15th-Century Cannonballs Likely Used by Vlad the Impaler Discovered in Bulgaria

By Anonymous, Public Domain, Wikimedia Commons
By Anonymous, Public Domain, Wikimedia Commons

Dracula was known for using his fangs and supernatural powers to dispatch his victims. But he apparently liked to have a few cannonballs by his side as well (just in case).

No, there’s no secret passage from Bram Stoker’s novel involving a battle where the vampire count displays his firepower. Rather, according to the website Archaeology in Bulgaria, cannonballs were recently excavated from the Bulgarian town of Svishtov, the site of a military conquest made by the Romanian prince Vlad III. Known more popularly as “Vlad the Impaler,” he likely served as the inspiration behind Stoker's bloodthirsty antagonist.

During his reign as one of most ruthless rulers in history, Vlad III frequently butted heads with the Ottoman Turks. The conflict came to a violent head in 1461, when Vlad and his army fought for control over Svishtov’s Zishtova Fortress. Now, as Gizmodo reports, archaeologists say they've uncovered a collection of centuries-old cannonballs that may have belonged to Vlad and were most likely linked to the event.

The cannonballs themselves were shot from culverins, medieval cannons that fired missiles weighing up to 16 pounds, which were relatively light compared to later models. Lead archaeologist Nikolay Ovcharov of the National Institute and Museum of Archaeology in Sofia said that's what makes these artifacts particularly exciting.

“We rejoice at those small cannonballs because they are from culverins," Ovcharov told Fox News. "These were the earliest cannons which were for the 15th century, up until the 16th century, [and] they weren’t in use after that.”

That battle occurred as an attempt to reclaim the region from the occupying Turks. The region was occupied as far back as the Roman Empire and was abandoned after barbarian invasions. The Zishtova Fortress was built much later, and Vlad III made it his home—after he reclaimed it from his enemies.

But just because Vlad may have had cannonballs at his disposal doesn't mean that some of the battle's victims weren't impaled.

"[We] have a letter by Vlad Dracula to the king of Hungary in which he boasted that he had taken [the fort] after a fierce battle, and that about 410 Turks were killed during the siege," Ovcharov said. "Some of them were probably impaled, in his style."

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Explore Two of Pompeii’s Excavated Homes in This Virtual Tour

A photo of the Pompeii ruins from November 2019.
A photo of the Pompeii ruins from November 2019.
Ivan Romano/Getty Images

It’s been nearly 2000 years since the eruption of Mount Vesuvius decimated Pompeii in 79 C.E., and archaeologists are still uncovering secrets about life in the ancient Roman city. As Smithsonian reports, they’ve recently excavated two homes in Regio V, a 54-acre area just north of the Pompeii Archaeological Park—and you can see the findings for yourself in a virtual tour published by the Italian Ministry of Cultural Heritage and Activities.

The 7.5-minute video comprises drone footage of the houses and surrounding ruins, along with commentary by park director Massimo Osanna that explains what exactly you’re looking at and what types of people once lived there. Osanna’s commentary is in Italian, but you can read the English translation here.

The homes, both modest private residences that probably housed middle-class families, border the Vicolo dei Balconi, or “Alley of the Balconies.” The first is fittingly named “House With the Garden” because excavators discovered that one of its larger rooms was, in fact, a garden. Excavators pinpointed the outlines of flowerbeds and even made casts of plant roots, which paleobotanists will use to try to identify what grew there. In addition to the garden and vibrant paintings that feature classic ancient deities like Venus, Adonis, and Hercules, “House With the Garden” also preserved the remains of its occupants: 11 victims, mostly women and children, who likely took shelter within the home while the men searched for a means of escape.

Across the street is “House of Orion,” named for two mosaics that depict the story of Orion, a huntsman in Greek mythology whom the gods transformed into the constellation that bears his name today.

“The owner of the house must have been greatly attracted to this myth, considering it features in two different rooms in which two different scenes of the myth are depicted,” Osanna says. “It is a small house which has proved to be an extraordinary treasure chest of art."

To see what Pompeian houses would’ve looked like before Mount Vesuvius had its fiery fit, check out this 3D reconstruction.

[h/t Smithsonian]