12 Facts About Japanese Internment in the United States

Portrait of internee Tom Kobayashi at Manzanar War Relocation Center, Owens Valley, California, 1943
Portrait of internee Tom Kobayashi at Manzanar War Relocation Center, Owens Valley, California, 1943
Ansel Adams, Library of Congress/Wikimedia Commons // No Known Copyright Restrictions

On February 19, 1942, President Franklin Delano Roosevelt issued Executive Order 9066, which sanctioned the removal of Japanese immigrants and Americans of Japanese heritage from their homes to be imprisoned in internment camps throughout the country.

At the time, the move was sold to the public as a strategic military necessity. Following the attack on Pearl Harbor on December 7, 1941, the government argued that it was impossible to know where the loyalties of Japanese-Americans rested.

Between 110,000 and 120,000 people of Japanese ancestry were relocated to internment camps along the West Coast and as far east as Louisiana. Here are 12 facts about what former first lady Laura Bush has described as "one of the most shameful episodes in U.S. history."

1. The government was already discussing detaining people before the Pearl Harbor attack.

In 1936, President Franklin Roosevelt—who was concerned about Japan’s growing military might—instructed William H. Standley, his chief of naval operations, to clandestinely monitor "every Japanese citizen or non-citizen on the island of Oahu who meets these Japanese ships [arriving in Hawaii] or has any connection with their officers or men" and to secretly place their names "on a special list of those who would be the first to be placed in a concentration camp in the event of trouble."

This sentiment helped lead to the creation of the Custodial Detention List, which would later guide the U.S. in detaining 31,899 Japanese, German, and Italian nationals, separate from the 110,000-plus later interred, without charging them with a crime or offering them any access to legal counsel.

2. Initial studies of the “Japanese problem” proved that there wasn’t one.

In early 1941, Curtis Munson, a special representative of the State Department, was tasked with interviewing West Coast-based Japanese-Americans to gauge their loyalty levels in coordination with the FBI and the Office of Naval Intelligence. Munson reported that there was extraordinary patriotism among Japanese immigrants, saying that "90 percent like our way best," and that they were "extremely good citizen[s]" who were "straining every nerve to show their loyalty." Lieutenant Commander K.D. Ringle’s follow-up report showed the same findings and argued against internment because only a small percentage of the community posed a threat, and most of those individuals were already in custody.

3. The general in charge of Western defense command took nothing happening after Pearl Harbor as proof that something would happen.

Minidoka Relocation Center. Community Store in block 30
National Archives at College Park, Wikimedia Commons // CC BY 3.0

Despite both Munson and Ringle debunking the concept of internment as a strategic necessity, the plan moved ahead—spurred largely by Western Defense Command head General John L. DeWitt. One month after Pearl Harbor, DeWitt created the central ground for mass incarceration by declaring: "The fact that nothing has happened so far is more or less ... ominous in that I feel that in view of the fact that we have had no sporadic attempts at sabotage that there is a control being exercised and when we have it, it will be on a mass basis."

DeWitt, whose ancestors were Dutch, didn’t want anyone of Japanese descent on the West Coast, stating that “American citizenship does not necessarily determine loyalty.”

4. Almost no one protested internment.

Alongside General DeWitt, Wartime Civil Control Administration director Colonel Karl Bendetsen avowed that anyone with even “one drop of Japanese blood” should be incarcerated, and the country generally went along with that assessment. Some newspapers ran op-eds opposing the policy, and the American Baptist Home Mission Societies created pamphlets to push back, but as historian Eric Foner wrote in The Story of American Freedom, "One searches the wartime record in vain for public protests among non-Japanese." Senator Robert Taft was the only congressperson to condemn the policy.

5. Supporting or opposing internment were both matters of economics.

White farmers and landowners on the West Coast had great economic incentives to get rid of Japanese farmers who had come to the area only decades before and found success with new irrigation methods. They fomented deep hatred for their Japanese neighbors and publicly advocated for internment, which is one reason so many of the more than 110,000 Japanese individuals sent to camps came from the West Coast. In Hawaii, it was a different story. White business owners opposed internment, but not for noble reasons: They feared losing their workforce. Thus, only between 1200 and 1800 Japanese-Americans from Hawaii were sent to internment camps.

6. People were tagged for identification.

Children in a drawing class at Minidoka Relocation Center
National Archives at College Park, Wikimedia Commons // CC BY 3.0

Moving entire communities of people to camps in California, Colorado, Texas, and beyond was a gargantuan logistical task. The military assigned tags with ID numbers to families, including the children, to ensure they would be transferred to the correct camp. In 2012, artist Wendy Maruyama recreated thousands of these tags for an art exhibition she titled "The Tag Project."

"The process of replicating these tags using government databases, writing thousands of names, numbers, and camp locations became a meditative process," Maruyama told Voices of San Diego. “And for the hundreds of volunteers, they could, for a minute or two as they wrote the names, contemplate and wonder what this person was thinking as he or she was being moved from the comforts of home to the spare and bare prisons placed in the foreboding deserts and wastelands of America. And could it happen again?”

7. Not everyone went quietly.

Directly combatting the image of the “polite” Japanese-Americans who acquiesced to internment without protest, collections of resistance stories paint a disruptive picture of those who refused to go to the camps or made trouble once inside. Among those who were considered "problematic" were individuals who refused to register for the compulsory loyalty questionnaire, which asked questions about whether the person was a registered voter and with which party, as well as marital status and "citizenship of wife" and "race of wife."

“A broadly understood notion of resistance represents a more complete picture of what happened during World War II,” David Yoo, a professor of Asian American Studies and History and vice provost at UCLA's Institute of American Cultures, told NBC News about collecting these resistance stories. “Because these stories touch upon human rights, they are important for all peoples.”

8. The government converted unused buildings into camp facilities.

For the most part, camps were set against desert scrub land or infertile Ozark hills bordered with barbed wire. Before getting on buses to be transported to their new "homes," detainees had to go through processing centers housed in converted racetracks and fairgrounds, where they might stay for several months. The largest and most noteworthy center was Santa Anita Park, a racetrack in Arcadia, California, which was shut down so that makeshift barracks could be assembled and horse stables could be used for sleeping quarters.

9. Ansel Adams took hundreds of photographs inside the most famous camp, as did an internee with a smuggled camera.

Wooden sign at entrance to the Manzanar War Relocation Center with a car at the gatehouse in the background
Ansel Adams, Library of Congress/Wikimedia Commons // Public Domain

Approximately 200 miles north of Santa Anita Park, at the foot of the Sierra Nevada mountain range, was Manzanar—which, with its 11,000 internees, was perhaps the most famous of America's 10 relocation centers. It was also the most photographed facility. In the fall of 1942, famed photographer Ansel Adams—who was personally outraged by the situation when a family friend was taken from his home and moved halfway across the country—shot more than 200 images of the camp. In a letter to a friend about a book being made of the photos, Adams wrote that, "Through the pictures the reader will be introduced to perhaps 20 individuals ... loyal American citizens who are anxious to get back into the stream of life and contribute to our victory."

While Adams may have successfully offered a small glimpse at life inside Manzanar, Tōyō Miyatake—a photographer and detainee who managed to smuggle a lens and film into the camp, which he later fashioned into a makeshift camera—produced a series of photos that offered a much more intimate depiction of what everyday life was like for the individuals who were imprisoned there between 1942 and 1945. Today, Manzanar is a National Historic Site.

10. Detainees were told they were in camps for their own protection.

Japanese-Hawaiian hula dancers on an improvised stage during one of the frequent talent shows at Santa Anita (California) Assembly Center
U.S. Signal Corps, Library of Congress, Wikimedia Commons // Public Domain

Just as the justification for internment was an erroneous belief in mass disloyalty among a single racial group, the argument given to those incarcerated was that they were better off inside the barbed wire compounds than back in their own homes, where racist neighbors could assault them. When presented with that logic, one detainee rebutted, “If we were put there for our protection, why were the guns at the guard towers pointed inward, instead of outward?”

11. Internees experienced long-term health problems because of the camps, and children had it the worst.

Internment officially lasted through 1944, with the last camp closing in early 1946. In those years, Japanese-Americans did their best to make lives for themselves on the inside. That included jobs and governance, as well as concerts, religion, and sports teams. Children went to school, but there were also dances and comic books to keep them occupied. But the effects of their internment were long-lasting.

There have been multiple studies of the physical and psychological health of former internees. They found those placed in camps had a greater risk for cardiovascular disease and death, as well as traumatic stress. Younger internees experienced low self-esteem, as well as psychological trauma that led many to shed their Japanese culture and language. Gwendolyn M. Jensen’s The Experience of Injustice: Health Consequences of the Japanese American Internment found that younger internees “reported more post-traumatic stress symptoms of unexpected and disturbing flashback experiences than those who were older at the time of incarceration.”

12. A congressional panel called it a “grave injustice" ... 40 years later.

Japanese Americans going to Manzanar gather around a baggage car at the old Santa Fe Station. (April 1942)
Russell Lee, Library of Congress, Wikimedia Commons // Public Domain

It wasn’t until 1983 that a special Congressional commission determined that the mass internment was a matter of racism and not of military strategy. Calling the incarceration a “grave injustice,” the panel cited the ignored Munson and Ringle reports, the absence of any documented acts of espionage, and delays in shutting down the camps due to weak political leadership from President Roosevelt on down as factors in its conclusion. The commission paved the way for President Reagan to sign the Civil Liberties Act, which gave each surviving internee $20,000 and officially apologized. Approximately two-thirds of the more than 110,000 people detained were U.S. citizens.

This list first ran in 2018.

Why We Eat What We Eat On Thanksgiving

monkeybusinessimages/iStock via Getty Images
monkeybusinessimages/iStock via Getty Images

When Americans sit down with their families for Thanksgiving dinner, most of them will probably gorge themselves on the same traditional Thanksgiving menu, with turkey, cranberry sauce, stuffing, and pumpkin pie taking up the most real estate on the plates. How did these dishes become the national "what you eat on Thanksgiving" options, though?

Why do we eat turkey on Thanksgiving?

It's not necessarily because the pilgrims did it. Turkey may not have been on the menu at the 1621 celebration by the Pilgrims of Plymouth that is considered the first Thanksgiving (though some historians and fans of Virginia's Berkeley Plantation might quibble with the "first" part). There were definitely wild turkeys in the Plymouth area, though, as colonist William Bradford noted in his book Of Plymouth Plantation.

However, the best existing account of the Pilgrims' harvest feast comes from colonist Edward Winslow, the primary author of Mourt's Relation: A Journal of the Pilgrims at Plymouth. Winslow's first-hand account of the first Thanksgiving included no explicit mention of turkey. He does, however, mention the Pilgrims gathering wild fowl for the meal, although that could just as likely have meant ducks or geese.

When it comes to why we eat turkey on Thanksgiving today, it helps to know a bit about the history of the holiday. While the idea of giving thanks and celebrating the harvest was popular in certain parts of the country, it was by no means an annual national holiday until the 19th century. Presidents would occasionally declare a Thanksgiving Day celebration, but the holiday hadn't completely caught on nationwide. Many of these early celebrations included turkey; Alexander Hamilton once remarked, "No citizen of the U.S. shall refrain from turkey on Thanksgiving Day."

When Bradford's journals were reprinted in 1856 after being lost for at least half a century, they found a receptive audience with advocates who wanted Thanksgiving turned into a national holiday. Since Bradford wrote of how the colonists had hunted wild turkeys during the autumn of 1621 and since turkey is a uniquely North American (and scrumptious) bird, it gained traction as the Thanksgiving meal of choice for Americans after Lincoln declared Thanksgiving a national holiday in 1863.

Moreover, there were pragmatic reasons for eating turkey rather than, say, chicken at a feast like Thanksgiving. The birds are large enough that they can feed a table full of hungry family members, and unlike chickens or cows, they don't serve an additional purpose like laying eggs or making milk. Unlike pork, turkey wasn't so common that it seemed like an unsuitable choice for a special occasion, either.

Did the pilgrims have cranberry sauce?

While the cranberries the Pilgrims needed were probably easy to come by, making cranberry sauce requires sugar. Sugar was a rare luxury at the time of the first Thanksgiving, so while revelers may have eaten cranberries, it's unlikely that the feast featured the tasty sauce. What's more, it's not even entirely clear that cranberry sauce had been invented yet. It's not until 1663 that visitors to the area started commenting on a sweet sauce made of boiled cranberries that accompanied meat.

There's the same problem with potatoes. Neither sweet potatoes nor white potatoes were available to the colonists in 1621, so the Pilgrims definitely didn't feast on everyone's favorite tubers.

How about pumpkin pie?

It may be the flagship dessert at modern Thanksgiving dinners, but pumpkin pie didn't make an appearance at the first Thanksgiving. The Pilgrims probably lacked the butter and flour needed to make a pie crust, and it's not clear that they even had an oven in which they could have baked a pumpkin pie. That doesn't mean pumpkins weren't available for the meal, though; they were probably served after being baked in the coals of a fire or stewed. Pumpkin pie became a popular dish on 17th-century American tables, though, and it might have shown up for Thanksgiving as early as the 1623 celebration of the holiday.

This article originally appeared in 2008.

15 Colorful Facts About Georgia O’Keeffe

Georgia O’Keeffe’s enchanting floral still life paintings are now a deeply ingrained part of American culture—so much so that they often eclipse her other colorful accomplishments. For a more complete portrait of the artist, who was born on November 15, 1887, brush up on these 15 little-known facts about her.

1. Flower paintings make up a small percentage of Georgia O'Keeffe's body of work.

Though Georgia O'Keeffe is most famous for her lovingly rendered close-ups of flowers—like Black Iris and Oriental Poppies—these make up just about 200 of her 2000-plus paintings. The rest primarily depict landscapes, leaves, rocks, shells, and bones.

2. Georgia O'Keeffe rejected sexual interpretations of her paintings.

For decades, critics assumed that O'Keeffe's flowers were intended as homages—or at the very least, allusions—to the female form. But in 1943, she insisted that they had it all wrong, saying, “Well—I made you take time to look at what I saw and when you took time to really notice my flowers you hung all your own associations with flowers on my flower and you write about my flower as if I think and see what you think and see of the flower—and I don’t.” So there.

3. Georgia O'Keeffe was not a native of the American Southwest.


Joe Raedle/Getty Images

O'Keeffe was actually born on a Wisconsin dairy farm. She'd go on to live in Chicago; New York City; New York’s Lake George; Charlottesville, Virginia; and Amarillo, Texas. She first visited New Mexico in 1917, and as she grew older, her trips there became more and more frequent. Following the death of her husband in 1946, she moved to New Mexico permanently.

4. Georgia O'Keeffe’s favorite studio was the backseat of a Model-A Ford.

In an interview with C-SPAN, Carolyn Kastner, former curator of the Georgia O'Keeffe Museum in Santa Fe, New Mexico, explained how the artist customized her car for this use: "She would remove the driver's seat. Then she would unbolt the passenger car, turn it around to face the back seat. Then she would lay the canvas on the back seat as an easel and paint inside her Model-A Ford."

Painting inside the car allowed O'Keeffe to stay out of the unrelenting desert sun, where she painted many of her later works. The Model-A also provided a barrier from the bees that would gather as the day wore on.

5. Georgia O'Keeffe also painted skyscrapers.

While nature was O'Keeffe's main source of inspiration, the time she spent in 1920s Manhattan spurred the creation of surreal efforts like New York With Moon, City Night, and The Shelton with Sunspots.

6. Georgia O'Keeffe immersed herself in nature.

While in New Mexico, O’Keeffe spent summers and falls at her Ghost Ranch, putting up with the region's hottest, most stifling days in order to capture its most vivid colors. (The rest of the year she stayed at her second home, located in the small town of Abiquiu.) When she wasn't painting in her Model-A, O'Keeffe often camped out in the harsh surrounding terrain, to keep close to the landscapes that inspired her.

7. Not even bad weather could keep Georgia O'Keeffe away from her work.

The artist would rig up tents from tarps, contend with unrelenting downpours, and paint with gloves on when it got too cold. She went camping well into her 70s and enjoyed a well-documented rafting trip with photographer Todd Webb at age 74. Her camping equipment is occasionally exhibited at the Georgia O'Keeffe Museum.

8. Georgia O'Keeffe married the man behind her first gallery show.

"At last, a woman on paper!" That’s what modernist photographer and gallery owner Alfred Stieglitz cried when he first saw O'Keeffe's abstract charcoal drawings. He was so enthusiastic about this series of sketches that he put them on display—before consulting their creator.

When O'Keeffe arrived at his gallery, she wasn't pleased, and brusquely introduced herself: "I am Georgia O'Keeffe and you will have to take these pictures down." Despite their rocky beginnings, Stieglitz and O'Keeffe quickly made amends, and went on to become partners in art and in life.

9. Georgia O'Keeffe and Alfred Stieglitz wrote 25,000 pages of love letters to each other.

When the pair met in 1916, Stieglitz was famous and married; she was unknown and 23 years his junior. All the same, they began writing to each other often (sometimes two or three times a day) and at length (as many as 40 pages at a time). These preserved writings chart the progression of their romance—from flirtation to affair to their marriage in 1924—and even document their marital struggles.

10. Georgia O'Keeffe served as a muse to other artists.

Thanks in part to Stieglitz, O'Keeffe was one of the most photographed women of the 20th century. Stieglitz made O'Keeffe the subject of a long-term series of portraits meant to capture individuals as they aged, and she made for a striking model. Though he died in 1946, the project lived on as other photographers sought out O'Keeffe in order to capture the beloved artist against the harsh New Mexican landscapes she loved so dearly.

O'Keeffe later wrote:

"When I look over the photographs Stieglitz took of me—some of them more than 60 years ago—I wonder who that person is. It is as if in my one life I have lived many lives. If the person in the photographs were living in this world today, she would be quite a different person—but it doesn't matter—Stieglitz photographed her then."

11. Georgia O'Keeffe quit painting—three times.

The first break spanned several years (the exact number is a matter of debate), when O'Keeffe took on more stable jobs to help her family through financial troubles. In the early 1930s, a nervous breakdown led to her hospitalization, and caused her to set aside her brushes for more than a year.

In the years leading up to her death in 1986, failing eyesight forced O'Keeffe to give up painting entirely. Until then, she fought hard to keep working, enlisting assistants to prepare her canvas and mix her oil paints for pieces like 1977's Sky Above Clouds/Yellow Horizon and Clouds. She managed to use watercolors until she was 95.

12. After going blind, Georgia O'Keeffe turned to sculpting.


By Alfred Stieglitz - Phillips, Public Domain, Wikimedia Commons

Although her vision eventually made painting impossible, O'Keeffe's desire to create was not squelched. She memorably declared, "I can see what I want to paint. The thing that makes you want to create is still there.” O'Keeffe began experimenting with clay sculpting in her late 80s, and continued with it into her 96th year.

13. Georgia O'Keeffe is the mother of American Modernism.

Searching for what she called “the Great American Thing,” O'Keeffe was part of the Stieglitz Circle, which included such lauded early modernists as Charles Demuth, Arthur Dove, Marsden Hartley, John Marin, Paul Strand, and Edward Steichen. By the mid-1920s, she had become the first female painter to gain acclaim alongside her male contemporaries in New York's cutthroat art world. Her distinctive way of rendering nature in shapes and forms that made them seem simultaneously familiar and new earned her a reputation as a pioneer of the form.

14. Georgia O'Keeffe blazed new trails for female artists.

In 1946, O’Keeffe became the first woman to earn a retrospective at the Museum of Modern Art. Twenty-four years later, a Whitney Museum of American Art retrospective exhibit introduced her work to a new generation. Fifteen years after that, O'Keeffe was included in the inaugural slate of artists chosen to receive the newly founded National Medal of Arts for her contribution to American culture.

15. Georgia O'Keeffe wasn't fearless, but she rejected fear.

O'Keeffe was purported to have said, "I've been absolutely terrified every moment of my life and I've never let it keep me from doing a single thing I wanted to do."

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