14 Unforgettable Facts About Dario Argento's Suspiria

Anchor Bay Entertainment
Anchor Bay Entertainment

By 1977 Dario Argento was already on his way to becoming a cinema legend. He’d proven himself a master of the Italian giallo genre with thrillers like The Bird with the Crystal Plumage (1970) and Deep Red (1975), but for his sixth directorial effort he had something else in mind. A story about witches lurking in a boarding school from his co-writer and partner Daria Nicolodi became the seed of a landmark film, and Argento turned from violent thrillers to dreamlike supernatural terror.

With its vivid color palette, nightmarish story, and evocative score, Suspiria became an instant horror classic, elevating Argento and Nicolodi to iconic status and cementing the director’s reputation as a master of the genre. More than 40 years later, Argento’s fairy tale-inspired, ultraviolent masterpiece is still terrifying new audiences—even as a remake emerges.

1. IT IS PARTIALLY INSPIRED BY A TRUE STORY.

Though the phrase “fairy tale” is often thrown out to describe Suspiria’s unique Technicolor horrors, the original seed of the story apparently emerged from something quite real. According to co-writer Daria Nicolodi, her grandmother Yvonne Müller Loeb was once sent away as a young girl to a prestigious boarding school, only to find that Black Magic was actually being practiced there. When Nicolodi heard the story, she filed it away in her head, until she and Argento took a trip through various European cities with a history of witchcraft. She was reminded of the story, told Argento about it, and Suspiria was born.

2. THE MYTHOLOGY CAME FROM AN ENGLISH WRITER.

To add to the overall aura of Suspiria’s menacing witches, Nicolodi and Argento crafted an overarching mythology of the Three Mothers: powerful sorceresses each with their own imposing lair somewhere in the world. The film’s chief villain is Helena Markos, also known as Mater Suspiriorum, the Mother of Sighs. This term, and the overall concept of The Three Mothers, was borrowed from English essayist Thomas De Quincey, who discussed the mothers as Three Sorrows affecting humanity (metaphorically, of course) in his 1845 book Suspiria De Profundis.

3. IT WAS ALSO INSPIRED BY FAIRY TALES.

With Nicolodi’s initial tale about witches at a finishing school and the Three Mothers concept to anchor the story, Suspiria then needed its distinctive tone. Unsurprisingly when you look at the finished product, Argento and Nicolodi both turned to fairy tales. Nicolodi looked to Alice In Wonderland, Bluebeard, and Pinocchio as she wrote, and Argento was famously inspired visually by Snow White and the Seven Dwarfs—so much so that he made sure cinematographer Luciano Tovoli saw the Disney film before making Suspiria.

“[In] Suspiria … we were trying to reproduce the color of Walt Disney’s Snow White," Argento said. "It has been said from the beginning that Technicolor lacked subdued shades, was without nuances—like cut-out cartoons.”

4. THE CHARACTERS WERE ORIGINALLY MUCH YOUNGER.

Because the film was so heavily influenced by fairy tales, the original screenplay called for the students at the dance school to be very young girls, aged eight to 10. This made producers nervous, not just because of the idea of brutally murdering little girls onscreen—which Argento thought could only improve the horror—but because Argento’s tendency toward perfectionism was not a good fit for child actors. The combination could have proved costly due to production delays.

Eventually, Argento relented and agreed to recast the students as teenagers. However, he and Nicolodi did not update the script to reflect this, hence the often unnerving childlike dialogue between the girls. To heighten the effect, Argento also reflected his original intention to use child actors in the set design. As Suzy makes her way through the film, you’ll notice that the doorknobs are usually at eye level, rather than waist level. Argento included this design element to heighten the subconscious effect of a fairy tale populated with little girls.

5. DARIA NICOLODI WANTED TO PLAY THE LEAD.

In addition to co-writing Suspiria and being Argento’s romantic partner at the time, Nicolodi was also a very accomplished actress. She starred in Argento’s previous film, Deep Red, and when it became clear that adults, not children, would star in Suspiria, she planned to take a lead role again. Nicolodi initially hoped to play Suzy, the clear star, but financiers balked at the idea, arguing that an American lead would boost the film’s international box office potential. With Jessica Harper cast as Suzy instead, Nicolodi lobbied for the supporting role of Sara, but an injury before filming began forced her to bow out and she was replaced by Stefania Casini.

Nicolodi does still appear in Suspiria, though. In the film’s opening minute, as Suzy walks through the airport, you can see Nicolodi (in the video above) walking on the left side of the screen, wearing a red blouse and carrying a large bag.

6. DARIO ARGENTO ALSO MAKES A CAMEO.

Suspiria’s opening murder sequence, in which two women are assaulted and brutally killed by a phantom attacker, is one of the most memorable and visually stunning in all of horror cinema. It sets the tone for what’s to come and absolutely assaults the senses. It’s also where you can find Argento’s own cameo appearance. As he did in many of his films, Argento decided to be the hands of the killer.

7. THE SCORE WAS INNOVATIVE.

To craft the music for Suspiria, Argento turned to the Italian band Goblin, who he’d previously worked with on Deep Red. Argento wanted the score to sound otherworldly, like nothing heard in a film before, so the band developed innovative sounds using a variety of methods.

In addition to their standard rock instruments, Goblin brought in African drums and a Greek stringed instrument called a bouzouki (recommended by Argento), among other things. Then the band got even more innovative, squeezing plastic cups against the microphones to create echoing sounds, hitting metal buckets full of water with hammers, incorporating disembodied voices, and more. With Argento’s close collaboration, they produced an unforgettable, nightmarish score.

8. THE ICONIC SCORE WAS PLAYED ON SET.

    Suspiria’s visual delights are enticing and horrifying enough, but the film is absolutely put over the top by its haunting score from Goblin. The band had already composed early versions of many of the themes for the film by the time Argento began shooting, so he opted to play the score over loudspeakers on set to create a mood. Because all of the film’s dialogue would later be dubbed in post-production (a very common practice in Italian filmmaking at the time), Argento played the score as loud as he could in an effort to create tension among the cast. It seems to have worked.

    9. THE LIGHTING WAS INNOVATIVE, TOO.


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      “With Suspiria we left the natural behind us in order to achieve a totally artificial style,” cinematographer Luciano Tovoli later said of the film. And indeed his camera does create a sense of unreality, of living in a dark fairy tale world. Argento and Tovoli used numerous techniques to achieve this. Argento, for his part, insisted on keeping the camera almost constantly moving, employing numerous dolly and crane shots to give the film its dreamlike imagery. To create the vibrant blues and reds, Tovoli took massive carbon arc lights and stretched colored fabric, rather than the traditional gel filters, over them. This not only created vivid primary colors, but allowed him to put the lights closer to the actors, flooding the whole frame with color.

      10. IT’S THE FIRST IN A TRILOGY.

      Because the Three Mothers concept is at the heart of its mythology, Suspiria presented an opportunity to create a loose trilogy of horror films, each focusing on a different Mother in a different location. Argento wasted little time making the second installment. Inferno (1980), his next film after Suspiria, chronicles an encounter with Mater Tenebrarum, the Mother of Darkness. Though a third film was always promised, it took nearly three decades for Argento to get around to it. The Three Mothers trilogy finally concluded in 2007 with The Mother of Tears.

      11. ONE DEATH SCENE WAS PAINFUL IN REAL LIFE.


      Anchor Bay Entertainment

        Though it’s hard to top the film’s opening murder, Suspiria delivered another unforgettable death scene when Sara dives into a room full of razor wire and becomes trapped. Actress Stefania Casini arrived on set that day aware that she was filming a death scene, but unaware of how her character would be killed. When she saw the wire, Argento told her to simply dive in and struggle to reach the window on the other side of the room. Buoyed by a positive mood on set, Casini eagerly obliged. While the barbs were, of course, removed from the wire, it was still real wire. As she struggled, Casini found that the wire kept tangling and wrapping itself around her limbs, pinching her flesh as she struggled. Luckily, the scene was shot in one take.

        “I remember when we were done, I went home, I looked like I had been bitten by thousands of ants,” Casini said. “I will never forget that scene."

        12. IT WAS INITIALLY A CRITICAL FLOP.

          Today, Suspiria is universally regarded as a horror classic by audiences, critics, and filmmakers. It’s an essential genre film and Argento’s masterpiece, but not everyone thought so in 1977. Despite a strong box office showing in the United States, Suspiria was often critically savaged.

          “It is a horror movie that is a horror of a movie, where no one or nothing makes sense: not one plot element, psychological reaction, minor character, piece of dialogue, or ambience," wrote John Simon for New York Magazine.

          13. IT WAS THE FINAL FILM TO BE PROCESSED IN THREE-STRIP TECHNICOLOR.


          Anchor Bay Entertainment

            Color is very important in Suspiria. It adds to the fairy tale vibe and creates an otherworldly look that no other horror film has. One of the reasons for this is Argento’s insistence that the film be processed in three-strip Technicolor (the same process that gave classics like The Wizard of Oz their vibrant colors), which by the late 1970s had become both expensive and arcane. It was so arcane, in fact, that Technicolor was throwing out its three-strip processing equipment as the film was being made. Argento persuaded the Technicolor processors in Rome to hold on to a single machine until he finished Suspiria. He got the processing he wanted, and the film got its iconic look.

            14. ARGENTO ISN'T THRILLED ABOUT THE UPCOMING REMAKE.

            A remake of Suspiria has been in the works for several years, and production finally began last year. Directed by Luca Guadagnino and starring Dakota Johnson, Chloë Grace Moretz, and Tilda Swinton, the film is planning a 2019 release. When asked about the remake in a 2016 interview, Argento revealed that he had not been consulted on the project in any way, and argued against the film being made at all.

            “Well, the film has a specific mood,” Argento told IndieWire. “Either you do it exactly the same way—in which case, it’s not a remake, it’s a copy, which is pointless—or, you change things and make another movie. In that case, why call it Suspiria?”

            Additional Sources:
            Suspiria 25th Anniversary , 2001
            Broken Mirrors: Broken Minds: The Dark Dreams of Dario Argento, by Maitland McDonagh

             

            17 Animated Facts About BoJack Horseman

            Netflix
            Netflix

            BoJack Horseman, which is getting ready to debut its final episodes on Netflix at the end of January, surprised viewers and critics with its gradual dive into the depression of an anthropomorphic horse that used to be the star of a banal, early 1990s, TGIF-type sitcom. On the series, the town of Hollywoo is made up of both humans and talking animals full of hopes, dreams, and regrets.

            Will Arnett stars as the voice of the titular equine who, at the beginning of season 3, is faced with the consequences of getting what he wants: legitimate acting recognition for playing the lead in a movie about his hero, Secretariat. Breaking Bad star Aaron Paul plays BoJack's human roommate, Todd; Amy Sedaris stars as BoJack's agent, Princess Carolyn; and Alison Brie portrays BoJack's ghostwriter, Diane Nguyen.

            1. BoJack Horseman’s creator and production designer have been friends since high school.

            NEW YORK, NEW YORK - MAY 01: Lisa Hanawalt and Raphael Bob-Waksberg attend the after party for Netflix's "Tuca & Bertie" Tribeca Film Festival Premiere at American Cut Tribeca on May 01, 2019
            Lisa Hanawalt and Raphael Bob-Waksberg attend the 2019 Tribeca Film Festival.
            Astrid Stawiarz/Getty Images for Netflix

            BoJack Horseman creator Raphael Bob-Waksberg and production designer/producer Lisa Hanawalt met in a high school theater class, coming up with ideas for TV shows. Even while still in high school, Bob-Waksberg had anthropomorphism on the brain. It was there that he wrote a play about a boy with udders who just wanted to fit in. While the two were in college, they teamed up to make a web comic titled Tip Me Over, Pour Me Out.

            Years later, while Hanawalt was becoming a regular James Beard Award finalist for her illustration collections of characters with animal heads on human bodies, Bob-Waksberg was living like his future creation Todd: In a small bedroom "that was more of a closet" in a big beautiful Hollywood Hills house formerly owned by Johnny Depp. It gave him the idea of coming up with a character "who had every success he could have wanted and still couldn't find a way to be happy," someone who felt "simultaneously on top of the world and so isolated and alone."

            Since the two had always wanted to collaborate on a television project, Bob-Waksberg proposed combining his feeling of isolation with Hanawalt's drawings.

            2. Some BoJack Horseman characters are modeled on Raphael Bob-Waksberg and Lisa Hanawalt’s former classmates.

            One day Bob-Waksberg asked Hanawalt, “Oh, do you remember that girl who was in our English class senior year of high school? Draw her, but as a dolphin.” Sextina Aquafina, singer of "My C*itoris is Gynormous," was born.

            3. None of BoJack Horseman’s characters have tails.

            A still from 'BoJack Horseman'
            Netflix

            Despite the fact that about half of the characters in the BoJack Horseman universe are animals, none of them have tails. That’s a decision production designer and co-producer Hanawalt made early on. "I’ve drawn a couple animal people with tails in my personal work, but it makes more sense to draw them without, and I’m not sure why,” she told Business Insider in 2015.

            The only minor exception is in the season 2 episode “Escape From L.A.,” which features a scorpion—with its trademark stinger—as a prom DJ.

            “So he’s got this big tail thing, but I rationalize it by saying it’s coming out of his upper back,” Hanawalt told Business Insider.

            4. Michael Eisner signed off on BoJack Horseman.

            Former Disney CEO Michael Eisner's Tornante Company agreed to produce the BoJack concept and sold it to Netflix. After a nervous and inexperienced Bob-Waksberg pitched the show to Eisner himself, Eisner expressed reluctance about putting another series satirizing show business on the air. Once Bob-Waksberg talked about why it was still interesting to him, Eisner agreed to just let him do it his way.

            5. BoJack himself was fairly easy to come up with.

            Bob-Waksberg doesn't remember where he got the name of his protagonist. "BoJack just sounded like a horse name to me," he said. "I don't know where I heard it or how I came up with it."

            Hanawalt claimed that BoJack Horseman was one of the easiest characters to design, quickly picturing the sweater, the shoes, and his grumpy expression as soon as Bob-Waksberg described him to her.

            6. BoJack Horseman's human characters were the hardest to create.

            For Hanawalt, Diane and Todd were the hardest characters to create. "Humans are generally much trickier to draw because we’re so used to looking at and analyzing human faces," she said. "The slightest tweak makes a huge difference in how we perceive that character. Todd went through dozens of variations before we got him right, and then we changed him even more."

            7. Todd Chavez is one of the first openly asexual characters on television.

            Aaron Paul as Todd in 'BoJack Horseman'
            Aaron Paul voices Todd Chavez in BoJack Horseman.
            Netflix

            Todd Chavez is one of very few television characters to use the word asexual to refer to himself, a development some critics have described as revolutionary. Other television characters who openly identify as asexual include Brad, a background character in Faking It; Valentina “Voodoo” Dunacci in Sirens; Lord Varys on Game of Thrones; and Florence, a minor character in Netflix’s Sex Education.

            8. Lisa Hanawalt takes inspiration from real-life fashion to design clothing for BoJack Horseman’s characters.

            “I’ll often reference celebrities,” Hanawalt told Racked in 2017 of how she comes up with character's outfits. “Like Jessica Biel, who’s actually on the show—she has the best street style, so I look at what she wears a lot. There was this leather army green one-sleeved mini dress she wore that I definitely put on a character. And I recently drew a dress that Constance Wu wore to the Critics’ Choice Awards; I love her.”

            Once, Hanawalt even put Princess Carolyn in the mint green Gucci dress Katy Perry wore to the 2013 Grammy Awards. To draw the characters who work at the fictional Manatee Fair, she turned to Prada for inspiration.

            “That was crazy fun to draw, and I liked that they’re the opposite of model body types,” she told Racked. “It was fun to take runway fashions and put them on manatees!”

            9. Yes, that was really Sir Paul McCartney's voice you heard on BoJack Horseman.

            Not every celebrity agrees to do a voice on the show—after a writer on the show "poured his heart out" to Cameron Crowe, Crowe was still too busy to voice the raven named Cameron Crowe. In season 1, the show still managed to snag J.K. Simmons to play the tortoise Lennie Turtletaub and Naomi Watts to portray herself. More celebrities followed; an unnamed guest actor told Bob-Waksberg, "Well, I guess if Naomi Watts is willing to make a fool of herself like this, I can too."

            For the season 2 episode "After the Party," the show managed to get the former Beatle after some "tenacity" from the casting director Linda Lamontagne. McCartney recorded his lines in New York, with Bob-Waksberg instructing him from the studio in Los Angeles. The BoJack creator didn't know McCartney was going to do it until five minutes beforehand, when an executive producer called his cell while he was waiting to pick up a smoothie.

            If he didn't do the voice, Kevin Bigley would have done an impression of Michael Bublé to end the installment.

            10. Margo Martindale didn't know BoJack Horseman involved animals until after a table read.

            Margo Martindale's The Millers co-star Will Arnett insisted that Martindale had to appear on his animated show. After she said she didn't want to do a cartoon, Arnett explained, "You have to do it—the part is Character Actress Margo Martindale." The day after her first BoJack table read, Martindale approached Arnett on The Millers set to tell him how much fun she had had, and how Mr. Peanutbutter oddly has a lot of doglike qualities.

            Unfortunately, after Martindale was sent to jail on BoJack Horseman, her husband discovered that someone updated her real-life Wikipedia page to read that she spent the last year in prison for armed robbery. “This is what your cartoon’s done for me,” Martindale told Arnett.

            11. Some actors do double or triple voice duty on BoJack Horseman.

            Arnett voices both BoJack and his father, Butterscotch Horseman. Alison Brie portrays Diane Nguyen, "Vincent Adultman," and Joelle Clarke. Even Bob-Waksberg gets into the voice acting as tree frog assistant-turned-agent Charley Witherspoon.

            12. BoJack Horseman’s writers love giving Amy Sedaris complicated tongue twisters.

            Amy Sedaris’s character Princess Carolyn is often saddled with complex tongue twisters because the actress “hates them,” according to a Yahoo! interview with Bob-Waksberg. “She’s so annoyed,” he said “There’s a fun friction that comes out of her saying these words. Where you can almost get the sense that she doesn’t want to, but she has to, which gives it a fun charge.”

            The writing team is fond of creating characters specifically for the purpose of inserting them into increasingly ridiculous word avalanches. In season 4, Amy Sedaris had several lines revolving around the fictional actress Courtney Portnoy, who portrayed “the formerly portly consort in The Seaport Resort” and “the thorny horticulturist in One Sordid Fortnight with a Short-Skirted Sorceress.”

            “I enjoy doing it, and I enjoy making Amy do it,” Bob-Waksberg told Yahoo! “I think she secretly enjoys it too, even though she complains.”

            13. BoJack Horseman’s running Zoe or Zelda gag was based off of a Tia and Tamera observation.

            "The Zoe/Zelda thing in season one came from a Tia and Tamera observation I've had for a while," Bob-Waksberg admitted. Back in 2010, he wrote on his Tumblr that he was a Tia, despite his many Tamera qualities, and later that he was a Zoe with some very Zelda qualities.

            14. Some of BoJack Horseman’s jokes take entire seasons to build.

            While the mulch joke was a variation of a joke Bob-Waksberg knew for years, and the movie-star speech Rutabaga Rabbitowitz gives Princess Carolyn is something he had told to heartbroken friends before, the Marisa Tomei sneezing picture took the entire first season to come together in the writers room.

            "In season 1, we were working on some episode and we knew there was some story on BoJack sneezing on Marisa Tomei that we had set up, and elsewhere, we had set up that there was a sneezing picture that BoJack hates, but everyone uses when they talk about BoJack," he explained. "It wasn’t until episode 11 that we realized, 'What if the sneezing picture is the picture of him sneezing on Marisa Tomei?' We went back to episode 2 and changed the picture and had a flashback in episode 11."

            Some story arcs were invented in the writers room, like the paparazzi birds, Todd's rock opera, and the progression of Mr. Peanutbutter and Diane's relationship. Going to Boston, the Herb Kazzaz storyline, the drug trip episode, and BoJack cornering Diane at Ghostwritercon were all Bob-Waksberg's initial pitch to Netflix.

            15. One BoJack Horseman episode was based off of an unused Curb Your Enthusiasm script.

            "Let's Find Out" was based off of a Curb Your Enthusiasm spec script by BoJack writer Peter Knight. In his script, Larry David appears on Who Wants to be a Millionaire? with Ron Howard. When Ron Howard admits he doesn't know who Larry David is, David pretends to not know who Howard is and deliberately blows the game. In "Let's Find Out," BoJack goes on the Mr. Peanutbutter-hosted Hollywoo Stars and Celebrities: What Do They Know? Do They Know Things?? Let’s Find Out! and fumes over the fact that Daniel Radcliffe doesn't know who he is. In the end, BoJack pretends to not know who Radcliffe is, losing the game.

            Radcliffe was a fan of BoJack Horseman, so he was written in as the celebrity on the game show. "I’ve seen every version of a Harry Potter joke and you guys wrote my favorite," Radcliffe told Bob-Waksberg.

            16. BoJack Horseman’s creator doesn’t actually hate honeydew.

            Bojack Horseman is very vocal about his hatred of honeydew, which the show refers to as the Jared Leto of fruits (“It is literally the worst part of everything it’s in,” one character explains). But Bob-Waksberg doesn’t actually mind it.

            “I think good honeydew’s all right,” he told Yahoo! in 2017. “I hope this doesn’t destroy my credibility. I live in constant fear that people connect to the show because it’s such a sensitive and accurate portrayal of honeydew haters, and it’s going to come out that I myself am not a honeydew hater, and they’re going to tear me down.”

            17. Raphael Bob-Waksberg thinks BoJack Horseman still has a few seasons left in it.

            In an interview with Vulture, Bob-Waksberg was asked whether he was surprised when Netflix announced that season 6 would be BoJack Horseman's last; his answer was somewhere between yes and no."I thought we’d go a couple more years," he said. "But you know, it’s a business. They’ve got to do what’s right for them, and six years is a very healthy run for a TV show. Frankly, I’m amazed we got this far. So I can’t complain. I think if we premiered on any other network, or even on Netflix on any other time than when we did, I don’t know if we would’ve gotten the second season."

            10 People Who Have Misplaced Their Oscars

            Jeff Bridges accepts the Best Actor Oscar for Crazy Heart during the 82nd Annual Academy Awards in 2010.
            Jeff Bridges accepts the Best Actor Oscar for Crazy Heart during the 82nd Annual Academy Awards in 2010.
            Kevin Winter/Getty Images

            Winning an Oscar is, for most people, a once-in-a-lifetime achievement. Unless you're Walt Disney, who won 22. Nevertheless, owning a little gold guy is such a rarity that you'd think their owners would be a little more careful with them. Now, not all of these losses are the winners' fault—but some of them certainly are (we're looking at you, Colin Firth).

            1. Angelina Jolie

            Angelina Jolie with her Oscar in 2000.
            HO/AMPAS

            At the 2000 Academy Awards ceremony, after Angelina Jolie planted a kiss on her brother and made the world collectively squirm, she went onstage and collected a Best Supporting Actress Oscar for her role as Lisa in Girl, Interrupted. She later presented the trophy to her mother, Marcheline Bertrand. The statuette may have been boxed up and put into storage when Marcheline died in 2007, but it hasn't yet surfaced. "I didn't actually lose it," Jolie said, "but nobody knows where it is at the moment."

            2. Whoopi Goldberg

            Whoopi Goldberg with her Oscar.
            Michael Loccisano/Getty Images

            In 2002, Whoopi Goldberg sent her Ghost Best Supporting Actress Oscar back to the Academy to have it cleaned and detailed, because apparently you can do that. The Academy then sent the Oscar on to R.S. Owens Co. of Chicago, the company that manufactures the trophies. When it arrived in the Windy City, however, the package was empty. It appeared that someone had opened the UPS package, removed the Oscar, then neatly sealed it all back up and sent it on its way. It was later found in a trash can at an airport in Ontario, California. The Oscar was returned to the Academy, who returned it to Whoopi without cleaning it. "Oscar will never leave my house again," Goldberg said.

            3. Olympia Dukakis

            Olympia Dukakis with an Oscar statue.
            Steven Henry/Getty Images

            When Olympia Dukakis's Moonstruck Oscar was stolen from her home in 1989, she called the Academy to see if it could be replaced. "For $78," they said, and she agreed that it seemed like a fair price. It was the only thing taken from the house.

            4. Marlon Brando

            Marlon Brando in 1957.
            Keystone/Getty Images

            "I don't know what happened to the Oscar they gave me for On the Waterfront," Marlon Brando wrote in his autobiography. "Somewhere in the passage of time it disappeared." He also didn't know what happened to the Oscar that he had Sacheen Littlefeather accept for him in 1973. "The Motion Picture Academy may have sent it to me, but if it did, I don't know where it is now."

            5. Jeff Bridges

            Actor Jeff Bridges, winner of Best Actor award for
            Jeff Bridges, winner of the Best Actor Oscar for Crazy Heart, poses in the press room at the 82nd Annual Academy Awards on March 7, 2010.
            Jason Merritt/Getty Images

            In 2010, Hollywood legend Jeff Bridges won his first-ever Oscar for his portrayal of alcoholic country singer Bad Blake in Crazy Heart, but it was already missing by the time next year's ceremony rolled around, when he was nominated yet again for his role in the Coen brothers's True Grit

            When asked about his year-old statuette, Bridges admitted that "It's been in a few places since last year but I haven’t seen it for a while now." Finding the MIA Oscar seemed even more urgent when Bridges lost the 2011 Best Actor Oscar to Colin Firth for The King's Speech. "I'm hoping it will turn up, especially now that I haven't won a spare," Bridges said. "But Colin deserves it. I just hope he looks after it better." 

            6. Colin Firth

            Colin Firth with his Oscar in 2011.
            Kevork Djansezian/Getty Images

            Perhaps Jeff Bridges secretly cursed Colin Firth as he said those aforementioned words, because Firth nearly left his new trophy on a toilet tank the very night he received it. After a night of cocktails at the Oscar after-parties in 2011, Firth allegedly had to be chased down by a bathroom attendant, who had found the eight-pound statuette in the bathroom stall. Notice we said allegedly: Shortly after those reports surfaced, Firth's rep issued a statement saying the "story is completely untrue. Though it did give us a good laugh."

            7. Matt Damon

            Actor Matt Damon in 1999
            Brenda Chase/Hulton Archive

            When newbie writers Matt Damon and Ben Affleck took home Oscars for writing Good Will Hunting in 1998, it was one of those amazing Academy Award moments. Now, though, Damon isn't sure where his award went. "I know it ended up at my apartment in New York, but unfortunately, we had a flood when one of the sprinklers went off when my wife and I were out of town and that was the last I saw of it," Damon said in 2007.

            8. Margaret O'Brien

            Child actress Margaret O'Brien.
            Hulton Archive/Getty Images

            In 1945, 7-year-old Margaret O'Brien was presented with a Juvenile Academy Award for being the outstanding child actress of the year. About 10 years later, the O'Briens' maid took the award home to polish it, as she had done before, but never returned. The missing Oscar was forgotten about when O'Brien's mother died shortly thereafter, and when Margaret finally remembered to call the maid, the number had been disconnected. She ended up receiving a replacement from the Academy.

            There's a happy ending to this story, though. In 1995, a couple of guys were picking their way through a flea market when they happened upon the Oscar. They put it up for auction, which is when word got back to the Academy that the missing trophy had resurfaced. The guys who found the Oscar pulled it from auction and presented it, in person, to Margaret O'Brien. "I'll never give it to anyone to polish again," she said.

            9. Bing Crosby

            Barry Fitzgerald (left) holds his Oscar for Best Supporting Actor while American actor Bing Crosby holds his Oscar for Best Actor, both for their roles in Going My Way; 1945.
            Barry Fitzgerald (left) holds his Oscar for Best Supporting Actor while American actor Bing Crosby holds his Oscar for Best Actor, both for their roles in Going My Way; 1945.
            Hulton Archive/Getty Images

            For years, Bing Crosby's Oscar for 1944's Going My Way had been on display at his alma mater, Gonzaga University. In 1972, students walked into the school's library to find that the 13-inch statuette had been replaced with a 3-inch Mickey Mouse figurine instead. A week later, the award was found, unharmed, in the university chapel. "I wanted to make people laugh," the anonymous thief later told the school newspaper.

            10. Hattie McDaniel

            A publicity still from 1939's Gone with the Wind; at the 1940 Academy Awards, Hattie McDaniel (left) won the Oscar for Best Supporting Actress and Vivien Leigh (right) won Best Actress. Olivia de Havilland (center) was also nominated for Best Supporting A
            A publicity still from 1939's Gone with the Wind; at the 1940 Academy Awards, Hattie McDaniel (left) won the Oscar for Best Supporting Actress and Vivien Leigh (right) won Best Actress. Olivia de Havilland (center) was also nominated for Best Supporting Actress.

            Hattie McDaniel, famous for her Supporting Actress win as Mammy in Gone with the Wind, donated her Best Actress Oscar to Howard University. It was displayed in the fine arts complex for a time, but went missing sometime in the 1960s. No one seems to know exactly when or how, but there are rumors that the Oscar was unceremoniously dumped into the Potomac by students angered by racial stereotypes such as the one she portrayed in the film.

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