Charleroi and Mons

The First World War was an unprecedented catastrophe that shaped our modern world. Erik Sass is covering the events of the war exactly 100 years after they happened. This is the 140th installment in the series.

August 20-25, 1914: Charleroi and Mons

After the inconclusive opening engagements of the Battle of the Frontiers earlier in the month, from August 21 to 23, 1914, the Allied armies of France and Britain ran headlong into reality at the Battles of Charleroi and Mons. These linked battles, sometimes referred to as a single engagement, showed beyond doubt that French chief of the general staff Joseph Joffre, had seriously underestimated the size of the German forces invading northern France via Belgium, forcing him to make drastic revisions to his strategy. In the months to come, Allied troops would be locked in one long, desperate defensive struggle.

Battle of Charleroi

Following the failed offensive of the French First and Second Armies in the south, on August 20, Joffre ordered the Third Army under General Pierre Ruffey and Fourth Army under General Fernand de Langle de Cary to cross the Belgian frontier into the Ardennes region, where he expected them to find a weak spot in the center of the German line. Meanwhile, Fifth Army, under General Charles Lanrezac, would cross into Belgium near Maubeuge to attack the Germans on their western flank.

However, Joffre was sorely mistaken about German strength and dispositions. For one thing, the Germans were using reserve troops in their attack, and thus the French and British were badly outnumbered all along the line. The five German armies moving through Belgium had a combined strength of just over 1.1 million men, including 320,000 in First Army, 260,000 in Second Army, 180,000 in Third Army, 180,000 in Fourth Army, and 200,000 in Fifth Army. Opposing them were three French armies and the British Expeditionary Force forming near Maubeuge; the French Third Army numbered 237,000 men, the Fourth Army 160,000, and the Fifth Army 299,000, while the BEF at this early stage had just 80,000 men, for a total of around 776,000 men in the Allied armies in this theatre.

In short, the German center—composed of Third Army under General Max von Hausen, Fourth Army under General Albrecht, Duke of Württemberg, and Fifth Army under Crown Prince Wilhelm, son of Kaiser Wilhelm II—was actually quite strong. Furthermore, the German right wing, composed of the German First Army under General Alexander von Kluck and the Second Army under General Karl von Bülow, was operating much further west than assumed in Joffre’s plan, meaning Lanrezac’s Fifth Army was in danger of being outflanked itself (see map below).

Thus, while Ruffey and Langle de Cary led the French Third and Fourth Armies into southeast Belgium, Lanrezac’s Fifth Army proceeded more cautiously, reflecting his skepticism about Joffre’s estimates of German forces. Writing off the fortress city of Namur as a lost cause, on August 22, Lanrezac tried to force the German Second Army under Bülow back across the Sambre River at Charleroi—but Bülow beat him to the punch, launching a preemptive attack and seizing two bridges across the Sambre. Wave after wave of German infantry gradually drove the French back from their positions along the Sambre amid incredibly fierce fighting, with bayonet charges and counter-charges often ending in hand-to-hand combat. Paul Drumont related an account by another soldier who fought at Charleroi:

We knew we were bound to be slaughtered… but in spite of that we rushed into the firing line like madmen, just hurled ourselves at the Germans to bayonet them, and when the bayonets broke from the violence of the shock we bit them, anywhere we could, tore out their eyes with our fingers, and kicked their legs to make them fall down. We were absolutely drunk with rage, and yet we knew that we were going to certain death.

The situation worsened on August 23, as the French center began to fall back and Lanrezac begged Joffre to allow Fifth Army to retreat before it was destroyed. He also asked for support from the British Expeditionary Force, which arrived west of Fifth Army on the evening of August 22, in the hopes that the British might be able to attack the German Second Army on its right flank (below, British troops wait to go into battle).

Battle of Mons

However, the BEF under Sir John French had its own problems to deal with, in the form of the German First Army under von Kluck, advancing south after occupying Brussels on August 20. Given the crushing German superiority in numbers, there was no doubt that the Allied forces would have to retreat eventually; the only question was how long they could delay the German advance. In this situation, the best the BEF could do was dig in and protect the left flank of Lanrezac’s Fifth Army from the German First Army while Lanrezac tried to hold off the German Second and Third Armies on the right.

The British troops entrenched themselves behind a canal running west from Mons to nearby Condé, which the Germans would have to cross in a frontal assault. At dawn on the morning of August 23, the Germans opened battle with an artillery bombardment, followed by the first German infantry attacks at 9am, focusing on the key bridge across the canal. Once again, the Germans advanced in dense, orderly formations, making incredibly easy targets for the professional soldiers of the BEF, who could fire their rifles 15 times per minute. This led the Germans to believe the British were firing machine guns (in fact, the BEF was woefully underequipped with the new weapons).

One British officer, Arthur Corbett-Smith, described the carnage: “Miss? It’s impossible to miss… It is just slaughter. The oncoming ranks simply melt away… The attack still comes on. Though hundreds, thousands of the grey coats are mown down, as many more crowd forward to refill the ranks.” On the other side a German officer, Walter Bloem, recalled the advance towards the canal: “We had no sooner left the edge of the wood than a volley of bullets whistled past our noses and cracked into the trees behind. Five or six cries near me, five or six of my grey lads collapsed on the grass. Damn it!... Here we were, advancing as if on parade ground…” Later, Bloem’s unit wisely dispensed with the parade ground tactics: 

And so we went on, gradually working forward by rushes of a hundred, later fifty, and then about thirty yards towards the invisible enemy. At every rush a few more fell, but one could do nothing for them... Behind us the whole meadow was dotted with little grey heaps. The hundred and sixty men that left the wood with me had shrunk to less than a hundred… Wherever I looked, right or left, were dead or wounded, quivering in convulsions, groaning terribly, blood oozing from fresh wounds… The bullets hummed about me like a swarm of angry hornets. I felt death, my own death, very, very near me; and yet it was all so strangely unreal.

Despite horrendous casualties, by the evening of August 23, the Germans had reached the canal and forced a crossing in several places, pushing British troops back from an exposed salient created by a curve in the canal. The British were suffering very heavy casualties themselves, including direct hits by German artillery, resulting in gruesome scenes like the one recorded by Corporal Bernard John Denore:

One man was in a very bad way, and kept shrieking out for somebody to bring a razor and cut his throat, and two others died almost immediately.  I was going to move a bundle of hay when someone called out, "Look out, chum.  There's a bloke in there."  I saw a leg completely severed from its body, and suddenly felt very sick and tired. The German rifle-fire started again and an artillery-man to whom I was talking was shot dead.  I was sick then.

Worse news arrived in the early morning of August 24, when, at around 2am, Sir John French learned that the French Fifth Army under Lanrezac was retreating south, with apparently no warning to the British, leaving the British right flank exposed to attack by the German Second Army.

Disaster in Lorraine and the Ardennes

The French retreat was the result of a chain reaction of events that began further east, where the French First and Second Armies were tossed out of Lorraine by the German Sixth and Seventh Armies, then cascaded to the Ardennes region of Belgium, where the French Third and Fourth Armies were mauled by the German Fourth and Fifth Armies.

Joffre had ordered the First Army under Dubail and Second Army under Castelnau to invade Lorraine on August 14, heading for the towns of Sarrebourg and Morhange, while the newly formed Army of Alsace under Pau advanced on Mulhouse to the south. However by August 19 the French invasion was beginning to stall and a dangerous gap had opened between the French First and Second Armies. On the other side Crown Prince Rupprecht of Bavaria, the commander of the German Sixth and Seventh Armies, received permission (sort of) to mount a counterattack—a major departure from the Schlieffen Plan, which called for Germany’s southern forces to stage a fighting retreat in order to lure the French armies away from the line of fortresses protecting the Franco-German frontier.

On August 20, Castelnau’s Second Army attempted to resume the attack on Morhange, only to find their infantry subjected to a ferocious bombardment by German artillery, followed by a sweeping counterattack by the Bavarian infantry of the German Sixth Army. Meanwhile, Dubail’s First Army came under attack by the German Seventh Army at Sarrebourg, and by the end of the day both armies were in retreat. To the south Joffre also ordered the small Army of Alsace to retreat, even though it wasn’t threatened immediately (it faced only Army Detachment Gaede, a smaller force created by the German high command to guard the frontier) because he needed the troops for his northern offensive in the Ardennes.

Even after the French First and Second Armies began their retreat from Lorraine, Joffre was still intent on a thrust into southeast Belgium, because (as noted above) he believed there were only light forces holding the center of the German line. His sole concession to reality—detaching some forces from Third Army to create a new Army of Lorraine to guard against the German offensive in the south—just ended up weakening Third Army more.  

On August 21, 1914, the French Third Army under Pierre Ruffey and the Fourth Army under Fernand de Langle de Cary began their invasion of the Ardennes region of southeast Belgium, encountering little resistance during the first day of the advance—but on the second day they ran smack into the German Fourth Army under Duke Albrecht of Württemberg and the Fifth Army under Crown Prince Wilhelm. The result was catastrophe, as the French armies—well equipped with 75mm field artillery, but sorely lacking in heavy guns—simply wilted under savage bombardment by German 150mm and 210mm guns, as well as 77mm field artillery, machine guns, and massed rifle fire.

August 22, 1914, would be remembered as the bloodiest day in French history, with 27,000 French soldiers killed and countless wounded.  One anonymous French soldier, fighting in the south, later wrote home: “In regard to our losses, I may tell you that whole divisions have been wiped out. Certain regiments have not an officer left.” As at Charleroi, over the next few days fighting often ended in savage hand-to-hand combat. A German soldier, Julius Koettgen, described the fighting near Sedan in northern France:

Nobody can tell afterwards how many he has killed. You have gripped your opponent, who is sometimes weaker, sometimes stronger than yourself. In the light of the burning houses you observe that the white of his eyes has turned red; his mouth is covered with a thick froth. With head uncovered, with disheveled hair, the uniform unbuttoned and mostly ragged, you stab, hew, scratch, bite, and strike about you like a wild animal… Onward! onward! new enemies are coming up… Again you use your dagger. Thank heaven! He is down. Saved! Still, you must have that dagger back! You pull it out of his chest. A jet of warm blood rushes out of the gaping wound and strikes your face. Human blood, warm human blood! You shake yourself, horror strikes you for only a few seconds. The next one approaches; again you have to defend your skin. Again and again the mad murdering is repeated, all night long…

The Germans also suffered heavy casualties at the hands of retreating French troops, who fought fierce rearguard actions: Altogether, around 15,000 German soldiers were killed in the Battle of Ardennes, while 23,000 were wounded. Another German soldier, Dominik Richert, recalled the struggle to seize a bridge over the River Meurthe in eastern France:

Almost as soon as the first line showed itself at the edge of the woods, the French infantry opened sweeping rapid fire. The French artillery shelled the woods with shells and shrapnel… We ran like mad from place to place. Quite close to me a soldier had his arm torn off while another one had half of his throat cut open. He collapsed, gurgled once or twice, and then the blood shot from his mouth… As we moved further forward we all headed for the bridge, and the French poured down a hail of shrapnel, infantry, and machine-gun fire on it. Masses of the attackers were hit and fell to the ground.

The Great Retreat Begins

As the German offensive ground relentlessly forward, on August 23, the French Third and Fourth Armies under Ruffey and Langle de Cary had no choice but to retreat or be annihilated. The withdrawal of Fourth Army left the right flank of Lanrezac’s Fifth Army, still fighting Bülow’s Second Army at Charleroi, exposed to the German Third Army under Hausen, which attacked the Fifth Army’s I Corps under Franchet d’Esperey (later nicknamed “Desperate Frankie” by the British) along the River Meuse. D’Esperey managed to fight off the first German attack, but Lanrezac judged the situation untenable and gave the order for a fighting retreat.

The Fifth Army’s retreat would be a bone of contention between the French and British for years to come, as the French apparently fell back without giving any warning to their allies, leaving the right flank of the BEF exposed in turn. While it’s still not clear what happened, it’s certain that in the heat of battle confusion reigned and communication broke down, resulting in bad blood between the Allied commanders. Corbett-Smith account reflects the views of mid-ranking British officers even years afterwards: “Any record of feelings during those hours is blurred. But there was one thought which, I know, was uppermost in every man’s mind: ‘Where on earth are the French?’”

Whatever the reason for the French retreat, it left the British commander, Sir John French, no choice but to begin withdrawing as well. Now began one of the most dramatic episodes of the First World War, the Great Retreat, which saw all the French armies and the British Expeditionary Force falling back before advancing German forces, fighting a series of desperate rearguard actions, seeking to delay the enemy as much as possible in order to give the Allied generals time and space to regroup and formulate a new, defensive strategy. At Joffre’s headquarters there was no longer any thought of mounting a glorious offensive; now the only object was to survive.

Ordinary British and French soldiers would remember the Great Retreat—with its endless forced marches under the blazing late August sun, sometimes in the rain, often with no food and no water, and no forage for horses—as one of the most physically trying parts of the war. One British soldier, Joe Cassells, described the retreat from Mons:

Of that fearful time, I have lost track of dates. I do not want to remember them. All I recollect is that, under a blazing August sun – our mouths caked, our tongues parched – day after day we dragged ourselves along, always fighting rear-guard actions, our feet bleeding, our backs breaking, our hearts sore. Our unmounted officers limped amongst us, blood oozing through their spats.

Another anonymous British soldier recalled a welcome interlude courtesy of Mother Nature:

The men had marched for the last three days almost incessantly, and without sufficient sleep… Dirty from digging, with a four days’ growth of beard, bathed in sweat, eyes half closed with want of sleep, ‘packs’ missing, lurching with the drunken torpor of fatigue… Then the heavens were kind, and it rained; they turned faces to the clouds and let the drops fall on their features, unshaven, glazed with the sun, and clammy with sweat. They took off their hats and extended the palms of their hands. It was refreshing, invigorating, a tonic.

If there was any consolation, it was that the journey was equally exhausting for the pursuing German troops, urged on by officers to keep pace with the strict timetable dictated by the Schlieffen Plan, whose success hinged on not giving the French and British time to regroup. The scene described by Bloem, a captain in the German First Army, is strikingly similar to the picture painted in British memoirs:

We were all tired to death, and the column just trailed along anyhow. I sat on my war-horse like a bundle of wet washing; no clear thought penetrated my addled brain, only memories of the past two appalling days, a mass of mental pictures insanely tangled together that revolved eternally inside it… the only impressions that remained in our dizzy brains were of streams of blood, of pale-faced corpses, of confused chaos, of aimless firing, of houses in smoke and flame, of ruins, of sopping clothes, of feverish thirst, and of limbs exhausted, heavy as lead.

The Burning of Louvain

As the French and British armies fell back, on August 24 and 25, the small Belgian Army under King Albert tried to distract the Germans with a daring raid from the fortified “National Redoubt” at Antwerp in the direction of Louvain (Leuven). But unfortunately, the raid accomplished little besides setting off panic among German occupation troops who then committed one of the most infamous atrocities of the war—the burning of Louvain.

German atrocities had already claimed the lives of thousands of Belgian civilians, who were shot in mass reprisals for supposed guerrilla warfare by “france-tireurs,” which turned out to be mostly figments of the German soldiers’ imagination. In this case, as Belgian forces approached Louvain, German soldiers marching through the city claimed that Belgian civil guardsmen dressed as civilians shot at them from the rooftops. Although this was highly improbable, it triggered an orgy of murder, looting, and arson that lasted five days, completely gutting the city (image below).

Hugh Gibson, the secretary of the U.S. embassy in Brussels, visited Louvain’s main street towards the end of the destruction:

The houses on both sides were either partially destroyed or smouldering. Soldiers were systematically removing what was to be found in the way of valuables, food, and wine, and then setting fire to the furniture and hangings. It was all most businesslike… Outside the [train] station was a crowd of several hundred people, mostly women and children, being herded on to trains by soldiers, to be run out of town.

The casualties included the city’s medieval library, which contained 300,000 priceless manuscripts, and was torched along with the rest of the city (photo showing the remains of the library below). In addition to the inestimable cultural loss, this was also a huge, self-inflicted propaganda defeat for Germany. Indeed, while the Germans committed hundreds of atrocities across Belgium, killing a total 5,521 Belgian civilians, the burning of the library at Louvain would stand out, along with the destruction of the cathedral of Rheims, as the crowning symbols of German barbarity, helping turn opinion in the United States and other neutral countries against the Germans.

Battles of Kraśnik and Gumbinnen

As the British and French fell back on the Western Front, the last week of August also saw the first major battles on the Eastern Front, as Russian and Austro-Hungarian forces clashed at the Battle of Kraśnik. While a victory for Austria-Hungary, Kraśnik was just the first in a series of huge battles in August and September that would ultimately see Hapsburg forces sent reeling back into Austria, forcing chief of the general staff Conrad to plead with his German colleagues for help.


(Click to enlarge)

Elsewhere on the Eastern Front, the German Eighth Army under Maximilian von Prittwitz faced encirclement by the Russian First Army under Paul von Rennenkampf and Second Army under Alexander Samsonov, advancing into East Prussia from the east and south in pincer fashion. The first serious German attempt to stop the Russians met with defeat at the Battle of Gumbinnen on August 20, prompting Prittwitz to order a hasty retreat to the River Vistula in order to avoid encirclement.

However, the German high command wasn’t willing to accept the loss of East Prussia so easily, and on August 22 Prittwitz was relieved of command, to be replaced by Paul von Hindenburg, an older officer called out of retirement, advised by Erich Ludendorff, the hero of Liège. The German high command also withdrew three army corps from the Western Front, although Ludendorff insisted he didn’t need them—further weakening the all-important thrust through Belgium.

Meanwhile, Prittwitz’s chief of staff, Max Hoffman, was already drawing up a daring plan, for which Hindenburg and Ludendorff later received the credit: the Eighth Army would use the East Prussian railroads to shift troops south against the invading Russian First Army, relying on East Prussia’s network of lakes and forests as a baffle to keep the Russian Second Army from coming to its rescue (map below).

With any luck, Eighth Army would not only be able to avoid encirclement but then defeat the Russian armies “in detail” (one at a time) without ever having to face their combined strength. On August 23 the first German troops, from the I Corps under Hermann von François, began the rail journey to the south, setting the stage for the Battle of Tannenberg.

See the previous installment or all entries.

10 Christmasy Movies That Might Not Be "Christmas Movies"

Renée Zellweger and Colin Firth in Bridget Jones's Diary (2001).
Renée Zellweger and Colin Firth in Bridget Jones's Diary (2001).
Miramax

While action addicts love to extol the Christmas themes of 1988’s Die Hard every time December rolls around, the Bruce Willis-led blockbuster has plenty of company in the no man’s land between “Definitely a Christmas movie” and “Definitely not a Christmas movie.” From romantic comedies to rip-roaring thrillers, here are some other Hollywood hits that you can definitely justify adding to an upcoming holiday movie marathon (whether your guests like it or not).

1. Bridget Jones's Diary (2001)

The only thing that screams “Christmas movie!” louder than an image of Colin Firth in a Rudolph-themed knit sweater (a.k.a. jumper) is a final scene where the two romantic leads kiss amidst a backdrop of falling snow and twinkling Christmas lights. Renée Zellweger’s classic rom-com Bridget Jones’s Diary has—you guessed it—both those things.

2. Trading Places (1983)

If your conception of Christmas includes a boozed-up, belligerent Dan Aykroyd stealing assorted meats from an upscale holiday party while dressed in full Santa garb, then this ’80s comedy is your quintessential Christmas flick. The plot revolves around a social experiment in which a well-to-do broker (Aykroyd) is unwittingly forced to swap lives with a petty criminal (Eddie Murphy), and the movie’s June release suggests that the filmmakers didn’t intend for its Christmas setting to factor into the public reception of the film in any significant way. In America, it might not have—but Trading Places is broadcast in Italy every Christmas Eve.

3. The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)

It’s hard to see the snow-covered forests and fields of Narnia without thinking about Christmas, but the White Witch’s meteorological curse isn’t really why the film adaptation of C.S. Lewis’s universally beloved novel is on this list. (After all, if an unforgiving winter is all it takes to make something holiday-themed, then 1980’s The Shining is also technically a Christmas movie.) Instead, the qualifying factor here is the scene where Father Christmas appears to hand out highly personalized gifts to the Pevensie children. Scored by a carol-esque children’s chorus and complete with a jingly, reindeer-led sleigh, the scene is so magical it makes you forget that the plot of the film is centered around ending Narnia’s endless winter.

4. Eyes Wide Shut (1999)

There are so many Christmas trees in Stanley Kubrick’s erotic thriller that, if you ignore everything else in the film, it could pass for a really festive game of “I Spy.” In addition to the heavy-handed Christmas imagery, Kubrick opens the film with a ritzy holiday party and closes it with a feel-good (at least, relative to the other scenes) shopping trip to Manhattan’s FAO Schwarz. Interestingly enough, the characters in the source material, Arthur Schnitzler’s 1926 novella Traumnovelle, were Jewish.

5. Gremlins (1984)

The cackling, spawning, murderous demons make Gremlins a near-perfect contender for a Halloween horror classic—if it weren’t for the fact that all the chaos ensues over the holidays, and the original gremlin was purchased as a Christmas gift. Though Warner Bros. ultimately went with a summer release, the film was initially slated to premiere during the Christmas season, and Steven Spielberg actually considered Tim Burton—the man behind another confusing horror/holiday hybrid film, The Nightmare Before Christmas (1993)—to direct it.

6. Batman Returns (1992)

And, just a year before Burton dove head-first into the deep end of the “Kind of a Christmas movie” pool with The Nightmare Before Christmas (which he wrote and produced, but did not direct), he got his feet wet with this follow-up to 1989's Batman, starring Michael Keaton. It’s not exactly overflowing with holiday cheer, but it does contain enough evidence of Christmas to justify making your family watch it this December instead of a traditional old talkie (or more accurately, shout-ie) like It’s a Wonderful Life. In addition to the ill-fated tree-lighting ceremony during which masked troublemakers burst forth from an enormous Christmas gift and wreak havoc across Gotham’s plaza, there’s also a Christmas-themed beauty queen called the Ice Princess, penguins who waddle around with candy cane-like torpedos strapped to their backs, and a pretty unforgettable mention of mistletoe.

7. While You Were Sleeping (1995)

Due to a comedy of errors, Sandra Bullock’s character ends up spending the holidays with a coma-ridden Peter Gallagher’s family—who believes her to be his fiancée—and falling in love with his brother (Bill Pullman). But even if this ’90s rom-com didn’t mention Christmas, the big sweaters, snow, and familial love give it a distinctly Christmasy vibe all the same.

8. Lethal Weapon (1987)

This classic buddy cop film, starring Mel Gibson and Danny Glover, has heroin smugglers, hand grenades, prostitution, and plenty of other R-rated, non-holiday content. However, the film opens to “Jingle Bell Rock,” features a drug bust at a Christmas tree lot, and ends with a rather heartwarming exchange between the main characters that happens on Christmas Day. Also, it’s written by Shane Black, famed for setting many a movie during the Christmas season—others include The Last Boy Scout (1991), The Long Kiss Goodnight (1996), Kiss Kiss Bang Bang (2005), Iron Man 3 (2013), and The Nice Guys (2016).

9. Meet Me in St. Louis (1944)

Meet Me in St. Louis covers an entire year in the life of the Smith family, so there’s definitely no shortage of spring-, summer-, and autumn-based scenes and musical numbers throughout the film. But not even the sunny atmosphere and vibrantly-colored ensembles of the trolley passengers in “The Trolley Song” can compete with the extravagant Christmas Eve ball, after which Judy Garland’s character, Esther, warbles “Have Yourself a Merry Little Christmas” to her little sister. It was actually the very first version of the now-classic Christmas song, and it’s also probably the reason that some people consider the movie musical a Yuletide classic.

10. Die Hard (1988)

Lastly: This list would hardly be complete if we didn’t include Die Hard, the internet’s favorite so-called Christmas movie to argue about. Not only was the film released in July, its action-packed plot has nothing to do with Christmas, and Bruce Willis himself actually said it wasn’t a Christmas movie. However, Die Hard does take place between Christmas Eve and Christmas Day, contains countless Christmas symbols (plus a few Christmas songs), and, at its simplest, is really about a father trying to reconcile with his family in the spirit of Christmas. Furthermore, Die Hard screenwriter Steven de Souza is a die-hard member of the “Die Hard is a Christmas movie” camp.

35 Fabulous Facts About Frank Sinatra

Keystone/Getty Images
Keystone/Getty Images

You know that Frank Sinatra was as talented a singer as he was an actor. That he had a collection of nicknames, from The Voice to Ol’ Blue Eyes. And that he liked to do things “My Way.” Here are 35 things you might not have known about the legendary crooner.

1. Frank Sinatra's birth was a traumatic one.

Born on December 12, 1915, in an apartment in Hoboken, New Jersey, Francis Albert Sinatra was blue and not breathing when he was yanked out of his mother with forceps. Thought to be dead, the infant was laid on the kitchen counter while the doctor attended to his mother. His grandmother picked up the newborn, stuck him under some cold water, and little Frank wailed out his first song.

2. Those forceps caused some damage.

Those forceps left their mark on the left side of Sinatra's face, in the shape of a scar that ran from the corner of his mouth to his jaw line and a cauliflower ear. As a teenager, he was nicknamed “Scarface.” He also suffered a bad case of adolescent acne, which left his cheeks pitted. Self-conscious about his looks as an adult, Sinatra often applied makeup to hide the scars. Even with that, he hated to be photographed on his left side. The physical insecurities didn't end there: Sinatra also wore elevator shoes to boost his five-foot-seven stature.

3. Frank Sinatra was a rather large baby.


By Family photo. - Sinatra.com, Public Domain, Wikimedia Commons

The future crooner weighed a whopping 13.5 pounds.

4. Frank Sinatra carried his own P.A. system.

When Sinatra was just starting out as a singer, he came prepared: he carried his own P.A. system to the dives in which he typically performed.

5. Frank Sinatra’s bad boy image was real.

Sinatra's bad boy image began with his infamous 1938 mug shot. The charge? The most Frank reason possible: “seduction.” The charge was reduced to “adultery,” then later dropped.

6. Frank Sinatra was one of America’s first teen idols.


Hulton Archive/Getty Images

In the 1940s, Frank—or Frankie, as he was then known—became one of America's first teen idols. “The sound that greeted me was absolutely deafening,” Sinatra later recalled of a series of shows he performed in 1942 at New York City’s Paramount Theater. “I was scared stiff. I couldn't move a muscle.”

7. Some of Frank Sinatra’s screaming fans were paid to be screaming fans.

Not to take anything away from his amazing voice and his ability to excite the female throngs, but the bobbysoxer craze Sinatra incited (so called because the coed fans wore Catholic school-style bobby socks, rolled down to their ankles) had a little help. George Evans, Sinatra’s publicist, auditioned girls for how loud they could scream, then paid them five bucks and placed them strategically in the audience to help whip up excitement.

8. A short film got Frank Sinatra tagged as a Communist sympathizer.

In 1945, Sinatra made a short film, The House I Live In, that spoke out against anti-Semitism and racial intolerance. Ironically, a decade later, its liberal slant got him tagged as a Communist sympathizer during the McCarthy trials. (Sinatra never testified.)

9. The FBI had a file on Frank Sinatra.


Hulton Archive/Getty Images

Sinatra’s FBI file had been started by J. Edgar Hoover after a radio listener wrote to the Bureau, saying, "The other day I turned on a Frank Sinatra program and I thought how easy it would be for certain-minded manufacturers to create another Hitler here in America through the influence of mass hysteria." Sinatra had also been investigated by the FBI for reportedly paying doctors $40,000 to declare him unfit to serve in the armed services.

10. Frank Sinatra helped introduce the concept album and box set.

In 1946, Sinatra's debut release, The Voice of Frank Sinatra, helped introduce both the concept album and the box set. At a time when long-playing records were still novel, Sinatra issued a set of 78 rpm records with eight songs, all with a theme of lost love. It sold for a hefty $2.50 (the equivalent of about $30 today). But the price didn't prevent it from topping the charts for seven weeks. Two years later, it became one of the first-ever pop music vinyl 10" LPs.

11. Frank Sinatra attempted suicide several times.

Sinatra's star fell hard in the early 1950s. He was so low that he even attempted suicide. Walking through Times Square, he saw mobs of girls waiting to get into a concert by new singing sensation Eddie Fisher. Feeling washed up, Sinatra went back to his apartment, put his head on the stove, and turned on the gas. Luckily, his manager found him in time, lying on the floor, sobbing. Sinatra made three other suicide attempts, all of them in the throes of his volatile relationship with actress Ava Gardner.

12. The Rat Pack didn’t call themselves that.


Hulton Archive/Getty Images

With his pals Dean Martin, Sammy Davis, Jr., Joey Bishop, and Peter Lawford, Sinatra led the Vegas clique known as the Rat Pack. The name was coined by actress Lauren Bacall years earlier, to describe a Hollywood drinking circle that included her then-husband Humphrey Bogart and Sinatra. The guys in the Rat Pack actually referred to themselves by a different name—The Summit—playing on a 1960 summit meeting in Paris between top world leaders.

13. Frank Sinatra reunited Jerry Lewis and Dean Martin.

In 1976, Sinatra appeared on Jerry Lewis’ annual Muscular Dystrophy Association telethon and surprised the host when he brought out Dean Martin, Lewis’s former comedy partner, from whom he’d been estranged for 20 years.

14. In Hollywood, Frank Sinatra was known as “one-take Charlie.”

Sinatra’s preference for approaching film roles in a spontaneous, rather than over-rehearsed, way earned him the nickname of “One-Take Charlie” in Hollywood.

15. Frank Sinatra threatened to have Woody Allen’s legs broken.

Sinatra was married to Mia Farrow from 1966 to 1968, and the two remained close friends. In Farrow’s autobiography, What Falls Away, she shared that when Sinatra learned of Woody Allen’s affair with Soon-Yi Previn, he offered to have the filmmaker’s legs broken.

16. A magazine claimed that Frank Sinatra got his stamina from Wheaties.


Hulton Archive/Getty Images

In 1956, Confidential magazine disclosed how Sinatra managed to satisfy so many Hollywood starlets—Wheaties! The article stated, "Where other Casanovas wilt under the pressure of a torrid romance, Frankie boy just pours himself a big bowl of crispy, crackly Wheaties and comes back rarin' to go.” General Mills kept quiet as the tabloids talked up Wheaties' power to fuel Sinatra's exploits, and it wasn't long before teenage boys were stampeding the cereal aisles.

17. Frank Sinatra had two hits called “New York, New York.”

Sinatra actually had two hits called "New York, New York." The first was in 1949, from the film On the Town, and was written by Leonard Bernstein, Adolph Green, and Betty Comden. Thirty years later, Sinatra cut "(Theme From) New York, New York," by John Kander and Fred Ebb. Originally from Martin Scorsese's 1977 bomb New York, New York, Sinatra turned it into his signature song and onstage closer. He also angered the lyricist, Ebb, by customizing the words (Sinatra had done this to a few songwriters, most famously Cole Porter), adding the climactic phrase "A-number-one." In 1993, Sinatra recorded the song again, this time as a duet with Tony Bennett.

18. Frank Sinatra hated being called “Chairman Of The Board.”

It’s a nickname he acquired while president at Reprise Records. According to his fourth (and final) wife, Barbara, Sinatra hated it.

19. Frank Sinatra wasn’t a fan of “My Way” or “Strangers In The Night.”

Barbara also maintains “My Way,” one of Frank’s most loved songs, did absolutely nothing for him. But that was a kind assessment compared to “Strangers in the Night,” which Frank called “a piece of sh*t” and “the worst f**king song I’ve ever heard.”

20. “My Way” has been covered by more than 60 people.

Sinatra may not have loved it, but “My Way” has been covered by more than 60 artists, including Elvis Presley, Aretha Franklin, and Sid Vicious. It has also been recorded in various languages.

21. Several people have died after performing “My Way.”

Since 2000, at least half a dozen people have been murdered after (or while) performing the Sinatra classic. Dubbed the “‘My Way’ Killings,” the strange phenomenon has gotten so bad that some bar owners have removed it from the selection list entirely.

22. Frank Sinatra inadvertently helped name Scooby-Doo.

At least according to former CBS exec Fred Silverman, who found inspiration in Frank’s signature “Scoo-Be-Do-Be-Do.”

23. Frank Sinatra directed the first Japanese/American co-production.


Hulton Archive/Getty Images

In 1965, Sinatra stepped behind the camera to make his directorial debut with None But the Brave, which was produced with Toho Studios. It was the first Japanese/American co-production filmed in the United States.

24. Frank Sinatra has a special place in New York Yankees history.

“New York, New York” has closed out every one of the Yankees’ home games since 1980.

25. Frank Sinatra had his own pasta sauces.

The year 1990 was a post-Paul Newman, pre-Marky Ramone time in celebrity spaghetti sauce, and leave it to Frank to fill the zesty void. But despite being inspired by his mother’s very own recipe, the sauce flopped. Thankfully, you can now find Mama Sinatra’s recipe online.

26. Frank Sinatra got first dibs on playing John McClane in Die Hard.

Think some action-loving Hollywood scribe came up with the concept for Die Hard? Think again. The movie is based on Roderick Thorp’s 1979 crime novel Nothing Lasts Forever, which is a sequel to his 1966 novel, The Detective. Because Sinatra had starred in the big-screen adaptation of The Detective, he had to be offered the role in its sequel. At the age of 73, he smartly turned it down.

27. Frank Sinatra didn’t like Marlon Brando, and Marlon Brando didn’t like Frank Sinatra.


MGM

Sinatra was always known as one of Hollywood’s most likeable stars, but Marlon Brando apparently didn’t agree. The two didn’t hit it off when they starred in 1955’s Guys and Dolls. Sinatra, who allegedly wanted Brando’s role in the film, referred to his co-star as “Mr. Mumbles,” while Brando nicknamed Sinatra “Mr. Baldy.”

28. Frank Sinatra briefly retired in 19671.

In 1971. Thankfully for you “Send in the Clowns” fans, his self-imposed exile from the entertainment industry lasted less than two years, before he returned for good with his comeback “Ol’ Blue Eyes is Back.”

29. There's an asteroid named after Frank Sinatra.

The rock, called 7934 Sinatra, was discovered on September 26, 1989 by E. W. Elst at the European Southern Observatory.

30. Frank Sinatra sang one half of the only father-daughter tune to ever top the charts.


By CBS Television, Public Domain, Wikimedia Commons

Sinatra has a unique distinction in Billboard history: He’s the “father” half of the only father-daughter duet to ever hit number one—thanks to “Something Stupid,” which he sang with Nancy.

31. Frank Sinatra was an honorary tribal chief.

Specifically, the “Order of the Leopard,” the highest honor in Bophuthatswana, a quasi-nation state in apartheid-era South Africa. The honor was a show of gratitude from president Lucas Mangope for Sinatra’s performances at the maligned—and later boycotted—Sun City casino.

32. The Beatles’s “Something” was one of Frank Sinatra’s favorite songs.

Frank may not have loved (okay, he hated) rock and roll, but he was a big fan of the George Harrison-penned “Something.” The song became a sample in Sinatra’s live set toward the end of his career.

33. The last song Frank Sinatra ever performed live is “The Best Is Yet To Come.”

On February 25, 1995, Sinatra sang the song for a group of 1200 people on the last night of a golf tournament named for him. The words "The Best is Yet to Come" are also on his tombstone.

34. Frank Sinatra reportedly took some Tootsie Rolls to the grave.

According to celebrity expert Alan Petrucelli, Ol’ Blue Eyes was buried with some Tootsie Rolls, along with a few other choice effects, including cigarettes, a lighter, and a bottle of Jack Daniels.

35. A provision in Frank Sinatra’s will helped to ensure it wouldn’t be contested.

In order to ensure that his passing wouldn’t lead to any legal battles, Sinatra’s will included a “no-contest” clause, which essentially says that anyone who contested it would be disinherited completely.

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