Joined: Jul 28, 2020
Jon O'Brien is a freelance entertainment journalist with bylines in Esquire, Billboard, Vulture, New Scientist, Vinyl Me, Please, i-D, The Guardian and Paste. He spends most of his spare time going to gigs, but he's also a soccer enthusiast, garage drummer, Icelandophile, and carrot cake connoisseur. He lives in North West England with his partner and King Charles Spaniel.
The Monkees may not have been a "real" band, but their chart-topping legacy speaks for itself.
With Netflix's 'Blonde,' Ana de Armas is the latest in a long line of actors who have attempted to portray Marilyn Monroe, Hollywood’s ultimate It Girl.
In the weeks following the death of Princess Diana, "Candle in the Wind '97" provided a form of musical catharsis. Then it simply burned out.
On April 20, 1992, the world's biggest musicians took the stage at London's Wembley Stadium to honor the late, great Freddie Mercury. Some tributes fared better than others.
Not every seasonal offering brings maximum yuletide cheer. Here’s a look at 10 that suggest those responsible had indulged in a little too much eggnog.
In 2001, newly minted Oscar winner Steven Soderbergh gathered up some of the biggest names in Hollywood and pulled off a heist movie for the ages.
“You can’t hope to direct [Klaus] Kinski,” John Vulich, a makeup effects artist on 'Crawlspace' once said about the 1986 low-budget horror movie’s leading man. “You can only document him.”
Los del Río's “Macarena” became the second longest-running number one in Billboard history, shifted 14 million copies, and sparked a dance craze that spread everywhere from the Olympics to the Democratic National Convention.
Although MTV has more recently become synonymous with reality TV and cheap clip shows, there was a time when the network truly did live up to its name. And it all began at 12:01 a.m. on August 1, 1981.
'The Devil Wears Prada' proved that Anne Hathaway’s range extended beyond fairy tale princesses, established Meryl Streep as one of cinema's all-time greatest villains, and taught us all the difference between blue and cerulean.
In 2011, 'Bridesmaids' silenced chauvinists who believed that men had the monopoly on laughs and spearheaded a wave of female-fronted comedies. It also turned Melissa McCarthy into a bankable leading lady.