13 Delicious Facts About Hannibal

Brooke Palmer, NBCUniversal Media
Brooke Palmer, NBCUniversal Media

In 2013, producer Martha De Laurentiis, writer Bryan Fuller, and a talented cast and crew set about crafting a new version of the Hannibal Lecter story. It was a daring proposition after the character and his world had been so clearly defined by Sir Anthony Hopkins’s portrayal of the character and Hannibal’s presence in four novels and five feature films, but Fuller had an idea no one else had approached yet. He wanted to tell the story of the cannibal psychiatrist and the empathetic profiler who ultimately caught him as the story of two lives linked by mutual insanity. Audiences could not have seen it coming, but what they got was one of the most stylish, visually arresting, and psychologically complex horror shows to ever hit television.

Hannibal only lasted three seasons, but in its short time on the air it amassed loads of critical acclaim and a ravenous fan base known as “Fannibals,” many of whom are still holding out hope for the show’s return. With the show’s influence and impact still fresh in our imaginations more than five years after it made its debut, here are 13 facts about the making of Hannibal.

1. BRYAN FULLER GOT THE JOB BECAUSE OF A FATEFUL PLANE RIDE.

Bryan Fuller is a lifelong fan of horror, and a longtime fan of Thomas Harris’s Hannibal Lecter novels, but he did not set out to snag the Hannibal job. In fact, he wasn’t even necessarily aware of the job until it found him, on a flight to New York City where he happened to be seated near an old friend: Katie O’Connell, who was the then-new CEO of the Gaumont Film Company’s U.S. television division. O’Connell told Fuller she was developing a Hannibal series, and asked him if he thought there was a show there—not to offer him the job, but just to get his feedback. In response, Fuller asked if Gaumont had the rights to Will Graham, the protagonist of Harris’s novel Red Dragon, because he was fascinated by one line in that novel that signified a much deeper relationship between Graham and Lecter that audiences and readers had never quite seen.

“Because I had read the books, I knew how much more psychologically complex Will Graham is in the literature than he is in the film. I thought, Wow, there’s a great opportunity to deliver on that line from Red Dragon that Hannibal Lecter says, which is, ‘You caught me because you’re as insane as I am.’ There’s a whole world in that explores their friendship,” Fuller said. “If we are dealing with the Hannibal Lecter who’s a practicing psychiatrist and a practicing cannibal, then he’s out in the open amongst us, a wolf in psychiatrist’s clothing, and wouldn’t that be such a terrifying thing for someone like Will Graham, who is uniquely vulnerable to his own psychology, to have somebody there with access to the buttons of his mind.”

Fuller’s thoughts on Hannibal and Will Graham set in motion an idea for a kind of Red Dragon prequel that would also serve as a mash-up of all of Harris’s writings on the character. That in turn led to a meeting with Martha De Laurentiis of the Dino De Laurentiis Company, which in turn led to a meeting at NBC which got the show greenlit.

2. THE SERIES BEGAN LIFE AS A CLARICE STARLING STORY WITH MGM.

Hugh Dancy and Julian Richings in 'Hannibal'
Brooke Palme, NBCUniversal Media

Before Bryan Fuller entered the picture, and even before Gaumont Television began working on developing the series, Martha De Laurentiis was considering some kind of new Hannibal Lecter project, but wasn’t interested in making yet another film based on the works of Thomas Harris. While Fuller’s concept ultimately latched onto the dynamic between Lecter and Graham, De Laurentiis said that before that happened there was the idea of revisiting The Silence of the Lambs pairing of Lecter and FBI agent Clarice Starling.

“We actually were toying with the idea—with MGM, who has the Clarice character, from the library of Orion Pictures that did Silence of the Lambs—and we were talking about doing something Clarice and Hannibal in the time period after Silence of the Lambs, but we really didn’t take it very far,” De Laurentiis said. “In fact, I felt that perhaps Hannibal would be a very, very minor character and then perhaps just disappear, and I didn’t feel that was right for the character of Hannibal Lecter.”

So, through working with Katie O’Connell at Gaumont, De Laurentiis was connected with Fuller, and the collaboration that would bring us Hannibal began.

3. FULLER ORIGINALLY DEVELOPED A SEVEN-SEASON PLAN.

Though Red Dragon was a major inspiration on the direction of the show because of its depiction of the Lecter/Graham dynamic, Fuller and company set Hannibal in the years leading up to that story in order to show audiences what Lecter was like as “a practicing psychiatrist and a practicing cannibal,” as Fuller put it. That meant reading between the lines of Harris’s novel to develop the relationship that would ultimately lead the two characters down the path of Red Dragon, and lead Hannibal as a character into his life as documented by Harris, when he was a captured serial killer and then an escaped fugitive. In the end, the mash-up quality of the series allowed Fuller to play with many of those elements of Lecter’s life outside of Harris’s chronology, but as the series was first taking shape, Fuller imagined a seven-season plan that would ultimately adapted Harris’s first three Lecter novels and then go beyond them.

“Well, when you get into season four, you get into the literature. And so season four would be Red Dragon, season five would be The Silence of the Lambs era, season six would be the Hannibal era, and then season seven would be a resolve to the ending of that book," Fuller said. "Hannibal ends on a cliffhanger. Hannibal Lecter has bonded with Clarice Starling and brainwashed her and they are now quasi-lovers and off as fugitives, and so that’s a cliffhanger. It might be interesting to resolve that in some way and to bring Will Graham back into the picture. So once we get two more seasons, say, of the television show, those are the aren’t-novelized stories, and then we would get into expansions of the novels after that and kind of using the novels as a backbone for season arcs that would then be kind of enhanced.”

Of course, plans change, and the adaptation of Red Dragon ultimately came in the second half of the show’s third season, but it’s clear Fuller had big ambitions to chart the full course of Hannibal’s criminal career.

4. A REAL CHEF DESIGNED ALL THOSE CANNIBAL RECIPES.

Mads Mikkelsen in 'Hannibal'
NBCUniversal Media

Hannibal Lecter isn’t just a cannibal—he is a cannibal gourmand and gourmet, a lover of the finer things who doesn’t just want to eat human flesh, but prepare it in exquisite and refined ways. Fuller knew this, and he also immediately knew he needed someone with tremendous food expertise to help him make the series. So he turned to a chef of whom he was already a fan: José Andrés, owner of the restaurant The Bazaar in Beverly Hills.

"I have a limited knowledge of the culinary. And Hannibal Lecter has to be smarter than I am in the kitchen," Fuller said. "José gives insight into his expertise; he's omnipresent in every food scene."

When work on the series began, Fuller and Andrés began a series of conversations in which the chef explained that every part of the human body is in some way edible, right down to the bones, which can be ground up and used as thickener. With this in mind, Fuller sought to not just write scenes in which Hannibal is cooking human body parts, but to craft elaborate metaphors in each dinner scene (for example, the scene in which he serves “lamb tongue” to Dr. Frederick Chilton), on which he heavily consulted Andrés during the writing process. Andrés would develop a recipe, which food stylist Janice Poon would then prepare and arrange on set, complete with the elaborate tablescapes which came to dominate so much of the look of the show. The “food porn” Fuller insisted on became so popular with fans that Poon started a blog about the process, and even eventually produced a cookbook.

5. SEVERAL ROLES WERE RACE- AND GENDER-SWAPPED.

In writing Hannibal, Fuller considered Harris’s writing—particularly Red Dragon—to be a kind of guiding Bible, but that doesn’t mean he didn’t take liberties. He aged up the title character, which among other things removes Lecter’s traumatic childhood experiences during World War II from consideration, but perhaps the most notable changes came in casting. Several key roles in the series were ultimately given to actors of different races and even genders than they were previously depicted, in an effort to increase the diversity of the cast. So, Hannibal gave us black actors in the roles of previously white characters Jack Crawford (Laurence Fishburne) and Reba McClane (Rutina Wesley), and the previously male characters Alan Bloom and Freddy Lounds became Alana Bloom (Caroline Dhavernas) and Freddie Lounds (Lara Jean Chorostecki).

“Because it’s a more accurate representation of the world, and if we just did Red Dragon again, it’d be a sausage party with a bunch of white guys,” Fuller told Bloody Disgusting. “I mean, when I first started writing, my protagonists were always young women, and there’s something about that point of view ... you can do some things with a female character that you can’t do with a male character. Like, I always think that, to make a character female gives you so many more opportunities of expression.”

6. DAVID TENNANT ALMOST PLAYED HANNIBAL.

David Tennant in 'Jessica Jones'
Myles Aronowitz, Netflix

Hugh Dancy was the first star cast in the series, joining Hannibal as Will Graham in the spring of 2012, but casting the title role took a little bit longer. After all, how do you recast a part that Anthony Hopkins basically owned thanks to three films and one Oscar? Ultimately, Danish actor Mads Mikkelsen won the role, but he wasn’t the only star considered. At one point, Fuller was meeting with Doctor Who and Jessica Jones star David Tennant about the role.

“I met [Hannibal executive producer] Bryan Fuller a couple of times, and we talked about it,” Tennant told Entertainment Weekly. “But I think they quite wisely chose Mads Mikkelsen, I think he was a perfect choice for it, and I think he did things with that character that I wouldn’t have managed, so I think the right man got the job.”

7. CENSORS WERE ACTIVELY INVOLVED IN THE CREATIVE PROCESS.

For a show like Hannibal, elaborate crime scenes full of mutilated bodies were always going to be part of the process, which adds even more credence to the idea that such a series might be better suited to cable than a broadcast network. At NBC, though, Fuller took a very hands-on approach to crafting the various gruesome murders with the help of the network's standards and practices department. Rather than script or shoot something and then get into a fight with network censors about what he couldn’t show, Fuller would reach out directly with his ideas first, and then work with them to depict the best possible NBC-friendly version of the scene. As a result, he learned a few tricks to get around broadcast TV’s violence limitations.

“The redder the blood and the brighter the blood the less you can show,” he said. “So if you darken the blood and throw it into shadow, then you can be much more graphic than your normally would be able to.”

As it happens, dark shadowy blood matches Hannibal’s overall aesthetic perfectly, so that particular note worked out for everyone.

8. ONE EPISODE NEVER AIRED ON NBC.

It was never any secret that Hannibal would be the kind of show that dealt with graphic and heinous crimes. Its two main characters are a serial killer and a man who hunts serial killers, after all. Still, even Fuller has his limits, and after a particularly violent few months in America in late 2012 and early 2013, he asked NBC to pull the fourth episode of the show’s first season. “Oeuf,” the episode in question, involved a woman (Molly Shannon) brainwashing children into killing their own families. Fuller felt that “given the cultural climate right now in the U.S., I think we shouldn’t air the episode in its entirety,” and cited in particular the Sandy Hook school shooting and the Boston Marathon bombing as examples. “Oeuf” was still teased via a series of clips released to NBC’s website, and the episode is now available on Blu-ray and through streaming services.

9. THERE WAS ONE ELABORATE MURDER THE SHOW WASN’T ALLOWED TO FILM.

Despite working closely with the network’s standards and practices to show as much as possible within the limits of broadcast TV, Hannibal was still a series airing on one of the big four broadcast networks, and not cable. That meant limitations were always inevitable, and at one point Fuller and the writers’ imaginations reached further than NBC was willing to allow.

So, what’s the one big murder scene NBC said no to? According to Fuller, it would have come in the Season 1 episode “Roti,” in which Graham is pursuing escaped killer Dr. Abel Gideon (guest star Eddie Izzard). The scene would have involved Lounds being lured into a room where one of Gideon’s victims was waiting, still alive, with a slit in his stomach. Lounds would have then flipped a switch that triggered a ceiling fan, and it would have been revealed that the fan was actually attached to the man’s intestines through the cut in his stomach. As the fan began to spin, it would disembowel him.

“That was the only one where NBC was like, ‘I just don’t know how you’re going to do it,'” Fuller said. “We would have pushed back if we also hadn’t been told that financially we didn’t know how we could afford to produce such a gag, because you have intestines swinging around a ceiling fan,” he adds.

10. THE SHOW’S BIGGEST CRIME SCENE USED REAL (LIVING) HUMAN BODIES.

Hugh Dancy in 'Hannibal'
NBCUniversal Media

The first case of Hannibal’s second season involved “The Muralist,” a serial killer who abducted and killed various people of different ethnic backgrounds, preserved their bodies with silicone and resin, and then sewed them together in a massive and intricate pattern in the bottom of a silo to form the shape of a human eye (victims with paler skin made up the white, while victims with darker skin were the pupil). It’s an intense and captivating visual even by Hannibal’s standards, and while the production used a computer program called Form Z to design the layout of the bodies beforehand, when it came time to actually film the scene there was no substitute for the real thing. Several dozen background artists were employed and asked to lie in an elaborate pattern on the floor of the set for two days of shooting, usually nearly nude.

“Forty-plus human bodies. They warmed the bottom of the floor for the backgrounds artists so they wouldn’t succumb to the cold,” Fishburne recalled. “And you walk into that room and you’re hit immediately with all the scent of human flesh and the pheromones that are coming off everybody and all you want to do is lay down and go to sleep with them.”

11. IT INCLUDES A WONDERFALLS CROSSOVER.

It’s a bit of a tradition among Bryan Fuller TV series that some connective tissue is established between whatever the current series is and the shows that came before it, establishing what fans call the “Fullerverse.” This carried over into Hannibal, which shares a very brief connection with Fuller’s single season Fox series Wonderfalls. In Hannibal’s second episode, “Amuse-Bouche,” a woman named Gretchen Speck (Chelan Simmons) goes to the pharmacy to pick up her insulin, at which time it’s revealed that she was previously Gretchen Speck-Horowitz, but she has since divorced. Speck is one of the potential victims of that episode’s serial killer, a pharmacist who gives diabetic patients the wrong medication to place them into a coma, then half-buries them and uses their bodies as mushroom farms in the forest. Speck was meant to be his next victim, but she’s saved before he can carry out his plan. Gretchen Speck-Horowitz was one of Wonderfalls’s recurring characters, and because she managed to escape death in Hannibal, she’s still around for another Bryan Fuller series.

12. DAVID BOWIE WAS ALMOST A GUEST STAR.

In addition to a stellar main cast, Hannibal was also always packed with interesting guest stars, from Eddie Izzard to Gillian Anderson to Lance Henriksen. One particular guest star, though, was always just out of reach for the series. For the second season, Fuller offered the role of Hannibal’s uncle Robert Lecter to legendary musician and actor David Bowie, but Bowie was unavailable and the role was left uncast—though not without the hope that Bowie could eventually make time for the series.

“We were told by his people, when we got the pick-up for the third season, to make sure to ask again about his availability,” Fuller said. “So, once we have our dates, we are going to ask again.  I think the man walks on water, so I would love to be in his orbit, in some way.”

Bowie, of course, never made it to Hannibal, and we now know he spent the final 18 months of his life battling liver cancer and working on his final musical projects before he passed away on January 10, 2016.

13. A REVIVAL FOCUSING ON THE SILENCE OF THE LAMBS IS STILL POSSIBLE.

Hannibal was canceled in June of 2015, just weeks into third season, after three years of critical acclaim but consistently low ratings. “Fannibals” immediately began requesting that the series continue elsewhere, and Fuller teased discussions with various streaming services to do just that. At one point, it seemed a deal to bring the series to Amazon for a fourth season was close, but the timeline ended up not working out due in part to Fuller’s commitment to the Starz series American Gods. Three years later, we still haven’t seen any more Hannibal.

That doesn’t mean it’ll never happen, though. Fuller has consistently broached the possibility of a fourth season or a even a miniseries to reunite the show’s cast, and both Mikkelsen and Dancy have expressed interest in returning. If the show did come back, Fuller would aim to focus on some form of the Silence of the Lambs storyline, having adapted Red Dragon in season three, while also resolving the very literal cliffhanger at the end of the series’s NBC run.

So, when could it happen? Last year, Fuller said that the rights have finally reverted back to De Laurentiis, who has begun “conversations” about the future of the franchise. We still have no idea what that future holds, but even three years later, Fannibals aren’t letting their favorite cannibal go.

Additional Sources:
“Hannibal Reborn” featurette, 2013
“A Taste for Killing” featurette, 2013
The Art and Making of Hannibal the Television Series by Jesse McLean, 2015

12 Good Ol' Facts About The Dukes of Hazzard

Getty Images
Getty Images

When The Dukes of Hazzard premiered on January 26, 1979, it was intended to be a temporary patch in CBS’s primetime schedule until The Incredible Hulk returned. Only nine episodes were ordered, and few executives at the network had any expectation that the series—about two amiable brothers at odds with the corrupt law enforcement of Hazzard County—would become both a ratings powerhouse and a merchandising bonanza. Check out some of these lesser-known facts about the Duke boys, their extended family, and the gravity-defying General Lee.

1. CBS's chairman hated The Dukes of Hazzard.

CBS chairman William Paley never quite bought into the idea of spinning his opinion to match the company line. Having built CBS from a radio station to one of the “Big Three” television networks, he had harvested talent as diverse as Norman Lear and Lucille Ball, a marked contrast to the Southern-fried humor of The Dukes of Hazzard. In his 80s when it became a top 10 series and seeing no reason to censor himself, Paley repeatedly and publicly described the show as “lousy.”

2. The Dukes of Hazzard's General Lee got 35,000 fan letters a month.


Getty Images

While John Schneider and Tom Wopat were the ostensible stars of the show, both the actors and the show's producers quickly found out that the main attraction was the 1969 Dodge Charger—dubbed the General Lee—that trafficked brothers Bo and Luke Duke from one caper to another. Of the 60,000 letters the series was receiving every month in 1981, 35,000 wanted more information on or pictures of the car.

3. Dennis Quaid wanted to be The Dukes of Hazzard's Luke Duke—on one condition.

When the show began casting in 1978, producers threw out a wide net searching for the leads. Dennis Quaid was among those interested in the role of Luke Duke—which eventually went to Wopat—but he had a condition: he would only agree to the show if his then-wife, P.J. Soles, was cast at the Dukes’ cousin, Daisy. Soles wasn’t a proper fit for the supporting part, which put Quaid off; Catherine Bach was eventually cast as Daisy.

4. John Schneider pretended to be a redneck for his Dukes of Hazzard audition.

New York native Schneider was only 18 years old when he went in to read for the role of Bo Duke. The problem: producers wanted someone 24 to 30 years old. Schneider lied about his age and passed himself off as a Southern archetype, strutting in wearing a cowboy hat, drinking a beer, and spitting tobacco. He also told them he could do stunt driving. It was a good enough performance to land him the show.

5. The Dukes of Hazzard co-stars John Schneider and Tom Wopat met while taking a poop.

After Schneider was cast, the show needed to locate an actor who could complement Bo. Stage actor Wopat was flown in for a screen test; Schneider happened to be in the bathroom when Wopat walked in after him. The two began talking about music—Schneider had seen a guitar under the stall door—and found they had an easy camaraderie. After flushing, the two did a scene. Wopat was hired immediately.

6. Daisy's Dukes needed a tweak on The Dukes of Hazzard.

Bach’s omnipresent jean shorts were such a hit that any kind of cutoffs quickly became known as “Daisy Dukes,” after her character. But they were so skimpy that the network was concerned censors wouldn’t allow them. A negotiation began, and it was eventually decided that Bach would wear some extremely sheer pantyhose to make sure there were no clothing malfunctions.

7. Nancy Reagan was fan of The Dukes of Hazzard's Daisy.

Shirley Moore, Bach’s former grade school teacher, went on to work in the White House. After Bach sent her a poster, she was surprised to hear back that then-First Lady Nancy Reagan was enamored with it. “I’m the envy of the White House and I’m having your poster framed,” Moore wrote in a letter. “Mrs. Reagan saw the picture and fell in love with it.” Bach sent more posters, which presumably became part of the decor during the Reagan administration.

8. The Dukes of Hazzard's stars had some very bizarre contract demands.

Wopat and Schneider famously walked off the series in 1982 after demanding a cut of the show’s massive merchandising revenue—which was, by one estimate, more than $190 million in 1981 alone. They were replaced with Byron Cherry and Christopher Mayer, “cousins” of the Duke boys, who were reviled by fans for being scabs. The two leads eventually came back, but it wasn’t the only time Warner Bros. had to deal with irate actors. James Best, who portrayed crooked sheriff Rosco P. Coltrane, refused to film five episodes because he had no private dressing room in which to change his clothes; the production just hosed him down when he got dirty. Ben Jones, who played “Cooter” the mechanic, briefly left because he wanted his character to sport a beard and producers preferred he be clean-shaven.

9. A miniature car was used for some stunts in The Dukes of Hazzard.

As established, the General Lee was a primary attraction for viewers of the series. For years, the show wrecked dozens of Chargers by jumping, crashing, and otherwise abusing them, which created some terrific footage. For its seventh and final season in 1985, the show turned to a miniature effects team in an effort to save on production costs: it was cheaper to mangle a Hot Wheels-sized model than the real thing. “It was a source of embarrassment to all of us on the show,” Wopat told E!.

10. The Dukes of Hazzard's famous "hood slide" was an accident.

A staple—and, eventually, cliché—of action films everywhere, the slide over the hood was popularized by Tom Wopat. While it may have been tempting to take credit, Wopat said it was unintentional and that the first time he tried clearing the hood, the car’s antenna wound up injuring him.

11. The Dukes of Hazzard cartoon went international.


YouTube

Warner Bros. capitalized on the show’s phenomenal popularity with an animated series, The Dukes, which was produced by Hanna-Barbera and aired in 1983. Taking advantage of the form, the Duke boys traveled internationally, racing Boss Hogg through Greece or Hong Kong. Perhaps owing to the fact that the live-action series was already considered enough of a cartoon, the animated series only lasted 20 episodes.

12. In 2015, Warner Bros. banned the Confederate flag from The Dukes of Hazzard merchandising.

At the time the series originally aired, little was made of the General Lee sporting a Confederate flag on its hood. In 2015, after then-South Carolina Governor Nikki Haley spoke out against the depiction of the flag in popular culture, Warner Bros. elected to stop licensing products with the original roof. The company announced that all future Dukes merchandise would drop the design element. Schneider disagreed with the decision, telling The Hollywood Reporter, “Is the flag used as such in other applications? Yes, but certainly not on the Dukes ... Labeling anyone who has the flag a ‘racist’ seems unfair to those who are clearly ‘never meanin’ no harm.'”

8 Surprising Facts About Paul Newman

Hulton Archive/Getty Images
Hulton Archive/Getty Images

With roles as varied as pool shark “Fast” Eddie Felson in 1961’s The Hustler (and 1986's The Color of Money) and alcoholic lawyer Frank Galvin in 1982’s The Verdict, Paul Newman never conformed to type. The versatile actor spent decades as a movie star, auto racer, and part-time salad dressing pitchman. In honor of what would have been Newman’s 95th birthday on January 26, 2020, take a look at some lesser-known details of the performer’s life and career.

1. Paul Newman originally wanted to be a football player.

Born in Cleveland and raised in Shaker Heights, Ohio, Paul Newman was the offspring of Arthur, a sporting goods store owner, and Teresa, whose love of theater eventually proved contagious. But Newman originally had his sights set on a sports career. He played football in high school and college before enlisting in the U.S. Navy Air Corps, where he served as a radio operator (as he was ineligible to be a pilot due to being colorblind).

When Newman returned home in 1946, he attended Kenyon College in Gambier, Ohio on a football scholarship. After getting arrested for fighting and being kicked off the team, Newman decided to shift his major to theater. He eventually wound up in summer stock and then the Yale School of Drama before heading off to be a full-time actor in New York.

2. Paul Newman thought his first film was the worst movie ever made.

After stints on stage and in television, including roles in Playhouse 90, Newman was offered the starring role in 1954’s The Silver Chalice, about a Greek slave who crafts the cup used during the Last Supper. While the $1000 weekly salary was welcome, the film was not. Newman later asked friends to sit through it while drubbing it as the worst film ever made. He had better luck two years later when he played boxer Rocky Graziano in Somebody Up There Likes Me (1956). In 1958, Newman earned his first of 10 Academy Award nominations for Cat on a Hot Tin Roof.

3. Paul Newman was often mistaken for Marlon Brando.

Paul Newman and Joanne Woodward standing outdoors, circa 1962
Paul Newman and wife Joanne Woodward, circa 1962.
Hulton Archive/Getty Images

Early in their respective careers, Newman was regularly approached by people who thought he was Marlon Brando. Rather than correct them, he would oblige their request for an autograph by signing, “Best Wishes, Marlon Brando.”

4. Paul Newman frequently enjoyed faking his own death.

Newman, who was described by most who knew him as an affable man, had a mischievous streak that often manifested in practical jokes on his directors. A frequent target was George Roy Hill, who directed Newman in 1969’s Butch Cassidy and the Sundance Kid, 1973’s The Sting, and 1977’s Slap Shot. Newman cut Hill’s desk and car in half during filming of the first two films. While making Slap Shot, he crawled behind the wheel of a wrecked car and pretended he had been in an accident, much to Hill’s horror.

While making 1960’s Exodus, Newman pranked director Otto Preminger by tossing a dummy off a building knowing Preminger would think it was him: Preminger collapsed in shock. He repeated the joke during shooting of 1973’s The MacKintosh Man, tossing another dummy off a 60-foot building in front of director John Huston.

5. A movie introduced Paul Newman to racing.

It was starring in the 1969 racing film Winning that led Newman down a path of competitive racing in his private life. In 1972, Newman started driving on an amateur level before winning his first professional race in 1982. At age 70, he was part of the winning team in the 1995 Daytona 24-Hours sports car endurance race and continued to drive through 2005. The hobby was one of the few things that could get Newman, who was notoriously press-shy, to open up to media. “I’ll always talk about racing because the people are interesting and fun, the sport is a lot more exciting than anything else I do, and nobody cares that I’m an actor,” Newman said. “I wish I could spend all my time at the racetrack.”

6. Richard Nixon considered Paul Newman an enemy.

Actor Paul Newman is pictured in Venice, Italy in 1963
Archivio Cameraphoto Epoche/Getty Images

President Richard Nixon, who was no stranger to controversy, liked to keep tabs on people he considered volatile and in opposition to his politics. While that normally included political figures, his “enemies list” also included Newman. The actor earned the honor by supporting 1968 presidential candidate Hubert Humphrey and being an outspoken critic of the Vietnam War. Oddly, Newman and Nixon had some personal history: Both men shared use of a Jaguar on loan from an automobile dealer. When Newman learned that Nixon was driving the car during part of the week, he left a note saying Nixon should find no trouble operating a car with a “tricky clutch,” a nod to Nixon’s “Tricky Dick” nickname. When Nixon gathered his list of rivals in 1971, Newman’s name was on it. The actor later got a copy and had it framed.

7. Martha Stewart helped put Paul Newman’s salad dressing on the map.

Today it's not uncommon for major actors to lend their images to food and alcoholic beverages. In the early 1980s, it was unusual, though Newman wasn’t looking to make history—only salad dressing. The actor enjoyed mixing an oil and vinegar blend and giving it out to friends and family around the holidays. With friend A.E. Hotchner, Newman bottled a batch and dispensed it over the 1980 Christmas season. Martha Stewart, who was then a caterer, was living in Newman's neighborhood at the time and reported a blind taste test was in favor of the dressing. Newman agreed to put his face on the bottle and call it Newman’s Own. The dressing and the foods to come—including spaghetti sauce—generated profits that Newman donated entirely to charity. As of 2015, the company has delivered an estimated $430 million to charitable causes.

8. Paul Newman once offered part of his salary to a co-star.

While making the 1998 film Twilight with Gene Hackman and Susan Sarandon, Newman was surprised to discover that both he and Hackman were making considerably more than Sarandon, despite all three receiving equal billing. Sarandon told the BBC in 2018 that Newman then offered to give up a portion of his salary to make things equitable.

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