With J.J. Abrams back in the director's chair to helm the upcoming Star Wars: Episode IX, fans are excited to see what magic he will bring once again to the galaxy far, far away. After Rian Johnson's divisive The Last Jedi, many fans are just grateful the approach will probably be similar to Abrams's The Force Awakens instead of the most recent film.
And so far, rumors for the final film in the Skywalker Saga have been nothing short of wild. From a leak alleging Emperor Palpatine's return, to a rumor claiming Rey will finally have a family reunion, the as-yet-untitled film has to bring it in order to live up to these expectations.
Now there's yet another Episode IX rumor brewing, which yet again is teasing the possibility of seeing another classic character return: Natalie Portman's Padmé Amidala. According to We Got This Covered, one plot point will see the following:
"... Kylo Ren witness his own grandmother’s funeral on Naboo, as well as the moment where Anakin chokes Natalie Portman’s character in Revenge of the Sith. How is this possible? Well, it’s said that Ben Solo will take advantage of 'the world between worlds' previously seen in Star Wars Rebels. This mysterious realm consists of a collection of doors and pathways that connect moments in time and space, allowing Kylo to journey back into the past."
We're not sure where this rumor comes from, but many fans have been suspecting and hoping for the return of Padmé. YouTuber Mike Zeroh even released a video showing how it could be possible.
Though all these rumors are just that—rumors—we certainly wouldn't mind seeing Portman reprise her role.
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The second season of The Mandalorian is here, and that means a tidal wave of new merchandise is already on store shelves for eager fans to devour. And, of course, when we're talking about Mandalorian merch, we're really talking about anything with Baby Yoda's face printed onto it. And there's plenty of that available for the series' sophomore season on Disney+, whether you want to invest hours in a new LEGO set or just want to kick back and have a drink out of a Baby Yoda-shaped tiki mug. Check out some of our favorite products below.
1. Star Wars: The Mandalorian Polaroid Camera; $140
Polaroid cameras are as classic as Star Wars itself, so this collaboration feels natural. The instant camera has The Mandalorian logo etched onto it, and the unique i-Type film prints photos with little Baby Yoda illustrations decorating the borders.
2. Amazon 3rd Generation Echo Dot The Child Stand; $25
Amazon Echo Dots have become so popular, it seems most homes have a couple lying around. With this Baby Yoda stand, you can make sure you'll always know which one is yours. The iconically elongated ears will brighten up any Star Wars fan’s room and get them ready for the new season of the show.
3. Star Wars: The Mandalorian Marshmallow Cereal; $11
It feels like cereal hasn’t changed too much over the past couple of years, which is why this Mandalorian cereal is a real treat. It's not just that Baby Yoda's grinning on the box; the cereal itself also has marshmallow pieces shaped like the character.
The famous thermos mug brand, Stanley, has teamed up with Disney to create three exclusive bottles featuring imagery from The Mandalorian. The models include a vacuum bottle with The Mandalorian logo, a trigger-action mug showcasing The Child, and an insulated tumbler with Mando's helmet on it. And since these are from Stanley, you know your drinks will be kept at just the right temperature for up to 24 hours.
The world of intergalactic bounty hunting makes a seamless transition into Hasbro’s classic game of property management and armchair capitalism in this special edition of Monopoly. Here, staples like Park Place and Baltic Avenue are replaced by the Armorer’s Workshop and a Jawa Camp, with boot and thimble tokens making way for Mando, Baby Yoda, and Moff Gideon pieces.
Mando’s bulky star cruiser is one of the most memorable additions to the Star Wars ship library since the Disney acquisition. This 1023-piece LEGO set allows you to recreate the vessel brick by brick. The Razor Crest set even opens up to reveal a cargo hold, cockpit, and an escape pod—which are all the perfect size to fit the minifigures of Mando, Greef Karga, and Baby Yoda that come along with it.
If any duo deserved an extra-large Funko Pop!, it’s this one. Here, the Mandalorian, real name Din Djarin, is decked out in a special chrome helmet variant meant to resemble his fancy beskar armor. In his clutches is Baby Yoda, and the pair strikes a pose that's perfect for displaying on a desk or bookshelf.
This tiki mug is firmly in the “at this point, why not?” category of Baby Yoda merchandise. At 16 ounces, it’s an adorable vessel for your favorite island drink, ensuring that even your beverages are on brand while you binge the latest season of The Mandalorian.
For floors that have a distinct lack of Baby Yoda, this 39-inch area rug sports a vivid illustration of everyone’s favorite pint-sized Force wielder sitting in his adorable floating bassinet. Made of 100 percent polyester, this rug would be right at home in your bathroom, kitchen, or bedroom.
Director Frank Capra's 1946 classic It's a Wonderful Life is sacred in the holiday movie pantheon. It's not as quotable as A Christmas Story (1983) or as lyrical as 1966's How the Grinch Stole Christmas!, but the story of George Bailey has a universal message behind it that endures more than 70 years later. Though the movie is the quintessential Christmas tale today, when it was first released in 1946, audiences and critics were lukewarm toward the picture, resulting in a box office disappointment that killed Capra's nascent production company, Liberty Films. In a strange twist, decades after it was first released, an unlikely clerical screw-up managed to turn It's a Wonderful Life into the Christmastime staple we know today.
In the 1930s, Capra became a magnet for Academy Awards, directing movies like the screwball comedy It Happened One Night (1934) and Mr. Smith Goes to Washington (1939). After Pearl Harbor, Capra knew he could contribute something to the war effort, so he took a post in Washington overseeing the development of U.S. propaganda films for the government—most notably the award-winning Why We Fight series of documentaries.
Upon returning from Washington in 1945, Capra—along with other wartime directors William Wyler and George Stevens—helped finance Liberty Films, an independent production company poised to give filmmakers the one thing they all dreamed of: freedom. The company's first film would be an adaption of a short story titled "The Greatest Gift," which would also appear in Good Housekeeping under the title "The Man Who Was Never Born," and would be adapted for the screen as It's a Wonderful Life. It's one of the few movies Capra also received a screenwriting credit for, and with a proposed budget of $2 million, it was a huge gamble for Liberty.
Something akin to a nightmare
In the book Five Came Back, writer Mark Harris describes It's a Wonderful Life's production process as something akin to a nightmare. Script rewrites, a bloated shooting schedule, and an ever-changing crew cost the studio nearly all of the original $2 million budget—well before filming was even wrapped. The spending became such a concern for Capra's partners at Liberty that George Stevens remarked, "Why the hell couldn't it be springtime?" when he saw how much it cost the production to produce fake snow for shots. Capra bet Liberty's future on audiences looking for some comforting nostalgia after the war, but he was about to see firsthand just how much the world had changed since he came back.
The original plan was to release It's a Wonderful Life in January 1947, after the Oscar deadlines, but when RKO—the film's distributor—needed a movie to release in time for Christmas, Capra's project was the easy solution. It opened just weeks after William Wyler's major studio film The Best Years of Our Lives, a hard-hitting drama about a U.S. soldier coming home after the war to pick up his life again. The two films couldn't be any more different, and the reviews reflected that.
Even at nearly three hours long, The Best Years of Our Lives was an absolute hit with critics and at the box office, recouping its budget multiple times over. It's a Wonderful Life, with its inflated budget and saccharine tale touting old-timey values, was met with a whimper, making only an estimated $3.3 million against a $3.7 million budget. Wyler beat Capra in every way: reviews, box office, and awards. The Best Years of Our Lives won seven Academy Awards, including Best Picture, while It's a Wonderful Life received only a lone technical award—ironically for the fake snow Stevens loathed.
Liberty Films had borrowed more than$1.5 million to make the film, and with such a disappointing box office return, the production company was soon sold off to Paramount. Capra only directed five feature films afterwards, none of which ever reached the heights of his pre-war work. As unlikely as it seems today, It's a Wonderful Life was seen as a flat disappointment destined for anonymity—until a clerical error changed its fate.
A Wonderful free-for-all
In 1974, the movie entered the public domain after the film's copyright holder simply forgot to file for a renewal. This meant that TV stations everywhere could play It's a Wonderful Life all day and all night and not have to pay a cent for it. Networks aren't necessarily shy about exploiting free Christmas content, and the film's reemergence on television gave Capra's story new life. While a post-World War II crowd may have rejected the movie's sentiment, subsequent generations seem to revel in the opportunity to visit the nostalgic whimsy of it all.
“It’s the damnedest thing I’ve ever seen,” Capra once toldThe Wall Street Journal about the film's revival. “The film has a life of its own now and I can look at it like I had nothing to do with it. I’m like a parent whose kid grows up to be president. I’m proud ... but it’s the kid who did the work. I didn’t even think of it as a Christmas story when I first ran across it. I just liked the idea.”
Legalities rewrote the history of It's a Wonderful Life yet again in 1993. The Supreme Court's previous ruling in Stewart v. Abend established a precedent that allowed the film's original copyright owner—Republic Pictures—to regain its ownership of the movie. The ruling claimed that since Republic owned the copyright on the original short story which the movie was based on, and the score for the film, they, in essence, still owned the movie. So what was once a near barrage of networks airing It's a Wonderful Life has since been pared down to just one: NBC.
The network paid for exclusive rights to air the movie, which is why you'll only see It's a Wonderful Life on TV once or twice during the holidays. But the movie's modern appeal exists because of that scarcity. The film that killed a production company 70 years ago is now an annual television event and part of countless family traditions around the globe. It turns out Capra always knew what audiences wanted, he just needed to wait for the right clerical error to prove it.