate the pregnancy. The episode was intended to be the series’ eighth season finale, and was broadcast in the U.K. in June of 2010, but Fox refused to air it. Ever.

In an interview with The New York Times, MacFarlane explained that “We’ve found in the last couple years that by taking serious stories that could be movies of the week on Lifetime or Oxygen, and doing a Zucker brothers-Airplane! take on them, they always make for really good Family Guy episodes. To us, it’s in the realm of what in the 1970s would be the edginess of the abortion episode of Maude. Times really have changed, and I think the network is making a decision that is, unfortunately, probably correctly based on people’s current ability to handle and dissect controversial narratives … It’s an issue that you read about in the papers all the time, like anything else. So that is fodder for political and social satire. There’s nothing about that issue that should be any different than doing an episode about gay marriage, or an episode about the oil spill.”

Where to watch it: Amazon

4. and 5. Maude // "Maude’s Dilemma: part 1" and "Maude’s Dilemma: Part 2"

If you’re not familiar with MacFarlane’s reference to “the abortion episode of Maude,” it was an amazingly controversial two-part episode of the otherwise comedic series in which the main character (played by Bea Arthur) realizes that, at the age of 47, she is pregnant, and spends two episodes agonizing over whether or not she should keep the baby. The fact that it was 1972 and these episodes managed to make it on air is pretty amazing, particularly as they were broadcast about two months before Roe vs. Wade. And while the episodes weren’t banned outright, more than 30 of the network’s affiliates refused to broadcast them.

Where to watch it: Amazon

6. The X-Files // "Home"

The X-Files has never been short on creepy storylines or characters. But the producers of this 1996 episode deemed the contents of “Home”—a standalone episode that dealt with murder, amputees, and deformities as the result of incest—as being “tasteless” and going “too far.” So Fox promised to never run it again, which didn’t sit well with fans of the show, who enjoyed the episode. A year later, FX ran an all-day marathon of fan favorite episodes, and “Home” came out on top.

Where to watch it: Hulu

7. The Simpsons // "The City Of New York Vs. Homer Simpson"

In the wake of 9/11, a handful of television series needed to be altered in order to avoid any reference or reminder of the attacks. (Sex and the City, Law and Order, and The Sopranos even changed their opening credits.) And Fox made the decision to remove its season nine premiere, “The City of New York vs. Homer Simpson,” from its rerun rotation. Though the episode aired four years before the tragedy, the fact that so many of its scenes took place at or around the World Trade Center led the network to pull it from the airwaves. The #EverySimpsonsEver marathon that aired on FXX in 2014 was one of the few times it’s been aired uncut ever since.

Where to watch it: Amazon

8. Buffy The Vampire Slayer // “Earshot”

In the spring of 1999, a week before Buffy the Vampire was set to broadcast “Earshot,” a third season episode that revolved around a school shooting, the tragedy at Columbine High School happened. The network acted quickly to pull the episode; it eventually ran in September, just before the start of season four.

Where to watch it: Hulu or Amazon

9. Beavis And Butt-Head // “Home Improvement”

At this point, it’s almost easier to identify the episodes of Beavis and Butt-head that weren’t either heavily edited or temporarily banned from the airwaves. The complaints against the cult classic MTV cartoon typically fell into one of four categories: drug use, extreme violence, animal cruelty, or criminal behavior. The duo’s “Fire, fire, fire” catchphrase was also often taken to task; in 1993, the series was blamed in the case of a five-year-old who set his house on fire, killing his younger sister. “Home Improvement,” is yet another episode that was pulled, largely because it shows the guys sniffing paint thinner.

Where to watch it: Amazon

10. Daria // “Fat Like Me”

Beavis and Butt-head spinoff Daria didn’t attract as much controversy as its predecessor, but many episodes were also heavily censored in reruns. And one episode in particular, season five’s “Fat Like Me,” didn’t run at all on Teen Nick (formerly known as The N) because of the negative correlation it depicted between weight gain and loss of popularity.

Where to watch it: Hulu

11. The Twilight Zone // "The Encounter"

Two years before he boarded the Enterprise, George Takei appeared in what turned out to be one of The Twilight Zone’s most controversial episodes. In “The Encounter,” Takei plays Arthur Takamori, a gardener who offers his services to his neighbor, a World War II vet. There isn’t a whole lot of gardening in the episode, but there is a lot of talking—about war and, more subtly, Pearl Harbor. And race. Immediately, the episode drew the ire of many “Japanese-American and Asian-American civil liberties and advocacy groups,” Takei said. “So for that reason, CBS pulled that episode. And it has a unique distinction of being the only Twilight Zone [episode] that was aired only once. It’s never been re-aired. It’s never enjoyed a re-run. And shucks darn, I missed out on my residuals on that one.”

Where to watch it: Hulu or Netflix

12. The Boondocks // “The Hunger Strike”

Black Entertainment Television (BET) has long been a favorite target of The Boondocks creator Aaron McGruder—so much so that in 2008 he created an entire episode around an effort to gain momentum for a BET boycott, which he painted as being “destructive” to the African American community. Though the episode never aired on Adult Swim, it was released on DVD in June of that year.

Where to watch it: Amazon

13., 14., And 15. Boy Meets World // “Prom-Ises, Prom-Ises,” “The Truth About Honesty,” And “If You Can’t Be With The One You Love”

If you’re making a show about teenagers, it stands to reason that sex and alcohol are two topics you’ll likely encounter. But the fact that Boy Meets World did it—and then did it again, and again—didn’t sit well with the top mice at the Disney Channel. Three episodes in particular were removed from reruns: “Prom-Ises, Prom-Ises,” in which Corey and Topanga discuss whether they should have sex on prom night; “The Truth About Honesty,” another sex-themed episode,” and “If You Can’t Be With the One You Love...,” where Cory and Shawn get drunk. No other network has seemed to have an issue with showing any of these episodes since.

Where to watch them: Hulu

16. Seinfeld // “The Puerto Rican Day”

Seinfeld was never much for sentimentality. (Larry David even imposed a strict “No Learning, No Hugging” policy.) But its second highest rated episode of all time was also its most controversial (and not, it’s not “The Contest”). It’s “The Puerto Rican Day,” in which the gang has trouble making their way home after a Mets game because of the city’s annual Puerto Rican Day Parade. In the midst of their antics, Kramer accidentally lights a Puerto Rican flag on fire and when a mob breaks out, Kramer states that “it’s like this every day in Puerto Rico”—which National Puerto Rican Coalition president Manuel Mirabal called an “‘unconscionable insult” to his community. The network offered a swift apology to anyone insulted by the episode’s humor and removed it from the rerun schedule and its initial syndication deal. But in 2002, the episode made its way back to television.

Where to watch it: Hulu

17. The Powerpuff Girls // “See Me, Feel Me, Gnomey”

In season six, The Powerpuff Girls put on a rock opera in “See Me, Feel Me, Gnomey,” but it only ever aired in the UK. While rumors swirled that it was because the episode contained some communist undertones, it was later revealed that the real reason for the episode’s ban was because of its use of strobe lights, which could cause some kids watching it to have seizures.

Where to watch it: Hulu

18. Arthur // “Room To Ride”

The Peabody Award-winning animated series Arthur hardly seems like the kind of show that would court controversy. And it’s definitely not. But that doesn’t mean that all of the many big-name guests who’ve made appearances on the series over the years have been able to maintain squeaky-clean images. Case in point: disgraced former Tour de France champ Lance Armstrong, who visited Elmwood City in 2008 to talk about bicycling and being a good citizen—four years before he was stripped of his cycling achievements.

Where to watch it: Amazon

19. Star Trek: The Next Generation // “The High Ground”

In 1990, Star Trek: The Next Generation paid tribute to its predecessor’s pot-stirring ways with “The High Ground,” which made an off-handed prediction that Ireland would be united in 2024. Initially, an edited version was shown in the U.K. but the episode was banned completely in Ireland until 2011.

Where to watch it: Netflix

20. Haven // “Reunion”

Just hours after the attack on Sandy Hook Elementary School, Syfy’s Haven was scheduled to run an episode entitled “Reunion,” which revolved around a school shooting. So the network made the quick decision to replace Haven with an episode of Eureka, a move that engendered unanimous support from viewers.

Where to watch it: Netflix or Amazon

21., 22., 23., 24., and 25. Star Trek // “Miri,” “Patterns Of Force,” “Plato’s Stepchildren,” “The Empath,” and “Whom Gods DestrOy”

For an iconic sci-fi series, Star Trek sure could manage to get the censors all riled up. Particularly in the U.K., where Star Trek was considered family programming. As such, it prompted the BBC to announce that, “After very careful consideration a top level decision was made not to screen the episodes entitled ‘[The] Empath,’ ‘Whom Gods Destroy,’ ‘Plato’s Stepchildren,’ and ‘Miri,’ because they all dealt most unpleasantly with the already unpleasant subjects of madness, torture, sadism, and disease. You will appreciate that account must be taken that out of Star Trek’s large and enthusiastic following, many are juveniles, no matter what time of day the series is put into the program schedules.”

In the case of season two’s “Patterns of Force,” Nazi undertones led to the episode being banned in Germany until 2011.

Where to watch it: Hulu or Netflix

An earlier version of this story ran in 2015.

Turn Your LEGO Bricks Into a Drone With the Flybrix Drone Kit

Flyxbrix/FatBrain
Flyxbrix/FatBrain

Now more than ever, it’s important to have a good hobby. Of course, a lot of people—maybe even you—have been obsessed with learning TikTok dances and baking sourdough bread for the last few months, but those hobbies can wear out their welcome pretty fast. So if you or someone you love is looking for something that’s a little more intellectually stimulating, you need to check out the Flybrix LEGO drone kit from Fat Brain Toys.

What is a Flybrix LEGO Drone Kit?

The Flybrix drone kit lets you build your own drones out of LEGO bricks and fly them around your house using your smartphone as a remote control (via Bluetooth). The kit itself comes with absolutely everything you need to start flying almost immediately, including a bag of 56-plus LEGO bricks, a LEGO figure pilot, eight quick-connect motors, eight propellers, a propeller wrench, a pre-programmed Flybrix flight board PCB, a USB data cord, a LiPo battery, and a USB LiPo battery charger. All you’ll have to do is download the Flybrix Configuration Software, the Bluetooth Flight Control App, and access online instructions and tutorials.

Experiment with your own designs.

The Flybrix LEGO drone kit is specifically designed to promote exploration and experimentation. All the components are tough and can totally withstand a few crash landings, so you can build and rebuild your own drones until you come up with the perfect design. Then you can do it all again. Try different motor arrangements, add your own LEGO bricks, experiment with different shapes—this kit is a wannabe engineer’s dream.

For the more advanced STEM learners out there, Flybrix lets you experiment with coding and block-based coding. It uses an arduino-based hackable circuit board, and the Flybrix app has advanced features that let you try your hand at software design.

Who is the Flybrix LEGO Drone Kit for?

Flybrix is a really fun way to introduce a number of core STEM concepts, which makes it ideal for kids—and technically, that’s who it was designed for. But because engineering and coding can get a little complicated, the recommended age for independent experimentation is 13 and up. However, kids younger than 13 can certainly work on Flybrix drones with the help of their parents. In fact, it actually makes a fantastic family hobby.

Ready to start building your own LEGO drones? Click here to order your Flybrix kit today for $198.

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The 45 Best Movies on Netflix Right Now

Adam Sandler stars in Uncut Gems (2019).
Adam Sandler stars in Uncut Gems (2019).
A24

With thousands of titles available, browsing your Netflix menu can feel like a full-time job. If you're feeling a little overwhelmed, take a look at our picks for the 45 best movies on Netflix right now.

1. Uncut Gems (2019)

Adam Sandler is Howard Ratner, a gambling addict who sees opportunity in every game and in every customer who walks into his Diamond District jewelry store. When NBA player Kevin Garnett insists on taking a rare opal out on loan and giving his championship ring as collateral, Howard can't resist the urge to use it as fuel for his vice. Directed by Josh and Benny Safdie, the film has been called among the best of Sandler's career. —Jake Rossen

2. The Irishman (2019)

Martin Scorsese’s long-in-the-making epic brings together three of the mob genre’s heaviest hitters in Robert De Niro, Al Pacino, and Joe Pesci. But the story of Frank Sheeran (De Niro), who alleged he befriended and then betrayed union leader Jimmy Hoffa (Pacino), isn’t your typical organized crime movie. It takes its time to examine the toll of a criminal life, from the alienation of Sheeran’s family to the fate that awaits old men no longer capable of resolving their problems with violence. The de-aging effects aren’t always convincing, but Scorsese’s ability to weave a captivating gangster tale remains timeless. —JR

3. Marriage Story (2019)

Director Noah Bambauch drew raves for this deeply emotional drama about a couple (Adam Driver, Scarlett Johansson) whose uncoupling takes a heavy emotional and psychological toll on their family. —JR

4. Dolemite Is My Name (2019)

Eddie Murphy ended a brief sabbatical from filmmaking following a mixed reception to 2016's Mr. Church with this winning biopic about Rudy Ray Moore, a flailing comedian who finds success when he reinvents himself as Dolemite, a wisecracking pimp. When the character takes off, Moore produces a big-screen feature with a crew of inept collaborators. —JR

5. Avengers: Infinity War (2018)

When Marvel promised a comic book film of unprecedented scale with Avengers: Infinity War, they were not messing around. This film, one of 2018’s biggest, was the culmination of a decade of planning, casting, and cinematic storytelling all pulled into one massive movie event. It would be impressive for its ambition and scope alone, but it’s also perhaps the best attempt yet to tell a comic book crossover story on the big screen. —Matthew Jackson

6. The Ballad of Buster Scruggs (2018)

Fans of the Coen brothers get a trail mix of stories in this anthology set in the Old West. A gunslinger (Tim Blake Nelson) proves to be a little too arrogant when it comes to his skills; an armless and legless man (Harry Melling) who recites Shakespeare for awed onlookers begins to grow suspicious of his caretaker’s motives; a dog causes unexpected grief while following a wagon train. Knitted together, the six stories total are probably the closest we’ll get to a Coen serialized television series that this feature was once rumored to be. —JR

7. Spider-Man: Into the Spider-Verse (2018)

Spider-Man may have been in the middle of a Disney and Sony power struggle, but that didn't stop this ambitious animated film from winning the Oscar for Best Animated Feature at the 2019 Academy Awards. Using a variety of visual style choices, the film tracks the adventures of Miles Morales (Shameik Moore), who discovers he's not the only Spider-Man in town. —JR

8. Roma (2018)

Alfonso Cuarón’s tribute to his upbringing in 1970s Mexico City tells the story of a housekeeper (Yalitza Aparicio) watching over the children of her employers after their father runs off with his mistress. Cuarón’s film is a living photograph, an intensely personal story that holds no major surprises aside from the sheer craft it took to make it a reality. —JR

9. Okja (2017)

If you didn’t think the adventure of a young girl and her super pig could make you pump your fist in the air, it’s time to check out this quirky firecracker from Parasite director Bong Joon-ho. Thought-provoking and breathtaking? That’ll do, super pig. —Scott Beggs

10. Green Room (2016)

Here's a film that starts with an uncomfortable arrangement (a young punk band has booked a gig for a den of Nazi skinheads) and descends from there into expertly crafted cold-sweat terror. Though it's primarily a siege scenario, the band barricading themselves in the dressing room after witnessing a skinhead-on-skinhead murder, the story goes in more directions (figuratively and geographically) than you'd expect. Writer-director Jeremy Saulnier never lets it get stagnant. He barely lets you catch your breath. —Eric D. Snider

11. Hell or High Water (2016)

Taylor Sheridan's Oscar-nominated Hell or High Water follows two brothers (Chris Pine and Ben Foster) who take to bank robberies in an effort to save their family ranch from foreclosure; Jeff Bridges is the drawling, laconic lawman on their tail. —JR

12. Moonlight (2016)

Barry Jenkins’s trailblazing film, which won the Oscar for Best Picture, chronicles the life of Chiron (Alex Hibbert, Ashton Sanders, Trevante Rhodes) as he grows up under the burden of his own and others’ responses to his homosexuality. It’s a stirring portrait anchored by phenomenal performances (including an Oscar-earning turn from Mahershala Ali). —SB

13. Swiss Army Man (2016)

Vibrant, effervescent, and deeply weird, Paul Dano stars in this musical collage as a depressed loner stranded on an island until he finds a talking, farting corpse played by a very post-Harry Potter Daniel Radcliffe. They save one another and, together, attempt to get back to civilization while singing the praises of Jurassic Park. —SB

14. The Witch (2015)

Delicately crafted with an eye toward historical accuracy, this existential horror film focuses on a New England farming family in the wilds of 1630 who believe a witch has cursed them. Anya Taylor-Joy’s standout performance acts as a guide through the possessed-goat-filled insanity. —SB

15. The Lobster (2015)

Colin Farrell stars in a black comedy that feels reminiscent of screenwriter Charlie Kaufman's work: A slump-shouldered loner (Farrell) has just 45 days to find a life partner before he's turned into an animal. Can he make it work with Rachel Weisz, or is he doomed to a life on all fours? By turns absurd and provocative, The Lobster isn't a conventional date movie, but it might have more to say about relationships than a pile of Nicholas Sparks paperbacks. —JR

16. Room (2015)

A woman (Brie Larson) is held captive by a deeply disturbed man for seven years. During that time, her son (Jacob Tremblay) has never experienced the outside world. That kind of set-up is usually reserved for thrillers, but Room is not as interested in Larson’s potential escape as much as it is in her courage giving her son sanctuary in an unsafe space. Larson won an Academy Award for the role. —JR

17. Ex Machina (2014)

Alex Garland's quiet—and quietly subversive—robot parable didn't arrive with all the hype of a major studio sci-fi release, but still manages to outdo most big-budget android tales. As the enigmatic CEO of a robotics company, Oscar Isaac uses an underling (Domhnall Gleeson) to test his eerily lifelike AI (Alicia Vikander). But Gleeson may be the one who's really being tested. —JR

18. Locke (2013)

The camera rarely wavers from Tom Hardy in this existential thriller, which takes place entirely in Hardy's vehicle. A construction foreman trying to make sure an important job is executed well, Hardy's Ivan Locke grapples with some surprising news from a mistress and the demands of his family. It's a one-act, one-man play, with Hardy making the repeated act of conversing on his cell phone as tense and compelling as if he were driving with a bomb in the trunk. (Oscar-winner Olivia Colman and her fellow Fleabag co-star Andrew Scott, a.k.a. "The Hot Priest," are two of the people whose voices we hear on the other end of the line.) —JR

19. Snowpiercer (2013)

Years before Bong Joon-ho made Oscar history in 2020 with Parasite, he adapted French graphic novel Le Transperceneige into Snowpiercer (which was recently turned into a television series with Jennifer Connelly). In a dystopian future—in sci-fi, there may not be any other kind—a train carrying cars separated by social class circles the globe. Soon, the have-nots (led by Chris Evans) decide to defy authority and get answers from those in charge. —JR

20. Enemy (2013)

Jake Gyllenhaal has an uneasy feeling that his exact double—a man who looks like him but is substantially more successful—is intruding on his own life. The Gyllenhaal collision is the foundation for this psychological thriller from director Denis Villeneuve, who offers no pat answers but an effective undercurrent of dread. —JR

21. Under the Skin (2013)

Scarlett Johansson explores alien seduction as a being from another world who arrives on Earth to pursue companionship. Unfortunately, she prefers short-term commitments. This erotic sci-fi drama was nominated for Best British Film at the BAFTA awards, the British equivalent of the Oscars. —JR

22. Her (2013)

The perils of falling in love with artificial intelligence are at the core of Her, which features a terrific performance by Joaquin Phoenix as a rumpled office worker who finds his soulmate in something without a soul: An Alexa-esque disembodied voice (Scarlett Johansson). —JR

23. The Master (2012)

Director Paul Thomas Anderson delivers a steady but absorbing tale of a World War II veteran (Joaquin Phoenix) who falls under the spell of a charismatic philosopher (Philip Seymour Hoffman) whose teachings soon become the focus of a cult movement. Both Phoenix and Hoffman were nominated for Academy Awards. Of the films he’s directed, which include 1997’s Boogie Nights and 2004’s There Will Be Blood, Anderson has said The Master is his favorite. —JR

24. Drive (2011)

On paper (like in the pulp novel it's based on), Nicolas Winding Refn's tale of a taciturn getaway driver whose life spins out of control is familiar. But on the screen, the combination is uniquely intoxicating—a fresh, lurid, melancholy neo-noir with a hint of existential crime thriller and, for some reason, an '80s-ish techno-pop soundtrack. Spinning its uncommonly entertaining yarn out of perilous characters and nightmarish scenarios, it feels dazzlingly original. —ES

25. The Social Network (2010)

This exhilarating account of how a total jerk started Facebook is even more alarming given what we've learned about Mark Zuckerberg and Facebook since then. Jesse Eisenberg's crisp lead performance, Aaron Sorkin's verbose dialogue, and David Fincher's energetic direction combine to make this a cautionary tale of Shakespearean proportions. It might be the best document of how the internet and social media have fundamentally changed us. —ES

26. Scott Pilgrim vs. The World (2010)

A rare adaptation for writer/director Edgar Wright brings Bryan Lee O’Malley’s popular graphic novel series to life. Michael Cera is perfectly cast in the title role as an awkward young man who is determined to win the heart of the woman he loves (Mary Elizabeth Winstead) by literally winning video game-style battles against her “Seven Evil Exes.” Wright throws every trick in his book at the screen, and the result is a film you can watch again and again. —MJ

27. The King's Speech (2010)

From laughingstock to maestro of one of Great Britain’s finest public addresses, The King’s Speech tells the true story of King George VI’s triumph over stuttering. The film took home Oscars for Best Picture, Best Director (Tom Hooper), Best Actor (Colin Firth), and Best Original Screenplay (David Seidler). —James L. Menzies

28. A Serious Man (2009)

Larry Gopnik (Michael Stuhlbarg) is a man whose faith is being tested at home, at work, and all points in between. A Serious Man is equal parts dark comedy and existential drama, and it’s a perfect encapsulation of why the Coen brothers are masters at their craft. —JS

29. Brooklyn's Finest (2009)

An ensemble cast (Richard Gere, Don Cheadle, Ethan Hawke, and Wesley Snipes) navigate the temptations and pitfalls inherent in police work in this drama from director Antoine Fuqua. Producer John Langley also created the long-running reality TV series Cops for Fox. —JR

30. Moon (2009)

Sam Bell (Sam Rockwell) has been alone on a lunar mining mission for three years, but his isolation comes to an end one day when a stranger shows up at his facility—and this mystery man happens to look just like him. —Jay Serafino

31. Inglourious Basterds (2009)

Quentin Tarantino’s Nazi-hunting, scalp-retrieving mission is available to stream without the danger of highly flammable nitrate film reels. Our introduction to Christoph Waltz as a charming villain, who faces off against Brad Pitt’s American GI and Mélanie Laurent’s French Jewish cinema owner as everyone tries to kill Hitler. —SB

32. The Duchess (2008)

Few people can pull off the role of an 18th century aristocrat as well as Keira Knightley. In this case, she's forced to contend with a cruel and philandering husband (Ralph Fiennes) who makes it clear that his only use for his wife is for her to produce a male heir. But the Duchess knows that two can play at this game, and begins a scandalous (and not-quite-hidden) affair with a rising politician (Dominic Cooper). Come for the compelling period drama, stay for the stunning costumes. —Jennifer M. Wood

33. There Will Be Blood (2007)

It was Citizen Kane for the new century: a sprawling epic about a flawed, wealthy man who lets his own power destroy him, directed by a wunderkind already revered by most of Hollywood. Paul Thomas Anderson and stars Daniel Day-Lewis and Paul Dano all do some of their best work in the story of a duplicitous oilman who meets his match in the fiery son of a preacher. —ES

34. Pan's Labyrinth (2006)

Following the end of the Spanish Civil War, a young girl (Ivana Baquero) escapes the turmoil of her militant stepfather and ill mother by exploring a hidden labyrinth that houses a variety of strange creatures. Director Guillermo del Toro was praised for his specialty: weaving a fairy tale with sharp edges. —JR

35. The Pianist (2002)

Chronicling the true story of Polish-Jewish pianist Władysław Szpilman (Adrien Brody), The Pianist is widely considered one of the best World War II accounts ever committed to film. As Nazis overrun Warsaw, Szpilman tries to maintain his sanity by clinging to the only thing that makes sense in an increasingly senseless world: His love of music. —JR

36. Y Tu Mamá También (2001)

The controversially sensual road movie that put Gael García Bernal and Diego Luna on the international map scored an Oscar nomination for writer/director Alfonso Cuarón. It's hard to believe he followed up this drug-and-sex-filled coming-of-age trip with a Harry Potter movie. —SB

37. The Matrix (1999)

Keanu Reeves utters many a "whoa" on his way through this sci-fi classic about a computer programmer who discovers reality is just an artificial simulation. Bullet Time is still just as spectacular as it was when the film premiered more than 20 years ago. —JR

38. Jerry Maguire (1996)

Sports agent Tom Cruise wrestles with clients—including the charismatic and Oscar-winning Cuba Gooding Jr.—as well as love in Cameron Crowe's winning dramedy that continued Cruise's run of '90s hits. —JR

39. Howards End (1992)

James Ivory's adaptation of E.M. Forster's 1910 novel tells the story of free-spirited Londoner Margaret Schlegel (Emma Thompson) who befriends a dying woman, Ruth Wilcox (Vanessa Redgrave), who ends up bequeathing Margaret her beloved country home, Howards End. It's a stroke of luck for Margaret, who is about to be ousted from the home she has leased for years, but the Wilcox family feels that something is amiss. As Ruth's widower attempts to investigate the situation, he finds himself falling under Margaret's spell. —JMW

40. Silence of the Lambs (1991)

Not only did a gory horror film win Best Picture at the Oscars that year, it also won the other four top categories—Best Director, Best Actor, Best Actress, and Best Adapted Screenplay—a feat achieved only twice before (by It Happened One Night and One Flew over the Cuckoo’s Nest). Turns out America has a taste for cannibalism when it’s impeccably acted, smartly directed (by Jonathan Demme), and creepy as all hell. It remains one of the best examples of "art-house" horror.

41. She's Gotta Have It (1986)

Spike Lee’s feature directorial debut also sees him playing one of three men under the thumb of Nola Darling (Tracy Camilla Johns). None of them can stand Nola’s gender-reversing approach to casual relationships, and the three hope to goad her into living a monogamous life. Nola, however, wants to pursue happiness on her own terms, not society’s. Lee’s love letter to Brooklyn is still a standout in his filmography, which quickly grew to include 1989’s Do the Right Thing and 1992’s Malcom X. —JR

42. E.T. the Extra-Terrestrial (1982)

The 1980s were a pretty great decade for Steven Spielberg (even more so if you believe he's the true director of Poltergeist), and followed up Raiders of the Lost Ark with this instant sentimental classic about a boy and his alien friend. Spielberg's sappiness would get the better of him in duds like Always, but here he found the right blend of emotion and nostalgia by giving it a bitter undercurrent (Elliott's parents' divorce, the inevitable farewell) to remind us that even the sweetest memories often have tinges of sorrow. —ES

43. Raiders of the Lost Ark (1981)

All four Indiana Jones movies are on Netflix, but the original still stands its ground as the best in the series and one of the finest action movies ever made. Indy (Harrison Ford) pursues the Lost Ark of the Covenant while evading and diverting Nazis chasing the power the Ark is believed to contain. —JR

44. Taxi Driver (1976)

Robert De Niro drew justifiable accolades for his portrayal of Travis Bickle, a mentally askew cab driver in the hellscape of 1970s New York City in director Martin Scorsese's gutter noir masterpiece. —JR

45. Monty Python and the Holy Grail (1975)

The Monty Python team delivers their best-known work, a silly and sharply satirical feature that uses the King Arthur legend as a springboard for sequences that feature brave-but-armless knights and highly aggressive rabbits. Opening to mixed reviews, it’s since become a perennial entry in lists of the best comedies ever made. —JR