When Brian Garfield wrote the 1972 novel Death Wish, about a New York City accountant-turned-vigilante named Paul Benjamin, he had no idea that it would spawn one of Hollywood's longest-running film series, with five movies released over 20 years. The first film, 1974's Death Wish, was so controversial that Garfield openly wished it would not air on television after it allegedly inspired some real-life copycat killings.
While Charles Bronson will forever be linked to the lead role (who changed from Paul Benjamin to Paul Kersey for the film, and became an architect), Bruce Willis is getting ready to give the iconic character a go with Eli Roth's update of the film, which hits theaters this weekend. In the meantime, here are 15 things you might not know about Death Wish.
1. IT WAS INSPIRED BY A COUPLE OF REAL-LIFE CRIMES (THAT WERE MUCH LESS VIOLENT).
Author Brian Garfield was inspired to write Death Wish after he grew very angry when, in separate incidents, his wife's purse was stolen and his car was vandalized. “I knew the vandal had done us no real harm ... Yet my first response to the discovery of this mindless violence was swift and stark," Garfield later wrote. "My boundaries had been violated, my property trespassed upon. He had no right. 'I'll kill the son of a bitch.'" While Garfield's flash of anger eventually dissipated, the idea of writing a novel about a man who never got over crimes committed against his immediate family didn't fade away so easily.
2. ORIGINALLY SIDNEY LUMET WAS SET TO DIRECT, WITH JACK LEMMON STARRING.
The adapted screenplay by Wendell Mayes (Anatomy of a Murder, The Poseidon Adventure) was written with the idea that Sidney Lumet would be behind the camera and Jack Lemmon would be starring as Paul. Lumet supposedly wanted to shoot it in black and white. When Dino De Laurentiis came on as producer, Lumet dropped out. With Lumet out, Lemmon lost interest.
3. HENRY FONDA AND GEORGE C. SCOTT BOTH TURNED DOWN THE LEAD ROLE.
Henry Fonda declined the part because he said the script was "repulsive." George C. Scott said no because of all its violence.
4. CHARLES BRONSON AND HIS AGENT DISAGREED ON THE FILM'S MESSAGE.
While Charles Bronson was immediately interested in the role, his agent wasn't so sure. "It's the only time Paul Kohner, my agent, ever disagreed with me about a film," Bronson said in 1974. "Paul felt very strongly that it was a dangerous picture—that it might make people think it's right to take the law into their own hands. This is what the hero of the picture does when he wants a one-man vigilante squad to kill muggers, after three of them have murdered his wife and raped his daughter. I told Paul I thought the message was the same there that runs through a lot of my pictures: That violence is senseless because it only begets more violence."
5. BRIAN GARFIELD THOUGHT BRONSON WAS ALL WRONG FOR THE PART.
Garfield didn't like the fact that as soon as Bronson appeared on screen, "you knew he was going to start blowing people away." Director Michael Winner dismissed the author's criticisms, calling him "an idiot."
6. BRONSON THOUGHT DUSTIN HOFFMAN SHOULD HAVE PLAYED HIS PART.
Even though he liked the message, Bronson wasn't originally convinced that he would be the best actor for the job. "The way the part was written, it was about a meek little New York-born accountant," Bronson said. "I thought it was a much better picture for Dustin Hoffman." Eventually, it was Winner who convinced Bronson to take the role anyway. "He said we could change the part to a more active and virile architect, and we'd all make a potful of money."
7. JEFF GOLDBLUM MADE HIS FILM DEBUT IN THE MOVIE.
When discussing his feature debut, Jeff Goldblum admitted,"I stick out like a sore thumb." Goldblum played one of the "Freaks" who killed Paul's wife and raped his daughter. Back in 1983, Goldblum toldNew York Magazine that a job was a job. "Did it bother me it was such a brutal part? No. It was the first movie I'd gone up for, and I got it." Winner remembered Goldblum as being "loose and brilliant" in his audition.
8. OLYMPIA DUKAKIS HAD A SMALL ROLE, BUT DOESN'T LOOK BACK ON THE FILM FONDLY.
Olympia Dukakis was uncredited, but paid, for playing one of the cops at the precinct. It wasn't a particularly positive experience for the future Oscar winner. "Yeah, they sent me over, and the director [Michael Winner] was, uh, not necessarily liked by the actors," Dukakis told The A.V. Club in 2015. "I mean, he made me turn around, and he wanted to see me, and … he treated me like a piece of meat during the audition. But it was, like, one day, so I could take the money and go home and say, 'F**k you and the horse you rode in on.'"
9. THERE WAS CONCERN ABOUT USING THE WORD "DEATH" IN THE TITLE.
Posters with the title Sidewalk Vigilante were printed because De Laurentiis worried about having the word "death" in the title. "The fact that it had the word death made me a little uneasy, a little perplexed," the producer admitted. "Then I realized it might bring in an additional audience—horror flick fans—so I left it the way it was." For his part, Winner thoughtSidewalk Vigilante was a "ghastly" title.
10. HERBIE HANCOCK WROTE THE SCORE, AT THE SUGGESTION OF MICHAEL WINNER'S GIRLFRIEND.
"It was the first film score by Herbie Hancock, the brilliant jazz musician," Winner wrote in his memoir, Michael Winner: Winner Takes All: A Life of Sorts. "I chose him because Dino wanted a cheap band and at the time I was having an affair with one of the actresses in the movie who was very into jazz music. She said, 'Herbie Hancock is a new genius.' I listened to his record Head Hunters, thought it absolutely brilliant, and persuaded Dino to take him."
11. GARFIELD THOUGHT THE MOVIE AND HIS BOOK SENT DIFFERENT MESSAGES.
"The point of the novel Death Wish is that vigilantism is an attractive fantasy but it only makes things worse in reality," the author said in 2008. "By the end of the novel, the character (Paul) is gunning down unarmed teenagers because he doesn’t like their looks. The story is about an ordinary guy who descends into madness. Oddly enough Mayes’s script honored that thought, and the only significant change in it during shooting was the wordless ending, but that ending changed the story entirely." The ending had Bronson smirking at some Chicago hoodlums while cocking a finger gun.
12. THE MOVIE GOT SOME HARSH REVIEWS.
Vincent Canby of The New York Timeswrote that “it's a despicable movie, one that raises complex questions in order to offer bigoted, frivolous, oversimplified answers" and found it to be "a bird-brained movie to cheer the hearts of the far-right wing." Variety's review opened by claiming Death Wish is "awkwardly hung" on the "vulgar exploitation hook" of "poisonous incitement to do-it-yourself law enforcement."
13. AUDIENCES LOVED IT SO MUCH THAT PARAMOUNT PICTURES CHARGED THEM MORE MONEY TO SEE IT.
Prices were raised from $3.50 to $4 per ticket. At that point, only The Godfather (1972) and The Great Gatsby (1974) had been as expensive. Death Wish ultimately made $22 million at the box office.
14. CHICAGO AND SAN FRANCISCO REFUSED TO AIR IT ON TV.
When it came time to air the movie on network television, Washington D.C. delayed the start time from 9 p.m. to 11:30 p.m. Chicago and San Francisco opted not to air it. But every other major CBS affiliate around the country aired an edited version of the film during prime time on November 10, 1976, despite Garfield's protests. "I think it is a dangerous film," he said. "And the proof is that several people have already committed vigilante crimes inspired by the film, and said so." Garfield said this despite potentially losing $50,000 if Death Wish didn't run.
15. SYLVESTER STALLONE WANTED TO REMAKE IT.
Sylvester Stallone was set to direct and star in a Death Wish remake for MGM back in 2008. When that project, uh, died, it opened the door for Eli Roth and Bruce Willis to step in.
Fred Rogers remains an icon of kindness for the ages. An innovator of children’s television, his salt-of-the-earth demeanor and genuinely gentle nature taught a generation of kids the value of kindness. Just ahead of A Beautiful Day in the Neighborhood, a new biopic in which Tom Hanks stars everyone's favorite "neighbor," here are 41 things you might not have known about Fred Rogers.
1. Fred Rogers was bullied as a child.
According to Benjamin Wagner, who directed the 2010 documentary Mister Rogers & Me—and was, in fact, Rogers’s neighbor on Massachusetts's Nantucket island—Rogers was overweight and shy as a child, and was regularly taunted by his classmates.
"I used to cry to myself when I was alone," Rogers said. “And I would cry through my fingers and make up songs on the piano."
2. Rogers left Dartmouth College after one year.
Rogers was an Ivy League dropout. He spent his freshman year at Dartmouth College, then transferred to Rollins College, where he pursued a degree in music.
3. He was an accomplished musician.
Rogers transferred to Rollins College in order to pursue a degree in music and graduated Magna cum laude. In addition to his talent for playing the piano, Rogers was also an incredible songwriter.
4. He wrote the music for Mister Rogers' Neighborhood.
Need proof of Rogers's songwriting prowess? He wrote all the songs for Mister Rogers' Neighborhood—plus hundreds more.
5. Playing the piano was his favorite stress-reducer.
Whenever Rogers began to feel anxious or overwhelmed, he would play the Mister Rogers' Neighborhood theme song on the piano as a way to calm his nerves.
6. He had a strict daily routine.
Rogers was a stickler when it came to his daily routine: He started his day at 5 a.m. and made time for a prayer as well as some studying, writing, phone calls, swimming, and responding to his fan mail.
7. He weighed himself daily.
Another part of Rogers's daily routine included a daily weigh-in. He liked to maintain a weight of exactly 143 pounds.
8. His weight had a special meaning.
Rogers's regular weight of 143 had special meaning to him. "It takes one letter to say I and four letters to say love and three letters to say you," Rogers once said. "One hundred and forty-three."
9. Pennsylvania celebrated 143 day in 2019.
In 2019, Pennsylvania governor Tom Wolf declared May 23 to be 143 Day in the state. Rogers was born near Pittsburgh and lived his whole life in the area. By honoring Rogers with his own holiday, the individuals behind the 143 Day campaign wanted to encourage people to be kind to their neighbors on May 23—and every other day of the year.
10. Rogers responded to every fan letter he received.
Rogers took time out of each day to respond to his fan mail, and he responded to each and every letter he received—approximately 50 to 100 letters per day. "He respected the kids who wrote," Heather Arnet, an assistant on Mister Rogers’ Neighborhood, told the Pittsburgh Post-Gazette. “He never thought about throwing out a drawing or letter. They were sacred."
11. No feeling was too big—or small—for Mr. Rogers to talk about.
Over the many years he worked with children, Rogers spoke very openly about his and their feelings on every sort of topic, from why kids shouldn't be afraid of haircuts to divorce and war.
12. He spent five episodes talking about nuclear war.
Since its inception on Pittsburgh's WQED in 1968, Mister Rogers’ Neighborhood had informed its young audience about topical issues in subversive and disarming ways. When civil rights were discussed, host Fred Rogers didn’t deliver a lecture about tolerance. Instead, he invited a black friend, Officer Clemmons, to cool off in his inflatable pool, a subtle nod to desegregation.
Rogers conceived and taped a five-episode storyline on the subject in the summer of 1983, which wound up being prescient. In November 1983, president Ronald Reagan ordered the invasion of Grenada to topple a Marxist regime.
“Little did I know we would be involved in a worldwide conflict now,” Rogers told the Associated Press. “But that’s all the better because our shows give families an opportunity for communication. If children should hear the news of war, at least they have a handle here, to assist in family communications.”
13. Rogers had a special way of talking to kids.
Mr. Rogers knew children well. He knew how they thought, what they liked, what they feared, and what they struggled to understand—and he went to great lengths to ensure he never upset or confused his devoted viewers.Mr. Rogers knew children well. He knew how they thought, what they liked, what they feared, and what they struggled to understand—and he went to great lengths to ensure he never upset or confused his devoted viewers.
Maxwell King, author of the forthcoming book The Good Neighbor: The Life and Work of Fred Rogers, wrote in The Atlantic that Mr. Rogers carefully chose his words while filming Mr. Rogers’ Neighborhood. He understood that children think in a literal way, and a phrase that might sound perfectly fine to adult ears could be misinterpreted by younger audiences.
Rogers was “extraordinarily good at imagining where children’s minds might go,” King said, adding that Mr. Rogers wrote a song called “You Can Never Go Down the Drain” because he knew this might be a fear shared by many children.
14. Rogers used King Friday to make Friday the 13th less scary for kids.
King Friday XIII, son of King Charming Thursday XII and Queen Cinderella Monday, is an avid arts lover, a talented whistler, and a former pole vaulter. He reigns over Calendarland with lots of pomp and poise, and he’s usually correct.
Rogers explained that he wanted to give children a reason to look forward to Friday the 13th, instead of buying into the negative superstitions that surround the dreaded date. “We thought, ‘Let’s start children out thinking that Friday the 13th was a fun day,’” he said in a 1999 interview. “So we would celebrate his birthday every time a Friday the 13th came.”
15. Rogers was an ordained Presbyterian minister.
Rogers was an ordained minister who preached tolerance wherever he went. When Amy Melder, a 6-year-old Christian viewer, sent Rogers a drawing she made for him with a letter that promised “he was going to heaven,” Rogers wrote back to his young fan:
“You told me that you have accepted Jesus as your Savior. It means a lot to me to know that. And, I appreciated the scripture verse that you sent. I am an ordained Presbyterian minister, and I want you to know that Jesus is important to me, too. I hope that God’s love and peace come through my work on Mister Rogers’ Neighborhood.”
16. Rogers was not a fan of foul language.
If Rogers used the word mercy, it probably meant that he was feeling overwhelmed. He was typically heard saying it when he sat down at his desk in the morning and saw the mountain of fan mail awaiting him. But mercy was about the strongest word in his vocabulary.
17. Rogers was not a fan of television, which is why he gravitated toward it.
Rogers’s decision to work in television wasn’t out of a love for the medium. "When I first saw children's television, I thought it was perfectly horrible," Rogers toldPittsburgh Magazine. "And I thought there was some way of using this fabulous medium to be of nurture to those who would watch and listen."
18. There's a reason why the stoplight is always yellow in the opening sequence to Mister Rogers' Neighborhood.
In the opening sequence of Mister Rogers' Neighborhood, the stoplight is always on yellow as a reminder to kids—and their parents—to slow down a little.
19. Rogers believed that patience was a virtue—even if it meant dead air time.
Rogers wasn't afraid of dead air: He once invited a marine biologist onto the show and put a microphone into his fish tank, because he wanted the kids at home to see (and hear) that fish make sounds when they eat. While taping the segment, however, the fish weren't hungry so the marine biologist started trying to egg the fish on. But Rogers just sat there, waiting quietly. The crew figured they'd need to re-tape it, but Rogers didn't want to. He thought it was a great lesson in teaching kids the importance of being patient.
20. Rogers always made sure to announce that he was feeding his fish for a very specific reason.
Rogers always mentioned out loud that he was feeding his fish because a young blind viewer once asked him to do so. She wanted to know the fish were OK.
21. Rogers was not a fan of ad-libbing.
Rogers was a perfectionist, and very much disliked ad-libbing. He felt that he owed it to the kids who watched his show to make sure that every word on his show was thought out.
22. Kids who watched Mister Rogers' Neighborhood retained more than those who watched Sesame Street.
A Yale study pitted fans of Sesame Street against Mister Rogers’ Neighborhood watchers and found that kids who watched Mister Rogers tended to remember more of the story lines, and had a much higher “tolerance of delay,” meaning they were more patient.
23. Animals loved Rogers as much as people did.
It wasn’t just kids and their parents who loved Mister Rogers. Koko, the Stanford-educated gorilla who understood 2000 English words, was an avid fan, too. When Rogers visited once her, she immediately gave him a hug—and took his shoes off.
24. Rogers's mother knitted all of his sweaters.
If watching an episode of Mister Rogers’ Neighborhood gives you sweater envy, we’ve got bad news: You’d never be able to find his sweaters in a store. All of those comfy-looking cardigans were knitted by Fred’s mom, Nancy. In an interview with the Archive of American Television, Rogers explained how his mother would knit sweaters for all of her loved ones every year as Christmas gifts. “And so until she died, those zippered sweaters I wear on the Neighborhood were all made by my mother,” he said.
25. One of rogers's sweaters lives in the Smithsonian.
26. Rogers's sweater collection was actually challenging to maintain.
Fred's mother, Nancy Rogers, died in 1981. Rogers continued wearing the sweaters she had made for years ... until it became obvious that they wouldn’t endure many more tapings of the show. Replacements were sought, but art director Kathy Borland quickly discovered that the search was not unlike trying to replace Superman’s cape. A Fred Rogers sweater needed a zipper with a smooth operation so it wouldn’t snag on camera. It also needed to be vibrant.
Nothing fit the bill until Borland saw a United States Postal Service employee walking down the street in Pittsburgh, Pennsylvania—where the show taped—and took note of his cardigan. Borland phoned postal supply distributors and was able to secure a fresh inventory of sweaters (which she bought white, and then dyed) that kept Rogers looking like himself through the show’s final episode in 2001.
27. Rogers changed into sneakers as a production practicality.
According to Wagner, Rogers’s decision to change into sneakers for each episode of Mister Rogers’ Neighborhood was a production-related consideration. “His trademark sneakers were born when he found them to be quieter than his dress shoes as he moved about the set,” wrote Wagner.
28. He invited the driver who took him to a PBS dinner to eat with them.
While being transported to a PBS executive's house, Rogers heard his limo driver say that he was going to have to wait outside for two hours while the party dined—so Rogers insisted that the driver join them for dinner.
On the ride back home, Rogers sat in the front of the car with the driver, who mentioned that they were passing his house on their way back to Rogers's home. So Rogers asked if they could stop in to meet the family. According to the driver, it was one of the best nights of his life: Rogers played piano for the family and chatted with them until late into the night.
29. No, Rogers was never a sniper.
The internet has stirred up all sorts of bizarre rumors about Rogers, including one that he served in the army and was a sniper in Vietnam and another that he served in the army and was a sniper in Korea. As exciting as that might make an upcoming biopics, these are both untrue.
30. Rogers was partly responsible for helping to save public television.
In 1969, Rogers—who was relatively unknown at the time—went before the Senate to plead for a $20 million grant for public broadcasting, which had been proposed by President Johnson but was in danger of being sliced in half by Richard Nixon. His passionate plea about how television had the potential to turn kids into productive citizens worked; instead of cutting the budget, funding for public TV increased from $9 million to $22 million.
31. Rogers also helped to save the VCR.
Years after he appeared before the Senate, Rogers also managed to convince the Supreme Court that using VCRs to record TV shows at home shouldn’t be considered a form of copyright infringement. Rogers argued that recording a program like his allowed working parents to sit down with their children and watch shows as a family. Again, he was convincing.
32. At least one professor believes that rogers's impact on kids wasn't all that positive.
LSU professor Don Chance is one of the few people who isn't 100 positive about Rogers's legacy: He believes that Rogers created a, "culture of excessive doting" which resulted in generations of lazy, entitled college students.
33. He was regularly parodied—and loved every second of it.
Rogers was regularly parodied, and he loved it. The first time Eddie Murphy met Mr. Rogers, he couldn't stop himself from giving the guy a big hug.
34. Rogers was colorblind.
Those brightly colored sweaters were a trademark of Mister Rogers’ Neighborhood, but the colorblind host might not have always noticed. In a 2003 article, just a few days after his passing, the Pittsburgh Post-Gazettewrote that:
"Among the forgotten details about Fred Rogers is that he was so colorblind he could not distinguish between tomato soup and pea soup."
35. Michael Keaton got his start on MISTER ROGERS' NEIGHBORHOOD.
Oscar-nominated actor Michael Keaton's first job was as a stagehand on Mister Rogers' Neighborhood, manning Picture, Picture, and appearing as Purple Panda.
36. Rogers gave George Romero his first paying gig, too.
It's hard to imagine a gentle, soft-spoken, children's education advocate like Rogers sitting down to enjoy a gory, violent zombie movie like Night of the Living Dead, but it actually aligns perfectly with Rogers's brand of thoughtfulness. He checked out the horror flick to show his support for then-up-and-coming filmmaker George Romero, whose first paying job was with everyone's favorite neighbor.
“Fred was the first guy who trusted me enough to hire me to actually shoot film,” Romero said. As a young man just out of college, Romero honed his filmmaking skills making a series of short segments for Mister Rogers’ Neighborhood, creating a dozen or so titles such as “How Lightbulbs Are Made” and “Mr. Rogers Gets a Tonsillectomy.” The zombie king, who passed away in 2017, considered the latter his first big production, shot in a working hospital: “I still joke that 'Mr. Rogers Gets a Tonsillectomy' is the scariest film I’ve ever made."
37. Rogers paid a visit to Sesame Street in 1981.
Though Mister Rogers’ Neighborhood and Sesame Street were both PBS shows, they were technically competitors—though the show’s producers didn’t exactly act like it. As a result, Rogers made an appearance on Sesame Street in May 1981.
The video opens with Rogers wearing a suit and tie instead of his usual cardigan sweater. He's standing outside of a storefront when Big Bird approaches and asks if he’ll judge a race between him and Snuffy. (The theme of the segment was competition and, more importantly, maintaining friendships whether you win or lose.)
38. He made a guest appearance on Dr. Quinn Medicine Woman, too.
Rogers once played a pastor's mentor on Dr. Quinn Medicine Woman.
39. Many of the characters on Mister Rogers' Neighborhood were named after people in Rogers's life.
McFeely, for example, was Rogers's grandfather's name; Queen Sara was named for Rogers's wife.
40. Rogers got his own stamp in 2018.
In celebration of the 50th anniversary of Mister Rogers’ Neighborhood, the United States Postal Service issued a stamp with Rogers's image on it. On it, Rogers—decked out in one of his trademark colorful cardigans—smiles for the camera alongside King Friday XIII, ruler of the Neighborhood of Make-Believe.
41. He was turned into a Funko Pop!
Also in honor of Mister Rogers’ Neighborhood 50th anniversary, the kindest soul to ever grace a television screen was honored with a series of Funko toys, including a Funko Pop! figure.
Ready to learn more about Fred Rogers? Watch the video below, where John Green brings you a whole pile of things you should know about everybody's favorite neighbor.
With the recent debut of both Disney+ and Apple TV+, not to mention upcoming launches for HBO Max, NBC’s Peacock, and more, streaming services are officially coming for cable television’s throne—and might sneakily empty your bank account while they're at it.
While a monthly fee of $10 to $15 seems easy enough to justify if you’re willing to sacrifice a burrito bowl or fancy cocktail once a month, the little voice in the back of your head is probably whispering, “but it still adds up.” To find out just how much, MarketWatch created a calculator that will not only tell you how much you’re spending on streaming services every month; it’ll also add up the lifetime cost of all those entertainment expenses.
The calculator covers Netflix, CBS All Access, Hulu, Amazon Prime, Sling TV, Disney+, Apple TV+, and YouTube TV, and it also includes a whole host of add-ons that you might not even have realized were available. Through Amazon Prime, for example, you can subscribe to HBO, Showtime, and other premium channels—but there are also more niche options like Hallmark Movies Now and NickHits (with iCarly, The Fairly OddParents, and other Nickelodeon classics).
As you check off services and add-ons, you’ll see your monthly bill on the right side of the total box, and the lifetime cost—which accounts for 50 years of streaming, adjusted for inflation—will balloon before your eyes on the left side. Below that, there’s an even larger number labeled as the lifetime “true” cost, which estimates how much you would’ve made if you had invested that money instead.
For example: If you sign up for basic monthly subscriptions to Netflix and Disney+ for $9 and $7, respectively, your lifetime cost totals around $16,200. However, if you had opted to invest that money, the 50-year prediction sees you walking away with almost $74,000.
Having said that, it’s understandably hard to look that far into the future, especially when Disney+ is tempting you with the Lizzie McGuire series, Star Wars spinoff The Mandalorian, and practically every beloved animated Disney movie from your childhood.