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The Lost Scripts, Part III: Indiana Jones and the City of the Gods

While it’s not unusual for a film to have unused screenplays hiding in a filing cabinet somewhere, the lost scripts of Indiana Jones are a fascinating look at what might have been for everyone’s favorite whip-wielding, fedora-wearing archaeologist. We've discussed Indiana Jones and the Monkey King and Indiana Jones and the Saucermen from Mars. Our final lost Indy script involves The City of the Gods.

The Story Behind the Story

In February 2000, the American Film Institute held a ceremony honoring the life and work of Harrison Ford. His old Indiana Jones friends, Steven Spielberg and George Lucas, were on hand to speak at the event, marking the first time they'd all been in the same room together in many years. During the night, the idea was floated that they should do another Indiana Jones movie. Swept up in the moment, everyone said yes. Now they just had to come up with a script.

As Lucas and Spielberg started working on ideas for another movie, Lucas refused to budge from an idea he had five years before – a 1950s sci-fi B-movie tribute involving aliens and flying saucers. Spielberg also refused to budge on not liking that idea. But the two worked out a compromise - there could be aliens, but there couldn't be flying saucers. That was enough for Lucas to dig out his old story notes, outlines, and screenplays, including one for a never-filmed episode of The Young Indiana Jones Chronicles that dealt with the real-life mystery of strange, Peruvian skulls carved out of crystal.

Once he had an outline ready to go, Lucas hired director/screenwriter Frank Darabont, still fresh off his Oscar-nominated screenplay for The Green Mile. Darabont turned in three versions of his screenplay, culminating in 2003's Indiana Jones and the City of the Gods.

The Plot

It's been 20 years since Indiana Jones was in his prime. Now, in the 1950s, his research expeditions are solitary affairs in the Nevada desert, searching for small fragments of ancient Native American pottery; a far cry from the jungles and adventures of his youth. At his latest dig, a Russian friend and colleague, Yuri Makovsky, has been visiting him for a few weeks. However, on the last night of his stay, Yuri breaks into a secret U.S. military base, where two American traitors give him a canister of plutonium and an ordinary-looking bowling ball bag.

Indy gets his hands on the bag and finds it contains one of the 13 legendary crystal skulls. With the skull in his possession, Indy winds up in Peru where he learns that his old flame, Marion Ravenwood, is the one that hired Yuri to get the skull for her. She's leading an expedition into the jungle with her husband, famed archaeologist Baron Peter Belasko, to find the lost City of the Gods, and needs the skull to unlock the city's secrets.

Although he no longer has the skull, Yuri doesn’t give up. He convinces the President of Peru, Presidente Escalante, to go after the skull with the promise that the lost city will give Escalante anything his heart desires.

After many entanglements, the expeditions arrive at the City of the Gods and enter the giant pyramid at the center. Inside they discover a circular room filled with 13 golden thrones, each occupied by a headless, crystal skeleton. When the skull is attached to the correct skeleton, an alien presence welcomes “the five chosen ones” who will help rejuvenate the mummified remains of the beings buried inside the pyramid. In exchange, the alien will grant them one wish.

The Chosen Ones – Indy, Yuri, Belasko, Escalante, and a German researcher named Von Grauen – are lifted by a swirling alien vapor that hypnotizes them. Belasko, Escalante, and Von Grauen have their wishes granted first, but in a Faustian twist, they are immediately killed; their “life forces” assimilated into the alien mummies. When Indy is asked what he wants, Marion is able to shake him out of his trance, and that's when he realizes all he wants is her. The alien releases him and moves on to Yuri. But before Yuri's wish is granted, Indy shoots the crystal skull and it explodes into tiny shards.

The pyramid begins to shake and crumble apart. As Indy is leaving the room, he looks back and sees the alien mummy, rejuvenated by the deaths of the men, rising from its sarcophagus. He shouts, “Hey! Welcome to Earth!” before firing the rest of his rifle rounds into the thing’s body.

The survivors escape just in time to see the land swell and then break away. A flying saucer erupts from the ground, lifting the ruins into the air, but soon the machine sputters and falls back into its ancient grave. The nuclear explosion that follows wipes the City of the Gods off the map for good.

Safely back in the United States, Indy and Marion tie the knot with all of their old friends in attendance.

The Action

As you'd expect from any Indiana Jones script, action sequences are abundant and relentless in City of the Gods. The moment Indy gets out of one jam, something goes wrong, and he's in another life-or-death situation. It's quite a thrill ride that barely gives the audience a moment to breathe.

Many of the set pieces were dictated by Lucas and can be found in other Indy IV scripts, including some that made it into the final film, Kingdom of the Crystal Skull. For example, Indy gets into a fight on a rocket sled, Indy survives a nuclear blast inside a lead-lined refrigerator, the expedition is attacked by huge, red army ants, and a truck Indy’s riding in goes over a series of waterfalls. However, Darabont got to design his own action sequences too, and they're just as exciting.

One of the best Darabont action scenes shows Indy and Marion flying to meet up with Belasko, when they’re attacked by Yuri in another plane. Yuri's co-pilot uses a machine gun to take out one of the support struts on Indy's biplane, which means Indy has to walk out on the wing and lash it back together with his whip. Meanwhile, Yuri comes up fast and uses his propeller like a buzzsaw, chopping up the tail on Indy's plane. To stop Yuri, Indy lets go of his plane's wing and is whisked back to Yuri's plane, barely grabbing that wing's support strut. He then swings around and decks Yuri, forcing the plane to swerve and dive. Indy climbs into the gunner's seat and Yuri flips the plane upside down, hoping to make Indy fall out. Instead, the gunner falls out and Indy uses the co-pilot controls to flip the plane upside down again, causing Yuri to fall out.

With Marion in an unstable plane, Indy tells her to wing walk over to his plane. But then Yuri appears, floating down on a parachute, armed with a machine gun. He fires at Indy, taking out the plane’s engine, so now Indy's in worse shape than Marion. She flies over the top of Indy’s plane, he grabs the bar that spans between the landing gear, and then lets the plane he’s piloting fall out beneath him. But little do they realize there's a jungle plateau ahead and Marion can't get the plane pulled up in time. Indy is dragged through the canopy, hitting treetops and scaring monkeys, until the plateau ends and he is finally able to drag himself into the cockpit.

“I'll take it from here”, he says. The engine dies the moment he puts his hand on the stick. The plane comes in hard and fast, its wings sheared off by jungle foliage and it belly flops on the ground. Indy gives Marion a cocky smile, and she points to the flames that have just erupted from the engine. They grab the skull and make it out just before the plane explodes. Thankfully, he is able to recover his whip that is still wrapped around the wing struts. And of course, his hat is still on his head.

The Aftermath

City of the Gods is a very “tight” screenplay, meaning every scene has a clear objective, and either relays information that is useful later on, or is an event that leads directly into the next scene. In addition, the script is filled with interesting Indy-esque characters, such as a henchman known as The Thin Man, who dresses in black and has a scar running down his face through a milky-white eye.

The script is often very clever. For example, the Belasko Expedition uses drawings of the Nazca Lines - gigantic, ancient figures that have been etched into the Nazca Desert – and lays them over the top of a map so that the figures match to geographic features. In this way, the Lines actually point them to the City of the Gods like enormous road signs.

So why didn't the script get the green light? In a reversal of the situation surrounding the 1995 script, Indiana Jones and the Saucermen from Mars, Spielberg and Ford loved Darabont's final script, but Lucas felt it needed more work.

Over the next few years, Lucas continued to develop the story, even retitling it Indiana Jones and the Phantom City of the Gods (no joke!). He also brought in a new writer, Jeff Nathanson, who authored Spielberg's Catch Me If You Can and The Terminal. Nathanson's script was called Indiana Jones and the Atomic Ants, but that script wasn't quite up to snuff, either. Finally, David Koepp — screenwriter for Jurassic Park, Mission: Impossible, and Spider-Man — was hired. Koepp turned in a screenplay titled Indiana Jones and the Destroyer of Worlds, borrowing from a famous quote by J. Robert Oppenheimer, the “father” of the atomic bomb. This script was tweaked and became Indiana Jones and the Kingdom of the Crystal Skull.

The City of the Gods script was leaked to the internet shortly after Kingdom of the Crystal Skull was released in the summer of 2008. It was widely reported beforehand that Darabont had written a rejected Indiana Jones screenplay. So when many fans were unhappy with the final film, some believe Darabont secretly made his script available as a way of saying “Don’t blame me!”

Whether it would have actually made a better movie than Kingdom of the Crystal Skull is impossible to know. But either way, Indiana Jones and the City of the Gods is an interesting look at what might have been for Indy’s latest silver screen adventure.

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Animals
15 Incredible Facts About Pigeons
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Though they're often described as "rats with wings" (a phrase popularized by the movie Stardust Memories), pigeons are actually pretty cool. From homing instincts to misleading rump feathers, here are 15 things you might not know about these avian adventurers.

1. THEY MIGHT BE THE FIRST DOMESTICATED BIRD.

The common city pigeon (Columba livia), also known as the rock pigeon, might be the first bird humankind ever domesticated. You can see them in art dating back as far as 4500 BCE in modern Iraq, and they've been a valuable source of food for thousands of years.

2. THEY WON OVER CHARLES DARWIN—AND NIKOLA TESLA.

Pigeon-breeding was a common hobby in Victorian England for everyone from well-off businessmen to average Joes, leading to some fantastically weird birds. Few hobbyists had more enthusiasm for the breeding process than Charles Darwin, who owned a diverse flock, joined London pigeon clubs, and hobnobbed with famous breeders. Darwin's passion for the birds influenced his 1868 book The Variation of Animals and Plants Under Domestication, which has not one but two chapters about pigeons (dogs and cats share a single chapter).

Nikola Tesla was another great mind who enjoyed pigeons. He used to care for injured wild pigeons in his New York City hotel room. Hands down, Tesla's favorite was a white female—about whom he once said, "I loved that pigeon, I loved her as a man loves a woman and she loved me. When she was ill, I knew and understood; she came to my room and I stayed beside her for days. I nursed her back to health. That pigeon was the joy of my life. If she needed me, nothing else mattered. As long as I had her, there was a purpose in my life." Reportedly, he was inconsolable after she died.

3. THEY UNDERSTAND SPACE AND TIME.

In a 2017 Current Biology study, researchers showed captive pigeons a series of digital lines on a computer screen for either two or eight seconds. Some lines were short, measuring about 2.3 inches across; others were four times longer. The pigeons were trained to evaluate either the length of the line or how long it was displayed. They found that the more time a line was displayed, the longer in length the pigeon judged it to be. The reverse was true too: If the pigeons encountered a longer line, they thought it existed in time for a greater duration. Pigeons, the scientists concluded, understand the concepts of both time and space; the researchers noted "similar results have been found with humans and other primates."

It's thought that humans process those concepts with a brain region called the parietal cortex; pigeon brains lack that cortex, so they must have a different way of judging space and time.

4. THEY CAN FIND THEIR WAY BACK TO THE NEST FROM 1300 MILES AWAY.

A pigeon flying in front of trees.
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The birds can do this even if they've been transported in isolation—with no visual, olfactory, or magnetic clues—while scientists rotate their cages so they don't know what direction they're traveling in. How they do this is a mystery, but people have been exploiting the pigeon's navigational skills since at least 3000 BCE, when ancient peoples would set caged pigeons free and follow them to nearby land.

Their navigational skills also make pigeons great long-distance messengers. Sports fans in ancient Greece are said to have used trained pigeons to carry the results of the Ancient Olympics. Further east, Genghis Khan stayed in touch with his allies and enemies alike through a pigeon-based postal network.

5. THEY SAVED THOUSANDS OF HUMAN LIVES DURING WORLD WARS I AND II.

Pigeons' homing talents continued to shape history during the 20th century. In both World Wars, rival nations had huge flocks of pigeon messengers. (America alone had 200,000 at its disposal in WWII.) By delivering critical updates, the avians saved thousands of human lives. One racing bird named Cher Ami completed a mission that led to the rescue of 194 stranded U.S. soldiers on October 4, 1918.

6. TWO PIGEONS ALMOST DISTRACTED FROM THE DISCOVERY OF EVIDENCE OF THE BIG BANG.

In 1964, scientists in Holmdel, New Jersey, heard hissing noises from their antenna that would later prove to be signals from the Big Bang. But when they first heard the sound, they thought it might be, among other things, the poop of two pigeons that were living in the antenna. "We took the pigeons, put them in a box, and mailed them as far away as we could in the company mail to a guy who fancied pigeons," one of the scientists later recalled. "He looked at them and said these are junk pigeons and let them go and before long they were right back." But the scientists were able to clean out the antenna and determine that they had not been the cause of the noise. The trap used to catch the birds (before they had to later be, uh, permanently removed) is on view at the Smithsonian Air & Space Museum.

7. YOU CAN TRAIN THEM TO BE ART SNOBS …

Japanese psychologist Shigeru Watanabe and two colleagues earned an Ig Nobel Prize in 1995 for training pigeons, in a lab setting, to recognize the paintings of Claude Monet and Pablo Picasso and to distinguish between the painters. The pigeons were even able to use their knowledge of impressionism and cubism to identify paintings of other artists in those movements. Later, Watanabe taught other pigeons to distinguish watercolor images from pastels. And in a 2009 experiment, captive pigeons he'd borrowed were shown almost two dozen paintings made by students at a Tokyo elementary school, and were taught which ones were considered "good" and which ones were considered "bad." He then presented them with 10 new paintings and the avian critics managed to correctly guess which ones had earned bad grades from the school's teacher and a panel of adults. Watanabe's findings indicate that wild pigeons naturally categorize things on the basis of color, texture, and general appearance.

8. … AND TO DISTINGUISH WRITTEN WORDS.

In a 2016 study, scientists showed that pigeons can differentiate between strings of letters and actual words. Four of the birds built up a vocabulary of between 26 and 58 written English words, and though the birds couldn't actually read them, they could identify visual patterns and therefore tell them apart. The birds could even identify words they hadn't seen before.

9. FLUFFY PIGEON FEET MIGHT ACTUALLY BE PARTIAL WINGS.

A white pigeon with curly feathers and fluffy feet.
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A few pigeon breeds have fuzzy legs—which hobbyists call "muffs"—rather than scaly ones. According to a 2016 study, the DNA of these fluffy-footed pigeons leads their hind legs to take on some forelimb characteristics, making muffed pigeon legs look distinctly wing-like; they're also big-boned. Not only do they have feathers, but the hindlimbs are somewhat big-boned, too. According to biologist Mike Shapiro, who led the study, "pigeons' fancy feathered feet are partially wings."

10. SOME PIGEONS DISTRACT FALCONS WITH WHITE RUMP FEATHERS.

In a life-or-death situation, a pigeon's survival could depend upon its color pattern: Research has shown that wild falcons rarely go after pigeons that have a white patch of feathers just above the tail, and when the predators do target these birds, the attacks are rarely successful.

To figure out why this is, Ph.D. student Alberto Palleroni and a team tagged 5235 pigeons in the vicinity of Davis, California. Then, they monitored 1485 falcon-on-pigeon attacks over a seven-year span. The researchers found that although white-rumped pigeons comprised 20 to 25 percent of the area's pigeon population, they represented less than 2 percent of all the observed pigeons that were killed by falcons; the vast majority of the victims had blue rumps. Palleroni and his team rounded up 756 white- and blue-rumped pigeons and swapped their rump feathers by clipping and pasting white feathers on blue rumps, and vice versa. The falcons had a much easier time spotting and catching the newly blue-rumped pigeons, while the pigeons that received the white feathers saw predation rates plummet.

Close observation revealed that the white patches distract birds of prey. In the wild, falcons dive-bomb other winged animals from above at high speeds. Some pigeons respond by rolling away in midair, and on a spiraling bird, white rump feathers can be eye-catching, which means that a patch of them may divert a hungry raptor's focus long enough to make the carnivore miscalculate and zip right past its intended victim.

11. DODOS WERE RELATED TO TODAY'S PIGEONS.

Two blue and green Nicobar pigeons.
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Though most of this list focuses on the rock pigeon, there are 308 living species of pigeons and doves. Together, they make up an order of birds known as the columbiformes. The extinct dodo belonged to this group as well.

Flightless and (somewhat) docile, dodos once inhabited Mauritius, an island near Madagascar. The species had no natural predators, but when human sailors arrived with rats, dogs, cats, and pigs, it began to die out, and before the 17th century came to a close, the dodo had vanished altogether. DNA testing has confirmed that pigeons are closely related to the dodo, and the vibrant Nicobar pigeon (above) is its nearest genetic relative. A multi-colored bird with iridescent feathers, this near-threatened creature is found on small islands in the South Pacific and off Asia. Unlike the dodo, it can fly.

12. AT ONE POINT, MORE THAN ONE-QUARTER OF ALL THE BIRDS LIVING IN THE U.S. MAY HAVE BEEN PASSENGER PIGEONS.

Wild/feral rock pigeons reside in all 50 states, which makes it easy to forget that they're invasive birds. Originally native to Eurasia and northern Africa, the species was (most likely) introduced to North America by French settlers in 1606. At the time, a different kind of columbiform—this one indigenous—was already thriving there: the passenger pigeon (Ectopistes migratorius). As many as 5 billion of them were living in America when England, Spain, and France first started colonizing, and they may have once represented anywhere from 25 to 40 percent of the total U.S. bird population. But by the early 20th century, they had become a rare sight, thanks to overhunting, habitat loss, and a possible genetic diversity issue. The last known passenger pigeon—a captive female named Martha—died on September 1, 1914.

13. THEY'RE REALLY GOOD AT MULTITASKING.

According to one study, they're more efficient multitaskers than people are. Scientists at Ruhr-Universitat Bochum put together a test group of 15 humans and 12 pigeons and trained all of them to complete two simple jobs (like pressing a keyboard once a light bulb came on). They were also put in situations wherein they'd need to stop working on one job and switch over to another. In some trials, the participants had to make the change immediately. During these test runs, humans and pigeons switched between jobs at the same speed.

But in other trials, the test subjects were allowed to complete one assignment and then had to wait 300 milliseconds before moving on to the next job. Interestingly, in these runs, the pigeons were quicker to get started on that second task after the period ended. In the avian brain, nerve cells are more densely packed, which might enable our feathered friends to process information faster than we can under the right circumstances.

14. PIGEONS PRODUCE FAKE "MILK."

Only mammals produce genuine milk, but pigeons and doves (along with some other species of birds) feed their young with something similar—a whitish liquid filled with nutrients, fats, antioxidants, and healthy proteins called "crop milk." Both male and female pigeons create the milk in the crop, a section of the esophagus designed to store food temporarily. As is the case with mammal milk, the creation of crop milk is regulated by the hormone prolactin. Newly-hatched pigeons drink crop milk until they're weaned off it after four weeks or so. (And if you've ever asked yourself, "Where are all the baby pigeons?" we have the answer for you right here.)

15. ONE STUDY SUGGESTS THAT, GIVEN THE RIGHT CONDITIONS, THEY'RE AS GOOD AT IDENTIFYING CANCER AS DOCTORS.

We've already established that pigeons are excellent at differentiating between artists and words, but a 2015 study revealed they can also distinguish between malignant and benign growths in the right conditions. Researchers at University of California Davis Medical Center put 16 pigeons in a room with magnified biopsies of potential breast cancers. If the pigeons correctly identified them as either benign or malignant, they got a treat, According to Scientific American.

"Once trained, the pigeons' average diagnostic accuracy reached an impressive 85 percent. But when a "flock sourcing" approach was taken, in which the most common answer among all subjects was used, group accuracy climbed to a staggering 99 percent, or what would be expected from a pathologist. The pigeons were also able to apply their knowledge to novel images, showing the findings weren't simply a result of rote memorization."

Mammograms proved to be more of a challenge, however; the birds could memorize signs of cancer in the images they were trained on but could not identify the signs in new images.

No matter how impressive their results, "I don't anticipate that pigeons, no matter how good they become at pathology or radiology, will be playing a role in actual patient care—certainly for the foreseeable future," study co-author Richard M. Levenson told Scientific American. "There are just too many regulatory barriers—at least in the West."

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Pop Culture
Jim Henson's Labyrinth Is Being Adapted Into a Stage Musical
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More than 30 years after its cinematic debut, Labyrinth could be hitting the stage. In an interview with Forbes, Jim Henson's son and Henson Company CEO Brian Henson shared plans to transform the cult classic into a live musical.

While the new musical would be missing David Bowie in his starring role as Jareth the Goblin King, it would hopefully feature the soundtrack Bowie helped write. Brian Henson says there isn't a set timeline for the project yet, but the stage adaptation of the original film is already in the works.

As for a location, Henson told Forbes he envisions it running, "Not necessarily [on] Broadway, it could be for London's West End, but it will be a stage show, a big theatrical version. It’s very exciting."

Labyrinth premiered in 1986 to measly box office earnings and tepid reviews, but Jim Henson's fairytale has since grown into a phenomenon beloved by nostalgic '80s kids and younger generations alike. In the same Forbes interview, Brian Henson also confirmed the 2017 news that a long-anticipated Labyrinth sequel is apparently in development. Though he couldn't give any specifics, Henson confirmed that, "we are still excited about it but the process moves very slowly and very carefully. We're still excited about the idea of a sequel, we are working on something, but nothing that's close enough to say it's about to be in pre-production or anything like that."

While fans eagerly await those projects to come out, they can get their fix when the film returns to theaters across the U.S. on April 29, May 1, and May 2. Don't forget to wear your best Labyrinth swag to the event.

[h/t Forbes]

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