11 Surprising Facts About George R.R. Martin

Kevin Winter, Getty Images
Kevin Winter, Getty Images

Game of Thrones fans know the epic HBO series is based on George R.R. Martin’s A Song of Ice and Fire book series, but beyond the TV show, how much do they really know about the author? Sure, they know it’s taking him a really long time to finish The Winds of Winter, the sixth book in the series, but what about him as a person? Here are a few things you might not know about the man who brought us the world of Westeros.

1. As a kid, he made money selling monster stories.

The famed author grew up in Bayonne, New Jersey, where his father was a longshoreman. "When I was living in Bayonne, I desperately wanted to get away," Martin told The Independent. "Not because Bayonne was a bad place, mind you. Bayonne was a very nice place in some ways. But we were poor. We had no money. We never went anywhere."

Though his family didn't have the means to travel outside of Bayonne, Martin began to develop a love of reading and writing at a very young age, which allowed him to imagine fantastical worlds beyond his New Jersey hometown. He also learned that writing could be a profitable endeavor: he began selling his stories to other kids in the neighborhood for a penny apiece. (He later raised his prices to a nickel.) Martin's entrepreneurial efforts came to an end when his stories began giving one of his kid customers nightmares, which eventually got back to Martin's mom.

2. He is obsessed with comic books.

In 2014, Martin sat down for a Q&A about his career at the Santa Fe Independent Film Festival. Though, given his love of fantasy worlds, it might not be surprising to learn that Martin is a comic book fan, he also credits the genre with inspiring him to begin writing in the first place.

"I’m so grateful for comic books because they were really the thing that made me a reader, which in return made me a writer," Martin said. "In the 1950s in America, we had these books that taught you to read, and they were all about Dick and Jane, who were the most boring family you ever wanted to meet ... I didn’t know anyone who lived like that, and it just seemed like a horrible thing. But Batman and Superman, they had a much more interesting life. Gotham City was much more interesting than wherever it was where Dick and Jane lived.”

3. He built a library tower in Santa Fe.

In 2009, Martin bought the home across the street from his house in Santa Fe, New Mexico and turned it into an office space with a library tower built inside. The tower is only two stories tall, because of city building restrictions, but it seems only fitting that the author/history buff would want to be surrounded with books while he writes.

4. A fan letter got his professional writing career started.

Martin's love of comic books is what got his professional career rolling, too. "I had a letter published in Fantastic Four, and because my address was in there I started getting these fanzines and I started writing stories for them," Martin said during the same Santa Fe Q&A. "Funny enough, people writing stories in these fanzines at the time were just awful. They were just really bad, which was good because I looked at these awful stories and knew I could do better than that. I may not have been Shakespeare or J.R.R. Tolkien, but I was certain I could write better than the crap in the fanzines, and indeed I could."

5. A failed novel led to a television writing career.

More than 10 years before A Song of Ice and Fire debuted in 1996, Martin wrote a book called The Armageddon Rag in 1983. Though it was a critical disappointment, producer Phil DeGuere was interested in adapting the project with Martin's help. While that never came to fruition, DeGuere thought of Martin when they were rebooting The Twilight Zone in the mid-1980s and brought him on board to write a handful of episodes. He later did some writing for the live-action Beauty and the Beast series, starring Ron Perlman and Linda Hamilton.

6. Network television standards were not a fit for Martin's style of writing.

Though Martin found success as a television writer, the constant back-and-forth about what they were or were not allowed to show proved to be too much for the writer. "[T]here were constant limitations. It wore me down," Martin told Rolling Stone. "There were battles over censorship, how sexual things could be, whether a scene was too 'politically charged,' how violent things could be. Don’t want to disturb anyone. We got into that fight on Beauty and the Beast. The Beast killed people. That was the point of the character. He was a beast. But CBS didn’t want blood, or for the beast to kill people ... The character had to remain likable."

7. He owns an independent movie theater.

In 2006, The Jean Cocteau Cinema in Santa Fe closed its doors, which saddened many locals who were regular patrons, Martin among them. Several years later, Martin decided to give the theater a second life and, after a slight makeover, reopened its doors in 2013. Today, in addition to independent films, the theater holds regular special events—including screenings of Game of Thrones episodes. There's also an onsite bar that serves Game of Thrones-themed cocktails, like the signature White Walker.

8. Martin credits HBO with changing the rules of television.

Network television standards may have been too tame and regimented for Martin's tastes, but all that changed with HBO and The Sopranos, which he credits as paving the way for a series like Game of Thrones to exist in its current form at all.

"I credit HBO with smashing the damn trope that everybody had to be likable on television," Martin told Rolling Stone. "The Sopranos turned it around. When you meet Tony Soprano, he’s in the psychiatrist office, he’s talking about the ducks, his depression and that stuff, and you like this guy. Then he gets in his car and he’s driving away and he sees someone who owes him money, and he jumps out and he starts stomping him. Now how likable was he? Well you didn’t care, because they already had you. A character like Walter White on Breaking Bad could never have existed before HBO."

9. Martin thinks it's important for writers to break the rules.

While he's an admitted fan of William Goldman, Martin has a very different opinion of noted screenplay expert Syd Field. "There is a book out there by Syd and it’s his guide to writing screenplays and it’s probably one of the most harmful things that has ever been done for the movie industry,” Martin said. “For some perverse reason, it has become the bible not for writers but for what we call 'the suits,' the guys at the studios whose job it is to develop properties and give notes to supervise screenplays. They take Syd Field’s course and they buy the book and they start criticizing screenplays like, ‘Well you know, the first turn is supposed to be on page 12 and yours is not until page 17, so obviously this won’t do!'"

"Syd just writes downs these ridiculous rules," Martin continued. "If there really was a formula as he says, then every movie would be a blockbuster. We would just connect A, B, and C and we would have a great movie and everyone would pack the theater to see it. But every movie is not a blockbuster. Many movies that follow his rules precisely actually go down the toilet."

10. He’s a skilled chess player.

"I started playing chess when I was quite young, in grade school," Martin told The Independent. "I played it through high school. In college, I founded the chess club. I was captain of the chess team." Eventually, Martin discovered that he could actually make some money off this skill.

"For two or three years, I had a pretty good situation. Most writers who have to have a day job work five days a week and then they have the weekend off to write. These chess tournaments were all on the weekend so I had to work on Saturday and Sunday, but then I had five days off to write. The chess generated enough money for me to pay my bills."

11. He has a very specific way of writing, which is why he hasn't finished the winds of winter.

Fans have been waiting for a while for the next book in the A Song of Ice and Fire series, and Martin has been honest about why it's taking him so long. "Writer’s block isn’t to blame here, it’s distraction," he said. "In recent years, all of the work I’ve been doing creates problems because it creates distraction. Because the books and the show are so popular I have interviews to do constantly. I have travel plans constantly. It’s like suddenly I get invited to travel to South Africa or Dubai, and who’s passing up a free trip to Dubai? I don’t write when I travel. I don’t write in hotel rooms. I don’t write on airplanes. I really have to be in my own house undisturbed to write. Through most of my life no body did bother me, but now everyone bothers me every day."

Hee-Haw: The Wild Ride of "Dominick the Donkey"—the Holiday Earworm You Love to Hate

Delpixart/iStock via Getty Images
Delpixart/iStock via Getty Images

Everyone loves Rudolph the Red-Nosed Reindeer. He’s got the whole underdog thing going for him, and when the fog is thick on Christmas Eve, he’s definitely the creature you want guiding Santa’s sleigh. But what happens when Saint Nick reaches Italy, and he’s faced with steep hills that no reindeer—magical or otherwise—can climb?

That’s when Santa apparently calls upon Dominick the Donkey, the holiday hero immortalized in the 1960 song of the same name. Recorded by Lou Monte, “Dominick The Donkey” is a novelty song even by Christmas music standards. The opening line finds Monte—or someone else, or heck, maybe a real donkey—singing “hee-haw, hee-haw” as sleigh bells jingle in the background. A mere 12 seconds into the tune, it’s clear you’re in for a wild ride.

 

Over the next two minutes and 30 seconds, Monte shares some fun facts about Dominick: He’s a nice donkey who never kicks but loves to dance. When ol’ Dom starts shaking his tail, the old folks—cummares and cumpares, or godmothers and godfathers—join the fun and "dance a tarentell," an abbreviation of la tarantella, a traditional Italian folk dance. Most importantly, Dominick negotiates Italy’s hills on Christmas Eve, helping Santa distribute presents to boys and girls across the country.

And not just any presents: Dominick delivers shoes and dresses “made in Brook-a-lyn,” which Monte somehow rhymes with “Josephine.” Oh yeah, and while the donkey’s doing all this, he’s wearing the mayor’s derby hat, because you’ve got to look sharp. It’s a silly story made even sillier by that incessant “hee-haw, hee-haw,” which cuts in every 30 seconds like a squeaky door hinge.

There may have actually been some historical basis for “Dominick.”

“Travelling by donkey was universal in southern Italy, as it was in Greece,” Dominic DiFrisco, president emeritus of the joint Civic Committee of Italian Americans, said in a 2012 interview with the Chicago Sun-Times. “[Monte’s] playing easy with history, but it’s a cute song, and Monte was at that time one of the hottest singers in America.”

Rumored to have been financed by the Gambino crime family, “Dominick the Donkey” somehow failed to make the Billboard Hot 100 in 1960. But it’s become a cult classic in the nearly 70 years since, especially in Italian American households. In 2014, the song reached #69 on Billboard’s Holiday 100 and #23 on the Holiday Digital Song Sales chart. In 2018, “Dominick” hit #1 on the Comedy Digital Track Sales tally. As of December 2019, the Christmas curio had surpassed 21 million Spotify streams.

“Dominick the Donkey” made international headlines in 2011, when popular BBC DJ Chris Moyles launched a campaign to push the song onto the UK singles chart. “If we leave Britain one thing, it would be that each Christmas kids would listen to 'Dominick the Donkey,’” Moyles said. While his noble efforts didn’t yield a coveted Christmas #1, “Dominick” peaked at a very respectable #3.

 

As with a lot of Christmas songs, there’s a certain kitschy, ironic appeal to “Dominick the Donkey.” Many listeners enjoy the song because, on some level, they’re amazed it exists. But there’s a deeper meaning that becomes apparent the more you know about Lou Monte.

Born Luigi Scaglione in New York City, Monte began his career as a singer and comedian shortly before he served in World War II. Based in New Jersey, Monte subsequently became known as “The Godfather of Italian Humor” and “The King of Italian-American Music.” His specialty was Italian-themed novelty songs like “Pepino the Italian Mouse,” his first and only Top 10 hit. “Pepino” reached #5 on the Billboard Hot 100 in 1963, the year before The Beatles broke America.

“Pepino” was penned by Ray Allen and Wandra Merrell, the duo that teamed up with Sam Saltzberg to write “Dominick the Donkey.” That same trio of songwriters was also responsible for “What Did Washington Say (When He Crossed the Delaware),” the B-side of “Pepino.” In that song, George Washington declares, “Fa un’fridd,” or ‘It’s cold!” while making his famous 1776 boat ride.

With his mix of English and Italian dialect, Monte made inside jokes for Italian Americans while sharing their culture with the rest of the country. His riffs on American history (“What Did Washington Say,” “Paul Revere’s Horse (Ba-cha-ca-loop),” “Please, Mr. Columbus”) gave the nation’s foundational stories a dash of Italian flavor. This was important at a time when Italians were still considered outsiders.

According to the 1993 book Italian Americans and Their Public and Private Life, Monte’s songs appealed to “a broad spectrum ranging from working class to professional middle-class Italian Americans.” Monte sold millions of records, played nightclubs across America, and appeared on TV programs like The Perry Como Show and The Ernie Kovacs Show. He died in Pompano Beach, Florida, in 1989. He was 72.

Monte lives on thanks to Dominick—a character too iconic to die. In 2016, author Shirley Alarie released A New Home for Dominick and A New Family for Dominick, a two-part children’s book series about the beloved jackass. In 2018, Jersey native Joe Baccan dropped “Dominooch,” a sequel to “Dominick.” The song tells the tale of how Dominick’s son takes over for his aging padre. Fittingly, “Dominooch” was written by composer Nancy Triggiani, who worked with Monte’s son, Ray, at her recording studio.

Speaking with NorthJersey.com in 2016, Ray Monte had a simple explanation for why Dominick’s hee-haw has echoed through the generations. “It was a funny novelty song,” he said, noting that his father “had a niche for novelty.”

The 11 Best Movies on Netflix Right Now

Laura Dern and Scarlett Johansson in Marriage Story (2019).
Laura Dern and Scarlett Johansson in Marriage Story (2019).
Wilson Webb/Netflix

With thousands of titles available, browsing your Netflix menu can feel like a full-time job. If you're feeling a little overwhelmed, take a look at our picks for the 11 best movies on Netflix right now.

1. Spider-Man: Into the Spider-Verse (2018)

Spider-Man may be in the middle of a Disney and Sony power struggle, but that didn't stop this ambitious animated film from winning the Oscar for Best Animated Feature at the 2019 Academy Awards. Using a variety of visual style choices, the film tracks the adventures of Miles Morales (Shameik Moore), who discovers he's not the only Spider-Man in town.

2. Hell or High Water (2016)

Taylor Sheridan's Oscar-nominated Hell or High Water follows two brothers (Chris Pine and Ben Foster) who take to bank robberies in an effort to save their family ranch from foreclosure; Jeff Bridges is the drawling, laconic lawman on their tail.

3. Raging Bull (1980)

Robert De Niro takes on the life of pugilist Jake LaMotta in a landmark and Oscar-winning film from Martin Scorsese that frames LaMotta's violent career in stark black and white. Joe Pesci co-stars.

4. Marriage Story (2019)

Director Noah Bambauch drew raves for this deeply emotional drama about a couple (Adam Driver, Scarlett Johansson) whose uncoupling takes a heavy emotional and psychological toll on their family.

5. Dolemite Is My Name (2019)

Eddie Murphy ended a brief sabbatical from filmmaking following a mixed reception to 2016's Mr. Church with this winning biopic about Rudy Ray Moore, a flailing comedian who finds success when he reinvents himself as Dolemite, a wisecracking pimp. When the character takes off, Moore produces a big-screen feature with a crew of inept collaborators.

6. The Lobster (2015)

Colin Farrell stars in this black comedy that feels reminiscent of screenwriter Charlie Kaufman's work: A slump-shouldered loner (Farrell) has just 45 days to find a life partner before he's turned into an animal. Can he make it work with Rachel Weisz, or is he doomed to a life on all fours? By turns absurd and provocative, The Lobster isn't a conventional date movie, but it might have more to say about relationships than a pile of Nicholas Sparks paperbacks.

7. Flash of Genius (2008)

Greg Kinnear stars in this drama based on a true story about inventor Robert Kearns, who revolutionized automobiles with his intermittent windshield wiper. Instead of getting rich, Kearns is ripped off by the automotive industry and engages in a years-long battle for recognition.

8. Locke (2013)

The camera rarely wavers from Tom Hardy in this existential thriller, which takes place entirely in Hardy's vehicle. A construction foreman trying to make sure an important job is executed well, Hardy's Ivan Locke grapples with some surprising news from a mistress and the demands of his family. It's a one-act, one-man play, with Hardy making the repeated act of conversing on his cell phone as tense and compelling as if he were driving with a bomb in the trunk.

9. Cop Car (2015)

When two kids decide to take a police cruiser for a joyride, the driver (Kevin Bacon) begins a dogged pursuit. No good cop, he's got plenty to hide.

10. Taxi Driver (1976)

Another De Niro and Scorsese collaboration hits the mark, as Taxi Driver is regularly cited as one of the greatest American films ever made. De Niro is a potently single-minded Travis Bickle, a cabbie in a seedy '70s New York who wants to be an avenging angel for victims of crime. The mercurial Bickle, however, is just as unhinged as those he targets.

11. Sweet Virginia (2017)

Jon Bernthal lumbers through this thriller as a former rodeo star whose career has left him physically broken. Now managing a hotel in small-town Alaska, he stumbles onto a plot involving a murderer-for-hire (Christopher Abbott), upending his quiet existence and forcing him to take action.

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