The Gibson Girls: The Kardashians of the Early 1900s

Forget about Kim, Khloe, and Kourtney. At the turn of the twentieth century, it was all about Evelyn, Camille, and Irene, the original "Gibson Girls" and the models for the drawings that changed the way America thought about women.

Though the 1890s may seem buttoned up by modern standards, they were anything but. Independent, well-read, and urbane, a new class of woman was emerging in America's cities. This "New Woman" did not care to be chaperoned in public. She was athletic and free-spirited. Above all, she was educated, taking advantage of new access to secondary school and college.

She was also scary. By the 1890s, the reform fervor of suffragists and their sisters had ceased to be cute and started to be all too real. The status quo was being challenged by Progressive politics, new divorce laws, and women who chose to work outside the home. Charles Dana Gibson, a popular illustrator, looked down on reform zeal in women. And so he created "the Gibson girl," a catch-all representation of a kinder, gentler New Woman—one who rode bikes, wore casual clothing, and flaunted her attitude, but was above all beautiful and anonymous. By the 1910s, to visit Gibson's office was to push your way through hundreds of gorgeous models with big hair and small waists, each vying for a go as one of Gibson's girls.

If ever there was a figure that expressed ambiguity about its subject, it was the Gibson Girl. Gibson's creations poked men with pins and looked at them under magnifying glasses, towered over infatuated suitors, and even played golf—all while rocking gigantic pompadours and chignons, crisp shirtwaists and impeccably corseted hips. You wouldn't see her at a settlement house or a suffrage rally, but you might spot her by the Ouija board or by the sea, working her hose and bathing costume with all of the self-conscious hauteur of a Kim K. selfie.

"Wear a blank expression/and a monumental curl/And walk with a bend in your back/Then they will call you a Gibson Girl." Camille Clifford, a Belgian songbird, sang this tune with great irony in 1907, long after she won an international magazine contest in search of the woman who best embodied Gibson's girl. Known for her 18-inch waist and her signature walk, she took the theatrical world by storm without benefit of acting skills or much more than the rumor that she had eloped with a British lord. She can also be blamed for the high-maintenance fashion craze that was the S-curve, an overtly sensuous look achieved by a corset laced nearly to the knees.

Evelyn Nesbit, another one of Gibson's models, boasted of a career that started as the first supermodel and ended with the first "trial of the century" of the 1900s. Like many others, Gibson was entranced by her luxurious, over-the-top hair, which he molded into a question mark for one of the most famous Gibson Girl drawings, entitled "Woman: The Eternal Question." A recent book claims that a photograph of Evelyn even inspired Lucy Maud Montgomery to write Anne of Green Gables.

Getty Images

Evelyn appeared on magazine covers, pouted as a "Florodora girl," and was eventually seduced by notorious womanizer Stanford White, who infamously placed her on a red velvet swing in his apartment so he could admire her before deflowering her. Eventually, she married millionaire Harry Kendall Thaw, who shot White to death after spotting him at Madison Square Garden. The trial that ensued put O.J. Simpson's to shame, with wall-to-wall tabloid coverage and a deadlocked jury. After her husband was convicted, Evelyn went on to work in silent films, burlesque, and even operated her own Prohibition-era speakeasy.

Ironically, the least famous of the Gibson Girls was probably the original, and Irene Langhorne Gibson was far closer to the independent New Woman than her husband liked to admit. Known for her supermodel looks and her Virginia fortune, Irene fended off plenty of proposals before falling in love with Gibson. But though her tall stature and haughty, almost arrogant looks inspired her husband, Irene was far more noteworthy for her passion for Progressive politics. Her philanthropic efforts helped troubled women and children, and her ability to use her society connections effected real change. While Gibson turned women back into Girls, Irene quietly and tirelessly showed just what a woman could achieve. 

Additional References: The Bystander: An Illustrated Weekly, Devoted to Travel, Literature, Art, the Drama, Progress, Locomotion, Volume 12; Dress Culture in Late Victorian Women's Fiction: Literacy, Textiles, and Activism; Gibson Girls and Suffragists: Perceptions of Women from 1900 to 1918; The American New Woman Revisited: A Reader, 1894-1930; Early College Women: Determined to be Educated; Nancy: The Story of Mary Astor; Encyclopedia Virginia: Irene Langhorne Gibson; Leslie Stuart: Composer of Florodora; American Eve; Looking for Anne of Green Gables: The Story of L. M. Montgomery and Her Literary Classic

Whiten Your Teeth From Home for $40 With This Motorized Toothbrush

AquaSonic
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This smart toothbrush can actually tell you how long to keep the brush in one place to get the most thorough cleaning—and that’s just one of the ways it can remove more plaque than an average toothbrush. The brush also features multiple modes that can whiten teeth, adjust for sensitive teeth, and massage your gums for better blood flow.

As you’d expect from any smart device, modern technology doesn’t stop at functionality. The design of the AquaSonic Black Series is sleek enough to seamlessly fit in with a modern aesthetic, and the charging base is cordless so it’s easy to bring on the go. The current deal even includes a travel case and eight Dupont replacement heads.

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Notre-Dame Cathedral’s New Spire Will Be an Exact Replica of the Old One

This wasn't actually the original spire.
This wasn't actually the original spire.
Michael McCarthy, Flickr // CC BY-ND 2.0

Just days after a fire ravaged Notre-Dame de Paris on April 15, 2019, France’s then-prime minister Édouard Philippe announced plans for an international competition to design a new, more modern spire “suited to the techniques and challenges of our time.”

Though not everyone supported the initiative, architects from all over the world made quick work of sharing their innovative ideas. Some imagined spires made from unconventional materials—Brazilian architect Alexandre Fantozzi favored stained glass, for example, and France’s Mathieu Lehanneur designed a flame-shaped spire covered in gold leaf—while others envisioned using the space for something completely different. Sweden’s Ulf Mejergren Architects suggested a rooftop swimming pool, and Studio NAB proposed a greenhouse.

But those architects will have to bring their inventive designs to life elsewhere. As artnet News reports, the French Senate recently passed legislation mandating that the cathedral be restored to its “last known visual state.” President Emmanuel Macron released a statement endorsing the decision and explaining that city officials would look to add a “contemporary gesture” in the “redevelopment of the surroundings of the cathedral” instead.

Though the 800-ton, 305-foot-tall spire was certainly one of Notre-Dame’s most striking features, it wasn’t actually part of the original building. The first spire, constructed between 1220 and 1230, began to deteriorate after several centuries, and it was removed in the late 1700s. The cathedral went spire-less until 1859, when builders completed work on architect Eugène Viollet-le-Duc’s new design—which, according to Popular Mechanics, wasn’t an exact replica of the original.

17th-century etching of paris notre-dame cathedral
A 17th-century etching of Notre-Dame with its original spire.
I. Silvestre, Wellcome Images, Wikimedia Commons // CC BY 4.0

This event could have set the precedent for updating the spire this time, but it’s possible that government officials were motivated by more than a simple commitment to architectural consistency. Last year, Macron had promised that the restoration would be completed by 2024, when Paris is scheduled to host the Summer Olympics. It’s an ambitious goal, and a worldwide competition to come up with a new design could have delayed the process more than reconstructing the spire as it once was.

[h/t artnet News]