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Your Cause in Lights: The Empire State Building's Tribute Policy

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One of the most recognizable buildings in the world, loved by tourists, locals and giant gorillas alike, the Empire State Building decorates the New York City skyline with regular displays of colored lights. A recent controversy over the Empire State Building's rejection of the Catholic League's proposal to honor of Mother Teresa's centennial with blue and white lights has put a spotlight on the buildings lighting policy. Among the protestors, City Council members are speaking out against the decision.

As stated by the building management, which receives hundreds of lighting requests each year, "The Empire State Building's tower lights recognize key milestones, events, charitable organizations, countries, and holidays throughout the world, not political or religion related events."

Yet, some lighting choices have been controversial.

For example, in 2009, when red and yellow lights shone to celebrate the 60th Anniversary of China (pictured), critics called it a tribute to communist rule and a country with a poor human rights record. And religious figures have been honored in the past, such as in 1979, when the building lit up in white and gold in honor of the pope's visit to New York, and in 2005, when they were dimmed to honor his death. The Catholic League also pointed out that in 2000, the building was lit in red and white when Cardinal Arch Bishop of New York John Joseph O'Connor died, and the building is regularly lit black, red and green in honor of Rev. Martin Luther King Day. In May, the building lit up in blue and white to honor the Jewish Community Relations Council of New York's Salute to Israel Parade. Also, a number of the holidays marked with lights (Christmas, Chanukah, Eid al-Fitr) have religious significance.

The 2008 rejection of an application from the Marine Corps to honor its birthday has also come back into the discussion.

The management has stayed quiet on the Mother Teresa decision other than stating that it's final. It has been self-critical in the past for lighting choices on occasion. In a 2003 New York Times interview, building special events manager Lydia A. Ruth said she regretted some of the more commercial lighting choices--Microsoft 95 (blue, red, green and yellow), new M&Ms (blue), and Pink Floyd's new album (red pulses).

What Do Herbert Hoover and Justin Bieber Have in Common?

Justin Bieber may have generated the most buzz when he flipped the switch on the Empire State Building light display for the Jumpstart Reading Challenge in 2009, but Herbert Hoover was the first to light up the Empire State Building back in 1931 after the building's completion. (Technically, he pressed a button in D.C.) Since then, the lights have gone through many evolutions, expanding in size, color and occasions, and decreasing in wattage. In 1932, a searchlight switched on to signify New York's own FDR's presidential election win. (On election eve 2008, the tower displayed both red lights for Republicans and blue lights for Democrats. After Obama won, it switched over to all blue.)

In 1956, revolving beacons, known as "Freedom Lights" were added to the building, turning it into a "lighthouse of the sky." A new set of Empire State Building lights debuted during the 1964 World's Fair, brightening the building's facade.

Douglas Leigh was behind the colorful lighting advancements. In his advertising career, Leigh was also the innovator behind a number of iconic billboards that featured steaming cups of coffee, glowing weather displays and rings of cigarette smoke. Equipped with Leigh's new color palette, the building started lighting up in earnest in the 1970s. The first display was on July 4, 1976—the Empire State Building lit up in Red, White and Blue, but it might not have been for the nation's bicentennial. Some accounts say that it was actually to celebrate the birthday of Leona Helmsley, one half of the real estate empire of Harry and Leona Helmsley (she was also born on the fourth of July).

The following year, Yankees fans celebrated their World Series Victory in the glow of blue and white lights from a new bigger display that reached from the 72nd floor all the way to the television antenna. As the New York Times put it, "Colored lights turn the Empire State Building into a toy."

In addition to vertigo, engineers who change the light gel colors as many as 200 times per year must contend with snow drifts and wayward hawks. Now, a more computerized system has greatly reduced the daily work of changing the colors of the lights.

What Do the National Osteoporosis Society and Windows 95 Have in Common?


Since 2006, the official Lighting Partner program has reviewed applications for those who want to celebrate with colored lights atop the famous building. A variety of holidays, occasions and individuals are celebrated.

Usually, no more than three different colors are allowed, but a lighting display in honor of the Grateful Dead's museum exhibit sparkled in a tie-dye rainbow of colors (pictured).

In addition to regular holidays, what else has been celebrated in lights?

Singers:
Frank Sinatra's 80th birthday and also his death (blue)
Mariah Carey's top-selling album (purple, pink and white)

Fictional Characters:
The Simpsons movie release (yellow)
Popeye's 75th Birthday (green)

Corporations
Microsoft, for Windows 95 (blue, red, green and yellow)
Snapple, for a corporate meeting (yellow)

Causes:
Breast Cancer Awareness (pink)
National Osteoporosis Society (teal)

Pets
Cat Fanciers Association (purple, orange and white)
Westminster Dog Show (purple and gold)

The Cat Fanciers Association lights shone for three nights, one night longer than the Westminster Kennel Club display--perhaps there are more cat lovers than dog lovers behind the scenes at the Empire State Building.

On other nights, the lights shine in all white, or in the colors of New York sports teams when they have home games. Following 9/11, the Empire State Building went off its regular schedule to shine red, white and blue all through the night to offer comfort to those looking out at the sky in the wee hours.

Lights Out

In addition to brightening up the sky, the Empire State Building has gone dark on a few specific occasions.

In 2004, it went dark for 15 minutes in honor of Faye Wray, the actress carried up to the top of the building in King Kong.

In 2008, the Empire State Building went "green" by turning off the lights in honor of Earth Hour. (Though far more energy is conserved in this and other commercial buildings through changes to what's going on inside of the building.)

During certain times of the year, the building dims its light to be less distracting to migratory birds.

In 1992, Harry Helmsley ordered the lights turned off for the first night of Leona's prison sentence for tax evasion.

When Harry died in 1997, the building paid tribute by dimming its lights for 7 days.

If you can't see the Empire State Building from your own window, check out this handy site to see what color the building is today and how it looks.

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12 Surprising Facts About Bela Lugosi
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On October 20, 1882—135 years ago today—one of the world's most gifted performers was born. In his heyday, Bela Lugosi was hailed as the undisputed king of horror. Eighty-five years after he first donned a vampire’s cape, Lugosi's take on Count Dracula is still widely hailed as the definitive portrayal of the legendary fiend. But who was the man behind the monster?

1. HE WORKED WITH THE NATIONAL THEATER OF HUNGARY.

To the chagrin of his biographers, the details concerning Bela Lugosi’s youth have been clouded in mystery. (In a 1929 interview, he straight-up admitted “for purposes of simplification, I have always thought it better to tell [lies] about the early years of my life.”) That said, we do know that he was born as Béla Ferenc Dezső Blaskó on October 20, 1882 in Lugoj, Hungary (now part of Romania). We also know that his professional stage debut came at some point in either 1901 or 1902. By 1903, Lugosi had begun to find steady work with traveling theater companies, through which he took part in operas, operettas, and stage plays. In 1913, Lugosi caught a major break when the most prestigious performing arts venue in his native country—the Budapest-based National Theater of Hungary—cast him in no less than 34 shows. Most of the characters that he played there were small Shakespearean roles such as Rosencrantz in Hamlet and Sir Walter Herbert in Richard III.

2. HE FOUGHT IN WORLD WAR I.

The so-called war to end all wars put Lugosi’s dramatic aspirations on hold. Although being a member of the National Theater exempted him from military service, he voluntarily enlisted in the Austro-Hungarian Army in 1914. Over the next year and a half, he fought against Russian forces as a lieutenant with the 43rd Royal Hungarian Infantry. While serving in the Carpathian mountains, Lugosi was wounded on three separate occasions. Upon healing from his injuries, he left the armed forces in 1916 and gratefully resumed his work with the National Theater.

3. WHEN HE MADE HIS BROADWAY DEBUT, LUGOSI BARELY KNEW ANY ENGLISH.

In December 1920, Lugosi boarded a cargo boat and emigrated to the United States. Two years later, audiences on the Great White Way got their first look at this charismatic stage veteran. Lugosi was cast as Fernando—a suave, Latin lover—in the 1922 Broadway stage play The Red Poppy. At the time, his grasp of the English language was practically nonexistent. Undaunted, Lugosi went over all of his lines with a tutor. Although he couldn’t comprehend their meaning, the actor managed to memorize and phonetically reproduce every single syllable that he was supposed to deliver on stage.

4. UNIVERSAL DIDN’T WANT TO CAST HIM AS COUNT DRACULA.

The year 1927 saw Bela Lugosi sink his teeth into the role of a lifetime. A play based on the novel Dracula by Bram Stoker had opened in London in 1924. Sensing its potential, Horace Liveright, an American producer, decided to create an U.S. version of the show. Over the summer of 1927, Lugosi was cast as the blood-sucking Count Dracula. For him, the part represented a real challenge. In Lugosi’s own words, “It was a complete change from the usual romantic characters I was playing, but it was a success.” It certainly was. Enhanced by his presence, the American Dracula remained on Broadway for a full year, then spent two years touring the country.

Impressed by its box office prowess, Universal decided to adapt the show into a major motion picture in 1930. Horror fans might be surprised to learn that when the studio began the process of casting this movie’s vampiric villain, Lugosi was not their first choice. At the time, Lugosi was still a relative unknown, which made director Tod Browning more than a little hesitant to offer him the job. A number of established actors were all considered before the man who’d played Dracula on Broadway was tapped to immortalize his biting performance on film.

5. MOST OF HIS DRACULA-RELATED FAN MAIL CAME FROM WOMEN.

The recent Twilight phenomenon is not without historical precedent. Lugosi estimated that, while he was playing the Count on Broadway, more than 97 percent of the fan letters he received were penned by female admirers. A 1932 Universal press book quotes him as saying, “When I was on the stage in Dracula, my audiences were composed mostly of women.” Moreover, Lugosi contended that most of the men who’d attended his show had merely been dragged there by female companions.   

6. HE TURNED DOWN THE ROLE OF FRANKENSTEIN’S MONSTER.

Released in 1931, Dracula quickly became one of the year's biggest hits for Universal (some film historians even argue that the movie single-handedly rescued the ailing studio from bankruptcy). Furthermore, its astronomical success transformed Lugosi into a household name for the first time in his career. Regrettably for him, though, he’d soon miss the chance to star in another smash. Pleased by Dracula’s box office showing, Universal green-lit a new cinematic adaptation of Mary Shelley’s Frankenstein. Lugosi seemed like the natural choice to play the monster, but because the poor brute had few lines and would be caked in layers of thick makeup, the actor rejected the job offer. As far as Lugosi was concerned, the character was better suited for some “half-wit extra” than a serious actor. Once the superstar tossed Frankenstein aside, the part was given to a little-known actor named Boris Karloff.

Moviegoers eventually did get to see Lugosi play the bolt-necked corpse in the 1943 cult classic Frankenstein Meets the Wolf Man. According to some sources, he strongly detested the guttural scream that the script forced him to emit at regular intervals. “That yell is the worst thing about the part. You feel like a big jerk every time you do it!” Lugosi allegedly complained.

7. LUGOSI’S RELATIONSHIP WITH BORIS KARLOFF WAS MORE CORDIAL THAN IT’S USUALLY MADE OUT TO BE.

It’s often reported that the two horror icons were embittered rivals. In reality, however, Karloff and Lugosi seemed to have harbored some mutual respect—and perhaps even affection for one another. The dynamic duo co-starred in five films together, the first of which was 1934’s The Black Cat; Karloff claimed that, on set, Lugosi was “Suspicious of tricks, fearful of what he regarded as scene stealing. Later on, when he realized I didn’t go in for such nonsense, we became friends.” During one of their later collaborations, Lugosi told the press “we laughed over my sad mistake and his good fortune as Frankenstein is concerned.”

That being said, Lugosi probably didn’t appreciate the fact that in every single film which featured both actors, Karloff got top billing. Also, he once privately remarked, “If it hadn’t been for Boris Karloff, I could have had a corner on the horror market.”

8. HE LOVED SOCCER.

In 1935, Lugosi was named Honorary President of the Los Angeles Soccer League. An avid fan, he was regularly seen at Loyola Stadium, where he’d occasionally kick off the first ball during games held there. Also, on top of donating funds to certain Hungarian teams, Lugosi helped finance the Los Angeles Magyar soccer club. When the team won a state championship in 1935, one newspaper wrote that the players were “headed back to Dracula’s castle with the state cup.” [PDF]

9. HE WAS A HARDCORE STAMP COLLECTOR.

Lugosi's fourth wife, Lillian Arch, claimed that Lugosi maintained a collection of more than 150,000 stamps. Once, on a 1944 trip to Boston, he told the press that he intended to visit all 18 of the city's resident philately dealers. “Stamp collecting,” Lugosi declared, “is a hobby which may cost you as much as 10 percent of your investment. You can always sell your stamps with not more than a 10 percent loss. Sometimes, you can even make money.” Fittingly enough, the image of Lugosi’s iconic Dracula appeared on a commemorative stamp issued by the post office in 1997.

10. LUGOSI ALMOST DIDN’T APPEAR IN ABBOTT AND COSTELLO MEET FRANKENSTEIN—BECAUSE THE STUDIO THOUGHT HE WAS DEAD.

The role of Count Dracula in this 1948 blockbuster was nearly given to Ian Keith—who was considered for the same role in the 1931 Dracula movie. Being a good sport, Lugosi helped promote the horror-comedy by making a special guest appearance on The Abbott and Costello Show. While playing himself in one memorable sketch, the famed actor claimed to eat rattlesnake burgers for dinner and “shrouded wheat” for breakfast.

11. A CHIROPRACTOR FILLED IN FOR HIM IN PLAN 9 FROM OUTER SPACE.

Toward the end of his life, Lugosi worked on three ultra-low-budget science fiction pictures with Ed Wood, a man who’s been posthumously embraced as the worst director of all time. In the 1953 transvestite picture Glen or Glenda?, Lugosi plays a cryptic narrator who offers such random and unsolicited bits of advice as “Beware of the big, green dragon who sits on your doorstep.” Then came 1955’s Bride of the Monster, in which Lugosi played a mad scientist who ends up doing battle with a (suspiciously limp) giant octopus.

Before long, Wood had cooked up around half a dozen concepts for new films, all starring Lugosi. At some point in the spring of 1956, the director shot some quick footage of the actor wandering around a suburban neighborhood, clad in a baggy cloak. This proved to be the last time that the star would ever appear on film. Lugosi died of a heart attack on August 16, 1956;  he was 73 years old.

Three years after Lugosi's passing, this footage was spliced into a cult classic that Wood came to regard as his “pride and joy.” Plan 9 From Outer Space tells the twisted tale of extraterrestrial environmentalists who turn newly-deceased human beings into murderous zombies. Since Lugosi could obviously no longer play his character, Wood hired a stand-in for some additional scenes. Unfortunately, the man who was given this job—California chiropractor Tom Mason—was several inches taller than Lugosi. In an attempt to hide the height difference, Wood instructed Mason to constantly hunch over. Also, Mason always kept his face hidden behind a cloak.

12. HE WAS BURIED IN HIS DRACULA CAPE.

Although Lugosi resented the years of typecasting that followed his breakout performance in Dracula, he asked to be laid to rest wearing the Count’s signature garment. Lugosi was buried under a simple tombstone at California's Holy Cross Cemetery.

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How to Carve a Pumpkin—And Not Injure Yourself in the Process
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Wielding a sharp knife with slippery hands around open flames and nearby children doesn't sound like the best idea—but that's exactly what millions of Halloween celebrations entail. While pumpkin carving is a fun tradition, it can also bring the risk of serious hand injuries. According to the American Society for Surgery of the Hand (ASSH), some wounds sustained from pumpkin misadventure can result in surgery and months of rehabilitation.

Fortunately, there are easy ways to minimize trauma. Both ASSH and CTV News have compiled safety tips for pumpkin carvers intended to reduce the chances of a trip to the emergency room.

First, it's recommended that carvers tackle their design with knives made specifically for carving. Kitchen knives are sharp and provide a poor grip when trying to puncture tough pumpkin skin: Pumpkin carving knives have slip-resistant handles and aren't quite as sharp, while kitchen knives can get wedged in, requiring force to pull them out.

Carvers should also keep the pumpkin intact while carving, cleaning out the insides later. Why? Once a pumpkin has been gutted, you’re likely to stick your free hand inside to brace it, opening yourself up to an inadvertent stab from your knife hand. When you do open it up, it's better to cut from the bottom: That way, the pumpkin can be lowered over a light source rather than risk a burn dropping one in from the top.

Most importantly, parents would be wise to never let their kids assist in carving without supervision, and should always work in a brightly-lit area. Adults should handle the knife, while children can draw patterns and scoop out innards. According to Consumer Reports, kids ages 10 to 14 tend to suffer the most Halloween-related accidents, so keeping carving duties to ages 14 and above is a safe bet.

If all else fails and your carving has gone awry, have a first aid kit handy and apply pressure to any wound to staunch bleeding. With some common sense, however, it's unlikely your Halloween celebration will turn into a blood sacrifice.

[h/t CTV News]

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