13 Phenomenal Facts About Juno

Fox Searchlight Pictures
Fox Searchlight Pictures

Made for only $6.5 million, Juno defied expectations when it grossed $231 million worldwide and earned four Oscar nominations, including a nod for Best Picture. (It was the first Fox Searchlight film to surpass $100 million at the box office.) Jason Reitman directed Ellen Page as the titular teenager who gets impregnated by her friend, Paulie (Michael Cera). She decides to carry the baby to full term and then adopt it to married couple Mark and Vanessa Loring (Jason Bateman and Jennifer Garner).

Diablo Cody, a one-time stripper who wrote the 2005 book Candy Girl: A Year in the Life of an Unlikely Stripper, wrote the screenplay (her first) and won the 2008 Oscar for Best Original Screenplay. The film became a pop culture phenomenon, largely because of its strong cast, witty dialogue, catchy soundtrack, and how it depicted teen pregnancy as something positive instead of life-destroying. Here are 13 facts about the hit indie dramedy, which hit theaters 10 years ago today.


The scribe based the story on her own life and wanted to tell a story that was “different” from the rest of Hollywood movies. “Juno is like a personal, emotional scavenger hunt for me," Cody told The Telegraph. "I dragged so many of my own experiences into it that I'm shocked the movie is so coherent. I managed to get every person, quirk, and object that has meaning in my life into the script. I wanted to make it deeply personal. I didn't want it to be generic."


In an interview with Collider, Michael Cera said that one reason he wanted to star in the movie was because the script was written like a book. “I remember certain paragraphs were just broken up oddly and that kind of … I was like, oh, it’s not like reading a script,” he said. “It’s more like a book. That kind of made me want to do the movie. I thought, well, if it’s written oddly, if it’s not written like a script, then it’s got to be a good movie.”


Fox Searchlight Pictures

The film takes an apolitical stance on teen pregnancy, but Page gets upset when “people call it a pro-life movie,” she told the Toronto Star. “In other words, that it’s anti-abortion,” she said. “That’s just not true. To me, it’s not a political film. I never thought about that when we were making it. Sometimes I even forget she’s pregnant. The most important thing is the choice is there and the film completely demonstrates that. It allows a scene in an abortion clinic, for goodness sake. A lot of films probably wouldn’t do that.”

At a live reading of the movie earlier this year, Cody told Vanity Fair that it “disturbed” her how people considered Juno to be “an anti-choice movie. In a way, I feel like I had a responsibility to maybe be more explicitly pro-choice, and I wasn’t … I think I took the right to choose for granted at the time."


The actress plays Juno’s stepmother, Bren, who surprisingly supports her stepdaughter’s pregnancy and then forms a relationship with her. “I kept waiting for the Evil Stepmother to make it hard for Juno, and then she didn't,” Janney said. “Diablo herself was a stepmother, too, and I think she wanted to debunk the Evil Stepmother myth and take that in a whole new direction.” Janney references Juno’s ultrasound scene, when Bren becomes protective of her daughter. “There's something wonderful about Diablo; she does not seem to judge any of her characters. And then the one woman who crosses a line is the one I get to tear into, which is always fun to do as an actor.”


Around the time the movie was released, Gloucester High School in Massachusetts noticed an increase in teen pregnancies. The school’s principal, Dr. Joseph Sullivan, told TIME several young women “made a pact to get pregnant and raise their babies together.” The media dubbed it “The Juno Effect.” In 2008, Planned Parenthood president Cecile Richards told Entertainment Weekly the teen birthrate was increasing. However, since then, teen pregnancies have been on the decline.


Fox Searchlight Pictures

Cera and Bateman played father-son on Arrested Development. In the movie they do not share any scenes together, but Bateman joked to MTV that it would’ve been strange “if I were adopting my son’s child ... At one point we were joking that Michael would walk by in the background of a scene and I would do a double-take as if to be like, ‘I know that guy from somewhere!’ But we never ended up doing that.”


Juno says that her dad named her after Zeus’ wife. She tells him Juno “was supposed to be really beautiful but really mean, like Diana Ross.” At an April all-female cast live reading of the script, Cody told Vanity Fair she “felt bad” about the line, and when she wrote it she thought celebrities didn’t have feelings. “I want to apologize,” she said. To make things weirder, Ross’s daughter, Tracee Ellis Ross, also participated in the reading. “My God! You couldn’t cut it out for the reading? Seriously? That’s my mom for God’s sake,” Ellis Ross joked after Page read the line.


Kimya Dawson—along with Sonic Youth, The Kinks, Belle and Sebastian, Cat Power—had songs featured on the film's two soundtracks (the second one being Juno B-Sides: Almost Adopted Songs). The first one was a big hit—it went platinum. Dawson, who plays in The Moldy Peaches, was discovered through her paintings. Three years before the movie came out, Dawson painted a picture for future Juno casting director Kara Lipson. Page was a big fan of The Moldy Peaches and recommended the band to Reitman. Lipson heard he was trying to track Dawson down. “So she just e-mailed me and was like, ‘Hey, remember me? I ordered a painting,’” Dawson told Entertainment Weekly. “She sent me a copy of [Reitman’s first feature] Thank You for Smoking and the [Juno] screenplay. And then, once I’d watched Thank You for Smoking and read the screenplay, I was like, ‘Okay, cool.’ I liked that movie, and this is a nice story about family and pregnancy and all that business that I like.”


Four years before Juno was released, Napoleon Dynamite, another micro-budgeted film that grossed a lot of money, inspired Cody. “Napoleon Dynamite was the successful indie movie. And I saw it, and I went, okay, I’ll write something like that. But I’ll make Napoleon a girl,” she told Vanity Fair.

But Reitman didn’t understand the Napoleon comparisons. “I actually see none of Napoleon Dynamite in this,” he told ComingSoon.net. “There’s a realness to this movie that Napoleon never had.” In fact, he’d compare it to Election. “I think there’s a lot of Mark stuff that’s drawn from Matthew Broderick’s character in Election—the humiliation."


Fox Searchlight Pictures

Garner’s Vanessa wants to adopt Juno’s baby. At first she comes across as cold, but eventually softens. “There’s somebody I was basing it on who maybe came across as cold or controlling, but was really just trying so hard to do the right thing,” Garner told Entertainment Weekly. “What happens in this movie forces the character to open up bit by bit. I think she just wants this baby, and she thinks the way to go about it is to be as appealingly Leave It to Beaver as possible. And she just forgets to add the human being in there.”


“We didn’t intend to make a movie about teen pregnancy and the options available to people who find themselves in that situation,” Cody told NPR. “We just wanted to tell a personal story about maturity and relationships. And the pregnancy just kind of motivates the story."


Juno references the famous comedian in the movie, even though Page—and possibly Cody—had no idea who he was. “I always wonder about that line because I think, 'No way would any teenager reference Soupy Sales,'” Cody told PopMatters, “but it always gets a laugh. I’m always aware of my own failings as a writer. I’m not even quite sure who Soupy Sales is.” Page said, “I had no idea it was even someone.”


Because Juno liked to talk on a hamburger phone, the studio thought it would be a fun marketing ploy to send out promotional hamburger phones. Australians sold the phones on eBay, and eBay in the U.S. said demand for the phone jumped 759 percent right after Juno was released in theaters. The phone currently sells on Amazon for $14.95.

10 Wireless Chargers Designed to Make Life Easier

La Lucia/Moshi
La Lucia/Moshi

While our smart devices and gadgets are necessary in our everyday life, the worst part is the clumsy collection of cords and chargers that go along with them. Thankfully, there are more streamlined ways to keep your phone, AirPods, Apple Watch, and other electronics powered-up. Check out these 10 wireless chargers that are designed to make your life convenient and connected.

1. Otto Q Wireless Fast Charging Pad; $40

Otto Q Wireless Fast Charging Pad

Touted as one of the world's fastest chargers, this wireless model from Moshi is ideal for anyone looking to power-up their phone or AirPods in a hurry. It sports a soft, cushioned design and features a proprietary Q-coil module that allows it to charge through a case as thick as 5mm.

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2. Gotek Wireless Charging Music Station; $57

Gotek Wireless Charging Music Station
Rego Tech

Consolidate your bedside table with this clock, Bluetooth 5.0 speaker, and wireless charger, all in one. It comes with a built-in radio and glossy LED display with three levels of brightness to suit your style.

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3. BentoStack PowerHub 5000; $100 (37 percent off)

BentoStack PowerHub 5000

This compact Apple accessory organizer will wirelessly charge, port, and store your device accessories in one compact hub. It stacks to look neat and keep you from losing another small piece of equipment.

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4. Porto Q 5K Portable Battery with Built-in Wireless Charger; $85

Porto Q 5K Portable Battery with Built-in Wireless Charger

This wireless charger doubles as a portable battery, so when your charge dies, the backup battery will double your device’s life. Your friends will love being able to borrow a charge, too, with the easy, non-slip hook-up.

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5. 4-in-1 Versatile Wireless Charger; $41 (31 percent off)

4-in-1 Versatile Wireless Charger
La Lucia

Put all of those tangled cords to rest with this single, temperature-controlled charging stand that can work on four devices at once. It even has a built-in safeguard to protect against overcharging.

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6. GRAVITIS™ Wireless Car Charger; $20 (31 percent off)

GRAVITIS™ Wireless Car Charger

If you need to charge your phone while also using it as a GPS, this wireless device hooks right into the car’s air vent for safe visibility. Your device will be fully charged within two to three hours, making it perfect for road trips.

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7. Futura X Wireless 15W Fast Charging Pad; $35 (30 percent off)

Futura X Wireless 15W Fast Charging Pad

This incredibly thin, tiny charger is designed for anyone looking to declutter their desk or nightstand. Using a USB-C cord for a power source, this wireless charger features a built-in cooling system and is simple to set up—once plugged in, you just have to rest your phone on top to get it working.

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8. Apple Watch Wireless Charger Keychain; $20 (59 percent off)

Apple Watch Wireless Charger Keychain
Go Gadgets

This Apple Watch charger is all about convenience on the go. Simply attach the charger to your keys or backpack and wrap your Apple Watch around its magnetic center ring. The whole thing is small enough to be easily carried with you wherever you're traveling, whether you're commuting or out on a day trip.

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9. Wireless Charger with 30W Power Delivery & 18W Fast Charger Ports; $55 (38 percent off)

Wireless Charger from TechSmarter

Fuel up to three devices at once, including a laptop, with this single unit. It can wirelessly charge or hook up to USB and USB-C to consolidate your charging station.

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10. FurniQi Bamboo Wireless Charging Side Table; $150 (24 percent off)

FurniQi Bamboo Wireless Charging Side Table

This bamboo table is actually a wireless charger—all you have to do is set your device down on the designated charging spot and you're good to go. Easy to construct and completely discreet, this is a novel way to charge your device while entertaining guests or just enjoying your morning coffee.

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10 Hardcore Facts About HBO's Oz

J.K. Simmons stars in HBO's Oz.
J.K. Simmons stars in HBO's Oz.

When HBO was looking to expand its programming to include hour-long dramas in the late 1990s, the network was intrigued by writer/producer Tom Fontana’s pitch about a maximum security prison and a specific area, dubbed Emerald City, where prisoners could have more leeway in the hopes it would allow for their rehabilitation. Fontana came up with the idea following his work on Homicide: Life on the Street, where murderers were sent away: He wanted to explore what happened next.

Before The Sopranos or The Wire, television’s golden age arguably began on HBO on July 12, 1997, when the premium network premiered Fontana's prison drama Oz. As HBO’s first attempt at an hour-long dramatic series, it laid the groundwork for the dozens of risk-taking, novel, and novelistic shows to follow. On the series' 20th anniversary, check out some facts on the cast, the gore, and the alternate series finale idea that was never filmed.

1. Oz's creator is the person you see getting tattooed in the intro.

A former playwright, Fontana got his big break in television with the 1980s NBC hospital drama St. Elsewhere. In an impressive display of commitment to Oz—especially since he didn’t know if the show would even last beyond a season—Fontana volunteered his arm to get an “Oz” tattoo for the opening credits montage. The tattoo artist kept retracing his needle work so the crew could get the best take. Eventually, the artist stopped, saying that he “can’t let this guy bleed anymore.”

2. Oz's Greek chorus monologues were a necessity.

Viewers who tuned in to Oz were in for a shock—the show featured the kind of graphic violence and casual nudity you’d find in an actual prison. But they were also sometimes puzzled by Fontana’s narrative habit of putting one of the prisoners, Augustus Hill (Harold Perrineau), in front of the camera for fourth-wall-breaking soliloquies. Fontana said he chose this approach because “in prison, guys aren’t that forthcoming about what they think and what they feel because that leaves them open and vulnerable to attack ... so my thought was just to let someone articulate what all this craziness meant.”

3. Oz was filmed in a cracker factory.

Ernie Hudson, Terry Kinney, Harold Perrineau, and Eamonn Walker in 'Oz'
Ernie Hudson, Terry Kinney, Harold Perrineau, and Eamonn Walker in Oz.
Max Aguillera-Hellweg/HBO

To house the sprawling, 60,000-square foot prison set, HBO commandeered an abandoned National Biscuit Company (a.k.a. Nabisco) factory in Manhattan. (The building had been the first to mass-produce Oreo cookies for the company.) The space was obtained after Fontana couldn’t find any empty prisons in which to shoot.

4. Playing a Neo-Nazi in Oz made J.K. Simmons feel depressed.

Oz is probably best remembered for its sprawling ensemble cast, with actors like Chris Meloni, J.K. Simmons, and Perrineau all going on to successful careers; others, like Ernie Hudson and Rita Moreno, were already well-established. At the time, Simmons appeared to be having particular trouble inhabiting the repugnant skin of Vern Schillinger, the head of the prison’s Aryan population. Simmons referred to Schillinger in the third person and told The New York Times in 1999 that he became “depressed” as a result of the role. In an interview with NPR, Simmons also shared that fans would occasionally stop him in the street to let him know they endorsed Schillinger’s viewpoints.

5. Real ex-cons worked on Oz.

For realism’s sake, Fontana instructed his casting director to hire ex-cons as extras whenever he could. Not all of them were relegated to the margins: Chuck Zito, who had a recurring role as Italian mafia heavy Chucky Pancamo, was a then-member of the Hells Angels and had served six years in prison for various offenses. More notably, he received press coverage for allegedly knocking out Jean-Claude Van Damme at a strip club in 1998.

6. Tom Fontana didn't want to kill Simon Adebesi in Oz.

Dean Winters and Adewale Akinnuoye-Agbaje in 'Oz'
Dean Winters and Adewale Akinnuoye-Agbaje in Oz.

From the first episode, Fontana made sure viewers didn’t grow too fond of any single character: One of the ostensible leads of the show, Dino Ortolani (Jon Seda), was murdered at the conclusion of the pilot episode, and the series picked prisoners off with regularity from that point on. But Fontana wasn’t trigger-happy when it came to killing off Simon Adebisi, the scheming, toothpick-munching inmate with a tiny hat sitting precipitously on the side of his head, who was played by Adewale Akinnuoye-Agbaje. “I didn't want to kill that character, but it was a necessity due to the actor's wanting to move on,” Fontana told CNN in 2003, “rather than me saying, 'This is the end of the story.'”

7. Adewale Akinnuoye-Agbaje exposed himself at random on the set of Oz.

Like many of the performers on Oz, Akinnuoye-Agbaje was expected to be comfortable with frontal male nudity—both his own and that of his castmates. According to Fontana, the actor didn’t appear to have many inhibitions about it. “If in a scene it said, ‘Adebisi takes out his penis,’ he would go, ‘I don’t take out my penis in this scene. There’s no reason for me to do that,’” Fontana told The Toast in 2015. “And I’d say ok, Adewale, don’t take out your penis. I don’t care. The next scene he’d take out the penis. It wasn’t scripted for that, but suddenly there was the penis.”

8. Oz predicted special musical episodes.

Remember the musical episode of Buffy, the Vampire Slayer? Or Scrubs? Oz did it first. With a cast taken in large part from the New York theater scene, the series was able to assemble an impressive all-song-and-dance episode in 2002. The highlight: Nazi Schillinger (Simmons) and nemesis Tobias Beecher (Lee Tergesen) in a duet.

9. There was a different ending planned for Oz.

After six seasons, Oz ended in 2003 with the surviving cast members being—spoiler alert—evacuated from Oswald State following a chemical attack. But Fontana originally wanted to do something else. He recalled reading about a prison town that once flooded, forcing inmates to work side-by-side with citizens to build sandbag barriers to protect the entire community. It was deemed too expensive to shoot.

10. Tom Fontana wouldn't let his mom watch Oz ... which was probably a good idea.

Despite her expressed desire to see her son’s work, Fontana told the press he was adamant that his then-75-year-old mother not watch Oz. “She said, 'I know a lot about what goes on in the world,’” Fontana said in 1997. “I said, 'You don't know about this.' This isn't a place I want my 75-year-old mother to go."