15 Facts About Franz Marc's Yellow Cow

Wikimedia Commons // Public Domain
Wikimedia Commons // Public Domain

To gaze upon German Expressionist Franz Marc's Yellow Cow is to take in a surreal and spirited painting, alive with color. But within its bold brush strokes and envelope-pushing aesthetic lies the unexpected story of a complicated love between two artists, and the path that led them together.

1. YELLOW COW IS WILDLY DIFFERENT FROM FRANZ MARC'S EARLY WORKS.

Philosophy student-turned-painter Franz Marc attended the Munich Academy of Art during the turn of the 20th century. There, he studied natural realism, striving to capture his subjects in portraits true to dimension, gesture, and color. In 1902, he created Portrait of the Artist's Mother, which immortalized homemaker and devout Calvinist Sophie Marc. Sitting in profile, she leans over a book, reading by the light of an unseen lantern. Though Marc would become known for his vibrant color choices, here he favored darker shades that gave the painting a flat appearance, and a somber mood.

2. YELLOW COW'S CREATION WAS INSPIRED BY GERMAN NUDISTS.

In the early 20th century, Germany was in the midst of a back-to-nature movement, which saw several new artist collectives and nudist colonies pop up around the country. This celebration of the glory of the land and its natural inhabitants spoke to Marc, who later explained, "People with their lack of piety, especially men, never touched my true feelings. But animals with their virginal sense of life awakened all that was good in me."

3. HE VIEWED ANIMALS AS GOD-LIKE CREATURES.

Like the naturalists, Marc came to value the rural wonders of the country. He abandoned the bustle and urban intellectualism of Munich, and sought the spirituality and peace he believed could be found in living simply, as animals do. He began to think of them as having a "god-like presence and power." In a 1908 letter, Marc attempted to detail how this belief was informing his work, writing, "I am trying to intensify my ability to sense the organic rhythm that beats in all things, to develop a pantheistic sympathy for the trembling flow of blood in nature, in trees, in animals, in air—I am trying to make a picture of it … with colors which make a mockery of the old kind of studio picture."

4. ANIMALS BECAME A SIGNATURE MOTIF FOR MARC.

This is an image of Dog Lying in the Snow by Franz Marc
Wikimedia Commons // Public Domain

By 1907, Marc was focusing his work on capturing the spiritualism found in animals. Other notable works in the vein include The Fox, Dog Lying In The Snow, The Little Blue Horses, The Red Bull, Little Monkey, Monkey Frieze, Wild Boars in the Water, and The Tiger.

5. YELLOW COW IS A VERY LARGE PAINTING.

Measuring 55 3/8 by 74 1/2 inches, it's nearly 5 by 6 feet wide.

6. MARC DEVELOPED HIS OWN COLOR SYMBOLISM.

This is an image of Self-portrait by August Macke.
Wikimedia Commons // Public Domain

Colors would recur in Marc's work and speak to different emotions or themes. In 1910, he explained his use of color in a letter to friend and colleague, artist August Macke. Marc wrote, "Blue is the male principle, astringent and spiritual. Yellow is the female principle, gentle, gay, and spiritual. Red is matter, brutal and heavy and always the color to be opposed and overcome by the other two."

7. YELLOW COW MIGHT BE AN UNCONVENTIONAL WEDDING PORTRAIT.

Exploring the painter's works and statements on his use of color, art historian Mark Rosenthal declared that the frolicking cow is actually a veiled depiction of Marc's second wife Maria Franck, while the distant blue mountains are meant to represent the painter himself. Painted the same year the couple were married, it times out to potentially be representative of their nuptials. The blending of the blue into the cow's spots suggests the joining of masculine and feminine.

8. FRANCK WAS A RECURRING MUSE FOR HER LOVER.

In 1906, before they were married, Marc had sketched a more traditional portrait of his wife-to-be, titled simply Mädchenkopf, which translates—rather unsentimentally—to "girl's head." That same year, he captured Franck in the abstract painting Two Women on the Hillside. Later, he created Maria Franck in a White Cap.

9. MARC AND FRANCK HAD A COMPLICATED ROMANCE.

An artist in her own right, Franck met Marc at a costume ball in Schwabing, Germany. The pair hit it off, and also befriended illustrator Marie Schnür, resulting in a shared Bavarian summer of creativity (and rumored three-way trysts). Schnür was the other woman who modeled for Two Women on the Hillside, as well as the other woman captured in a NSFW photo from their formative season in the sun. Marc ended up marrying both women, starting with Schnür.

Theirs was a marriage of convenience, meant to aid her in securing custody of her bastard baby boy, whom she had with another man. Details on this marriage are scant beyond that it was brief, lasting from 1907 to 1908. However, because Schnür accused Marc of infidelity, he was barred from remarrying until a special dispensation was granted, which took years. So while Marc and Franck had tried to wed in 1911, their official "I do" didn't come until June 3, 1913, in Munich.

10. TWO WOMEN ON THE HILLSIDE WAS A SIGN OF MARC'S TRANSITION TO HIS SIGNATURE STYLE.

This is an image of Two Women on the Hillside by Franz Marc.
Wikimedia Commons // Public Domain

Looking back on 1906's Two Women on the Hillside, it seems to foretell Yellow Cow. Depicting the two women who, in their own ways, would inspire Yellow Cow, Marc moved away from the German realist art he studied in college. Instead, looser brush strokes speak to Post-Impressionist interests, and the willful abstractness of its subjects predicts the evolving German expressionism movement of which he would become a part. It also shows repetition in the lines—of the woman's hip to the hill beyond—that would be revisited in Yellow Cow, whose haunches mirror the rise and fall of the mountains behind her.

11. YELLOW COW WAS A PART OF THE DER BLAUE REITER ART MOVEMENT.

Named for a Wassily Kandinsky painting, this movement boasted members like Kandinsky, Marc, Macke, Alexej von Jawlensky, Marianne von Werefkin, and Gabriele Münter. Der Blaue Reiter (translating to The Blue Rider) had no hard manifesto, but its members shared a common urge to express spiritualism through their work, and often specifically through color. Turned away from exhibitions, they toured with their own, and published an almanac that celebrated contemporary, primitive, and folk art, along with children's paintings.

12. DER BLAUE REITER WAS DEVASTATED BY WORLD WAR I.

The Blue Rider movement only lasted from 1911 to 1914, in large part because the tensions growing between nations chased Russian artists back to their homeland, while Germans, including Marc and Macke, were conscripted into military service. As these artistic colleagues scattered, their movement faded. But it proved fundamental to the evolving Expressionism, and its works would remain.

13. MARC DID NOT LIVE TO SEE HIS LEGACY SECURED.

Marc's animal paintings would go on to awe viewers for decades to come. They'd become coveted by collectors and museums. And a plaque would be placed on the Munich home where he was born, remembering him as a founder of Der Blaue Reiter. But Marc was killed on March 4, 1916, during the Battle of Verdun. He was 36 years old.

14. FRANCK SAW TO IT THAT HIS WORKS WOULD BE PRESERVED.

This is an image of art historian, Klaus Lankheit.
Wikimedia Commons // Public Domain

Marc's widow gave records of his life and writing to German art historian Klaus Lankheit. She called on German writer/gallery owner Herwarth Walden to exhibit her late husband's works in a posthumous show in October of 1916. While continuing to create and exhibit her own work, she collected Marc's letters from the war's front, and in 1920 had them published in a two-volume book called Briefe, Aufzeichnungen und Aphorismen (translating to Letters, Records, and Aphorisms). According to the Solomon R. Guggenheim Museum, where a copy of each is preserved, "The first volume contains letters written from September 1914 to March 1916 as well as records alongside color plates, and the second presents the artist’s sketchbook." Franck preserved Marc's legacy in whatever way she could, and in doing so, gave him to the world.

15. YELLOW COW IS REMEMBERED AS A JOYFUL MASTERPIECE.

While it might not sound complimentary to compare your wife to a cow, the consensus on Yellow Cow is that it signifies the happiness and bliss Marc's bond with Franck brought to his life. The bovine's bright colors are jubilant and yet the colors of her body jibe with those in her environment. She belongs here. Her pose is enthusiastic and bold—almost dance-like. If you look closely, you can even see a small smile play across her lips. It's an unusual love letter, but one that's outlived its lovers, and now hangs on the walls of the Guggenheim in New York City, to inspire many more.

Turn Your LEGO Bricks Into a Drone With the Flybrix Drone Kit

Flyxbrix/FatBrain
Flyxbrix/FatBrain

Now more than ever, it’s important to have a good hobby. Of course, a lot of people—maybe even you—have been obsessed with learning TikTok dances and baking sourdough bread for the last few months, but those hobbies can wear out their welcome pretty fast. So if you or someone you love is looking for something that’s a little more intellectually stimulating, you need to check out the Flybrix LEGO drone kit from Fat Brain Toys.

What is a Flybrix LEGO Drone Kit?

The Flybrix drone kit lets you build your own drones out of LEGO bricks and fly them around your house using your smartphone as a remote control (via Bluetooth). The kit itself comes with absolutely everything you need to start flying almost immediately, including a bag of 56-plus LEGO bricks, a LEGO figure pilot, eight quick-connect motors, eight propellers, a propeller wrench, a pre-programmed Flybrix flight board PCB, a USB data cord, a LiPo battery, and a USB LiPo battery charger. All you’ll have to do is download the Flybrix Configuration Software, the Bluetooth Flight Control App, and access online instructions and tutorials.

Experiment with your own designs.

The Flybrix LEGO drone kit is specifically designed to promote exploration and experimentation. All the components are tough and can totally withstand a few crash landings, so you can build and rebuild your own drones until you come up with the perfect design. Then you can do it all again. Try different motor arrangements, add your own LEGO bricks, experiment with different shapes—this kit is a wannabe engineer’s dream.

For the more advanced STEM learners out there, Flybrix lets you experiment with coding and block-based coding. It uses an arduino-based hackable circuit board, and the Flybrix app has advanced features that let you try your hand at software design.

Who is the Flybrix LEGO Drone Kit for?

Flybrix is a really fun way to introduce a number of core STEM concepts, which makes it ideal for kids—and technically, that’s who it was designed for. But because engineering and coding can get a little complicated, the recommended age for independent experimentation is 13 and up. However, kids younger than 13 can certainly work on Flybrix drones with the help of their parents. In fact, it actually makes a fantastic family hobby.

Ready to start building your own LEGO drones? Click here to order your Flybrix kit today for $198.

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30 Fascinating Facts About Marilyn Monroe

Keystone Features/Getty Images
Keystone Features/Getty Images

Marilyn Monroe was born on June 1, 1926. Had she not passed away in 1962 at the age of 36, what might she be doing now? Would she have continued acting? Become Mrs. Joe DiMaggio for the second time, as he claimed? Carved out an Oscar-winning career for herself? What could have been remains a mystery, much like Monroe herself. But here are some facts we do know.

1. Norma Jeane Baker's first marriage was arranged.

Portrait of a young Marilyn Monroe
Sotheby's/Getty Images

As a child, Norma Jean Baker (originally spelled as Norma Jeane) was in and out of foster homes, state care, and the guardianship of various family friends. She never knew her father, and her mother had been committed to a psychiatric facility. A 15-year-old Baker had been staying with family friend Grace Goddard, but they decided to move to West Virginia, and couldn’t take Baker. Unless she married, the teenager would have been turned back over to an orphanage. So they turned to 20-year-old James Dougherty next door and suggested a marriage. "I thought she was awful young," he later said, but "we talked and we got on pretty good." They were married just 18 days after she turned 16.

2. Norma Jean Baker was named after a movie star.

Norma Jean Baker's mother had fame on the brain early on for her daughter. She chose "Norma" as her first name after actress Norma Talmadge.

3. “Marilyn Monroe” wasn’t her first choice for a stage name.

If Norma Jean Baker had gone with her first choice of stage name, "Jean Adair" would be the household name today. According to Baker's sister, Baker's original stage name of choice played off of Norma Jeane, her real name.

4. "Monroe" was the maiden name of Marilyn Monroe's mother.

Baker chose Monroe as her surname because it was her mother's maiden name. In her ghost-written autobiography, Monroe said she was told that she was somehow related to President James Monroe, but no evidence has ever been found to support that. "Marilyn" came from a studio executive who thought she resembled Marilyn Miller, an actress who died at the age of 37 (Monroe was 36 when she passed away).

5. When Gladys Baker told people she was Marilyn Monroe’s mother, no one believed her.

Marilyn Monroe in June 1949.
Marilyn Monroe in June 1949.
Hulton Archive/Getty Images

When Gladys Baker, Marilyn's mother, told people Marilyn Monroe was her daughter, no one believed her. Gladys, once a film cutter at RKO, was diagnosed with bipolar disorder and was in and out of psychiatric care for years. Gladys took Norma Jean to a foster family when she was just two weeks old, which resulted in a series of orphanages and foster care homes for the rest of her childhood—so she didn’t have a close relationship with her mother. When Marilyn hit it big and Gladys told friends and co-workers that her daughter was the Marilyn Monroe, they dismissed it as one of her paranoid schizophrenic delusions.

6. Marilyn Monroe often referred to "Marilyn Monroe" in the third person.

Actor Eli Wallach once recalled that Monroe seemed to flip an inner switch and turn "Marilyn" on and off. He had been walking on Broadway with her one evening, totally incognito, and the next minute, she was swarmed with attention. "'I just felt like being Marilyn for a minute,'" Wallach remembers her saying. Photographer Sam Shaw often heard her critiquing "Marilyn's" performances in movies or at photo shoots, making comments like, "She wouldn't do this. Marilyn would say that."

7. Marilyn Monroe was Truman Capote's first choice to play Holly Golightly in Breakfast at Tiffany's.

Truman Capote had Monroe in mind for the lead role in Breakfast at Tiffany's—and she even performed two scenes for him. "She was terrifically good," Capote later said. In the end, she didn't take the part because her advisor and acting coach didn't think it was the type of character she should be playing. Either way, Capote wasn't at all thrilled with the studio's choice of Audrey Hepburn, saying, "Paramount double-crossed me in every way and cast Audrey."

8. Marilyn Monroe reportedly hated being in front of the camera.

After working with Monroe on Bus Stop, Oscar-nominated actor Don Murray noted that while her talent was undeniable, she was never fully comfortable in front of the camera. “She was a very experienced film actress, but she could forget so many of the mechanical techniques. She would constantly miss her marks, so she would be out of focus or out of the light or in a shadow,” Murray said. “I think it was a lack of confidence. For somebody who the camera loved, she was still terrified of going before the camera and broke out in a rash all over her body.”

9. Marilyn Monroe's on-camera glow wasn't exactly natural.

Before her makeup was applied, Marilyn slathered on a layer of Nivea Creme or Vaseline, believing it made her look more luminous on film. And she tried to stay out of the sun. “Despite its great vogue in California, I don’t think suntanned skin is any more attractive ... or any healthier, for that matter," Monroe once said. "I’m personally opposed to a deep tan because I like to feel blond all over.”

10. Marilyn Monroe had a thing for intellectual men.

Marylin Monroe waves to the camera with husband Arthur Miller on her arm in 1958.
Marylin Monroe waves to the camera with husband Arthur Miller on her arm in 1958.
Votava/Imagno/Getty Images

Monroe's marriage to writer Arthur Miller probably tells you that, but there's more evidence. Monroe was once roommates with actress Shelley Winters, who said they made a list of men they wanted to sleep with, just for fun. "There was no one under 50 on hers," Winters later reported. "I never got to ask her before she died how much of her list she had achieved, but on her list was Albert Einstein, and after her death, I noticed that there was a silver-framed photograph of him on her white piano."

11. Marilyn Monroe was loyal to Arthur Miller, even thought it put her career in jeopardy.

In 1956, Marilyn’s future husband—The Crucible playwright Arthur Miller—was called to testify before the House Un-American Activities Committee. When this happened, celebrities were expected to name names of people who had allegedly been involved in Communist activities. Miller refused to do so, which could have landed him in prison. Marilyn’s steadfast commitment to Miller probably kept the playwright from being sentenced. (It probably didn’t hurt that he announced their wedding plans in the middle of his testimony.)

12. The FBI had a file on Marilyn Monroe.

The FBI's file on Monroe was probably opened due to her relationship with Miller and his “un-American” activities, coupled with a request she made to visit the Soviet Union in 1955. (She never actually made the trip.) If you’re so inclined, you can peruse the file online.

13. Marilyn Monroe's house was bugged.

The only house Monroe ever owned, a modest hacienda in Brentwood, California, was purchased by married actors Michael Irving and Veronica Hamel in the early 1970s, roughly a decade after Marilyn had died there. During a remodel, the couple discovered a sophisticated, government-grade phone tapping system that extended throughout the house.

14. According to Shelley Winters, Marilyn Monroe wasn't much of a cook.

Winters says she once asked the actress to wash lettuce so they could have salad for dinner. When she walked into the kitchen, Winters found Monroe washing each individual lettuce leaf “with a Brillo pad.”

15. But Marilyn Monroe eventually found her footing in the kitchen.

Marilyn Monroe circa 1954.
Marilyn Monroe circa 1954.
Baron/Getty Images

Several of Monroe's recipes were discovered after her death, and in 2010, The New York Times tried making her stuffing recipe for Thanksgiving. They found it surprisingly complex and theorized that “she not only cooked, but cooked confidently and with flair.”

16. Marilyn Monroe was well-read.

Monroe's bookshelf was exceedingly impressive. At the time of her death, she owned more than 400 volumes, including several first editions. Of the thousands of photographs taken of her, she was especially fond of ones that showed her reading. When a director once found her reading R.M. Rilke's Letters to a Young Poet, he asked her how she chose it. "[On] nights when I've got nothing else to do I go to the Pickwick bookstore on Hollywood Boulevard," she told him. "And I just open books at random—or when I come to a page or a paragraph I like, I buy that book. So last night I bought this one. Is that wrong?"

17. Marilyn Monroe helped Ella Fitzgerald book the Mocambo Club.

The rumor has long circulated that Ella Fitzgerald was originally denied due to her race, but according to one biographer, race wasn't the deterrent for nightclub owner Charlie Morrison; Eartha Kitt and Dorothy Dandridge had already played there. The problem was that Morrison didn't believe Fitzgerald was glamorous enough for his patrons. A huge Fitzgerald fan, Monroe promised to be in the front row every night if Morrison would book her, guaranteeing massive amounts of press for the club. He agreed, and Monroe was true to her word. "After that, I never had to play a small jazz club again," Fitzgerald said. "She was an unusual woman—a little ahead of her times. And she didn't know it."

18. Marilyn Monroe had a hard time memorizing lines.

"The joke was, she couldn't make two sentences meet," said Don Murray, an actor who co-starred with Monroe in the 1956 film Bus Stop. Though some chalked it up to a lack of professionalism, others—including Murray—believed it was nerves.

19. Marilyn Monroe's wardrobe is worth a fortune.

Marilyn Monroe's famous "Happy Birthday" dress.
DAN CALLISTER Online USA, Inc./Hulton Archive

At $1,267,500, the sheer, spangled dress Monroe wore to sing "Happy Birthday" to JFK in 1962 set the world record for the most expensive piece of clothing ever sold. A collectible company purchased it. The famous Seven Year Itch dress set a record, too, selling for $4.6 million in 2011. Casual attire goes for less, but still fetches more than your average pair of Levi's: Tommy Hilfiger bought her jeans from Otto Preminger's River of No Return for $37,000—and gave them to Britney Spears as a gift.

20. Frank Sinatra gifted Marilyn Monroe with a dog named Maf.

The Maltese Terrier was a gift from Frank Sinatra, and the dog's full name was “Mafia Honey,” which was apparently a nod to Sinatra’s supposed criminal ties. After Monroe's death, Maf was taken in by Sinatra’s secretary, Gloria Lovell.

21. Maf the dog “wrote” a book in 2010.

In 2010, author Andrew O’Hagan wrote The Life and Opinions of Maf the Dog, and of his Friend Marilyn Monroe—a work of fiction written from Maf’s perspective.

22. Joe DiMaggio and Frank Sinatra once attempted to catch Marilyn Monroe cheating with another man.

In 1954, Joltin’ Joe and Ol’ Blue Eyes were having dinner together when a private investigator that DiMaggio had hired tipped them off that Marilyn was with another man—right that second—in a house not far away. They assembled a crowd—yes, a crowd—and broke into the house where she was allegedly having her tryst.

It wasn’t until they broke the lock on the door and stormed inside snapping photos that they realized it was the wrong house entirely. The whole thing blew up when the homeowner sued; Sinatra had to testify before the California State Senate two years later. The homeowner, secretary Florence Kotz, was awarded $7,500 for her trauma.

23. Marilyn Monroe and Joe DiMaggio were only married for 8 months.

Marilyn Monroe stars in The Seven Year Itch (1955).
Marilyn Monroe stars in The Seven Year Itch (1955).
20th Century Fox Home Entertainment

Their romance is infamous, but Monroe was only married to second husband Joe DiMaggio for a mere 274 days. Though many things contributed to their divorce, the infamous "subway scene" in The Seven Year Itch—where the skirt of Marilyn's white dress billows up—was said to have been the last straw. The scene was shot in front of a large crowd of media and bystanders, and DiMaggio became irate over how much she was exposing herself. They fought over it, and according to some reports, DiMaggio got physical.

24. Marilyn Monroe divorced Joe DiMaggio over "mental cruelty."

Whether or not DiMaggio did get physical with Monroe, their marriage came to an end shortly after The Seven Year Itch incident. Monroe filed for divorce on the grounds of "mental cruelty" not long after.

The kicker? That particular fight was completely unnecessary. The crowd made enough noise that the footage shot that day was completely unusable, so Monroe had to re-shoot her scenes on a closed sound stage.

25. Joe DiMaggio remained devoted to Marilyn Monroe, even after their divorce.

DiMaggio continued to be there when Monroe needed him, including bringing her to spring training with him so that she could get away from Hollywood for a while. Shortly before her death, DiMaggio had been telling friends that they were going to get remarried. When she died, he was in charge of the funeral, and he refused to allow almost anyone from Hollywood to attend. "Tell them, if it wasn't for them, she'd still be here," he said. He had roses delivered to her grave twice a week for 20 years following her death.

26. Marilyn Monroe had been in discussions to star in a biopic about Jean Harlow, one of her heroes, for years.

Marilyn and her friend Sidney Skolsky had long been hatching plans for a biopic of Jean Harlow, which Marilyn would star in and Skolsky would produce. Harlow, another blonde bombshell and Hollywood starlet who died young, was one of Marilyn’s idols—so the self-casting would have been poetic.

27. Even in death, Marilyn Monroe and Jean Harlow had a lot in common.

About DiMaggio having roses delivered to Monroe’s grave several times a week for 20 years following her death? The tradition was taken from Jean Harlow’s untimely death: When she died, fiance William Powell had flowers delivered to her grave every week for years. One account says that Monroe actually asked DiMaggio to deliver on this same morbid promise on their wedding day.

28. Warren Beatty was one of the last people to see Marilyn Monroe alive.

A 25-year-old Warren Beatty was attending a party at actor (and JFK’s brother-in-law) Peter Lawford’s house when he met Monroe for the first time. She asked him to take a walk along the beach with her; he later recalled that “It was more soulful than romantic.” Her death was announced the next day.

29. Marilyn Monroe’s estate earned much more money following Monroe’s passing.

At the height of her career, Marilyn had a million-dollar contract for two films. During the same time frame, Elizabeth Taylor was paid $1 million for her role in Cleopatra alone. It’s estimated that Marilyn was worth about $20 million at the time of her death, which is nothing to sneeze at—but these days, her estate is making $30 million a year.

30. being buried near Marilyn Monroe is a big deal.

Marilyn Monroe's gravesite.
Mel Bouzad/Getty Images

After her death, Monroe was buried at Westwood Village Memorial Park Cemetery in Los Angeles. DiMaggio originally owned the crypt above hers, but sold it when they divorced. The buyer was Richard Poncher, a fan who requested that he be flipped over when he was buried so he could lay face down on top of Monroe for eternity. Charming. Though his wife obliged the request, she changed her mind in 2009 and put the plot up for sale on eBay. It brought in a whopping $4.6 million, but the buyer later backed out.

Hugh Hefner famously purchased the plot right next to hers. Though she graced the first cover of Playboy, the two never met. "I feel a double connection to her because she was the launching key to the beginning of Playboy," he said. When Hefner died in 2017, he was buried in the plot he'd bought for $75,000 in 1992.

This story was updated in 2020.