Battle of Neuve Chapelle

The First World War was an unprecedented catastrophe that shaped our modern world. Erik Sass is covering the events of the war exactly 100 years after they happened. This is the 173rd installment in the series.

March 10-13, 1915: Battle of Neuve Chapelle

The first big British offensive of the war took place at the Battle of Neuve Chapelle from March 10-13, 1915, when British, Indian, and Canadian troops captured the village of the same name, completely destroying it in the process. For these gains – a few miles of French countryside centered on a small patch of rubble – the British suffered a total of around 11,600 casualties, while inflicting around 10,000 on their German foes, in addition to 1,700 Germans taken prisoner. This they claimed as a victory, reflecting the drastic lowering of expectations that accompanied trench warfare.

The battle resulted in part from political and diplomatic tensions between the Allies: while they recognized British defensive prowess at Ypres and Givenchy, the French and Russians argued they were doing the lion’s share of the fighting (in Champagne and Poland, respectively) and demanded the British pull their weight by mounting more offensives of their own. On February 5, 1915, British Expeditionary Force commander Sir John French told his officers that come spring he expected them to return to the attack, calling for constant raids to wear the Germans down through attrition and exhaustion. He also began planning a major offensive to demonstrate the British Army’s ability to undertake large-scale operations.

By early March there were half a million soldiers under British command in France, including Canadian and Indian troops, allowing French to present the forthcoming offensive as an “Imperial” venture, uniting all the patriotic elements of the British Empire. He assigned the task to the British First Army under Sir Douglas Haig, who shared his belief that victory at Neuve Chapelle might clear the way for a campaign to liberate Lille. Furthermore, an advance here might allow them to sever German rail communications to the south, threatening to cut off the entire German salient where it bulged into northern France. However as so often this proved wildly overoptimistic.

“Awful Tornado”

Having located a weak spot in the German defenses north of La Bassée and west of Aubers, in early March the British secretly assembled an overwhelming force, ultimately sending 48 British battalions numbering around 40,000 men against just three Westphalian battalions from the German Sixth Army under Bavarian Crown Prince Rupprecht. The attack would begin with the most intense bombardment in history on the morning of March 10, 1915, exceeding even the German onslaughts at Ypres, with over 500 guns of various calibers massed along a front just a few miles long (below, British field artillery in action).

After pulverizing the German trenches the big guns would gradually increase their range to provide a protective “creeping barrage,” behind which the attackers could advance in relative safety. The British employed aerial photography on a large scale for the first time at Neuve Chapelle, precisely mapping out the enemy trench system to guide the bombardment and infantry advance; during the battle British warplanes would also attack enemy communications and rail lines behind the front to prevent the Germans from bringing up reinforcements.

By all accounts the opening bombardment was utterly terrifying. Herbert Stewart, a British supply officer, described the incredible scenes of destruction his diary as hundreds of guns began firing at 7:30am on March 10:

As soon as the range had been accurately secured, a tremendous fire was opened on the village of Neuve Chapelle and the neighbouring trenches occupied by the enemy… Under this hail of flying metal, the village, the neighbouring trenches, and the whole German position selected for attack were blotted from sight under a pall of smoke and dust. The earth shook and the air was filled with the thunderous roar of the exploding shells. To the watching thousands the sight was a terrible one: amidst the clouds of smoke and dust they could see human bodies with earth and rock, portions of houses, and fragments of trench hurting through the air.

Another British soldier echoed Stewart’s account, providing an additional chilling detail:

[It] seemed impossible that any living thing could emerge from the wreckage created by that awful tornado of lyddite [high explosive] and shrapnel. Heads arms and legs and mangled bodies were flying about in horrible confusion; the upper half of a German officer, with the cap thrust down over the distorted face, fell in the front-line British trenches.

A few days later, on March 13, an anonymous British nurse recounted a conversation with wounded soldiers in her own diary, confirming these details: “Some of them who were near enough to see the effect of our bombardment on the enemy's trenches say they saw men, legs, and arms shot into the air. And the noise! – they gasp in telling you about it.”

In many places the shelling destroyed German trenches and sent the remaining defenders fleeing for safety, as hoped. But some German defenses were left more or less intact, and the initial infantry assault at 8:05am had uneven results. Leading the first wave were four battalions from the Indian Meerut Division, which succeeded in crossing no-man’s-land and occupying the German frontline and support trenches in just fifteen minutes, taking prisoner hundreds of stunned defenders, then pressing on to capture Neuve Chapelle itself around 9am (below, Indian soldiers at Neuve Chapelle).

The Indians had achieved a limited, temporary breakthrough at Neuve Chapelle, but the British weren’t able to exploit the tactical victory to achieve a decisive strategic victory – a common refrain in the First World War. Haig ordered a second attack in the northern sector by the British 7th and 8th Divisions, leading to heavy losses on both sides, including more German prisoners (below, Germans surrendering at Neuve Chapelle). Private Montague S. Goodbar of the Cameron Highlanders confided in his diary for March 10: “With the constant rapid fire my rifle steamed like a boiling kettle and became so hot that I could scarcely hold it. During this time I think we managed to bag a good few of the enemy between us. Their parapet was do badly damaged by our high explosives that they stuffed the gaps up with their dead.”

But the Germans rushed reinforcements to this area and eventually managed to reestablish a defensive line along the front, frustrating the British advance to both north and south and so preventing the two attacking forces from closing the pincer around them. In short, although the British has enough troops to achieve an initial breakthrough, they didn’t have enough reserves to continue the offensive by overrunning new German defenses.

Two days later, on March 12, 1915, German Sixth Army commander Crown Prince Rupprecht ordered a counterattack, which for the most part failed to eject the British from their hard-won positions, swiftly fortified with new trenches. Stewart described the bloody outcome of the German assault, led by officers who were the epitome of doomed valor:

A solid mass of men debouched from the trees, led by their officers, two of whom were mounted on horseback and headed the charge with drawn swords, as in the battles of a century ago. Such courage compels admiration, but it is madness in the face modern rifles and machine-guns. A murderous fire met the advancing German infantry, and in a few seconds that column of living men was but a heap of dead or writhing bodies, a sight so appalling as to sicken even the hardened soldiers who had seen eight months of slaughter.

As the battle swept back and forth across the battlefield from March 10-12, new areas suddenly became “no-man’s-land,” forcing both sides to leave wounded soldiers lying out as the battle unfolded, sometimes for days at a time. On March 12 Goodbar wrote: “We proceed to cross the field which was behind the original German trench. What a gruesome sight! Dead and wounded are strewn everywhere, the latter groaning and moaning in a most heartbreaking manner, there are British and Germans mixed up lying side by side, rifles and equipment everywhere.” An Indian officer, Amar Singh, painted a similar picture: “The place was very crowded and there was no end of the wounded which were being brought in on stretchers…  There was a terrible confusion… The Germans were shelling the road very hotly… On both sides of the road were lying the dead and the wounded. The groans of the latter were most pitiful.” William Boyd, working with a British field ambulance, described the scene in an improvised field hospital after two days of fighting:

The dressing-station was formerly a school, and every room was so packed with wounded, lying on stretchers on the floor, that it was with the greatest difficulty that we could move about. It was literally almost impossible to put your foot down without treading on a wounded man. The condition of the wounds was indescribable, for many of them were two days old, and during that time the wounded men had simply lain out on the battlefield, the furious fighting rendering the evacuation of casualties an impossibility… The head injuries were the most frightful, for in some cases the greater part of the face was smashed in by shrapnel, while in others the nose, eye, and greater part of the cheek had been torn away, leaving a great, red, bleeding cavity.

As if to symbolize the martyrdom of thousands of dead and wounded soldiers, after the battle the British discovered part of a damaged crucifix in Neuve Chapelle, the remnant of a destroyed church, which became known as “The Christ of the Trenches” (top). Unsurprisingly the incredible artillery barrages had reduced the village itself to rubble (above). And still fighting continued along the whole front, day in and day out. On March 15, 1915 a British volunteer nurse wrote:

Woke up just as we arrived at Bailleul to hear most incessant cannonade going on I ever heard, even at Ypres. The sky is continually lit up with the flashes from the guns – it is a pitch-dark night – and you can hear the roar of the howitzers above the thud-thud of the others… I have a boy of 22 with both legs off. He is dazed and white, and wants shifting very often. Each time you fix him up he says, “That's champion.”

 See the previous installment or all entries.

Amazon's Best Black Friday Deals: Tech, Video Games, Kitchen Appliances, Clothing, and More

Amazon
Amazon

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Instant Pot/Amazon

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12 Spirited Facts About How the Grinch Stole Christmas

Warner Home Video
Warner Home Video

Each year, millions of Americans welcome the holiday season by tuning into their favorite TV specials. For most people, this includes at least one viewing of the 1966 animated classic How the Grinch Stole Christmas. Adapted from Dr. Seuss’s equally famous children’s book by legendary animator Chuck Jones, How the Grinch Stole Christmas first aired more than 50 years ago, on December 18, 1966. Here are 12 facts about the TV special that will surely make your heart grow three sizes this holiday season.

1. Theodor “Dr. Seuss” Geisel And Chuck Jones previously worked together on Army training videos.

During World War II, Geisel joined the United States Army Air Forces and served as commander of the Animation Department for the First Motion Picture Unit, a unit tasked with creating various training and pro-war propaganda films. It was here that Geisel soon found himself working closely with Chuck Jones on an instructional cartoon called Private Snafu. Originally classified as for-military-personnel-only, Private Snafu featured a bumbling protagonist who helped illustrate the dos and don’ts of Army safety and security protocols.

2. It was because of their previous working relationship that Ted Geisel agreed to hand over the rights to The Grinch to Chuck Jones.

After several unpleasant encounters in relation to his previous film work—including the removal of his name from credits and instances of pirated redistribution—Geisel became notoriously “anti-Hollywood.” Because of this, he was reluctant to sell the rights to How the Grinch Stole Christmas. However, when Jones personally approached him about making an adaptation, Geisel relented, knowing he could trust Jones and his vision.

3. Even with Ted Geisel’s approval, the special almost didn’t happen.

By Al Ravenna, World Telegram staff photographer - Library of Congress. New York World-Telegram & Sun Collection. Public Domain, Wikimedia Commons

Whereas today’s studios and production companies provide funding for projects of interest, television specials of the past, like A Charlie Brown Christmas and How the Grinch Stole Christmas, had to rely on company sponsorship in order to get made. While A Charlie Brown Christmas found its financier in the form of Coca-Cola, How the Grinch Stole Christmas struggled to find a benefactor. With storyboards in hand, Jones pitched the story to more than two dozen potential sponsors—breakfast foods, candy companies, and the like—all without any luck. Down to the wire, Jones finally found his sponsor in an unlikely source: the Foundation for Commercial Banks. “I thought that was very odd, because one of the great lines in there is that the Grinch says, ‘Perhaps Christmas doesn’t come from a store,’” Jones said of the surprise endorsement. “I never thought of a banker endorsing that kind of a line. But they overlooked it, so we went ahead and made the picture.”

4. How the Grinch Stole Christmas had a massive budget.

Coming in at over $300,000, or $2.2 million in today’s dollars, the special’s budget was unheard of at the time for a 26-minute cartoon adaptation. For comparison’s sake, A Charlie Brown Christmas’s budget was reported as $96,000, or roughly $722,000 today (and this was after production had gone $20,000 over the original budget).

5. Ted Geisel wrote the song lyrics for the special.

No one had a way with words quite like Dr. Seuss, so Jones felt that Geisel should provide the lyrics to the songs featured in How the Grinch Stole Christmas.

6. Fans requested translations of the “Fahoo Foraze” song.

True to his persona’s tongue-twisting trickery, Geisel mimicked sounds of classical Latin in his nonsensical lyrics. After the special aired, viewers wrote to the network requesting translations of the song as they were convinced that the lyrics were, in fact, real Latin phrases.

7. Thurl Ravenscroft didn’t receive credit for his singing of “You’re A Mean One, Mr. Grinch.”

The famous voice actor and singer, best known for providing the voice of Kellogg’s Tony the Tiger, wasn’t recognized for his work in How the Grinch Stole Christmas. Because of this, most viewers wrongly assumed that the narrator of the special, Boris Karloff, also sang the piece in question. Upset by this oversight, Geisel personally apologized to Ravenscroft and vowed to make amends. Geisel went on to pen a letter, urging all the major columnists that he knew to help him rectify the mistake by issuing a notice of correction in their publications.

8. Chuck Jones had to find ways to fill out the 26-minute time slot.

Because reading the book out loud only takes about 12 minutes, Jones was faced with the challenge of extending the story. For this, he turned to Max the dog. “That whole center section where Max is tied up to the sleigh, and goes down through the mountainside, and has all those problems getting down there, was good comic business as it turns out,” Jones explained in TNT’s How the Grinch Stole Christmas special, which is a special feature on the movie’s DVD. “But it was all added; it was not part of the book.” Jones would go on to name Max as his favorite character from the special, as he felt that he directly represented the audience.

9. The Grinch’s green coloring was inspired by a rental car.

Warner Home Video

In the original book, the Grinch is illustrated as black and white, with hints of pink and red. Rumor has it that Jones was inspired to give the Grinch his iconic coloring after he rented a car that was painted an ugly shade of green.

10. Ted Geisel thought the Grinch looked like Chuck Jones.

When Geisel first saw Jones’s drawings of the Grinch, he exclaimed, “That doesn’t look like the Grinch, that looks like you!” Jones’s response, according to TNT’s How the Grinch Stole Christmas Special: “Well, it happens.”

11. At one point, the special received a “censored” edit.

Over the years, How the Grinch Stole Christmas has been edited in order to shorten its running time (in order to allow for more commercials). However, one edit—which ran for several years—censored the line “You’re a rotter, Mr. Grinch” from the song “You’re a Mean One, Mr. Grinch.” Additionally, the shot in which the Grinch smiles creepily just before approaching the bed filled with young Whos was deemed inappropriate for certain networks and was removed.

12. The special’s success led to both a prequel and a crossover special.

Universal Pictures Home Entertainment

Given the popularity of the Christmas special, two more Grinch tales were produced: Halloween is Grinch Night and The Grinch Grinches The Cat in the Hat. Airing on October 29, 1977, Halloween is Grinch Night tells the story of the Grinch making his way down to Whoville to scare all the Whos on Halloween. In The Grinch Grinches The Cat in the Hat, which aired on May 20, 1982, the Grinch finds himself wanting to renew his mean spirit by picking on the Cat in the Hat. Unlike the original, neither special was deemed a classic. But this is not to say they weren’t well-received; in fact, both went on to win Emmy Awards.