How (and Why) Are Black and White Films Colorized?

iStock/Grassetto
iStock/Grassetto

Anyone who spent time flipping channels and watching movies on cable during the 1980s and early 1990s probably remembers screening a few colorized films. The films, which had originally been shot in black-and-white, didn’t look quite the same as “real” color movies, but they seemed a bit more familiar than the old black-and-white prints. How did that colorization process work, though? Let’s take a look at the controversial technique.

Early film colorization dates back to the beginning of the 20th century. These processes were decidedly low-tech, though; artists would hand color copies of films before sending them to theaters.

The computerized colorization process with which we’re familiar didn’t come into play until former NASA engineer Wilson Markle invented it in 1970. Markle’s first project involved adding color to the original moon landing footage, but he gradually turned his eye to commercial projects and founded Colorization, Inc. in 1983.

Markle’s process required a lot of technology, but its underlying concept was simple and fairly elegant. His technicians would make a copy of a film and feed it into a computer that would determine the precise shade of gray of every object in a scene. The technicians then used a palette of over 4,000 shades of color to color the first frame in each scene. For each successive frame, technicians only had to recolor any pixels that had moved.

The process wasn’t completely digitized, though. The technicians had to figure out what color to assign to certain objects in each scene. As the Museum of Broadcast Communications notes, some objects would get their colors assigned via common sense (e.g. the ocean is usually blue), but others required technicians to engage in a bit of movie archaeology. Studio photographs of productions and romps through studio costume shops often helped determine what color a prop or costume really was. If those methods failed, technicians could fall back on coloring items at their own discretion. As you might expect, this process wasn’t cheap; it set producers back upwards of $3,000 per minute of film.

Why did studios and copyright holders go to all the trouble of colorizing films? It was an easy way to breathe new life into their back catalogs. Audiences didn’t want to watch old black-and-white films, but they would show up in droves for colorized versions. The Museum of Broadcast Communications cites a 1988 Variety report that estimated the cost of colorizing a feature film was somewhere around $300,000. The average revenue generated by re-releasing the films topped $500,000, though.

It’s easy to see why studios loved colorization. What business wouldn’t like a little trick where it could nearly double its investment just by dusting off an old product it had sitting on the shelf? Filmmakers weren’t as crazy about it, though. They had spent hundreds of hours painstakingly crafting their films, and they didn’t want anyone mucking around with their visuals.

Ted Turner was perhaps the most visible proponent of colorizing films throughout the 1980s. Turner International owned a gigantic library of old films, and Turner reasonably saw these old movies as a potential cash cow.

This position didn’t endear Turner to directors, though. In 1985, Turner announced that he was considering colorizing Citizen Kane. Orson Welles was in failing health by then, but just a few weeks before he died he asked a friend, “Don’t let Ted Turner deface my movie with his crayons.” Turner eventually opted not to touch Citizen Kane.

Other filmmakers had tougher sledding in battles over colorization. In 1988, Turner International licensed the French broadcast rights to John Huston’s 1950 film noir masterpiece The Asphalt Jungle to La Cinq. Huston had died the previous year, but his daughter, actress Anjelica, was horrified at the thought of her father’s dark heist film being colorized. She sued in France to stop the airing of the colorized version of the film.

Huston initially won a lower court ruling, but after a series of appeals her case ended up in front of the French Supreme Court. Finally, in 1991, the court ruled in favor of Huston by saying that creators and their heirs had a “moral right” to determine the ultimate fate of their works of art. (It’s worth noting that not all artists loathed the colorization process; Cary Grant was said to be a big fan of the 1985 re-release of his 1937 comedy Topper.)

By the early 90s, though, film colorization had pretty much burned out as a hot-button Hollywood issue. Audiences stopped clamoring for colorized versions of classics, and such an expensive process needed strong, steady demand to remain lucrative. Colorized versions of movies still pop up occasionally – Legend Films released a new colorized DVD of It’s a Wonderful Life in 2007 – but the raging debate from the 80s is all but dead.

10 Facts About the Tomb of the Unknown Soldier

qingwa/iStock via Getty Images
qingwa/iStock via Getty Images

On Veterans Day, 1921, President Warren G. Harding presided over an interment ceremony at Arlington National Cemetery for an unknown soldier who died during World War I. Since then, three more soldiers have been added to the Tomb of the Unknowns (also known as the Tomb of the Unknown Soldier) memorial—and one has been disinterred. Below, a few things you might not know about the historic site and the rituals that surround it.

1. THERE WERE FOUR UNKNOWN SOLDIER CANDIDATES FOR THE WWI CRYPT. 


Wikimedia Commons // Public Domain

To ensure a truly random selection, four unknown soldiers were exhumed from four different WWI American cemeteries in France. U.S. Army Sgt. Edward F. Younger, who was wounded in combat and received the Distinguished Service Medal, was chosen to select a soldier for burial at the Tomb of the Unknowns in Arlington. After the four identical caskets were lined up for his inspection, Younger chose the third casket from the left by placing a spray of white roses on it. The chosen soldier was transported to the U.S. on the USS Olympia, while the other three were reburied at Meuse Argonne American Cemetery in France.

2. SIMILARLY, TWO UNKNOWN SOLDIERS WERE SELECTED AS POTENTIAL REPRESENTATIVES OF WWII.

One had served in the European Theater and the other served in the Pacific Theater. The Navy’s only active-duty Medal of Honor recipient, Hospitalman 1st Class William R. Charette, chose one of the identical caskets to go on to Arlington. The other was given a burial at sea.

3. THERE WERE FOUR POTENTIAL KOREAN WAR REPRESENTATIVES.


WikimediaCommons // Public Domain

The soldiers were disinterred from the National Cemetery of the Pacific in Hawaii. This time, Army Master Sgt. Ned Lyle was the one to choose the casket. Along with the unknown soldier from WWII, the unknown Korean War soldier lay in the Capitol Rotunda from May 28 to May 30, 1958.

4. THE VIETNAM WAR UNKNOWN WAS SELECTED ON MAY 17, 1984.

Medal of Honor recipient U.S. Marine Corps Sgt. Maj. Allan Jay Kellogg, Jr., selected the Vietnam War representative during a ceremony at Pearl Harbor.

5. BUT THE VIETNAM VETERAN WASN'T UNKNOWN FOR LONG.


Public Domain, Wikimedia Commons

Thanks to advances in mitochondrial DNA testing, scientists were eventually able to identify the remains of the Vietnam War soldier. On May 14, 1998, the remains were exhumed and tested, revealing the “unknown” soldier to be Air Force 1st Lt. Michael Joseph Blassie (pictured). Blassie was shot down near An Loc, Vietnam, in 1972. After his identification, Blassie’s family had him moved to Jefferson Barracks National Cemetery in St. Louis. Instead of adding another unknown soldier to the Vietnam War crypt, the crypt cover has been replaced with one bearing the inscription, “Honoring and Keeping Faith with America’s Missing Servicemen, 1958-1975.”

6. THE MARBLE SCULPTORS ARE RESPONSIBLE FOR MANY OTHER U.S. MONUMENTS. 

The Tomb was designed by architect Lorimer Rich and sculptor Thomas Hudson Jones, but the actual carving was done by the Piccirilli Brothers. Even if you don’t know them, you know their work: The brothers carved the 19-foot statue of Abraham Lincoln for the Lincoln Memorial, the lions outside of the New York Public Library, the Maine Monument in Central Park, the DuPont Circle Fountain in D.C., and much more.

7. THE TOMB HAS BEEN GUARDED 24/7 SINCE 1937. 

Tomb Guards come from the 3rd U.S. Infantry Regiment "The Old Guard." Serving the U.S. since 1784, the Old Guard is the oldest active infantry unit in the military. They keep watch over the memorial every minute of every day, including when the cemetery is closed and in inclement weather.

8. BECOMING A TOMB GUARD IS INCREDIBLY DIFFICULT.

Members of the Old Guard must apply for the position. If chosen, the applicant goes through an intense training period, in which they must pass tests on weapons, ceremonial steps, cadence, military bearing, uniform preparation, and orders. Although military members are known for their neat uniforms, it’s said that the Tomb Guards have the highest standards of them all. A knowledge test quizzes applicants on their memorization—including punctuation—of 35 pages on the history of the Tomb. Once they’re selected, Guards “walk the mat” in front of the Tomb for anywhere from 30 minutes to two hours, depending on the time of year and time of day. They work in 24-hour shifts, however, and when they aren’t walking the mat, they’re in the living quarters beneath it. This gives the sentinels time to complete training and prepare their uniforms, which can take up to eight hours.

9. THE HONOR IS ALSO INCREDIBLY RARE.

The Tomb Guard badge is the least awarded badge in the Army, and the second least awarded badge in the overall military. (The first is the astronaut badge.) Tomb Guards are held to the highest standards of behavior, and can have their badge taken away for any action on or off duty that could bring disrespect to the Tomb. And that’s for the entire lifetime of the Tomb Guard, even well after his or her guarding duty is over. For the record, it seems that Tomb Guards are rarely female—only three women have held the post.

10. THE STEPS THE GUARDS PERFORM HAVE SPECIFIC MEANING.

Everything the guards do is a series of 21, which alludes to the 21-gun salute. According to TombGuard.org:

The Sentinel does not execute an about face, rather they stop on the 21st step, then turn and face the Tomb for 21 seconds. They then turn to face back down the mat, change the weapon to the outside shoulder, mentally count off 21 seconds, then step off for another 21 step walk down the mat. They face the Tomb at each end of the 21 step walk for 21 seconds. The Sentinel then repeats this over and over until the Guard Change ceremony begins.

8 Historical Things That Prove Privacy Issues Aren't a Modern Problem

iStock/Veleri
iStock/Veleri

DEAR A.J.,
Help! I feel I have no privacy anymore. Facebook, Google, and Target know more about my life than my own husband does. Where has all the privacy gone?
Kathleen

Dear Kathleen,

Thanks for writing. I’ve recorded your name, address, marital status, and income level for my email list. You’ll be hearing from me soon!

In the meantime, maybe this will make you feel better: Privacy may be endangered in the digital age, but at least we’re still better off than many of our ancestors. In the past, everyone was all up in your business.

1. Peeping Tithingmen

Consider the Puritans: They were stunningly good at privacy invasion. In colonial America, Puritan villages had professional snoopers called “tithingmen.” Part of a tithingman’s job was to peek into their neighbors’ windows and spy on their every move to ensure they weren’t doing anything naughty, such as (gasp!) going for a stroll on the Sabbath—a crime that could be punishable by a day in the stocks.

2. Snail Mail Breaches

If you’re worried about hackers (or husbands) monitoring your emails, you should know that pen-and-ink mail was even more vulnerable back in the day. In early America, before an official postal service existed, letters were frequently left at taverns and coffeehouses to be picked up by the recipient—often after they’d been perused by other inquisitive customers. Things didn’t get much better when the government got involved. Postal workers were notorious for peeping at mail. Even letters from the Founding Fathers weren’t immune. Thomas Jefferson complained about the “curiosity of the post-offices” who enjoyed opening and reading his correspondence.

3. Public Voting—Out Loud

Speaking of the government: Voting was not always a private affair conducted behind the safety of a curtain. In early America, everyone knew your vote. They heard it loud and clear. You voted by stepping up to an election officer and announcing your vote in front of spectators. The practice was called viva voce—by voice. This, naturally, led to intimidation and harassment. As Paula Wasley writes in Humanities magazine, voting was “spectacularly public ... accompanied by boisterous crowds, partisan hecklers, torchlight parades, free-flowing whiskey, and brawling.” Casting your vote was less like participating in a dignified civic ritual and more like attending a Gathering of the Juggalos.

4. Nosy Questions on the (Publicly Posted) Census

You won’t find much respect for privacy in the old days of the U.S. census. The questions in the 1800s were astoundingly nosy. Uncle Sam asked about your mental health, whether you were “crippled, maimed, or deformed,” and questions about the financial status of homes and farms. The results of the early census were also posted in public, ostensibly so you could check them for accuracy, but in reality so that all your neighbors could titter.

5. Newspapers Printed Ailments

And if you didn’t know your neighbor’s frailties from the census, busybody local newspapers were there to fill you in. With no pesky HIPAA laws to get in the way, hospital admissions were popular fodder for newspapers for decades. For instance, an issue of the 1885 Philadelphia Inquirer told us that 53-year-old Hugh Dady had to go to the hospital after he received a head cut from a falling barrel.

6. Newspapers Printed Addresses

And if that’s not enough, the paper gives us what certainly appears to be the ailing folks’ addresses, such as “Francis Reynolds, aged twenty-seven, of No. 2335 Owen Street, with sprained wrist, from heavy lifting.” It was like TMZ, but if every celebrity was very boring.

7. Pooping in Public

But I’ve saved the worst for last. Because in the days of yore, even your most intimate acts—including going to the bathroom—occurred with very little privacy. In ancient Rome, you did your business in a public latrine with dozens of seats side by side. Archaeologists have found board games in between the toilets, indicating that voiding was a social occasion, much like a trip to the pub. Even the Father of our Country might not have pooped alone: Mount Vernon has a cozy three-seat outhouse. Over on the other side of the pond, Henry VIII had a formal assistant called “The Groom of the Stool,” a bathroom attendant whose job supposedly consisted of, in part, wiping the glorious monarchical butt.

8. Sex on Trial

What’s more, marital problems were shockingly out in the open. Consider the bizarreness that were the impotence trials of pre-Revolutionary France. A woman could ask to end a marriage on the grounds that her husband failed to consummate a marriage … but she had to prove it in front of witnesses. The most notorious such trial was in 1659, when a Marquis had to attempt sex with his wife in front of a 15-person jury, including doctors. The trial was so public, Frenchmen placed bets on the outcome. I’d tell you what happened, but I don’t want to invade the nobleman’s privacy yet again. (OK, fine. He failed. Happy?)

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