“Rebecca, always Rebecca. I should never be rid of Rebecca,” laments the second Mrs de Winter in Daphne du Maurier’s beloved 1938 novel Rebecca. Mention the title to any bibliophile and they will no doubt give you many reasons why the novel has charmed and captivated so many generations over the years. So it's hardly surprising that this gothic thriller about a nameless young woman—who is swept off her feet by a wealthy widower, taken to live in his estate off the Cornish coast, and haunted by memories of his first wife—is the subject of Netflix’s new big-budget original movie.
The film, which stars Lily James (Downtown Abbey) and Armie Hammer (Call Me By Your Name) arrived on Netflix on October 21, 2020. Here are a few facts about this enduring novel to keep you curious. **Warning: Spoilers below!**
1. Rebecca was first published in 1938 and has never gone out of print.
Since it was published in 1938, Rebecca has never gone out of print [PDF], selling 2.8 million copies between 1938 and 1965. Over time, the novel has transformed from bestseller to cultural classic, with many stage and screen adaptations, including an Oscar-winning film by Alfred Hitchcock in 1940, and a 1993 book sequel by Susan Hill titled Mrs de Winter. In 2017, English bibliophiles voted Rebecca their favorite book of the past 225 years.
2. The heroine of Rebecca, Mrs de Winter, remains unnamed throughout.
Rebecca, after whom the novel is named, is dead when the story begins. She is brought to life via the impressions and memories other characters have of her and her lingering presence in Maxim de Winter's estate, Manderley, via her scent, her handwriting in books, and the carefully preserved clothes that remain in her wardrobe. Mostly, we see her through the eyes of the new Mrs de Winter, the "heroine" of the novel who, paradoxically, remains unnamed—a choice that surprised many fans of the book, including Agatha Christie [PDF].
3. Daphne du Maurier struggled with writer’s block while writing Rebecca.
Du Maurier struggled with a serious case of writer’s block when she began writing Rebecca. She discarded the first 50 pages of an early draft, telling her publisher: "The first 15,000 words I tore up in disgust and this literary miscarriage has cast me down."
4. Once she got past her writer’s block, Daphne du Maurier wrote Rebecca in four months.
Once she got past her early writing challenges, du Maurier wrote quickly and completed the manuscript for Rebecca in four months. Her secret? Arranging to spend time away from her children. “I am not one of those mothers who live for having their brats with them all the time,” du Maurier later wrote.
5. Rebecca has been celebrated as an important piece of feminist literature.
Initially marketed as a romance novel with Rebecca as the villainous, menacing wife, feminist interpretations of du Maurier’s novel now see it as a critique of gender power dynamics and a sexist society’s fear of powerful women. Some feminist critics suggest du Maurier intended for Maxim de Winter to be the real villain—the controlling husband who not only murders Rebecca when she refuses to play the obedient wife, but also oppresses and alienates the second Mrs de Winter, marrying her after the most unromantic of proposals: “I am asking you to marry me, you fool.”
6. In 2007, to mark the centenary of Daphne du Maurier's birth, the BBC produced two documentaries on the author.
Daphne, directed by Amy Jenkins, was based on Margaret Forster's biography of du Maurier which revealed, for the first time, du Maurier’s bisexuality. For the second documentary, The Road to Manderley, director Rick Stein set off in search of the author's world in Cornwall.
7. Some scholars believe Rebecca's second Mrs de Winter reflected Daphne du Maurier's sexual fluidity.
Some critics have wondered to what extent the character of the second Mrs de Winter was influenced by the author’s complicated and fluid sexuality. As Margaret Forster points out in her 1993 biography, du Maurier didn't think her desire for women made her a lesbian. The word transgender was not yet in common use then, but the author saw herself as female on the outside “with a boy’s mind and a boy’s heart.”
In the novel, the narrator casts herself as an androgyne, a friend and companion to Maxim, "a sort of boy," and obsessively wonders about Rebecca’s absent body, how she wore her coat, the color of her lipstick, her scent “like the crushed petals of azaleas."
8. Rebecca’s Manderley was inspired by two real-life estates.
The secretive mansion which lends the novel its famous opening line, “Last night I dreamt I went to Manderley again," was partly inspired by Milton Hall [PDF], an estate near Cambridge that du Maurier spent time at as a child. When she wrote Rebecca nearly 20 years later, du Maurier told Milton Hall's owner that she based Manderley's interiors on her memories of the "big house feel" [PDF] of Milton during WWI.
The other estate du Maurier had in mind when imagining Manderley was the Menabilly estate in Fowey, Cornwall. Du Maurier fell in love with the house when she was 21 years old. Five years after Rebecca was published, she convinced its owners to lease her the home. But just like Manderley is forever lost to Mrs de Winter in a fire, du Maurier was forced to move out of Menabilly in 1969.
9. Daphne du Maurier has been accused of plagiarizing parts of Rebecca from Brazilian author Carolina Nabuco's book The Successor.
Brazilian critics have long argued that du Maurier plagiarized Rebecca from Brazilian author Carolina Nabuco's 1934 book, The Successor. While the two novels do share striking plot similarities, the allegations were never proven one way or another. Du Maurier also faced a lawsuit in 1947 for allegedly plagiarizing Edwina DeVin McDonald’s novel Blind Windows and the short story "I Planned to Murder my Husband." Du Maurier denied any charges.
10. During World War II, a copy of Rebecca was discovered among the possessions of two captured German spies.
British intelligence officers determined that a copy of Rebecca had been used by the Germans during World War II as a code key.
11. Rebecca has been adapted to a variety of media.
Rebecca had been adapted for film several times, but the best-known adaptation is Hitchcock’s 1940 film of the same name. It’s also been adapted to television a number of times, as a radio play, and an opera.