Scrambling to find a last-minute Father’s Day gift? You’ve come to the right place. Whether your dad enjoys playing board games, grilling outdoors, or all of the above, there’s likely something for him on this list.
1. FOR THE DAD WHO WANTS TO START A FAMILY BAND.
Buying your dad a time-consuming new hobby is one way to show him how much you love him. This Fender acoustic guitar looks great, and once your dad learns how to play some real chords, it will sound great too. The CD-60SCE includes a built-in tuner and an "Easy-To-Play" neck, making it the perfect gift for beginning to intermediate level musicians.
2. FOR THE FASHIONABLE DAD WHO’S IN TOUCH WITH HIS WILD SIDE
If your dad can name his spirit animal without hesitation, this shirt is for him. The inside of this plaid flannel is lined with fabric depicting scenes from nature. In case your dad isn’t a bear person, there are other shirts emblazoned with fish, eagles, turkeys, and seals.
Even master grillers can learn new tricks. After 20 minutes on the barbecue, this Himalayan salt block becomes a sizzling hot surface that imparts natural salt to whatever it cooks. What a steak cooked on the slab lacks in grill marks it makes up for in flavor.
Though your beer-loving dad would probably be happy with a six-pack for Father’s Day, you can do better. Leave the beer selection up to the experts and buy him a membership to the Microbrewed Beer of the Month Club. Each month, members receive a dozen 12-ounce bottles from two boutique microbreweries in the U.S. The package includes a newsletter with tasting notes, potential food pairings, and profiles of the breweries.
Working out is hard enough—the last thing fitness fanatics need is a loose earbud disrupting their gym flow. That’s not a problem with these custom-fit earphones. Before popping them in, wearers must first run the thermoplastic molds under hot water and attach them to the pods. The pliable material is then ready to conform to the unique shape of any ear. So whether your dad does cardio to '90s hip hop or heavy metal, an uncomfortable listening experience won’t be an issue.
With this gift, a clear night spent star gazing can quickly turn into an astronomy lesson. The handheld device can identify over 1500 stars. After setting the latitude, date, and time, users peer through the Stellarscope to study an accurate star map superimposed over the real night sky. It’s the perfect way for your dad to entertain himself while sitting by a campfire this summer.
At the next family game night, give your dad a chance to show off his intellect. Wit’s End remixes the traditional trivia board game format by phrasing questions as puzzles and brainteasers. Players race around the board navigating subjects like history, popular culture, geography, and science. The questions get tough, so don’t be surprised when your father’s competitive side starts to show.
If you can’t afford to get your dad an annual museum membership for Father's Day, this mug is a good alternative. At room temperature, it depicts a Tyrannosaurus rex stalking its prey. After the hot liquid is added, the dinosaurs fade into lifeless fossils in an exhibit.
The leather exterior of this iPhone case will appeal to your dad’s simple taste. But inside there’s a secret: The case comes with built-in pockets for holding bills, cards, or anything else that goes in a wallet. It also features a magnetic seal that opens easily and snaps tightly shut to keep contents secure.
While your dad is out saving the environment by biking to work each day, make sure he doesn’t neglect his own safety. This tricked-out helmet will protect him on the road without compromising his style. The integrated turn signals connect to detachable handlebar controls and the red brake light illuminates automatically when the bike slows down. The gadgetry is also water-resistant, so your dad can keep up his eco-friendly habits rain or shine.
A piece of MLB history is knitted into each one of these beanies: the wool yarn used to make them comes from the insides of baseballs used in professional league games. All hats come with a story card detailing the game in which the ball appeared. So if all goes well for your dad’s favorite team this season, he’ll be superstitiously wearing the cap to ball games by October.
If you’ve already mastered DIY houses for birds and dogs, maybe it’s time you built one for yourself.
As Simplemost reports, there are a number of house kits that you can order on Amazon, and the Allwood Avalon Cabin Kit is one of the quaintest—and, at $32,990, most affordable—options. The 540-square-foot structure has enough space for a kitchen, a bathroom, a bedroom, and a sitting room—and there’s an additional 218-square-foot loft with the potential to be the coziest reading nook of all time.
The construction process might not be a great idea for someone who’s never picked up a hammer, but you don’t need an architectural degree to tackle it. Step-by-step instructions and all materials are included, so it’s a little like a high-level IKEA project. According to the Amazon listing, it takes two adults about a week to complete. Since the Nordic wood walls are reinforced with steel rods, the house can withstand winds up to 120 mph, and you can pay an extra $1000 to upgrade from double-glass windows and doors to triple-glass for added fortification.
Though everything you need for the shell of the house comes in the kit, you will need to purchase whatever goes inside it: toilet, shower, sink, stove, insulation, and all other furnishings. You can also customize the blueprint to fit your own plans for the space; maybe, for example, you’re going to use the house as a small event venue, and you’d rather have two or three large, airy rooms and no kitchen or bedroom.
The shower scene in Psycho. The biplane chase in North by Northwest. The gas station attack in The Birds. They’re some of the most memorable and terrifying scenes in cinema history—and they came from the mind of one man: Alfred Hitchcock. The Master of Suspense, who went by the nickname “Hitch,” is also one of the most recognizable Hollywood icons, and his life was as fascinating as his films. Here are 15 things you might not have known about the legendary filmmaker, who was born in London on August 13, 1899.
1. Alfred Hitchcock was afraid of law enforcement ... and breakfast.
Hitchcock’s mastery of thrillers may have earned him the nickname the “Master of Suspense,” but the plucky filmmaker had phobias of his own.
His lifelong fear of police stemmed from an incident in his childhood when his strict father, William, punished him by sending him to the local Leytonstone police station on the outskirts of his family's home in east London. “I was just sent along with a note, I must have been four or five years of age, and the head of the police read it and then put me into the cell and said, ‘That’s what we do to naughty boys,’” Hitchcock later recalled of the experience.
Also, omelettes were decidedly not his favorite breakfast food. "I'm frightened of eggs, worse than frightened, they revolt me," he once said in an interview. "That white round thing without any holes … Have you ever seen anything more revolting than an egg yolk breaking and spilling its yellow liquid? Blood is jolly, red. But egg yolk is yellow, revolting. I've never tasted it."
2. Alfred Hitchcock began his work in silent films.
Known for the complex title sequences in his own films, Hitchcock began his career in cinema in the early 1920s, designing the art title cards featured in silent films. The gig was at an American company based in London called the Famous Players-Lasky Company (it would later become Paramount Pictures, which produced five Hitchcock-directed films). As Hitchcock later told French filmmaker François Truffaut in their infamous Hitchcock/Truffaut conversations, “It was while I was in this department, you see, that I got acquainted with the writers and was able to study the scripts. And, out of that, I learned the writing of scripts.” The experience also led Hitch to try his hand at actual filmmaking. “If an extra scene was wanted, I used to be sent out to shoot it,” he told Truffaut.
3. Alfred Hitchcock learned from another cinema master.
In 1924, Hitchcock and his wife Alma were sent to Germany by Gainsborough Pictures—the British production company where he was under contract—to work on two Anglo-German films called The Prude’s Fall and The Blackguard. While working in Neubabelsberg, Hitchcock was taken under the wing of expressionist filmmaker F.W. Murnau, who created the chilling Dracula adaptation Nosferatu, and was shooting a silent film called The Last Laugh. “From Murnau,” Hitchcock later said, “I learned how to tell a story without words.”
4. Most of Alfred Hitchcock's early films are lost, but a 1923 silent melodrama was discovered in New Zealand.
Only nine of Hitchcock’s earliest silent films still exist. The earliest surviving film he worked on, a 1923 melodrama titled The White Shadow—about twin sisters, one good, one evil—was thought lost until three of the film’s six reels were found sitting unmarked in the New Zealand Film Archive in 2011. The film reels were originally donated to the Archive in 1989 by the grandson of a Kiwi projectionist and collector.
While the film was technically directed by leading 1920s filmmaker Graham Cutts, the 24-year-old Hitchcock served as the film’s screenwriter, assistant director, and art director.
5. Alfred Hitchcock brought sound to British movies.
The 1929 movie Blackmail, about a murder investigation headed up by the murderer’s fiance, was Hitchcock’s first hit film, and also the first “talkie” film released in Britain. (The first full-length talkie, The Jazz Singer, was released in the U.S. in 1927.)
While Blackmail was originally conceived and created as a silent film, the final cut was dubbed with synchronized sound added in post-production using then-state of the art audio equipment imported from the U.S.
6. Alfred Hitchcock popped up on screen all the time.
The most constant image in Hitchcock’s films seem to be Hitchcock himself. The filmmaker perfected the art of the cameo, making blink-and-you’ll-miss-them appearances in 39 of his own films.
His trickier appearances include the single-location film Lifeboat, where he appears in a weight-loss advertisement in a newspaper read by one of the film’s characters. The only film he actually speaks in is 1956’s The Wrong Man; his traditional cameo is replaced by a silhouetted narration in the introduction. That replaced a scrapped cameo of the director exiting a cab in the opening of the film.
7. Alfred Hitchcock was as successful in front of the camera on the small screen as he was behind the camera on the big screen.
By 1965, Hitchcock was a household name. That was the same year his long-running anthology TV series, Alfred Hitchcock Presents—which began in 1955 and was later renamed The Alfred Hitchcock Hour after episode lengths were stretched from 25- to 50-minute runtimes—came to an end.
The series was known for its title sequence featuring a caricature of Hitchcock's distinctive profile, which was replaced by Hitchcock himself in silhouette. But Hitchcock also appeared after the title sequence to introduce each new story. At least two versions of the opening were shot for every episode: An American opening specifically poked fun at the show’s network advertisers, while Hitchcock usually used the European opening to poke fun at American audiences in general.
7. Alfred Hitchcock literally wrote the encyclopedia entry on how to make movies.
The filmmaker would write (at least part of) the book on the medium that made him famous.
Hitchcock personally contributed to writing a portion of the “Motion Pictures, Film Production” entry in the 14th edition of the Encyclopedia Britannica, giving typically cheeky first-hand insight into the fundamentals and technical aspects of filmmaking.
On the practice of moving the camera during a shot, Hitchcock wrote, “it is wrong to suppose, as is all too commonly the case, that the screen of the motion picture lies in the fact that the camera can roam abroad, can go out of the room, for example, to show a taxi arriving. This is not necessarily an advantage and it can so easily be merely dull.”
8. Alfred Hitchcock popularized the MacGuffin.
Even if you don’t know it by name, you know what it is. The MacGuffin is the so-called motivating element that drives a movie’s plot forward. Think: the eponymous statue in The Maltese Falcon, or the briefcase in Pulp Fiction, or the airplane engine plans in Hitch’s own The 39 Steps.
The term was coined by Angus MacPhail (note the prefix in his surname), Hitchcock’s screenwriting collaborator on films like Spellbound and The Man Who Knew Too Much. Even though such plot details were supposed to be important, Hitchcock didn’t seem to think they truly mattered. “The main thing I've learned over the years is that the MacGuffin is nothing. I'm convinced of this, but I find it very difficult to prove it to others,” Hitchcock told Truffaut in 1962, highlighting how the audience never finds out why the government secrets (a.k.a. the MacGuffin) in North by Northwest truly matter. “Here, you see,” Hitchcock said, “the MacGuffin has been boiled down to its purest expression: nothing at all!”
9. Alfred Hitchcock scrapped his own documentary about the Holocaust.
Hitch’s films flirted with mentioning the escalating tensions in Europe that would spark World War II, like in the shocking plane crash climax of 1940’s Foreign Correspondent. But the film Hitchcock collaborated on about the explicit horrors of the war would go unseen for decades.
Memory of the Camps, a 1945 documentary filmed by crews who accompanied the Allied armies that liberated those in the Nazi death camps at the end of the war, was stored in a vault in the Imperial War Museum in London until 1985. Originally commissioned by the British Ministry of Information and the American Office of War Information, Hitchcock served as a “treatment advisor” at the behest of his friend Sidney Bernstein, who is the credited director of the film. But the final film was scrapped because it was deemed counterproductive to German postwar reconstruction.
The film was put eventually together as an episode of PBS’s FRONTLINE, and aired on May 7, 1985 to mark the 40th anniversary of the liberation of the camps.
10. Alfred Hitchcock didn't want you to see five of his famous films for decades.
Vertigo may have topped many best-of movie polls, but for over 20 years, between 1961 and 1983, it and four other Hitchcock classics were almost virtually impossible to see. It turns out it was Hitchcock’s fault that Vertigo, Rear Window, Rope, The Trouble with Harry, and The Man Who Knew Too Much were purposefully unavailable to the general public.
The filmmaker personally secured full ownership to the rights of the five films per a contingency clause in the multi-film deal he made with Paramount Pictures in 1953. Eight years after the release of each film, the rights reverted back to Hitchcock, which, in the years before Blu-ray and DVD, seemed like a financially savvy move on Paramount’s part. Three years after Hitch’s death in 1980, Universal Pictures acquired the film rights to all five classics, making them available once again.
11. Alfred Hitchcock didn't want to work with Jimmy Stewart after Vertigo.
Everyman actor Jimmy Stewart worked with Hitchcock a number of times, including as the nosy, wheelchair-bound photographer in Rear Window, and as the dastardly murderer in the “one-take” film Rope. After Stewart appeared in Vertigo in 1958, the actor prepared to appear in Hitchcock’s follow-up a year later, North by Northwest. But Hitch had other plans.
The director felt that one of the main reasons Vertigo wasn’t more of a smash hit was because of its aging star, and vowed to never use Stewart in any film ever again. Hitch wanted actor Cary Grant instead, and, according to author Marc Eliot’s book, Jimmy Stewart: A Biography, “Hitchcock, as was his nature, did not tell Jimmy there was no way he was going to get North by Northwest.” But when Stewart grew tired of waiting, and took a part in the movie Bell Book and Candle instead, “Hitchcock used that as his excuse, allowing him to diplomatically avoid confronting Jimmy and maintaining their personal friendship, which both valued.”
12. Alfred Hitchcock personally funded Pyscho.
When Hitchcock approached Paramount Pictures—where he was under contract—to put up the money to make Psycho, the studio balked at the salacious story. So Hitchcock financed the movie himself, foregoing his normal salary in exchange for 60 percent ownership of the rights to the film; Paramount agreed to distribute the film. To cut costs even more, the filmmaker enlisted his relatively cheaper Alfred Hitchcock Presents TV crew and shot the film on less pricey black and white film. Hitch’s gamble worked: He reportedly personally earned $6 million from Psycho—about $50 million in today's dollars.
13. Alfred Hitchcock wouldn't allow theaters to let anyone—not even the Queen of England—in to see Psycho once it had started.
Psycho (1960) has one of the best twists in movie history—and Hitchcock went to great lengths to not only make sure audiences didn’t spoil that twist, but to make sure they enjoyed the entire movie before the twist.
Hitchcock attempted to buy all copies of author Robert Bloch’s source novel to keep the twist under wraps in cities where the movie opened. The promotional rollout of the film was controlled by Hitchcock himself, and he barred stars Janet Leigh and Anthony Perkins from doing interviews about the movie. He also demanded that theaters in New York, Chicago, Boston, and Philadelphia adhere to strict theatrical showtimes and not allow admittance after the movie had started.
Marketing materials for Psycho included lobby cards meant to be prominently displayed with the message, “We won't allow you to cheat yourself. You must see PSYCHO from the very beginning. Therefore, do not expect to be admitted into the theatre after the start of each performance of the picture. We say no one—and we mean no one—not even the manager's brother, the President of the United States, or the Queen of England (God bless her)!”
14. Alfred Hitchcock loved movies that were not "Hitchcockian."
The filmmaker had a habit of screening films in his studio lot office every Wednesday, and his daughter Patricia revealed that one of his favorite films—and, in fact, the last movie he personally screened before his death—was the 1977 Burt Reynolds movie Smokey and the Bandit.
15. Alfred Hitchcock never won a competitive Oscar.
Hitchcock is in the bittersweet class of venerable filmmakers like Stanley Kubrick, Orson Welles, Charlie Chaplin, Ingmar Bergman, and more who never received their industry’s highest honor as Best Director. Hitchcock did get Oscar nominations for directing Rebecca (which took home Best Picture), Lifeboat, Spellbound, Rear Window, and Psycho. But he personally went home empty-handed every time.
When the Academy finally honored him with the Irving G. Thalberg Memorial Award in 1967, his long-time-coming speech was only five words long: “Thank you, very much indeed.”