It might come as a surprise to some that the Boston Public Library is a popular wedding destination. Unless, of course, you’ve seen the interior, which is renowned for its grand architecture. The library's Abbey Room, named after mural artist Edwin Austin Abbey, is adorned with a spectacular depiction of Sir Galahad’s quest for the Holy Grail.
Now couples can make use of this regal space for free—providing they don’t mind rushing their vows a bit.
To celebrate the 125th anniversary of the McKim Building, the BPL is offering four couples the opportunity to get married for free inside the Abbey Room at the Central Library in Copley Square. The giveaway—which is free to enter—includes a catered breakfast, music, photography, overnight accommodations, and a justice of the peace. The four winning couples will visit the Central Library on Sunday, February 2, 2020 for the ceremony.
Is there some fine print? Naturally. Each couple will be allowed just 10 guests, and the entire affair is scheduled for one hour before the next couple moves in.
If you don't mind the rush, the savings can be significant. Wedding advice website Woman Getting Married reports that reserving the BPL for a ceremony can range from $8450 to over $15,000, with another $400 per guest for amenities like food.
You can enter the giveaway at the Boston Public Library’s website. The winners will be randomly selected. The contest is open through November 15.
A historic amount of ice has disappeared from Greenland's glaciers in recent years. During this summer's heat wave in Europe, which scientists linked to climate change, the Greenland ice sheet melted at a rate of up to billions of tons of ice per day. The phenomenon was part of a trend: The previous summer, the Arctic sea ice near northern Greenland broke up for the first time ever. Now, newly published time-lapse footage illuminates another aspect of the dire situation.
As Live Science reports, a British team of scientists captured this video of the Store Glacier in western Greenland on July 7, 2018. It shows a lake of meltwater on the ice rapidly draining in a span of hours. When cracks form on glaciers in the summer, they fill up with water, creating massive, temporary lakes. These meltwater lakes become a problem when the water drains deep into the glacier, where it can damage the base and dislodge ice chunks into the ocean. Melting ice that drifts out to sea is one of the driving forces behind rising sea levels.
In a paper published this month in the journalProceedings of the National Academy of Sciences, the researchers report that the lake captured in the video flushed more than 1.26 billion gallons of water—the equivalent of 2000 Olympic-size swimming pools, notes Live Science—toward Store Glacier's base even without fully draining. This shows that meltwater lakes that don't drain completely should still be treated as serious threats to ice sheets.
You can check out the complete time-lapse from their study below.
Everyone loves Rudolph the Red-Nosed Reindeer. He’s got the whole underdog thing going for him, and when the fog is thick on Christmas Eve, he’s definitely the creature you want guiding Santa’s sleigh. But what happens when Saint Nick reaches Italy, and he’s faced with steep hills that no reindeer—magical or otherwise—can climb?
That’s when Santa apparently calls upon Dominick the Donkey, the holiday hero immortalized in the 1960 song of the same name. Recorded by Lou Monte, “Dominick The Donkey” is a novelty song even by Christmas music standards. The opening line finds Monte—or someone else, or heck, maybe a real donkey—singing “hee-haw, hee-haw” as sleigh bells jingle in the background. A mere 12 seconds into the tune, it’s clear you’re in for a wild ride.
Over the next two minutes and 30 seconds, Monte shares some fun facts about Dominick: He’s a nice donkey who never kicks but loves to dance. When ol’ Dom starts shaking his tail, the old folks—cummares and cumpares, or godmothers and godfathers—join the fun and "dance a tarentell," an abbreviation of la tarantella, a traditional Italian folk dance. Most importantly, Dominick negotiates Italy’s hills on Christmas Eve, helping Santa distribute presents to boys and girls across the country.
And not just any presents: Dominick delivers shoes and dresses “made in Brook-a-lyn,” which Monte somehow rhymes with “Josephine.” Oh yeah, and while the donkey’s doing all this, he’s wearing the mayor’s derby hat, because you’ve got to look sharp. It’s a silly story made even sillier by that incessant “hee-haw, hee-haw,” which cuts in every 30 seconds like a squeaky door hinge.
There may have actually been some historical basis for “Dominick.”
“Travelling by donkey was universal in southern Italy, as it was in Greece,” Dominic DiFrisco, president emeritus of the joint Civic Committee of Italian Americans, said in a 2012 interview with the Chicago Sun-Times. “[Monte’s] playing easy with history, but it’s a cute song, and Monte was at that time one of the hottest singers in America.”
Rumored to have been financed by the Gambino crime family, “Dominick the Donkey” somehow failed to make the Billboard Hot 100 in 1960. But it’s become a cult classic in the nearly 70 years since, especially in Italian American households. In 2014, the song reached #69 on Billboard’s Holiday 100 and #23 on the Holiday Digital Song Sales chart. In 2018, “Dominick” hit #1 on the Comedy Digital Track Sales tally. As of December 2019, the Christmas curio had surpassed 21 million Spotify streams.
“Dominick the Donkey” made international headlines in 2011, when popular BBC DJ Chris Moyles launched a campaign to push the song onto the UK singles chart. “If we leave Britain one thing, it would be that each Christmas kids would listen to 'Dominick the Donkey,’” Moyles said. While his noble efforts didn’t yield a coveted Christmas #1, “Dominick” peaked at a very respectable #3.
As with a lot of Christmas songs, there’s a certain kitschy, ironic appeal to “Dominick the Donkey.” Many listeners enjoy the song because, on some level, they’re amazed it exists. But there’s a deeper meaning that becomes apparent the more you know about Lou Monte.
Born Luigi Scaglione in New York City, Monte began his career as a singer and comedian shortly before he served in World War II. Based in New Jersey, Monte subsequently became known as “The Godfather of Italian Humor” and “The King of Italian-American Music.” His specialty was Italian-themed novelty songs like “Pepino the Italian Mouse,” his first and only Top 10 hit. “Pepino” reached #5 on the Billboard Hot 100 in 1963, the year before The Beatles broke America.
“Pepino” was penned by Ray Allen and Wandra Merrell, the duo that teamed up with Sam Saltzberg to write “Dominick the Donkey.” That same trio of songwriters was also responsible for “What Did Washington Say (When He Crossed the Delaware),” the B-side of “Pepino.” In that song, George Washington declares, “Fa un’fridd,” or ‘It’s cold!” while making his famous 1776 boat ride.
With his mix of English and Italian dialect, Monte made inside jokes for Italian Americans while sharing their culture with the rest of the country. His riffs on American history (“What Did Washington Say,” “Paul Revere’s Horse (Ba-cha-ca-loop),” “Please, Mr. Columbus”) gave the nation’s foundational stories a dash of Italian flavor. This was important at a time when Italians were still considered outsiders.
According to the 1993 book Italian Americans and Their Public and Private Life, Monte’s songs appealed to “a broad spectrum ranging from working class to professional middle-class Italian Americans.” Monte sold millions of records, played nightclubs across America, and appeared on TV programs like The Perry Como Show and The Ernie Kovacs Show. He died in Pompano Beach, Florida, in 1989. He was 72.
Monte lives on thanks to Dominick—a character too iconic to die. In 2016, author Shirley Alarie released A New Home for Dominick and A New Family for Dominick, a two-part children’s book series about the beloved jackass. In 2018, Jersey native Joe Baccan dropped “Dominooch,” a sequel to “Dominick.” The song tells the tale of how Dominick’s son takes over for his aging padre. Fittingly, “Dominooch” was written by composer Nancy Triggiani, who worked with Monte’s son, Ray, at her recording studio.
Speaking with NorthJersey.com in 2016, Ray Monte had a simple explanation for why Dominick’s hee-haw has echoed through the generations. “It was a funny novelty song,” he said, noting that his father “had a niche for novelty.”