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15 Fashions People Were Rocking in 1983

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A Members Only guide to dressing in the decade of excess.

1. Off-the-Shoulder Sweatshirts

You didn’t need to know how to weld or work a stripper pole in order to get into the comfy casual slouchy sweatshirt look popularized by Jennifer Beals in 1983’s Flashdance (top). And since it really was just a sweatshirt, it worked for fashionistas of all ages. And it still works today (spend an afternoon crafting one at home).

2. Members Only Jackets

Photo courtesy of Filmyr

The cost of membership into the legion of kids wearing these utterly plain coats—which proudly displayed your Members Only status on the chest—was just a few sawbucks. Introduced to America in 1980, the coats were produced in a variety of colors and materials (leather was the crème de la crème) and promised in their ads that “when you put it on, something happens.”

3. Hawaiian Shirts

Photo courtesy of Among Men

Young boys and old men had man-crushes on Tom Selleck, who played Hawaii’s sexiest private investigator, Thomas Magnum, a.k.a. Magnum P.I., from 1980 to 1988. While his sweet Ferrari was out of financial reach for most of the decade’s youth, two of Magnum’s looks were rather easy—and inexpensive—to emulate: that iconic mustache (check out these tips for growing your own) and a bright red Hawaiian shirt. Sales of the beachwear staple skyrocketed during the show’s run, with Magnum’s original “Jungle Bird” Aloha Shirt widely considered the holy grail of Selleck-inspired button-downs. 

4. Big Shoulders

Photo courtesy of Sophie Grumble

From no shoulders to big shoulders! On shows like Dallas and Dynasty, a woman’s power could be measured by the height of her shoulder pads. Translation: the bigger the better. Dynasty stars Joan Collins and Linda Evans were the poster women for the trend, which was popular in both high schools and boardrooms. The most versatile of padded shirts and blazers were equipped with a Velcro strip on the inside of the shoulder, which allowed women to swap out the size of the pad, depending on the day and/or occasion. 

5. Popped Collars

Photo courtesy of DVDActive

In the 1980s, collars were meant to be turned upward. Particularly if that collar belonged to a preppy wearing a polo shirt. Stripes were in, particularly those of the candy-colored variety, and an Izod alligator emblem was the epitome of high style; it even received a shout-out in Lisa Birnbach’s now-classic The Official Preppy Handbook

6. Baracuta Jackets

Photo courtesy of J. Crew

Eagle-eyed viewers of the “Popped Collars” photo above (a still from 1983’s Valley Girl) may have spotted what was Members Only’s fiercest competitor in the 1980s: Baracuta. Imported from England, the Baracuta G9—whose solid colored exteriors belied the plaid madness happening in the lining—was first popularized by Elvis Presley in the late 1950s, when he wore one in King Creole. Ryan O’Neal wore one on Peyton Place as did Christopher Reeve in Superman; Steve McQueen, Frank Sinatra, and 1980s preppies were fans, too. Earlier this month, Baracuta introduced a new website dedicated to the jacket’s history of cool (with options to buy, of course). 

7. Exercise Gear

Photo courtesy of Wendi Aarons

Jennifer Beals and Olivia Newton-John weren’t the only ’80s trendsetters turning exercise gear into streetwear. Fashion-forward gals were taking attire typically reserved for aerobics and dance classes into classrooms, malls, and even the workplace. Among the “Let’s Get Physical”-inspired accoutrements were headbands, leg warmers, spandex, slouchy socks, and leotards with matching tights (the shinier the better).

8. Guess Jeans

The designer jean trend is still raging on, and we owe that to the 1980s, when Calvin Klein, Gloria Vanderbilt, and Jordache were among the biggest names in denim. But no logo defined 1983 better than the Guess triangle, sewn firmly into the back right pocket. (And yes, occasionally that was sewn firmly into the back right pocket of a pair of stone-washed jeans.)

9. Parachute Pants

Photo courtesy of Regalo.com

If you were breakdancing in the ’80s, you probably noticed that your backspins and windmills were much improved when you were wearing a pair of parachute pants. Not to be confused with the parachute pants of the late 1980s (the balloon-like variety preferred by M.C. Hammer), the earlier incarnation was made of nylon (ripstop nylon was particularly popular), often brightly colored, and littered with zippers.

10. Jellies

Photo courtesy of Pip Pip Hooray

Don’t be alarmed if you have a pair of jelly shoes in your closet right now, because they’ve made a comeback in recent years. (Even BuzzFeed says so.) But it’s impossible to talk about fashions of the decade and not make mention of these PVC shoes, which came in rainbow of colors and cutout patterns, some of them heeled, some of the filled with glitter, and many of them retailing for $1 or less. (Nope, that’s not a typo—one dollar!) 

11. Lace With an Edge

Photo courtesy of Mirror80

It’s hard to know where to begin with the number of trends for which Madonna is singlehandedly responsible: Crop tops, big ribbon hairbands, mesh shirts, crop tops, and lace gloves are just a few of the now-iconic looks she debuted in her videos for “Holiday” and “Lucky Star” in 1983. Fortunately, it would be a while before her Boy Toy belt buckle became a thing. 

12. Swatches

Photo courtesy of Swatch

Swiss timepieces took a turn for the brightly-colored and slightly cheesy when Swatch debuted its line of plastic watches (the name Swatch is a contraction of “second watch,” referring to their somewhat disposable nature) in 1983. Their fun styles and inexpensive price tags led many fans of the brand to wear several of them at once.

13. Ray-Ban Sunglasses

Photo courtesy of TomCruise.com

Ray-Ban owes a huge debt of gratitude to Tom Cruise, who made their Wayfarers the sunglasses of choice for other wannabe teen pimps following 1983’s Risky Business. Two years later, he donned their Aviator shades for Top Gun… and sales jumped 40 percent.

14. Calvin Klein Underwear

Photo courtesy of Esquire

Calvin Klein has been the first name in men’s underwear for more than 30 years for a reason: He was the first designer to want to make guys care about what came between them and their Calvins. He launched an ad campaign that could not be ignored, as this billboard attests. Even today, men’s underwear still makes up a large percentage of the company’s annual income. 

15. Kangol Hats

Photo courtesy of The Fashion Bomb

A signature chapeau of the hip-hop industry, Kangol hats are most often associated with Run-D.M.C., LL Cool J, and The Notorious B.I.G., but Grandmaster Flash and the Furious Five were some of the brand’s earliest adopters, as evidenced by the cover image of their hit single, “The Message.”

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12 Surprising Facts About Bela Lugosi
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On October 20, 1882—135 years ago today—one of the world's most gifted performers was born. In his heyday, Bela Lugosi was hailed as the undisputed king of horror. Eighty-five years after he first donned a vampire’s cape, Lugosi's take on Count Dracula is still widely hailed as the definitive portrayal of the legendary fiend. But who was the man behind the monster?

1. HE WORKED WITH THE NATIONAL THEATER OF HUNGARY.

To the chagrin of his biographers, the details concerning Bela Lugosi’s youth have been clouded in mystery. (In a 1929 interview, he straight-up admitted “for purposes of simplification, I have always thought it better to tell [lies] about the early years of my life.”) That said, we do know that he was born as Béla Ferenc Dezső Blaskó on October 20, 1882 in Lugoj, Hungary (now part of Romania). We also know that his professional stage debut came at some point in either 1901 or 1902. By 1903, Lugosi had begun to find steady work with traveling theater companies, through which he took part in operas, operettas, and stage plays. In 1913, Lugosi caught a major break when the most prestigious performing arts venue in his native country—the Budapest-based National Theater of Hungary—cast him in no less than 34 shows. Most of the characters that he played there were small Shakespearean roles such as Rosencrantz in Hamlet and Sir Walter Herbert in Richard III.

2. HE FOUGHT IN WORLD WAR I.

The so-called war to end all wars put Lugosi’s dramatic aspirations on hold. Although being a member of the National Theater exempted him from military service, he voluntarily enlisted in the Austro-Hungarian Army in 1914. Over the next year and a half, he fought against Russian forces as a lieutenant with the 43rd Royal Hungarian Infantry. While serving in the Carpathian mountains, Lugosi was wounded on three separate occasions. Upon healing from his injuries, he left the armed forces in 1916 and gratefully resumed his work with the National Theater.

3. WHEN HE MADE HIS BROADWAY DEBUT, LUGOSI BARELY KNEW ANY ENGLISH.

In December 1920, Lugosi boarded a cargo boat and emigrated to the United States. Two years later, audiences on the Great White Way got their first look at this charismatic stage veteran. Lugosi was cast as Fernando—a suave, Latin lover—in the 1922 Broadway stage play The Red Poppy. At the time, his grasp of the English language was practically nonexistent. Undaunted, Lugosi went over all of his lines with a tutor. Although he couldn’t comprehend their meaning, the actor managed to memorize and phonetically reproduce every single syllable that he was supposed to deliver on stage.

4. UNIVERSAL DIDN’T WANT TO CAST HIM AS COUNT DRACULA.

The year 1927 saw Bela Lugosi sink his teeth into the role of a lifetime. A play based on the novel Dracula by Bram Stoker had opened in London in 1924. Sensing its potential, Horace Liveright, an American producer, decided to create an U.S. version of the show. Over the summer of 1927, Lugosi was cast as the blood-sucking Count Dracula. For him, the part represented a real challenge. In Lugosi’s own words, “It was a complete change from the usual romantic characters I was playing, but it was a success.” It certainly was. Enhanced by his presence, the American Dracula remained on Broadway for a full year, then spent two years touring the country.

Impressed by its box office prowess, Universal decided to adapt the show into a major motion picture in 1930. Horror fans might be surprised to learn that when the studio began the process of casting this movie’s vampiric villain, Lugosi was not their first choice. At the time, Lugosi was still a relative unknown, which made director Tod Browning more than a little hesitant to offer him the job. A number of established actors were all considered before the man who’d played Dracula on Broadway was tapped to immortalize his biting performance on film.

5. MOST OF HIS DRACULA-RELATED FAN MAIL CAME FROM WOMEN.

The recent Twilight phenomenon is not without historical precedent. Lugosi estimated that, while he was playing the Count on Broadway, more than 97 percent of the fan letters he received were penned by female admirers. A 1932 Universal press book quotes him as saying, “When I was on the stage in Dracula, my audiences were composed mostly of women.” Moreover, Lugosi contended that most of the men who’d attended his show had merely been dragged there by female companions.   

6. HE TURNED DOWN THE ROLE OF FRANKENSTEIN’S MONSTER.

Released in 1931, Dracula quickly became one of the year's biggest hits for Universal (some film historians even argue that the movie single-handedly rescued the ailing studio from bankruptcy). Furthermore, its astronomical success transformed Lugosi into a household name for the first time in his career. Regrettably for him, though, he’d soon miss the chance to star in another smash. Pleased by Dracula’s box office showing, Universal green-lit a new cinematic adaptation of Mary Shelley’s Frankenstein. Lugosi seemed like the natural choice to play the monster, but because the poor brute had few lines and would be caked in layers of thick makeup, the actor rejected the job offer. As far as Lugosi was concerned, the character was better suited for some “half-wit extra” than a serious actor. Once the superstar tossed Frankenstein aside, the part was given to a little-known actor named Boris Karloff.

Moviegoers eventually did get to see Lugosi play the bolt-necked corpse in the 1943 cult classic Frankenstein Meets the Wolf Man. According to some sources, he strongly detested the guttural scream that the script forced him to emit at regular intervals. “That yell is the worst thing about the part. You feel like a big jerk every time you do it!” Lugosi allegedly complained.

7. LUGOSI’S RELATIONSHIP WITH BORIS KARLOFF WAS MORE CORDIAL THAN IT’S USUALLY MADE OUT TO BE.

It’s often reported that the two horror icons were embittered rivals. In reality, however, Karloff and Lugosi seemed to have harbored some mutual respect—and perhaps even affection for one another. The dynamic duo co-starred in five films together, the first of which was 1934’s The Black Cat; Karloff claimed that, on set, Lugosi was “Suspicious of tricks, fearful of what he regarded as scene stealing. Later on, when he realized I didn’t go in for such nonsense, we became friends.” During one of their later collaborations, Lugosi told the press “we laughed over my sad mistake and his good fortune as Frankenstein is concerned.”

That being said, Lugosi probably didn’t appreciate the fact that in every single film which featured both actors, Karloff got top billing. Also, he once privately remarked, “If it hadn’t been for Boris Karloff, I could have had a corner on the horror market.”

8. HE LOVED SOCCER.

In 1935, Lugosi was named Honorary President of the Los Angeles Soccer League. An avid fan, he was regularly seen at Loyola Stadium, where he’d occasionally kick off the first ball during games held there. Also, on top of donating funds to certain Hungarian teams, Lugosi helped finance the Los Angeles Magyar soccer club. When the team won a state championship in 1935, one newspaper wrote that the players were “headed back to Dracula’s castle with the state cup.” [PDF]

9. HE WAS A HARDCORE STAMP COLLECTOR.

Lugosi's fourth wife, Lillian Arch, claimed that Lugosi maintained a collection of more than 150,000 stamps. Once, on a 1944 trip to Boston, he told the press that he intended to visit all 18 of the city's resident philately dealers. “Stamp collecting,” Lugosi declared, “is a hobby which may cost you as much as 10 percent of your investment. You can always sell your stamps with not more than a 10 percent loss. Sometimes, you can even make money.” Fittingly enough, the image of Lugosi’s iconic Dracula appeared on a commemorative stamp issued by the post office in 1997.

10. LUGOSI ALMOST DIDN’T APPEAR IN ABBOTT AND COSTELLO MEET FRANKENSTEIN—BECAUSE THE STUDIO THOUGHT HE WAS DEAD.

The role of Count Dracula in this 1948 blockbuster was nearly given to Ian Keith—who was considered for the same role in the 1931 Dracula movie. Being a good sport, Lugosi helped promote the horror-comedy by making a special guest appearance on The Abbott and Costello Show. While playing himself in one memorable sketch, the famed actor claimed to eat rattlesnake burgers for dinner and “shrouded wheat” for breakfast.

11. A CHIROPRACTOR FILLED IN FOR HIM IN PLAN 9 FROM OUTER SPACE.

Toward the end of his life, Lugosi worked on three ultra-low-budget science fiction pictures with Ed Wood, a man who’s been posthumously embraced as the worst director of all time. In the 1953 transvestite picture Glen or Glenda?, Lugosi plays a cryptic narrator who offers such random and unsolicited bits of advice as “Beware of the big, green dragon who sits on your doorstep.” Then came 1955’s Bride of the Monster, in which Lugosi played a mad scientist who ends up doing battle with a (suspiciously limp) giant octopus.

Before long, Wood had cooked up around half a dozen concepts for new films, all starring Lugosi. At some point in the spring of 1956, the director shot some quick footage of the actor wandering around a suburban neighborhood, clad in a baggy cloak. This proved to be the last time that the star would ever appear on film. Lugosi died of a heart attack on August 16, 1956;  he was 73 years old.

Three years after Lugosi's passing, this footage was spliced into a cult classic that Wood came to regard as his “pride and joy.” Plan 9 From Outer Space tells the twisted tale of extraterrestrial environmentalists who turn newly-deceased human beings into murderous zombies. Since Lugosi could obviously no longer play his character, Wood hired a stand-in for some additional scenes. Unfortunately, the man who was given this job—California chiropractor Tom Mason—was several inches taller than Lugosi. In an attempt to hide the height difference, Wood instructed Mason to constantly hunch over. Also, Mason always kept his face hidden behind a cloak.

12. HE WAS BURIED IN HIS DRACULA CAPE.

Although Lugosi resented the years of typecasting that followed his breakout performance in Dracula, he asked to be laid to rest wearing the Count’s signature garment. Lugosi was buried under a simple tombstone at California's Holy Cross Cemetery.

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How to Carve a Pumpkin—And Not Injure Yourself in the Process
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Wielding a sharp knife with slippery hands around open flames and nearby children doesn't sound like the best idea—but that's exactly what millions of Halloween celebrations entail. While pumpkin carving is a fun tradition, it can also bring the risk of serious hand injuries. According to the American Society for Surgery of the Hand (ASSH), some wounds sustained from pumpkin misadventure can result in surgery and months of rehabilitation.

Fortunately, there are easy ways to minimize trauma. Both ASSH and CTV News have compiled safety tips for pumpkin carvers intended to reduce the chances of a trip to the emergency room.

First, it's recommended that carvers tackle their design with knives made specifically for carving. Kitchen knives are sharp and provide a poor grip when trying to puncture tough pumpkin skin: Pumpkin carving knives have slip-resistant handles and aren't quite as sharp, while kitchen knives can get wedged in, requiring force to pull them out.

Carvers should also keep the pumpkin intact while carving, cleaning out the insides later. Why? Once a pumpkin has been gutted, you’re likely to stick your free hand inside to brace it, opening yourself up to an inadvertent stab from your knife hand. When you do open it up, it's better to cut from the bottom: That way, the pumpkin can be lowered over a light source rather than risk a burn dropping one in from the top.

Most importantly, parents would be wise to never let their kids assist in carving without supervision, and should always work in a brightly-lit area. Adults should handle the knife, while children can draw patterns and scoop out innards. According to Consumer Reports, kids ages 10 to 14 tend to suffer the most Halloween-related accidents, so keeping carving duties to ages 14 and above is a safe bet.

If all else fails and your carving has gone awry, have a first aid kit handy and apply pressure to any wound to staunch bleeding. With some common sense, however, it's unlikely your Halloween celebration will turn into a blood sacrifice.

[h/t CTV News]

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