20 Surprising Facts About America’s Most Wanted

In 1988, one year before Cops began asking the bad boys of America “What'cha gonna do when they come for you?,” noted victims’ advocate John Walsh was turning every American with access to Fox into a potential crime-solver on America’s Most Wanted.

The series, which highlighted real-life cases of fugitives and suspected criminals who had managed to evade capture (or recapture), became the first hit show for the then-fledgling Fox network and turned into a cultural phenomenon. To celebrate its 30th anniversary, here are 20 things you might not have known about America’s Most Wanted.


America’s Most Wanted partly owes its existence to an assistant to Fox owner Rupert Murdoch, who suggested the idea of a true crime series along the lines of BBC’s Crimewatch, which featured reenactments of brutal crimes and hosts who implored the public to assist them with catching the criminals. The show began airing once a month on BBC One in 1984, and was cancelled in 2017.


John Walsh attends a Paley Center event for 'America's Most Wanted'
Neilson Barnard, Getty Images

Though it’s hard to imagine America’s Most Wanted without its longtime host John Walsh—a hotel executive who became a noted victims' advocate following the abduction and murder of his young son, Adam, in 1981—the show’s producers considered a lot of other names before landing on Walsh.

“Stephen Chao—Fox’s vice president of program development—and an L.A. producer named Michael Linder sat down with [Fox’s vice president of corporate and legal affairs] Tom Herwitz to discuss the possibilities,” Walsh wrote in his autobiography, Tears of Rage, about the network’s search for a host. “They considered the author Joseph Wambaugh, and a whole raft of actors—Treat Williams, Ed Marinaro, Brian Dennehy, Brian Keith, and Theresa Saldana, who had played herself in a TV movie about how she was nearly stabbed to death by some psychotic attacker. Then, during one of their marathon conference calls, Herwitz suggested me.”

It took a while for them to track Walsh down—“I was all over the place in those days, traveling something like half a million air miles a year,” he wrote—but after a handful of conversations, he agreed to shoot the pilot.


Fox was still a new network—less than two years old—when America’s Most Wanted debuted, and it quickly became the network’s first big hit. Though it originally only aired in a handful of markets, by April the network was broadcasting America’s Most Wanted nationwide. In 1989, it became the first Fox series to be the most-watched program in its time slot. By 2010, each episode was being watched by about 5 million households.


From 1996 until his death in 2008, legendary voice actor Don LaFontaine served as the show’s narrator. You probably know LaFontaine as the voice behind more than 5000 movie trailers, and the person most often associated with the “In a world…” trope. He was often referred to as “Thunder Throat” and “The Voice of God.” Wes Johnson took over the role following LaFontaine’s passing.


In a 1988 interview with The New York Times, executive producer Michael Linder admitted that law enforcement professionals were initially skeptical of the show, though it didn’t take them long to embrace its purpose—and possibilities. “Now, they bombard us with tips and requests for help,” Linder said.

The FBI also played a big part in the series; the agency assigned a handful of agents to act as liaisons between William S. Sessions, the bureau’s then-director, and the show’s producers. On May 29, 1998, Sessions even appeared on an episode of the show to give a rundown of the latest additions to the FBI’s 10 Most Wanted list (one of whom was captured shortly thereafter, thanks to a viewer tip).

Manhattan District Attorney Robert M. Morgenthau told The New York Times that he, too, was a fan of the series, saying that, “If the media, through publicity, can contribute to the apprehension of dangerous criminals, I'm all for it. Besides, it’s very expensive to track down criminals. A couple of detectives or FBI agents can spend months or years searching for someone. It seems to me that this is a wonderful way to save the taxpayers hundreds of thousands of dollars.”


Though many of the individuals featured on the show were fugitives, the American Civil Liberties Union had concerns that a suspect who appeared on the show would not be able to get a fair trial. “I suppose it’s like an electronic wanted poster,” Colleen O'Connor, the ACLU’s director of public education, told The New York Times in 1988. “The poster on the wall in the post office makes it seem like the fugitive is guilty, too … Can someone get a fair trial after he's been portrayed as a killer on television?”

But Linder contested this point, telling the Times that civil liberties were always at the forefront of the producers’ mind. “If one killer was set free because of pretrial publicity from us, the show would be a failure,” he said. The show also made a very clear point of using language like “alleged” and “reportedly” when discussing suspects who had not been convicted—and Walsh ended each episode with a reminder that the suspects featured in the show were innocent until proven guilty.


On February 7, 1988, America’s Most Wanted debuted on just a handful of Fox stations across the country. On February 11, four days later, a viewer tip led to the arrest of David James Roberts, a convicted murderer and rapist who had made a brazen escape from prison in 1986 while being transported to a hospital.

After the episode aired, the show’s tip line received dozens of calls from people who knew Roberts as Bob Lord, an employee at a homeless shelter in Staten Island. Roberts, who was on the FBI’s 10 Most Wanted list, was the first fugitive profiled on the show, and the first person caught as a result of viewer tips.


America’s Most Wanted proved to be a huge help to the FBI during the quarter-century it was on the air. According to the FBI’s website, 17 “‘Ten Most Wanted Fugitives’ have been located as a direct result of tips provided by viewers of this program” (beginning with Roberts in that very first episode).


Like the FBI, Walsh maintained his own “most wanted” list, which was known as the America’s Most Wanted “Dirty Dozen.” It changed regularly, but included fugitives who had been featured on the show and had yet to be captured.


Zaid Hamid, Public Domain, Wikimedia Commons

In order to expedite the crime-solving process, the last two digits of the show’s hotline changed each year for the first few years in order to match the year the episode aired (1-800-CRIME-88, 1-800-CRIME-89, etc.). On average, the show received approximately 3000 to 5000 calls per week. In 1994, the number changed one last time—to 1-800-CRIME-TV. The number was shut down in June 2014. (As for the operators you saw during each episode: most of them were actors.)

Amazingly, crank calls weren’t a big problem for the show, according to Linder, though they did receive a lot of hang-up calls. (He suspected people just wanted to try dialing the number to see if someone would answer.)


So that any promising tips could be quickly vetted and followed up on once an episode aired, The New York Times reported that, “In the television studio, there are some 30 telephone operators to take the calls. Also on hand are police officers or federal agents directly involved in cases being aired that night. When one of the operators gets a good lead, an officer picks up the phone and asks the caller further questions.”


On May 15, 1988, Mark Goodman was in the final stretch of a brief prison stint following a burglary conviction in Palm Beach County, Florida, but was wanted elsewhere in the country for escaping federal custody following an armed robbery conviction. He was watching the show with a group of his fellow inmates when his face flashed across the screen. Though The New York Times reported that he tried to change the channel, it was too late: Goodman's fellow inmates informed the prison guards that there was an America’s Most Wanted fugitive in their midst. While being transferred to a more secure facility, Goodman managed to escape custody again. Fortunately, he was apprehended the next day.


In 1996, the powers-that-be at Fox—which now had a handful of hit series, including The Simpsons—decided to cancel America’s Most Wanted and push Married… With Children (which was in its final season) into the first half of its 9 p.m. time slot. The public let their outrage be known.

“We went off for four weeks,” Walsh told Larry King in 2003. “Everybody in law enforcement contacted Fox. Fifty-five members of Congress contacted Fox. Thirty-seven governors. I don't think 37 governors could agree on how many stars and stripes are on the flag, but they all went after [the network]—and they said it [was] a business decision. But … 200,000 good American citizens wrote Fox and said, ‘This is wrong.’ We were the shortest canceled show in the history of television.”


This picture taken from the FBI web site on the Internet 16 July shows Andrew Phillip Cunanan, the sole suspect in the murder of Italian fashion designer Gianni Versace. Versace was gunned down in front of his Miami home
H/O, AFP, Getty Images

Fans of FX’s The Assassination of Gianni Versace: American Crime Story probably noticed a recent shout-out to America’s Most Wanted. In the episode, an employee at a sandwich shop in Miami recognizes Andrew Cunanan when he comes in to buy a sub and calls the police to report it. But Cunanan managed to make his way out of the eatery just before the police arrived. While the episode left no doubt that it was indeed Cunanan (as portrayed by Darren Criss) who was ordering a tuna fish sandwich, the reality of what happened is not as clear-cut.

After Cunanan made his way onto the FBI’s Most Wanted Fugitives list on June 12, 1997, the bureau asked the show for help. They ran a segment on the alleged serial killer, and Miami police did respond to a call from Kenny Benjamin, an employee of Miami Subs, who swore that Cunanan was in the shop. Police arrived almost immediately, but the man in question had already left. And Benjamin had ended up blocking the security camera’s view of the suspect while making the call, so whether or not it was indeed Cunanan was never confirmed. But we do know that the call was made four days before Versace’s murder.


In October 2001, in the wake of 9/11, America’s Most Wanted aired a one-hour special that profiled the FBI’s 22 most wanted terrorists. The New York Post reported that the episode was put together in just 72 hours at the request of White House aide Scott Sforza.

“These are low-life coward terrorists that we’re going to profile and hopefully we can get some of these s–bags off the streets before they hurt anymore Americans,” Walsh said, adding that: “I’m going to send a big message to Bin Laden: You’re just a coward. Americans know it and we’re gonna hunt you down like the dog you are.”


Not every suspect featured on America’s Most Wanted ended up being captured—or found guilty of their alleged crimes. One example: Suspected murderer Richard Emile Newman. Acting on tips that he was living in an apartment in Brooklyn following an episode of America’s Most Wanted that profiled his case, Newman was arrested in New York in 2004. He was extradited back to Canada in 2006 for trial, but in 2010 he was acquitted of those charges.


On May 8, 1988, America’s Most Wanted featured the case of Stephen Randall Dye, who was wanted in connection with the shooting of a man in New Jersey in 1986 as well as the murder of a motorcyclist in Ohio in 1981. Nervous that he would be found out, Dye—who was living in California at the time—flagged down a police car in San Diego and gave himself up.


In 2010, to celebrate the show’s 1000th episode, Walsh was granted what he assumed would be a quick meet-and-greet with President Barack Obama to film a segment acknowledging the milestone. But when he arrived at the White House, he was taken to the Blue Room for an actual sit-down with the POTUS where they discussed Obama’s various anti-crime initiatives and the show’s impact. “It wasn’t a grip-and-grin or a photo op,” Walsh told the New York Post.


In June 2011, Fox television cancelled America’s Most Wanted for a second (and final) time. When the show went off the air, it had run for 25 seasons, making it the network’s then-longest running series. (The Simpsons has since surpassed it.) 

But that was not the end of America’s Most Wanted. As Walsh told the San Diego Tribune in the wake of the series’s cancellation, "I'm fighting hard to keep this franchise going. It's a television show that gets ratings and saves lives, and we'll find somewhere to keep going. We're not done.”

Walsh was right: The series got picked up by Lifetime, though its run on the network was fairly short-lived; on March 28, 2013, it was cancelled for good.


In May 2008, America’s Most Wanted was celebrating the show’s 1000th capture. To celebrate, the network got some of the Fox family to tape celebratory messages (including some awkward congrats from American Idol judges Simon Cowell, Randy Jackson, and Paula Abdul). As of March 30, 2013, the total number of captured persons had risen to 1202.

7 Top-Rated Portable Air Conditioners You Can Buy Right Now

Black + Decker/Amazon
Black + Decker/Amazon

The warmest months of the year are just around the corner (in the Northern Hemisphere, anyway), and things are about to get hot. To make indoor life feel a little more bearable, we’ve rounded up a list of some of the top-rated portable air conditioners you can buy online right now.

1. SereneLife 3-in-1 Portable Air Conditioner; $290

SereneLife air conditioner on Amazon.

This device—currently the best-selling portable air conditioner on Amazon—is multifunctional, cooling the air while also working as a dehumidifier. Reviewers on Amazon praised this model for how easy it is to set up, but cautioned that it's not meant for large spaces. According to the manufacturer, it's designed to cool down rooms up to 225 square feet, and the most positive reviews came from people using it in their bedroom.

Buy it: Amazon

2. Black + Decker 14,000 BTU Portable Air Conditioner and Heater; $417

Black + Decker portable air conditioner

Black + Decker estimates that this combination portable air conditioner and heater can accommodate rooms up to 350 square feet, and it even comes with a convenient timer so you never have to worry about forgetting to turn it off before you leave the house. The setup is easy—the attached exhaust hose fits into most standard windows, and everything you need for installation is included. This model sits around four stars on Amazon, and it was also picked by Wirecutter as one of the best values on the market.

Buy it: Amazon

3. Mikikin Portable Air Conditioner Fan; $45

Desk air conditioner on Amazon

This miniature portable conditioner, which is Amazon's top-selling new portable air conditioner release, is perfect to put on a desk or end table as you work or watch TV during those sweltering dog days. It's currently at a four-star rating on Amazon, and reviewers recommend filling the water tank with a combination of cool water and ice cubes for the best experience.

Buy it: Amazon

4. Juscool Portable Air Conditioner Fan; $56

Juscool portable air conditioner.

This tiny air conditioner fan, which touts a 4.6-star rating, is unique because it plugs in with a USB cable, so you can hook it up to a laptop or a wall outlet converter to try out any of its three fan speeds. This won't chill a living room, but it does fit on a nightstand or desk to help cool you down in stuffy rooms or makeshift home offices that weren't designed with summer in mind.

Buy it: Amazon

5. SHINCO 8000 BTU Portable Air Conditioner; $320

Shinco portable air conditioner

This four-star-rated portable air conditioner is meant for rooms of up to 200 square feet, so think of it for a home office or bedroom. It has two fan speeds, and the included air filter can be rinsed out quickly underneath a faucet. There's also a remote control that lets you adjust the temperature from across the room. This is another one where you'll need a window nearby, but the installation kit and instructions are all included so you won't have to sweat too much over setting it up.

Buy it: Amazon

6. Honeywell MN Series Portable Air Conditioner and Dehumidifier; $400

Honeywell air conditioner on Walmart.

Like the other units on this list, Honeywell's portable air conditioner also acts as a dehumidifier or a standard fan when you just want some air to circulate. You can cool a 350-square-foot room with this four-star model, and there are four wheels at the bottom that make moving it from place to place even easier. This one is available on Amazon, too, but Walmart has the lowest price right now.

Buy it: Walmart

7. LG 14,000 BTU Portable Air Conditioner; $699

LG Portable Air Conditioner.
LG/Home Depot

This one won't come cheap, but it packs the acclaim to back it up. It topped Wirecutter's list of best portable air conditioners and currently has a 4.5-star rating on Home Depot's website, with many of the reviews praising how quiet it is while it's running. It's one of the only models you'll find compatible with Alexa and Google Assistant, and it can cool rooms up to 500 square feet. There's also the built-in timer, so you can program it to go on and off whenever you want.

Buy it: Home Depot

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The Maestro: 10 Facts About Ennio Morricone

Peter Tea via Flickr // CC BY-ND 2.0
Peter Tea via Flickr // CC BY-ND 2.0

Famed composer Ennio Morricone died on July 6, 2020 at the age of 91, leaving behind a body of work that eclipses the idea of “productivity” itself. It’s not just that Morricone composed thousands of hours of music for hundreds of movies. It’s that he managed to create so many original, indelible moments over and over again, in such a broad variety of genres for so long, without acquiescing to repetition or compromising his creativity. The last, best comfort to take in his absence is the thrilling—and rather intimidating—volume of music he left for us to revisit and, more likely, discover while celebrating his legacy in the days, weeks, months, and years ahead.

In spite of his seemingly constant presence in the film industry for more than 70 years, there are many details about Morricone's life and career that even longtime fans may not know. In honoring the man and the artist, we’ve collected a handful of facts and figures about the Oscar-winning composer and his vast, incredible, and unforgettable body of work.

1. Ennio Morricone made music for 85 of his 91 years.

Ennio Morricone was encouraged to develop his natural musical abilities at a young age—he created his first compositions at age 6. He was taught music by his father and learned several instruments, but gravitated toward the trumpet. When he was just 12 years old, Morricone enrolled in a four-year program at the prestigious National Academy of St. Cecilia in Rome, where he was born, and completed his studies within six months.

2. Ennio Morricone's career primarily focused on film, television, and radio compositions, but he also worked in popular music.

Morricone’s professional career began in 1950 as an arranger for jazz and pop artists. He helped compose hits for a diverse slate of stars including Nora Orlandi, Mina, Françoise Hardy, Mireille Mathieu, and Paul Anka, whose song “Ogni Volta” (“Every Time”) sold more than 3 million copies worldwide.

Morricone later worked with Pet Shop Boys, k.d. lang, Andrea Bocelli, and Sting. From 1964 to 1980, he was also part of Gruppo di Improvvisazione Consonanza (or “The Group”), an ensemble focused on avant-garde improvisations. Although it was reissued a few years ago, original copies of their 1970 album The Feed-back once fetched as much as $1000 on the collector’s market.

3. Ennio Morricone hit the ground running as a composer—and never slowed down.

Many of Morricone’s first efforts in the movies were as an orchestrator for more established composers, but he quickly joined their ranks. Between 1955 and 1964, when he created his breakthrough score for A Fistful of Dollars, he either orchestrated or composed (or both in some cases) some 28 film scores. During this time, he was already working with Michelangelo Antonioni (L’Avventura), Vittorio De Sica (The Last Judgment), Lucio Fulci (twice!), Lina Wertmüller (I basilischi), and Bernardo Bertolucci (Before the Revolution).

4. Ennio Morricone helped turn A Fistful of Dollars into a worldwide classic.

When Sergio Leone hired Morricone for his first Western, he’d already embarked on an iconoclastic journey, referencing Akira Kurosawa’s Yojimbo. Leone’s initial “concession” was to evoke Dimitri Tiomkin’s score for Howard Hawks’s Rio Bravo in its music. Morricone combined ideas from Tiomkin’s music with an arrangement of folk singer Peter Tevis’s cover of the Woody Guthrie song “Pastures of Plenty” to create what became the opening title theme. The music won the Silver Ribbon Award for Best Score from the Italian National Syndicate of Film Journalists and forged a longtime partnership between Morricone and Leone.

5. During their heyday, Sergio Leone and Ennio Morricone worked in a way that was virtually unprecedented outside of musicals.

The music in Leone’s films is at once one of their most distinctive features, and also one of their most inextricable. Later in his career, Morricone explained that he would often compose portions of the music for Leone’s films before shooting began, and then scenes were staged and shot to match the timing and rhythm of the composer’s music. “That’s why the films are so slow,” Morricone joked in 2007. His use of so many then-unconventional instruments, including electric guitars, the mouth harp, and sound effects like gunshots redefined the musical landscape of the genre, while Leone razed its traditional morality tales to explore darker, more complex stories.

6. A Fistful Of Dollars spawned a lifetime of awards.

Morricone won his only competitive Oscar just four years ago, and had previously received an honorary Oscar in 2007. But after that recognition from the Italian National Syndicate of Journalists, he racked up hundreds of nominations and awards from the Motion Picture Academy (five other nominations), the American Film Institute (four), the Hollywood Foreign Press Association (six nominations, three wins), the Grammys (five nominations and four awards including their Grammy Hall of Fame and Trustees Award), and the Los Angeles Film Critics Association (a Career Achievement award and a win for his score for Once Upon a Time in America). Somewhat predictably, much of the work he did in “genre” films, even the acclaimed “Spaghetti Westerns,” was marginalized at the time, but went on to be appropriately recognized and reevaluated for its impact and artistry.

7. Ennio Morricone was both a critical and a commercial success.

Morricone's work with Leone raised his profile as a formidable collaborator for filmmakers and gave him worldwide chart success. His score for The Good, The Bad and The Ugly sold more than 2 million copies, and the soundtrack to Once Upon A Time In The West, his fourth collaboration with Leone, sold approximately 10 million copies worldwide. It remains one of the top five best-selling instrumental scores in the world today. To date, Morricone has sold more than 70 million records worldwide.

8. Ennio Morricone’s partnership with Sergio Leone was exemplary, but he wasn’t the composer’s only frequent collaborator.

From A Fistful of Dollars to Once Upon a Time in America, Leone’s final film, he and Morricone always worked together. While working primarily in Italy, he often teamed up with Sergio Corbucci and Sergio Sollima, Pier Paolo Pasolini, Bernardo Bertolucci, and Dario Argento, among others. After being courted by Hollywood, Morricone began developing long-term partnerships with American and international filmmakers like Brian De Palma, Warren Beatty, Samuel Fuller, and Roland Joffe. By the late 1970s, he was working with John Boorman and Terrence Malick, and by the 1980s and ‘90s, he was regularly collaborating with John Carpenter, Barry Levinson, George Miller, and Pedro Almodóvar.

Beginning in 1988, Morricone began working with Giuseppe Tornatore on the Oscar-winning Italian film Cinema Paradiso, and subsequently worked on all of Tornatore's other films, including 2016’s The Correspondence and the director's commercials for Dolce & Gabbana.

9. Quentin Tarantino championed Ennio Morricone’s work even before the two of them ever worked together.

Quentin Tarantino’s films are always an exciting pastiche of past and present influences, and he has used cues from Morricone scores in many of his films, beginning with Kill Bill: Volume 1 and 2. Tarantino first hoped to work with the composer on Inglorious Basterds, but when the timing couldn’t be worked out, the filmmaker utilized eight older tracks by Morricone on the soundtrack.

Morricone composed the song “Ancora Qui” for Django Unchained, but it wasn’t until The Hateful Eight that he composed a full score for Tarantino, who still used archival tracks—namely, some unreleased cues from his score for John Carpenter’s The Thing—to expand the film’s musical backdrop. In 2016, Morricone won his first competitive Oscar for his work on Tarantino's film after being nominated six times over the course of nearly 40 years. Morricone also earned an Honorary Oscar in 2007 "For his magnificent and multifaceted contributions to the art of film music."

10. Morricone’s discography remains an embarrassment of riches—at least, whatever’s left of it.

Though the extent of the loss hasn’t been reported, Morricone’s was among the work reportedly destroyed in the 2008 fire on the Universal backlot where the company’s Music Group stored original recording and master tapes from some of the world’s best-selling artists. But Morricone recorded more than 400 film scores throughout his career and more than 100 classical pieces, not counting the thousands of pieces licensed for use. More and more of them have been restored and re-released digitally, on CD and vinyl. Meanwhile, his work continues to elicit as strong reactions from moviegoers as the images they were originally written to accompany.

Yo-Yo Ma released an album of performances of Morricone pieces in 2004 that sold more than 130,000 copies. His work tested and redefined the boundaries of film composition, what instruments could be used, and how music and imagery could work together to tell stories and generate powerful feelings. And each listen of those recordings, whether of transgressive experimentation, pointed drama, or lush sentimentality, honors Morricone's enormous talent and evokes his irreplaceable spirit.