Why the Metric System Might Be Screwed

International Bureau of Weights and Measures
International Bureau of Weights and Measures

The world’s most perfect weight isn’t so perfect anymore. And that has scientists scared.

Hidden in a vault outside Paris, vacuum-sealed under three bell jars, sits a palm-sized metal cylinder known as the International Prototype Kilogram, or “Le Grand K.” Forged in 1879 from an alloy of platinum and iridium, it was hailed as the “perfect” kilogram—the gold standard by which other kilograms would be judged.

Although it’s arguably the world’s most famous weight, Le Grand K doesn’t get out much. Since hydrocarbons on fingertips or moisture in the air could contaminate its pristine surface, it goes untouched for decades, under triple lock and key at the International Bureau of Weights and Measures. Every 40 years, however, it makes an appearance. The weight is ushered from its chamber, washed with alcohol, polished, and weighed against 80 official replicas hand-delivered from laboratories around the world. Today, whenever scientists need to verify something is precisely one kilogram, they turn to one of these replicas, over which Le Grand K reigns supreme.

This system sounds absurd, but not too long ago, lots of units relied on similar methods. The kilogram was just one of seven standards of measurement established by the French Academy of Sciences in 1791, all based on physical prototypes. These benchmarks caught on worldwide because standardization was sorely needed. At the time, some 250,000 different units of weights and measures existed in France alone, which meant that the only constant was complete chaos.

Weight Problem

While basing measurements on tangible benchmarks was an improvement, using physical standards wasn’t without its flaws. For one, they have a nasty habit of changing. In Le Grand K’s case, it’s been losing weight. At its most recent weigh-in in 1988, it was found to be 0.05 milligrams—about the weight of a grain of sand—lighter than its underling replicas. Experts aren’t sure where this weight went, but some theorize that the replicas have been handled more often, which could subtly add weight. Others postulate Le Grand K’s alloy is “outgassing,” which means air is gradually escaping the metal.

Whatever the reason for Le Grand K’s gradual wasting away, it’s got scientists scrambling for a more reliable standard. Some argue that this is long overdue, since all other units of measurement are already defined by fundamental constants of nature that can be reproduced anywhere anytime (provided you’ve got some sophisticated lab equipment). The meter, for example, used to be defined by a metal rod stored alongside Le Grand K. But in 1983, it was redefined as the distance light travels in a vacuum during 1/299,792,458 of a second.

Standardizing the kilogram has been trickier, though. Australian scientists are polishing a one-kilogram sphere of silicon, hoping that they’ll be able to count the number of atoms it contains to create a more accurate standard. American physicists at the National Institute of Standards and Technology (NIST) are attempting to redefine a kilogram in terms of the amount of voltage required to levitate a weight. But so far, neither approach can match Le Grand K’s accuracy.

Why should we care whether a kilogram in a vault is “perfect” or not? Because it’s bad news when your standard is no longer standardized. While no one’s worried whether a single kilogram of apples is a hair lighter or heavier at the produce stand, a small discrepancy can become a gargantuan one if you’re dealing with, say, a whole tanker of wheat. The kilogram is also used as a building block in other measurements. The joule, for instance, is the amount of energy required to move a one-kilogram weight one meter. The candela, a measure of the brightness of light, is measured in joules per second.

These links mean that if the kilogram is flawed, so are the joule and candela, which could eventually cause problems in an array of industries, particularly in technology. As microchips process more information at higher speeds, even tiny deviations will lead to catastrophes. Le Grand K’s unreliability “will start to be noticeable in the next decade or two in the electronics industry,” warns NIST physicist Richard Steiner. If your next smartphone is buggy, you’ll know which hunk of metal to blame.

So scientists continue to chase the perfect kilogram. “Maybe we have all been looking for too high-tech an answer,” says Stuart Davidson of England’s National Physical Laboratory. “There could be something really obvious out there we’ve missed.” The NPL’s website encourages others to give it a shot: Any better ideas on a postcard please. Until then, Le Grand K will remain king—short of true perfection, but as perfect as it gets.

Looking to Downsize? You Can Buy a 5-Room DIY Cabin on Amazon for Less Than $33,000

Five rooms of one's own.
Five rooms of one's own.
Allwood/Amazon

If you’ve already mastered DIY houses for birds and dogs, maybe it’s time you built one for yourself.

As Simplemost reports, there are a number of house kits that you can order on Amazon, and the Allwood Avalon Cabin Kit is one of the quaintest—and, at $32,990, most affordable—options. The 540-square-foot structure has enough space for a kitchen, a bathroom, a bedroom, and a sitting room—and there’s an additional 218-square-foot loft with the potential to be the coziest reading nook of all time.

You can opt for three larger rooms if you're willing to skip the kitchen and bathroom.Allwood/Amazon

The construction process might not be a great idea for someone who’s never picked up a hammer, but you don’t need an architectural degree to tackle it. Step-by-step instructions and all materials are included, so it’s a little like a high-level IKEA project. According to the Amazon listing, it takes two adults about a week to complete. Since the Nordic wood walls are reinforced with steel rods, the house can withstand winds up to 120 mph, and you can pay an extra $1000 to upgrade from double-glass windows and doors to triple-glass for added fortification.

Sadly, the cool ceiling lamp is not included.Allwood/Amazon

Though everything you need for the shell of the house comes in the kit, you will need to purchase whatever goes inside it: toilet, shower, sink, stove, insulation, and all other furnishings. You can also customize the blueprint to fit your own plans for the space; maybe, for example, you’re going to use the house as a small event venue, and you’d rather have two or three large, airy rooms and no kitchen or bedroom.

Intrigued? Find out more here.

[h/t Simplemost]

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10 Facts About Real Genius On Its 35th Anniversary

Val Kilmer stars in Martha Coolidge's Real Genius (1985).
Val Kilmer stars in Martha Coolidge's Real Genius (1985).
Sony Pictures Home Entertainment

In an era where nerd is a nickname given by and to people who have pretty much any passing interest in popular culture, it’s hard to imagine the way old-school nerds—people with serious and socially-debilitating obsessions—were once ostracized. Computers, progressive rock, and role-playing games (among a handful of other 1970s- early '80s developments) created a path from which far too many of the lonely, awkward, and conventionally undateable would never return. But in the 1980s, movies transformed these oddballs into underdogs and antiheroes, pitting them against attractive, moneyed, successful adversaries for the fate of handsome boys and pretty girls, cushy jobs, and first-place trophies.

The 1985 film Real Genius ranked first among equals from that decade for its stellar cast, sensitive direction, and genuine nerd bona fides. Perhaps fittingly, it sometimes feels overshadowed, and even forgotten, next to broader, bawdier (and certainly now, more problematic) films from the era like Revenge of the Nerds and Weird Science. But director Martha Coolidge delivered a classic slobs-versus-snobs adventure that manages to view the academically gifted and socially maladjusted with a greater degree of understanding and compassion while still delivering plenty of good-natured humor.

As the movie commemorates its 35th anniversary, we're looking back at the little details and painstaking efforts that make it such an enduring portrait not just of ‘80s comedy, but of nerdom itself.

1. Producer Brian Grazer wanted Valley Girl director Martha Coolidge to direct Real Genius. She wasn’t sure she wanted to.

Following the commercial success of 1984’s Revenge of the Nerds, there was an influx of bawdy scripts that played upon the same idea, and Real Genius was one of them. In 2011, Coolidge told Kickin’ It Old School that the original script for Real Genius "had a lot of penis and scatological jokes," and she wasn't interested in directing a raunchy Nerds knock-off. So producer Brian Grazer enlisted PJ Torokvei (SCTV) and writing partners Babaloo Mandel and Lowell Ganz (Splash, City Slickers) to refine the original screenplay, and then gave Coolidge herself an opportunity to polish it before production started. “Brian's original goal, and mine, was to make a film that focused on nerds as heroes," Coolidge said. "It was ahead of its time."

2. Martha Coolidge’s priority was getting the science in Real Genius right—or at least as right as possible.

In the film, ambitious professor Jerry Hathaway (William Atherton) recruits high-achieving students at the fictional Pacific Technical University (inspired by Caltech) to design and build a laser capable of hitting a human-sized target from space. Coolidge researched the subject thoroughly, working with academic, scientific, and military technicians to ensure that as many of the script and story's elements were correct. Moreover, she ensured that the dialogue would hold up to some scrutiny, even if building a laser of the film’s dimensions wasn’t realistic (and still isn’t today).

3. One element of Real Genius that Martha Coolidge didn’t base on real events turned out to be truer than expected.

From the beginning, the idea that students were actively being exploited by their teacher to develop government technology was always fictional. But Coolidge learned that art and life share more in common than she knew at the time. “I have had so many letters since I made Real Genius from people who said, 'Yes, I was involved in a program and I didn’t realize I was developing weapons,'" she told Uproxx in 2015. “So it was a good guess and turned out to be quite accurate.”

4. Val Kilmer walked into his Real Genius audition already in character—and it nearly cost him the role.

After playing the lead in Top Secret!, Val Kilmer was firmly on Hollywood’s radar. But when he met Grazer at his audition for Real Genius, Kilmer decided to have some fun at the expense of the guy who would decide whether or not he’d get the part. "The character wasn't polite," Kilmer recalled to Entertainment Weekly in 1995. "So when I shook Grazer's hand and he said, 'Hi, I'm the producer,' I said, 'I'm sorry. You look like you're 12 years old. I like to work with men.'"

5. The filmmakers briefly considered using an actual “real genius” to star in Real Genius.

Among the performers considered to play Mitch, the wunderkind student who sets the movie’s story in motion, was a true genius who graduated college at 14 and was starting law school. Late in the casting process, they found their Mitch in Gabriel Jarrett, who becomes the third generation of overachievers (after Kilmer’s Chris and Jon Gries’s Lazlo Hollyfeld) whose talent Hathaway uses to further his own professional goals.

6. Real Genius's female lead inadvertently created a legacy for her character that would continue in animated form.

Michelle Meyrink, Gabriel Jarret, Val Kilmer, and Mark Kamiyama in Real Genius (1985).Sony Pictures Home Entertainment

Michelle Meyrink was a staple of a number of ‘80s comedies, including Revenge of the Nerds. Playing Jordan in Real Genius, she claims to “never sleep” and offers a delightful portrait of high-functioning attention-deficit disorder with a chipper, erratic personality. Disney’s Chip 'n Dale: Rescue Rangers co-creator Tad Stones has confirmed that her character went on to inspire the character of Gadget Hackwrench.

7. A Real Genius subplot, where a computer programmer is gaming a Frito-Lay contest, was based on real events.

In the film, Jon Gries (Napoleon Dynamite) plays Lazlo Hollyfeld, a reclusive genius from before Chris and Mitch’s time who lives in a bunker beneath their dorm creating entries to a contest with no restrictions where he eventually wins more than 30 percent of the prizes. In 1969, students from Caltech tried a similar tactic with Frito-Lay to game the odds. But in 1975, three computer programmers used an IBM to generate 1.2 million entries in a contest for McDonald’s, where they received 20 percent of the prizes (and a lot of complaints from customers) for their effort.

8. One of Real Genius's cast members went on to write another tribute to nerds a decade later.

Dean Devlin, who co-wrote Stargate and Independence Day with Roland Emmerich, plays Milton, another student at Pacific Tech who experiences a memorable meltdown in the rush up to finals.

9. The popcorn gag that ends Real Genius isn’t really possible, but they used real popcorn to simulate it.

At the end of the film, Chris and Mitch build a giant Jiffy Pop pack that the laser unleashes after they redirect its targeting system. The resulting popcorn fills Professor Hathaway’s house as an act of revenge. MythBusters took pains to recreate this gag in a number of ways, but quickly discovered that it wouldn’t work; even at scale, the popcorn just burns in the heat of a laser.

To pull off the scene in the film, Coolidge said that the production had people popping corn for six weeks of filming in order to get enough for the finale. After that, they had to build a house that they could manipulate with hydraulics so that the popcorn would “explode” out of every doorway and window.

10. Real Genius was the first movie to be promoted on the internet.

A week before Real Genius opened, promoters set up a press conference at a computer store in Westwood, California. Coolidge and members of the cast appeared to field questions from press from across the country—connected via CompuServe. Though the experience was evidently marred by technical problems (this was the mid-1980s, after all), the event marked the debut of what became the online roundtable junket.