16 Facts About Forrest Gump On Its 25th Anniversary

Paramount Home Entertainment
Paramount Home Entertainment

On July 6, 1994, Forrest Gump arrived in theaters and became a box office behemoth (almost $1 billion worldwide in today’s dollars). The Oscar-winning film starring Tom Hanks as a lovable lummox entered the name “Forrest Gump” into the zeitgeist, and generated the simile catchphrase, “Life is like a box of chocolates.” In honor of Forrest Gump's 25th birthday, here are a few things you might not have known about the Robert Zemeckis classic.

1. Forrest Gump was adapted from a Winston Groom novel, and the book's sales skyrocketed after the movie was released.

Novelist Winston Groom published Forrest Gump the book in 1986. When it came out it sold a modest 30,000 copies in hardback, but by 1995—after the success of the film adaptation—it had sold 1.6 million copies in paperback. In 1995 Groom wrote a sequel, Gump & Co., and in 1994 The Bubba Gump Shrimp Co. Cookbook was released, with a foreword written by Groom. The cookbook existed before the restaurant chain and has no affiliation with it.

2. Tom Hanks said the movie was "a crapshoot."

Tom Hanks spoke with USA Today for the movie's 25th anniversary and admitted that the film really could have gone either way in terms of the audience's acceptance of it and its main character. "It was an absolute crapshoot," Hanks said. "It’s a really crazy, unique motion picture without a doubt. And it's a movie in which the great moments that resonate are going to change depending on when you’re watching it."

3. There are big differences between Forrest in the book and Forrest in the movie.

In the book, Forrest ends up going into space, smoking weed, working with Raquel Welch, confronting cannibals, running for the United States Senate (his campaign slogan is “I Got to Pee”), and playing in a chess tournament. Also, in the book Forrest is described being 6'6" tall and weighing 240 pounds, which is why Groom wanted John Goodman to play Forrest in the movie.

4. The script planned for many more special effects to be used.

Knowing that the movie would be effects-heavy, screenwriter Eric Roth incorporated a handful of visual elements into the script that never made it to the screen. "I pushed the envelope with certain things," Roth told Yahoo! Entertainment. I had Jenny always with angels wings, which is a little much. I had Lt. Dan always with a cloud over his head, like it's going to rain. There were like 12 of those things. I think I just overwrote. I probably went too crazy, and Bob [Zemeckis] started taking back what he thought was too much."

5. The movie divided critics.

The movie holds the #12 position on IMDb’s Top 250 movie chart, but many critics either loved the movie or really hated it. In his 1994 review, Roger Ebert gave Forrest Gump four stars and called it “a magical movie,” whereas Entertainment Weekly gave it a “C” rating and said it “reduced the tumult of the last few decades to a virtual-reality theme park: a baby-boomer version of Disney’s America.” In 2014, LA Weekly revisited the movie and said, “The film is so afraid to dredge up debate that when Abbie Hoffman hands Forrest the microphone at an anti-war rally, someone unplugs the speakers so we can’t hear him—fitting for a movie with nothing to say.” Ouch.

6. Billy Crystal and Robin Williams wrote some dialogue for Forrest's anti-Vietnam rally speech.

Part of the reason for unplugging Forrest's microphone during that anti-war rally could have been that, according to Eric Roth, Zemeckis didn't love anything the writer was coming up with. "[Zemeckis] never liked the speech I had Forrest Gump give when he was given the microphone at that event," Roth told Yahoo! Entertainment. "He said, 'We need something that's way funnier and way more important.' Funnier I tried, and I even enlisted some comedians. I asked Billy Crystal to help me, I asked Robin [Williams], [some] other people. And nothing ever resonated. And then I tried to write some big glorious speech about patriotism and Vietnam. It was a really wonderful American speech. And that didn't quite work. So Bob came up with the solution of he starts speaking, and they pull the plug." (If you want to know what it was that Forrest did say during that speech, click here.)

7. There was a scene featuring Martin Luther King, Jr., which was ultimately cut for being disrespectful.

One of Forrest Gump's very first scenes ended up on the cutting room floor. "It was the very first day of shooting. Jenny and [Forrest] are walking along a bridge, they're about to go to college and bemoaning the fact that she got into college but he didn't. And they hear a bunch of noise. And they see that the Selma march is happening," Roth explained. "It was sweet, but probably a little bit disrespect, maybe. Maybe, I don’t know. And I don't think Tom's accent was quite right, it was the first time he tried it. I think we felt we went a bridge too far. We wanted to honor Martin Luther King and the march and the importance of that, obviously. So I'm glad we didn't use it."

8. Despite grossing more than $600 million worldwide, the film failed to turn a profit by the end of 1994.

How is that possible? Well, the Los Angeles Times broke it down: Paramount had to pay $61.6 million in distribution fees to theater owners, then it had to subtract $73.5 million toward advertising and making prints of the film (today, digital is much cheaper). The budget cost Paramount $50 million. Then, Hanks and Zemeckis took about $61.8 million for their fees (they signed a back-end deal where they’d receive a share of the profits instead of a salary), and finally, theater owners took their cut of $159 million. After all was said and done, Paramount’s gross receipts were about $191 million. When the movie was released on video in 1995, it sold millions of copies.

9. Only American bands and artists are featured in the film and on the soundtrack.

With more than 30 songs on the official soundtrack and even more used in the movie—including one song from The Doors on the soundtrack and four others in the film—all of the bands featured in the film were American, and that was not a coincidence. “All the material in there is American,” Joel Sill, the film’s executive music producer, told The Los Angeles Daily News. “Bob [Zemeckis] felt strongly about it. He felt Forrest wouldn’t buy anything but American.” Though formed in England and not in the U.S., Fleetwood Mac contributed a song to the film and the 2001’s Special Collector’s Edition soundtrack. Fans liked the soundtrack so much it went on to sell 12 million copies worldwide.

10. Tom Hanks won back-to-back Best Actor Oscars—something only one other male actor has ever accomplished.

Hanks won his first Best Actor Oscar in 1994 for his performance in Philadelphia (1993), and he followed that up with another Oscar for Forrest Gump the next year. To this day, only Spencer Tracy has won two Best Actor Oscars in a row—one in 1938 for Captains Courageous and another in 1939 for Boys Town. Actress Luise Rainer was the first actor of any gender to win back-to-back Oscars (for The Great Ziegfeld in 1937 and The Good Earth in 1938), and Katharine Hepburn matched Rainer in 1968 and 1969 (for Guess Who’s Coming to Dinner and The Lion in Winter, respectively). Before Hanks won, Jason Robards was the last actor to win two consecutive Academy Awards in a row, when he won Best Supporting Actor statues for All the President’s Men in 1977 and Julia in 1978.

11. The Vietnam sequences were filmed in South Carolina.

Much of the movie was filmed in Savannah, Georgia and parts of South Carolina, including Hunting Island and Fripp Island. They were stand-ins for some of the Vietnam sequences—including where Bubba dies—because of their dense palm trees and jungle-like forests. The military film G.I. Jane was also filmed on Hunting Island.

12. Mykelti Williamson couldn't get work after the movie came out.

“I couldn’t get a job after Forrest Gump,” Williamson told USA Today. “The industry didn’t realize that I was wearing a lip device and that I was the same guy who had appeared in 11 TV series. They thought the director had discovered some weird-looking guy and put him in front of a camera.” He eventually went on Letterman and soon after people realized he wasn’t just some “weird-looking guy.” Williamson successfully obtained roles in Con Air and Heat and had recurring roles on Justified, Chicago P.D., and Lethal Weapon.

13. The filmmakers discussed Forrest's post-1980s fate for the film's 20th anniversary.

In September, USA Today caught up with Forrest Gump screenwriter Eric Roth, director Robert Zemeckis, and Tom Hanks to ask them what adventures Forrest would’ve experienced later on. Roth stated that in the script for his unproduced sequel Forrest meets O.J. Simpson and Princess Diana. Hanks thinks Forrest “would have chatted up both Mark Zuckerberg and the Winklevoss twins about how it would be nice if you had a book that would show a person’s face and make a friend,” and that Forrest would’ve helped out in Hurricane Katrina. “Forrest would be the reason that the Navy SEALs find Osama bin Laden,” added Zemeckis.

14. Forrest's investment in Apple would be worth a lot today.

In the movie, Lieutenant Dan invests Forrest’s shrimp business money in “some kind of fruit company,” which is a nod to Apple. Business Insider calculated what the investment would be worth in 1994 and 2015. Because the movie doesn’t mention just how much was invested, they used the hypothetical amount of $10,000, which would come out to $18,173 in 1994 dollars. That doesn’t seem like a lot of chocolates until you consider that if Forrest held on to that investment, today it’d be worth $2.5 million.

15. Michael Conner Humphreys, who played young Forrest, joined the Army.

Humphreys’ first of only two movie roles was depicting Forrest as a child. Instead of pursuing a Hollywood acting career, Humphreys joined the Army and did an 18-month tour of duty in Iraq. After he joined the military, he tried to conceal the fact he starred in the blockbuster film, but his platoon discovered the truth. “I definitely got a lot of it in the ear after that and the drill sergeants would really mess with me about it,” he told the Daily Mail. Another fact: Humphreys’s Alabama-inflected drawl caused Hanks to base Forrest’s voice on it. “When I was a kid I had this deep Southern accent that the director, Robert Zemeckis, quickly picked up on and Tom Hanks liked so much that he ended up copying me and building his own accent around the way I spoke,” Humphreys said.

16. Chris Pratt was discovered while working as a waiter at Bubba Gump Shrimp Company.

Long before Pratt was “Pratt-ing” dinosaurs in Jurassic World, he was a waiter at a Bubba Gump restaurant in Maui. At the age of 19, Pratt was living in a van and waiting tables. “I don’t know if you’ve ever had a dining experience at the Bubba Gump Shrimp Co., but they love a gregarious waiter who will get in your face and sing you birthday songs and do trivia,” Pratt told Entertainment Weekly. One day he waited on actress Rae Dawn Chong, who subsequently offered him a role in her short film, the never-released Cursed Part 3. “I was like, ‘You’re in the movies, right? I always wanted to be in the movies,”’ Pratt said to Chong. “She said, ‘You’re cute. Do you act?’ I was like, f--k it, ‘Goddamn right I act! Put me in a movie!” Bubba Gump opened in 1996 and now has locations all over the world, including in the Philippines and Malaysia. Ironically, there isn’t one in Alabama, where Forrest grew up.

The 21 Best Movies of the 1970s

Robert De Niro stars in Martin Scorsese's Taxi Driver (1976).
Robert De Niro stars in Martin Scorsese's Taxi Driver (1976).
Sony Pictures Home Entertainment

By the end of the 1960s, the battle between "Old Hollywood" (Technicolor musicals, historical epics, and old-fashioned acting) and "New Hollywood" (youth-oriented stories full of sex and violence, political volatility, and realistic performances) was over, and New Hollywood had won. Game-changing films like Bonnie & Clyde, The Graduate, and Easy Rider—all released between 1967 and 1969—had shifted the Hollywood tide while the French New Wave had inspired the kids in film school (itself a new concept in the '60s), and the 1970s proved a remarkably fertile time for the new batch of filmmakers that followed. Miraculously, studios gave these young directors a lot of creative freedom. The result? One of the best decades in all of movie history.

1. A Clockwork Orange (1971)

A scene from 'A Clockwork Orange' (1971)
Warner Home Video

Stanley Kubrick was technically part of the older generation of moviemakers, but his groundbreaking films in the '60s (including Dr. Strangelove and 2001: A Space Odyssey) had established him as part of the avant-garde. And yet A Clockwork Orange, his adaptation of Anthony Burgess's dystopian novel, still surprised and shocked people with its violence, sex, and social commentary. The image of a juvenile delinquent having his eyes propped open to force him to watch films meant to recondition him remains indelible.

2. The Last Picture Show (1971)

A still from 'The Last Picture Show' (1971)
The Criterion Collection

It was fitting that as Old Hollywood faded away, an up-and-coming filmmaker like Peter Bogdanovich would make something set in the past, shot in nostalgic black-and-white, that depicted a town where the old ways were dying. Roger Ebert observed that The Last Picture Show "is above all an evocation of mood," full of lovely melancholy as its young, restless characters in a moribund Texas town struggle with where to go and what to do next.

3. The French Connection (1971)

Gene Hackman, Eddie Egan, Sonny Grosso, and Bill Hickman in The French Connection (1971)
20th Century Fox Home Entertainment

Gene Hackman, one of the most admired actors in Hollywood, was at the peak of his career in the 1970s: In addition to this cop thriller (for which he won an Oscar) and its sequel, he had I Never Sang for My Father, The Poseidon Adventure, The Conversation (which could also be on this list), Night Moves, Superman (he remains the quintessential Lex Luthor), and a hilarious turn as a blind man in Young Frankenstein. The French Connection cast him as a New York police detective chasing down drug smugglers, and director William Friedkin guided the film to a win for Best Picture of 1971.

4. and 5. The Godfather (1972) and The Godfather: Part II (1974)

Marlon Brando and Salvatore Corsitto in 'The Godfather' (1972)
Paramount Pictures

You knew these would be on the list. It has become cliché to cite Francis Ford Coppola's monumentally popular and lavishly praised mafia epics as the best the '70s had to offer, but only the most stubborn of contrarians would deny the truth of it. With blockbuster performances by an impressive array of stars present and future—including Marlon Brando, Al Pacino, Robert De Niro, Robert Duvall, Diane Keaton, Talia Shire, and James Caan—and an epic story spanning several decades, Coppola created a saga that has inspired countless filmmakers (and gangsters).

6. Serpico (1973)

Al Pacino in Serpico (1973)
Warner Home Video

Al Pacino is another actor whose heyday was the '70s; besides the Godfathers, we could mention The Panic in Needle Park, Scarecrow, and Dog Day Afternoon. He was nominated for an Oscar for his role as Frank Serpico, a real-life New York cop who exposed corruption within the police force, while director Sidney Lumet—who was always interested in social issues, as seen in movies like 12 Angry Men, Network, and The Verdict—brought the full force of his righteous indignation to the edge-of-your-seat story.

7. The Exorcist (1973)


Warner Bros. Home Entertainment

After he scored with The French Connection, William Friedkin cemented his place in movie history with this colossally popular and monumentally frightening horror film about a girl with a demon inside her. It inspired fainting and vomiting; it made people think they were possessed; it became the first horror film nominated for Best Picture; it made Ellen Burstyn a star. And it's still one of the most terrifying possession stories ever told.

8. Chinatown (1974)

Jack Nicholson stars in 'Chinatown' (1974)
Paramount Home Entertainment

If you can separate the art from the artist (in this case, director Roman Polanski), Chinatown is just about the closest thing we have to a flawless movie, with a screenplay by Robert Towne that's taught in screenwriting classes. Reviving the dormant detective noir genre, Polanski gave Jack Nicholson a chance to shine as a nosy Los Angeles P.I. snooping around a land deal with sinister implications. Faye Dunaway is unforgettable in her shocking role, and the last line—"Forget it, Jake. It's Chinatown"—is an all-time classic.

9. Blazing Saddles (1974)

Gene Wilder and Cleavon Little in Blazing Saddles (1974)
Warner Home Video

Mel Brooks released two classic comedies in 1974, but this writer's subjective opinion is that Blazing Saddles is funnier than Young Frankenstein. Co-written with Richard Pryor (who would have starred in it, too, except that Warner Bros. found him too unreliable), this Western spoof is often like a Looney Tunes short come to life—with the added bonus of mocking racists with gleeful abandon. Cleavon Little, Gene Wilder, and Madeline Kahn give hilarious performances.

10. The Texas Chain Saw Massacre (1974)

A still from 'The Texas Chain Saw Massacre' (1974).
New Line Cinema

This low-budget horror flick, basically the godfather of the "teens go somewhere remote and get murdered" genre, isn't nearly as bloody as its reputation suggests. That's partly a testament to director Tobe Hooper's ability to suggest ghastliness without actually showing it, and partly due to the fact that most of the film's many imitators are drenched in gore. More than 45 years later, the film's raw, nightmarish final 30 minutes are still horrifically effective.

11. Monty Python and the Holy Grail (1975)

John Cleese, Graham Chapman, Eric Idle, Terry Jones, and Michael Palin in Monty Python and the Holy Grail (1975)
© 1975. Sony Pictures Home Entertainment

Like Mel Brooks, the Monty Python gang employed many types of comedy in telling their medieval story: slapstick, wordplay, satire, meta-references, and a killer rabbit. Perfectly capturing the anarchic, freewheeling, peripatetic spirit of the group's sketch comedy TV series, Monty Python and the Holy Grail often feels like a series of skits—but who cares when the skits are all so brilliant?

12. One Flew Over the Cuckoo's Nest (1975)

A still from 'One Flew Over the Cuckoo's Nest' (1975)
Warner Bros.

The 1970s were a fantastic decade for Jack Nicholson, who appeared in 15 movies including Five Easy Pieces, The Last Detail, the aforementioned Chinatown, and One Flew Over the Cuckoo's Nest—and those are just the ones that earned him Oscar nominations. He won for One Flew Over the Cuckoo's Nest, in which he plays a non-insane man in an insane asylum who questions authority and tries to break people out of complacency, themes that still resonate today.

13. Jaws (1975)

Susan Backlinie in 'Jaws' (1975)
MCA/Universal Home Video

Jaws invented the "summer blockbuster" as we know it (that season was previously considered a dead zone), rocketed Steven Spielberg to the A-list of young directors, and made millions of ordinary people sharkphobic. Jaws also happens to be an expertly made dramatic thriller, with superb editing by Verna Fields (whom Spielberg credited with saving the picture) and an instantly iconic musical score by John Williams.

14. Taxi Driver (1976)

Robert De Niro in 'Taxi Driver' (1976)
Sony Pictures Home Entertainment

New York City was a violent cesspool in the '70s, and nobody captured it better than Martin Scorsese did in this jarring drama—it's almost a horror film—about an unstable cabbie (Robert De Niro) who longs to clean up the sleazy streets. Long before "toxic masculinity" was a common phrase, Travis Bickle was taking women to porno movies on first dates and personifying the violent ends to which some men will go to get what they want.

15. Rocky (1976)

Sylvester Stallone in Rocky (1976)
20th Century Fox Home Entertainment

Watching the many, many sequels, it's easy to forget that the original Rocky was more character drama than boxing movie, focused on a working-class schlub who just wants to go the distance, win or lose. Sylvester Stallone's down-to-earth screenplay and natural performance were enhanced by the journeyman sensibilities of director John G. Avildsen, who later brought the same rousing spirit to The Karate Kid.

16. All the President's Men (1976)

Dustin Hoffman and Robert Redford in 'All the President's Men' (1976)
Warner Home Video

After the national trauma of Watergate and the disgrace of Richard Nixon's resignation, Americans needed a film to sort it all out for them. Robert Redford and Dustin Hoffman, both already big stars, played household-name Washington Post reporters Bob Woodward and Carl Bernstein in a steady, methodical film directed by To Kill a Mockingbird producer Alan J. Pakula. With moral clarity and a thrilling story, All the President's Men stands as the best and most important political film of the decade.

17. Network (1976)

Peter Finch stars in 'Network' (1976)
Warner Home Video

Just as trenchant in this bicentennial year as All the President's Men, Network (directed by Serpico's Sidney Lumet) satirized that most American of inventions: the television industry. Nearly every outrageous thing that happens in this depiction of a fictional broadcast network run by ruthless executives has since happened in real life, making the film even more potent now than it was then. And the performances by Faye Dunaway, William Holden, and Peter Finch are terrific fun.

18. Star Wars (1977)

Mark Hamill stars in 'Star Wars: Episode IV - A New Hope' (1977)
Star Wars © & TM 2015 Lucasfilm Ltd. All Rights Reserved.

George Lucas's space fantasy, a sort of interstellar Western, elevated old good guys vs. bad guys tropes to the level of high (and highly successful) art. The effects of the Star Wars franchise on Hollywood and the world need not be recited here. What's notable is that even if there had never been a sequel, spinoff, or toy tie-in, the original Star Wars would still stand as, well, an original.

19. Apocalypse Now (1979)

Martin Sheen in Apocalypse Now (1979)
Paramount Home Entertainment

In the annals of movies whose behind-the-scenes stories were as troubled and disastrous as the stories they depicted, few rank higher than Francis Ford Coppola's Apocalypse Now. But the result of a year of filming plagued by weather, sickness, and Marlon Brando's unpreparedness was a movie that has only risen in people's estimation since then, vividly depicting the insanity of the Vietnam War through the eyes of a rattled Martin Sheen as he searches for a rogue Army Special Forces officer.

20. Alien (1979)

Sigourney Weaver, Tom Skerritt, Veronica Cartwright, and Yaphet Kotto in Alien (1979)
20th Century Fox Home Entertainment

Alien could be on any list of important movies for its famous advertising tagline alone: "In space no one can hear you scream." Directed by Ridley Scott from a long-in-development screenplay by Dan O'Bannon, this sci-fi thriller about a killer E.T. in a spaceship is a masterpiece of tension and horror and chest-bursting. Look how many other films on this list influenced it: O'Bannon pitched it as "Jaws in space"; Scott called it "The Texas Chain Saw Massacre of science fiction"; and 20th Century Fox only gave it a greenlight because Star Wars had suddenly made outer space cool again. Whatever it took to get it going, the result was worth it.

21. Being There (1979)

Shirley MacLaine and Peter Sellers in Being There (1979)
Warner Home Video

A TV-obsessed simpleton stumbling his way into the higher echelons of political power sounds totally implausible ... but that's the premise of this genteel but sharp comedy directed by Hal Ashby, whose other films from this decade—Harold & Maude, The Last Detail, Shampoo, Bound for Glory, and Coming Home—could all be on this list. Peter Sellers's lead performance, just like the movie, perfectly walks the line between the absurd and the sublime.

Disney+ Users Are Already Facing Technical Problems

Pedro Pascal in The Mandalorian (2019).
Pedro Pascal in The Mandalorian (2019).
© 2019 Lucasfilm Ltd. All Rights Reserved

It seems that the highly anticipated Disney+ release did not go as smoothly as the company had hoped. Variety reports that the streaming service launched this morning, only to find its IT department being flooded with phone calls, tweets, and emails from angry users complaining of malfunctions.

Many customers took to social media to vent their frustration that they either couldn’t login into their account or couldn’t watch certain content.

The service did offer an explanation for all the technical issues via Twitter, posting, “The consumer demand for Disney+ has exceeded our high expectations. We are working to quickly resolve the current user issue. We appreciate your patience.”

Too bad a little Disney magic couldn’t help them with these tech glitches.

[h/t Variety]

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