The 10 Wildest Movie Plot Twists

Laura Harring in Mulholland Drive (2001)
Laura Harring in Mulholland Drive (2001)
Universal Pictures Home Entertainment

An ending often makes or breaks a movie. There’s nothing quite as satisfying as having the rug pulled out from under you, particularly in a thriller. But too many flicks that try to shock can’t stick the landing—they’re outlandish and illogical, or signal where the plot is headed. Not all of these films are entirely successful, but they have one important attribute in common: From the classic to the cultishly beloved, they involve hard-to-predict twists that really do blow viewers’ minds, then linger there for days, if not life. (Warning: Massive spoilers below.)

1. PSYCHO (1960)

Alfred Hitchcock often constructed his movies like neat games that manipulated the audience. The Master of Suspense delved headfirst into horror with Psycho, which follows a secretary (Janet Leigh) who sneaks off with $40,000 and hides in a motel. The ensuing jolt depends on Leigh’s fame at the time: No one expected the ostensible star and protagonist to die in a gory (for the time) shower butchering only a third of the way into the running time. Hitchcock outdid that feat with the last-act revelation that Anthony Perkins’s supremely creepy Norman Bates is embodying his dead mother.

2. PLANET OF THE APES (1968)

No, not the botched Tim Burton remake that tweaked the original movie’s famous reveal in a way that left everyone scratching their heads. The Charlton Heston-starring sci-fi gem continues to stupefy anyone who comes into its orbit. Heston, of course, plays an astronaut who travels to a strange land where advanced apes lord over human slaves. It becomes clear once he finds the decrepit remains of the Statue of Liberty that he’s in fact on a future Earth. The anti-violence message, especially during the political tumult of 1968, shook people up as much as the time warp.

3. DEEP RED (1975)

It’s not rare for a horror movie to flip the script when it comes to unmasking its killer, but it’s much rarer that such a film causes a viewer to question their own perception of the world around them. Such is the case for Deep Red, Italian director Dario Argento’s (Suspiria) slasher masterpiece. A pianist living in Rome (David Hemmings) comes upon the murder of a woman in her apartment and teams up with a female reporter to find the person responsible. Argento’s whodunit is filled to the brim with gorgeous photography, ghastly sights, and delirious twists. But best of all is the final sequence, in which the pianist retraces his steps to discover that the killer had been hiding in plain sight all along. Rewind to the beginning and you’ll discover that you caught an unknowing glimpse, too.

4. SLEEPAWAY CAMP (1983)

Sleepaway Camp is notorious among horror fans for a number of reasons: the bizarre, stilted acting and dialogue; hilariously amateurish special effects; and ‘80s-to-their-core fashions. But it’s best known for the mind-bending ending, which—full disclosure—reads as possibly transphobic today, though it’s really hard to say what writer-director Robert Hiltzik had in mind. Years after a boating accident that leaves one of two siblings dead, Angela is raised by her aunt and sent to a summer camp with her cousin, where a killer wreaks havoc. In the lurid climax, we see that moody Angela is not only the murderer—she’s actually a boy. Her aunt, who always wanted a daughter, raised her as if she were her late brother. The final animalistic shot prompts as many gasps as cackles.

5. THE USUAL SUSPECTS (1995)

The Usual Suspects has left everyone who watches it breathless by the time they get to the fakeout conclusion. Roger "Verbal" Kint (Kevin Spacey), a criminal with cerebral palsy, regales an interrogator in the stories of his exploits with a band of fellow crooks, seen in flashback. Hovering over this is the mysterious villainous figure Keyser Söze. It’s not until Verbal leaves and jumps into a car that customs agent David Kujan realizes that the man fabricated details, tricking the law and the viewer into his fake reality, and is in fact the fabled Söze.

6. PRIMAL FEAR (1996)

No courtroom movie can surpass Primal Fear’s discombobulating effect. Richard Gere’s defense attorney becomes strongly convinced that his altar boy client Aaron (Edward Norton) didn’t commit the murder of an archbishop with which he’s charged. The meek, stuttering Aaron has sudden violent outbursts in which he becomes "Roy" and is diagnosed with dissociative identity disorder, leading to a not guilty ruling. Gere’s lawyer visits Aaron about the news, and as he’s leaving, a wonderfully maniacal Norton reveals that he faked the multiple personalities.

7. FIGHT CLUB (1999)

Edward Norton is no stranger to taking on extremely disparate personalities in his roles, from Primal Fear to American History X. The unassuming actor can quickly turn vicious, which led to ideal casting for Fight Club, director David Fincher’s adaptation of the Chuck Palahniuk novel. Fincher cleverly keeps the audience in the dark about the connections between Norton’s timid, unnamed narrator and Brad Pitt’s hunky, aggressive Tyler Durden. After the two start the titular bruising group, the plot significantly increases the stakes, with the club turning into a sort of anarchist terrorist organization. The narrator eventually comes to grips with the fact that he is Tyler and has caused all the destruction around him.

8. THE SIXTH SENSE (1999)

Early in his career, M. Night Shyamalan was frequently (perhaps a little too frequently) compared to Hitchcock for his ability to ratchet up tension while misdirecting his audience. He hasn’t always earned stellar reviews since, but The Sixth Sense remains deservedly legendary for its final twist. At the end of the ghost story, in which little Haley Joel Osment can see dead people, it turns out that the psychologist (Bruce Willis) who’s been working with the boy is no longer living himself, the result of a gunshot wound witnessed in the opening sequence.

9. THE OTHERS (2001)

The Sixth Sense’s climax was spooky, but not nearly as unnerving as Nicole Kidman’s similarly themed ghost movie The Others, released just a couple years later. Kidman gives a superb performance in the elegantly styled film from the Spanish writer-director Alejandro Amenábar, playing a mother in a country house after World War II protecting her photosensitive children from light and, eventually, dead spirits occupying the place. Only by the end does it become clear that she’s in denial about the fact that she’s a ghost, having killed her children in a psychotic break before committing suicide. It’s a bleak capper to a genuinely haunting yarn.

10. MULHOLLAND DRIVE (2001)

David Lynch’s surrealist movies may follow dream logic, but that doesn’t mean their plots can’t be readily discerned. Mulholland Drive is his most striking work precisely because, in spite of its more wacko moments, it adds up to a coherent, tragic story. The mystery starts innocently enough with the dark-haired Rita (Laura Elena Harring) waking up with amnesia from a car accident in Los Angeles and piecing together her identity alongside the plucky aspiring actress Betty (Naomi Watts). It takes a blue box to unlock the secret that Betty is in fact Diane, who is in love with and envious of Camilla (also played by Harring) and has concocted a fantasy version of their lives. The real Diane arranges for Camilla to be killed, leading to her intense guilt and suicide. Only Lynch can go from Nancy Drew to nihilism so swiftly and deftly.

10 Wireless Chargers Designed to Make Life Easier

La Lucia/Moshi
La Lucia/Moshi

While our smart devices and gadgets are necessary in our everyday life, the worst part is the clumsy collection of cords and chargers that go along with them. Thankfully, there are more streamlined ways to keep your phone, AirPods, Apple Watch, and other electronics powered-up. Check out these 10 wireless chargers that are designed to make your life convenient and connected.

1. Otto Q Wireless Fast Charging Pad; $40

Otto Q Wireless Fast Charging Pad
Moshi

Touted as one of the world's fastest chargers, this wireless model from Moshi is ideal for anyone looking to power-up their phone or AirPods in a hurry. It sports a soft, cushioned design and features a proprietary Q-coil module that allows it to charge through a case as thick as 5mm.

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2. Gotek Wireless Charging Music Station; $57

Gotek Wireless Charging Music Station
Rego Tech

Consolidate your bedside table with this clock, Bluetooth 5.0 speaker, and wireless charger, all in one. It comes with a built-in radio and glossy LED display with three levels of brightness to suit your style.

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3. BentoStack PowerHub 5000; $100 (37 percent off)

BentoStack PowerHub 5000
Function101

This compact Apple accessory organizer will wirelessly charge, port, and store your device accessories in one compact hub. It stacks to look neat and keep you from losing another small piece of equipment.

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4. Porto Q 5K Portable Battery with Built-in Wireless Charger; $85

Porto Q 5K Portable Battery with Built-in Wireless Charger
Moshi

This wireless charger doubles as a portable battery, so when your charge dies, the backup battery will double your device’s life. Your friends will love being able to borrow a charge, too, with the easy, non-slip hook-up.

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5. 4-in-1 Versatile Wireless Charger; $41 (31 percent off)

4-in-1 Versatile Wireless Charger
La Lucia

Put all of those tangled cords to rest with this single, temperature-controlled charging stand that can work on four devices at once. It even has a built-in safeguard to protect against overcharging.

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6. GRAVITIS™ Wireless Car Charger; $20 (31 percent off)

GRAVITIS™ Wireless Car Charger
Origaudio

If you need to charge your phone while also using it as a GPS, this wireless device hooks right into the car’s air vent for safe visibility. Your device will be fully charged within two to three hours, making it perfect for road trips.

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7. Futura X Wireless 15W Fast Charging Pad; $35 (30 percent off)

Futura X Wireless 15W Fast Charging Pad
Bezalel

This incredibly thin, tiny charger is designed for anyone looking to declutter their desk or nightstand. Using a USB-C cord for a power source, this wireless charger features a built-in cooling system and is simple to set up—once plugged in, you just have to rest your phone on top to get it working.

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8. Apple Watch Wireless Charger Keychain; $20 (59 percent off)

Apple Watch Wireless Charger Keychain
Go Gadgets

This Apple Watch charger is all about convenience on the go. Simply attach the charger to your keys or backpack and wrap your Apple Watch around its magnetic center ring. The whole thing is small enough to be easily carried with you wherever you're traveling, whether you're commuting or out on a day trip.

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9. Wireless Charger with 30W Power Delivery & 18W Fast Charger Ports; $55 (38 percent off)

Wireless Charger from TechSmarter
TechSmarter

Fuel up to three devices at once, including a laptop, with this single unit. It can wirelessly charge or hook up to USB and USB-C to consolidate your charging station.

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10. FurniQi Bamboo Wireless Charging Side Table; $150 (24 percent off)

FurniQi Bamboo Wireless Charging Side Table
FoneSalesman

This bamboo table is actually a wireless charger—all you have to do is set your device down on the designated charging spot and you're good to go. Easy to construct and completely discreet, this is a novel way to charge your device while entertaining guests or just enjoying your morning coffee.

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10 Hardcore Facts About HBO's Oz

J.K. Simmons stars in HBO's Oz.
J.K. Simmons stars in HBO's Oz.
HBO

When HBO was looking to expand its programming to include hour-long dramas in the late 1990s, the network was intrigued by writer/producer Tom Fontana’s pitch about a maximum security prison and a specific area, dubbed Emerald City, where prisoners could have more leeway in the hopes it would allow for their rehabilitation. Fontana came up with the idea following his work on Homicide: Life on the Street, where murderers were sent away: He wanted to explore what happened next.

Before The Sopranos or The Wire, television’s golden age arguably began on HBO on July 12, 1997, when the premium network premiered Fontana's prison drama Oz. As HBO’s first attempt at an hour-long dramatic series, it laid the groundwork for the dozens of risk-taking, novel, and novelistic shows to follow. On the series' 20th anniversary, check out some facts on the cast, the gore, and the alternate series finale idea that was never filmed.

1. Oz's creator is the person you see getting tattooed in the intro.

A former playwright, Fontana got his big break in television with the 1980s NBC hospital drama St. Elsewhere. In an impressive display of commitment to Oz—especially since he didn’t know if the show would even last beyond a season—Fontana volunteered his arm to get an “Oz” tattoo for the opening credits montage. The tattoo artist kept retracing his needle work so the crew could get the best take. Eventually, the artist stopped, saying that he “can’t let this guy bleed anymore.”

2. Oz's Greek chorus monologues were a necessity.

Viewers who tuned in to Oz were in for a shock—the show featured the kind of graphic violence and casual nudity you’d find in an actual prison. But they were also sometimes puzzled by Fontana’s narrative habit of putting one of the prisoners, Augustus Hill (Harold Perrineau), in front of the camera for fourth-wall-breaking soliloquies. Fontana said he chose this approach because “in prison, guys aren’t that forthcoming about what they think and what they feel because that leaves them open and vulnerable to attack ... so my thought was just to let someone articulate what all this craziness meant.”

3. Oz was filmed in a cracker factory.

Ernie Hudson, Terry Kinney, Harold Perrineau, and Eamonn Walker in 'Oz'
Ernie Hudson, Terry Kinney, Harold Perrineau, and Eamonn Walker in Oz.
Max Aguillera-Hellweg/HBO

To house the sprawling, 60,000-square foot prison set, HBO commandeered an abandoned National Biscuit Company (a.k.a. Nabisco) factory in Manhattan. (The building had been the first to mass-produce Oreo cookies for the company.) The space was obtained after Fontana couldn’t find any empty prisons in which to shoot.

4. Playing a Neo-Nazi in Oz made J.K. Simmons feel depressed.

Oz is probably best remembered for its sprawling ensemble cast, with actors like Chris Meloni, J.K. Simmons, and Perrineau all going on to successful careers; others, like Ernie Hudson and Rita Moreno, were already well-established. At the time, Simmons appeared to be having particular trouble inhabiting the repugnant skin of Vern Schillinger, the head of the prison’s Aryan population. Simmons referred to Schillinger in the third person and told The New York Times in 1999 that he became “depressed” as a result of the role. In an interview with NPR, Simmons also shared that fans would occasionally stop him in the street to let him know they endorsed Schillinger’s viewpoints.

5. Real ex-cons worked on Oz.

For realism’s sake, Fontana instructed his casting director to hire ex-cons as extras whenever he could. Not all of them were relegated to the margins: Chuck Zito, who had a recurring role as Italian mafia heavy Chucky Pancamo, was a then-member of the Hells Angels and had served six years in prison for various offenses. More notably, he received press coverage for allegedly knocking out Jean-Claude Van Damme at a strip club in 1998.

6. Tom Fontana didn't want to kill Simon Adebesi in Oz.

Dean Winters and Adewale Akinnuoye-Agbaje in 'Oz'
Dean Winters and Adewale Akinnuoye-Agbaje in Oz.
HBO

From the first episode, Fontana made sure viewers didn’t grow too fond of any single character: One of the ostensible leads of the show, Dino Ortolani (Jon Seda), was murdered at the conclusion of the pilot episode, and the series picked prisoners off with regularity from that point on. But Fontana wasn’t trigger-happy when it came to killing off Simon Adebisi, the scheming, toothpick-munching inmate with a tiny hat sitting precipitously on the side of his head, who was played by Adewale Akinnuoye-Agbaje. “I didn't want to kill that character, but it was a necessity due to the actor's wanting to move on,” Fontana told CNN in 2003, “rather than me saying, 'This is the end of the story.'”

7. Adewale Akinnuoye-Agbaje exposed himself at random on the set of Oz.

Like many of the performers on Oz, Akinnuoye-Agbaje was expected to be comfortable with frontal male nudity—both his own and that of his castmates. According to Fontana, the actor didn’t appear to have many inhibitions about it. “If in a scene it said, ‘Adebisi takes out his penis,’ he would go, ‘I don’t take out my penis in this scene. There’s no reason for me to do that,’” Fontana told The Toast in 2015. “And I’d say ok, Adewale, don’t take out your penis. I don’t care. The next scene he’d take out the penis. It wasn’t scripted for that, but suddenly there was the penis.”

8. Oz predicted special musical episodes.

Remember the musical episode of Buffy, the Vampire Slayer? Or Scrubs? Oz did it first. With a cast taken in large part from the New York theater scene, the series was able to assemble an impressive all-song-and-dance episode in 2002. The highlight: Nazi Schillinger (Simmons) and nemesis Tobias Beecher (Lee Tergesen) in a duet.

9. There was a different ending planned for Oz.

After six seasons, Oz ended in 2003 with the surviving cast members being—spoiler alert—evacuated from Oswald State following a chemical attack. But Fontana originally wanted to do something else. He recalled reading about a prison town that once flooded, forcing inmates to work side-by-side with citizens to build sandbag barriers to protect the entire community. It was deemed too expensive to shoot.

10. Tom Fontana wouldn't let his mom watch Oz ... which was probably a good idea.

Despite her expressed desire to see her son’s work, Fontana told the press he was adamant that his then-75-year-old mother not watch Oz. “She said, 'I know a lot about what goes on in the world,’” Fontana said in 1997. “I said, 'You don't know about this.' This isn't a place I want my 75-year-old mother to go."