The Library of Congress Wants Your Help Identifying World War I-Era Political Cartoons

Alex Wong/Getty Images
Alex Wong/Getty Images

The U.S. government’s official library wants your help. And it involves cartoons.

The Library of Congress just debuted its new digital innovation lab, an initiative that aims to improve upon its massive archives and use them in creative ways. Its first project is Beyond Words, a digitization effort designed to make the research library’s historical newspaper collection more search-friendly. It aims to classify and tag historical images from World War I-era newspapers, identifying political cartoons, comics, illustrations, and photos within old news archives. The images come from newspapers included in Chronicling America, the library’s existing newspaper digitization project.

The tasks involved in Beyond Words are simple, even if you know nothing about the illustrations involved going into it. The Library of Congress just needs people to help mark all the illustrations and cartoons in the scanned newspaper pages, a task that only involves drawing boxes to differentiate the image from the articles around it.

Then there’s transcription, involving typing in the title of the image, the caption, the author, and whether it’s an editorial cartoon, an illustration, a photo, a map, or a comic. The library also needs people to verify the work of others, since it’s a crowd-sourced effort—you just need to make sure the images have been transcribed consistently and accurately.

A pop-up window below an early 20th century newspaper illustration prompts the user to pick the most accurate caption.

Screenshot via labs.loc.gov

The data will eventually be available for download by researchers, and you can explore the already-transcribed images on the Beyond Words site. Everything is in the public domain, so you can remix and use it however you want.

With the new labs.loc.gov, “we are inviting explorers to help crack open digital discoveries and share the collections in new and innovative ways,” Carla Hayden, the library’s head, said in a press release.

Other government archives regularly look to ordinary people to help with the monstrous task of digitizing and categorizing their collections. The National Archives and Records Administration, for instance, has recently crowd-sourced data entry and transcription for vintage photos of life on Native American reservations and declassified government documents to help make their collections more accessible online.

Want to contribute to the Library of Congress’s latest effort? Visit labs.loc.gov.

95 Years of The New Yorker Covers Visualized by Color

Screenshot via C82
Screenshot via C82

On February 21, 1925, The New Yorker appeared on the magazine scene with a cover illustration of a dandy drawn by art editor Rea Irvin, a character later christened Eustace Tilley. Almost a century later, Tilley still graces the cover of The New Yorker at least once a year on the magazine’s anniversary. Other weeks, they commission artists to illustrate timely political topics and evergreen moods.

The magazine has run more than 4600 covers in its 92 years of near-weekly issues (it’s currently published 47 times a year), all of which you can explore by color, thanks to designer Nicholas Rougeux (who has previously visualized sentences and punctuation in classic literature).


Using an algorithm, Rougeux analyzed the top five colors represented in every cover illustration and created a color palette for that issue. Then, he mapped out a palette for every single cover, creating a timeline of New Yorker design. It allows you to see what colors have dominated particular years and decades. If you scroll over the individual palettes, you can see the full image of that week’s cover.


Rougeux found some trends in the colors that have repeatedly graced the magazine’s cover. “Limited and muted palettes were used the 1920s," he writes on his site, while "possibly due to printing limitations, darker greens were more common in the 1940s, lighter palettes were used in the 1970s and 1980s, louder contrasting palettes were popular in the 1990s and more well-rounded palettes started being used since the 2000s.”

You can explore the color timeline for yourself here.

All images courtesy Nicholas Rougeux

Bob Ross's Son Is Holding Painting Classes at a Tennessee Library

Bob Ross.
Bob Ross.
Bob Ross Inc.

For anyone who has ever logged on to the internet, Bob Ross needs no introduction. The painter, who passed away in 1995, spent the years 1983 through 1994 hosting the PBS series The Joy of Painting, where his soothing manner and bubbling-spring landscapes comforted viewers.

On several episodes, Bob’s son, Steve Ross, could be seen painting his own nature scenes as guest host or assisting his father in answering reader questions.

According to WVLT, Steve Ross is now set to offer painting classes at the Blount County Public Library in Maryville, Tennessee. He will be joined by Dana Jester, an artist who also appeared on The Joy of Painting. The workshops will be held March 4 through March 8 and will cost $125 per attendee, who will also be expected to bring their own supplies. The classes will last the entire day.

If locals are curious and don’t want to commit to the fee, Steve and Dana will be hosting a free demonstration on March 5 at 6:30 p.m.

After his guest spots on his father’s program, Steve appeared to retreat from public life, though clips of his appearances were apparently popular on Tumblr for their inadvertently risqué banter. (“It can be dirty, it doesn’t have to be clean,” and so forth.)

Bob Ross also taught classes even while The Joy of Painting was airing. He purportedly received no income from that show, earning a living via merchandising and appearances.

[h/t WVLT]

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