9 People Who Killed John F. Kennedy, According to Conspiracy Theorists

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Keystone/Getty Images

According to a 2013 Gallup poll, 61 percent of Americans believe John F. Kennedy’s assassination was the result of a conspiracy. Among those who don't think Lee Harvey Oswald acted alone, the same names keep popping up. On the 55th anniversary of JFK's assassination, here are nine people and groups who've been blamed for killing the 35th President of the United States.

1. Lyndon B. Johnson


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A big contributor to this theory is Roger Stone, who wrote The Man Who Killed Kennedy: The Case Against LBJ. But Stone, a longtime Washington insider, is better known for having worked for Richard Nixon, Ronald Reagan, George H. W. Bush and, most recently (and controversially), Donald Trump.

Stone believes that Lyndon Johnson hired hitman Malcolm Wallace to do the dirty work, which explains an allegation that Johnson ducked before any shots were fired. Stone also believes that Johnson confessed to the crime: “Johnson’s mistress of 21 years, Madeleine Duncan Brown, who bore him an illegitimate son, said that Lyndon Johnson told her on the eve of the assassination, ‘After tomorrow I won’t have to deal with those Kennedy SOBs no more.’”

2. The KGB

Ion Mihai Pacepa, who was a general for the secret police of Communist Romania, blames the KGB for orchestrating the assassination in his book, Programmed to Kill: Lee Harvey Oswald, the Soviet KGB, and the Kennedy Assassination. As for how the Soviet security agency got connected with Lee Harvey Oswald, theorists cite Oswald’s residency in the Soviet Union from 1959 to 1962. During this time, Oswald also met and married his Russian wife, Marina. Before the Kennedy assassination, Oswald wrote a letter to his wife that contained the assertion, “I believe that the Embassy will come quickly.” Pacepa believes this note is a piece of evidence that the KGB told Oswald they would take care of his family.

In another theory, the KGB is responsible for the assassination, but Oswald is not. According to JFK assassination expert Bryan Ghent, these theorists suspect that Oswald “was replaced by a Russian agent who looked like him in order to assassinate our president.”

3. Fidel Castro


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Theories about Oswald’s connection to Cuba vary in extremity, and some of these theories claim Fidel Castro was directly involved in JFK’s death. As for evidence, Oswald was arrested in 1963 for passing out pro-Castro pamphlets for the New Orleans Fair Play for Cuba Committee. The other primary basis for this theory is Oswald’s trip to the Cuban Embassy, around two months before the assassination, where he allegedly had a meltdown because he wasn’t granted a visa.

In 1963, Castro—Cuba's longtime Prime Minister-turned-President, who passed away in 2016—was questioned about JFK’s assassination, but the U.S. government determined he was not involved.

4. Woody Harrelson's Dad

In 1980, Charles Harrelson was convicted of shooting federal judge John H. Wood, Jr. He was arrested in September of that year after a six-hour standoff with police on the side of a highway. During the saga, Harrelson confessed to the assassination of John F. Kennedy in addition to Judge Wood. He later stated he had nothing to do with the JFK assassination, claiming he only confessed to the crime to ensure that he would live longer.

5. Secret Service Agent George Hickey

In 1992, Bonar Menninger released his assassination theory in the book Mortal Error: The Shot That Killed JFK. The book details a claim that one of Kennedy’s Secret Service agents, who was riding in the car behind the president, shot Kennedy by accident. Menninger worked with Baltimore ballistics expert Howard Donahue to compile the evidence.

“It is a ballistically unshakable fact that the fatal shot came from a position behind and to the left of the president," Donahue told The Sunday Sun Magazine in 1977. The two theorists concluded that the shooter was agent George Hickey, who reacted to Lee Harvey Oswald’s first shot by shooting his own gun and further injuring JFK.

Hickey did acknowledge the accusation. He sued Menninger after the book was released, but St. Martin’s Press, the publisher of the book, settled.

6. The Central Intelligence Agency

According to author Patrick Nolan, who wrote CIA Rogues and the Killing of the Kennedys, a group of rogue CIA agents killed JFK. Nolan names James Angleton, Richard Helms, E. Howard Hunt, and David Phillips as members of the responsible group. He cites disagreement with Kennedy’s approach to Cuba as the group’s motive.

As for evidence, the most compelling is E. Howard Hunt’s deathbed confession to his family. Hunt, who was also involved in the Watergate Hotel break-in, allegedly revealed that the group of CIA rogues invited him to have a role in the assassination, which was originally supposed to take place in Miami before it was moved to Dallas. His son, Howard St. John Hunt, relayed his father's message to the Los Angeles Times, “He told me in no uncertain terms about a plot originating in Miami, to take place in Miami.”

7. Carlos Marcello

Lamar Waldron has written multiple books accusing the mafia of killing JFK. He also believes the CIA had a role in covering up the assassination. In his theory, mafia boss Carlos Marcello hired hitmen to assassinate Kennedy because the president and his brother, Attorney General Robert F. Kennedy, were too tough on mob-related crimes. In 1985, Marcello allegedly admitted to the murder, reportedly telling a fellow prisoner, “Yeah, I had the son of a bitch killed. I’m glad I did. I’m sorry I couldn’t have done it myself.”

8. Joe DiMaggio


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Even baseball legend Joe DiMaggio has been blamed for JFK's assassination. According to this theory, DiMaggio was sure that a member of the Kennedy family had had Marilyn Monroe killed. DiMaggio’s lawyer Morris Engelberg wrote that the Hall of Famer refused to go to events if there would be members of the Kennedy family there. DiMaggio apparently told Engelberg, “It’s in their blood, and what they did to me will never be forgotten. They murdered the one person I loved.” Even as crazy conspiracy theories go, this one's a little flimsy.

9. Alien Researchers

William Lester’s book, A Celebration of Freedom: JFK and the New Frontier, contains a letter from Kennedy to the CIA dated 10 days before the assassination. In the letter, Kennedy requested a “classification review of all UFO intelligence files affecting National Security.” Conspiracy theorists see a connection between this letter and Kennedy’s murder, blaming either a CIA cover-up or another alien research organization.

Lester maintains that the CIA gave him the letter, but government insiders believe the letter is a fake.

This article originally ran in 2013.

Why We Eat What We Eat On Thanksgiving

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monkeybusinessimages/iStock via Getty Images

When Americans sit down with their families for Thanksgiving dinner, most of them will probably gorge themselves on the same traditional Thanksgiving menu, with turkey, cranberry sauce, stuffing, and pumpkin pie taking up the most real estate on the plates. How did these dishes become the national "what you eat on Thanksgiving" options, though?

Why do we eat turkey on Thanksgiving?

It's not necessarily because the pilgrims did it. Turkey may not have been on the menu at the 1621 celebration by the Pilgrims of Plymouth that is considered the first Thanksgiving (though some historians and fans of Virginia's Berkeley Plantation might quibble with the "first" part). There were definitely wild turkeys in the Plymouth area, though, as colonist William Bradford noted in his book Of Plymouth Plantation.

However, the best existing account of the Pilgrims' harvest feast comes from colonist Edward Winslow, the primary author of Mourt's Relation: A Journal of the Pilgrims at Plymouth. Winslow's first-hand account of the first Thanksgiving included no explicit mention of turkey. He does, however, mention the Pilgrims gathering wild fowl for the meal, although that could just as likely have meant ducks or geese.

When it comes to why we eat turkey on Thanksgiving today, it helps to know a bit about the history of the holiday. While the idea of giving thanks and celebrating the harvest was popular in certain parts of the country, it was by no means an annual national holiday until the 19th century. Presidents would occasionally declare a Thanksgiving Day celebration, but the holiday hadn't completely caught on nationwide. Many of these early celebrations included turkey; Alexander Hamilton once remarked, "No citizen of the U.S. shall refrain from turkey on Thanksgiving Day."

When Bradford's journals were reprinted in 1856 after being lost for at least half a century, they found a receptive audience with advocates who wanted Thanksgiving turned into a national holiday. Since Bradford wrote of how the colonists had hunted wild turkeys during the autumn of 1621 and since turkey is a uniquely North American (and scrumptious) bird, it gained traction as the Thanksgiving meal of choice for Americans after Lincoln declared Thanksgiving a national holiday in 1863.

Moreover, there were pragmatic reasons for eating turkey rather than, say, chicken at a feast like Thanksgiving. The birds are large enough that they can feed a table full of hungry family members, and unlike chickens or cows, they don't serve an additional purpose like laying eggs or making milk. Unlike pork, turkey wasn't so common that it seemed like an unsuitable choice for a special occasion, either.

Did the pilgrims have cranberry sauce?

While the cranberries the Pilgrims needed were probably easy to come by, making cranberry sauce requires sugar. Sugar was a rare luxury at the time of the first Thanksgiving, so while revelers may have eaten cranberries, it's unlikely that the feast featured the tasty sauce. What's more, it's not even entirely clear that cranberry sauce had been invented yet. It's not until 1663 that visitors to the area started commenting on a sweet sauce made of boiled cranberries that accompanied meat.

There's the same problem with potatoes. Neither sweet potatoes nor white potatoes were available to the colonists in 1621, so the Pilgrims definitely didn't feast on everyone's favorite tubers.

How about pumpkin pie?

It may be the flagship dessert at modern Thanksgiving dinners, but pumpkin pie didn't make an appearance at the first Thanksgiving. The Pilgrims probably lacked the butter and flour needed to make a pie crust, and it's not clear that they even had an oven in which they could have baked a pumpkin pie. That doesn't mean pumpkins weren't available for the meal, though; they were probably served after being baked in the coals of a fire or stewed. Pumpkin pie became a popular dish on 17th-century American tables, though, and it might have shown up for Thanksgiving as early as the 1623 celebration of the holiday.

This article originally appeared in 2008.

15 Colorful Facts About Georgia O’Keeffe

Georgia O’Keeffe’s enchanting floral still life paintings are now a deeply ingrained part of American culture—so much so that they often eclipse her other colorful accomplishments. For a more complete portrait of the artist, who was born on November 15, 1887, brush up on these 15 little-known facts about her.

1. Flower paintings make up a small percentage of Georgia O'Keeffe's body of work.

Though Georgia O'Keeffe is most famous for her lovingly rendered close-ups of flowers—like Black Iris and Oriental Poppies—these make up just about 200 of her 2000-plus paintings. The rest primarily depict landscapes, leaves, rocks, shells, and bones.

2. Georgia O'Keeffe rejected sexual interpretations of her paintings.

For decades, critics assumed that O'Keeffe's flowers were intended as homages—or at the very least, allusions—to the female form. But in 1943, she insisted that they had it all wrong, saying, “Well—I made you take time to look at what I saw and when you took time to really notice my flowers you hung all your own associations with flowers on my flower and you write about my flower as if I think and see what you think and see of the flower—and I don’t.” So there.

3. Georgia O'Keeffe was not a native of the American Southwest.


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O'Keeffe was actually born on a Wisconsin dairy farm. She'd go on to live in Chicago; New York City; New York’s Lake George; Charlottesville, Virginia; and Amarillo, Texas. She first visited New Mexico in 1917, and as she grew older, her trips there became more and more frequent. Following the death of her husband in 1946, she moved to New Mexico permanently.

4. Georgia O'Keeffe’s favorite studio was the backseat of a Model-A Ford.

In an interview with C-SPAN, Carolyn Kastner, former curator of the Georgia O'Keeffe Museum in Santa Fe, New Mexico, explained how the artist customized her car for this use: "She would remove the driver's seat. Then she would unbolt the passenger car, turn it around to face the back seat. Then she would lay the canvas on the back seat as an easel and paint inside her Model-A Ford."

Painting inside the car allowed O'Keeffe to stay out of the unrelenting desert sun, where she painted many of her later works. The Model-A also provided a barrier from the bees that would gather as the day wore on.

5. Georgia O'Keeffe also painted skyscrapers.

While nature was O'Keeffe's main source of inspiration, the time she spent in 1920s Manhattan spurred the creation of surreal efforts like New York With Moon, City Night, and The Shelton with Sunspots.

6. Georgia O'Keeffe immersed herself in nature.

While in New Mexico, O’Keeffe spent summers and falls at her Ghost Ranch, putting up with the region's hottest, most stifling days in order to capture its most vivid colors. (The rest of the year she stayed at her second home, located in the small town of Abiquiu.) When she wasn't painting in her Model-A, O'Keeffe often camped out in the harsh surrounding terrain, to keep close to the landscapes that inspired her.

7. Not even bad weather could keep Georgia O'Keeffe away from her work.

The artist would rig up tents from tarps, contend with unrelenting downpours, and paint with gloves on when it got too cold. She went camping well into her 70s and enjoyed a well-documented rafting trip with photographer Todd Webb at age 74. Her camping equipment is occasionally exhibited at the Georgia O'Keeffe Museum.

8. Georgia O'Keeffe married the man behind her first gallery show.

"At last, a woman on paper!" That’s what modernist photographer and gallery owner Alfred Stieglitz cried when he first saw O'Keeffe's abstract charcoal drawings. He was so enthusiastic about this series of sketches that he put them on display—before consulting their creator.

When O'Keeffe arrived at his gallery, she wasn't pleased, and brusquely introduced herself: "I am Georgia O'Keeffe and you will have to take these pictures down." Despite their rocky beginnings, Stieglitz and O'Keeffe quickly made amends, and went on to become partners in art and in life.

9. Georgia O'Keeffe and Alfred Stieglitz wrote 25,000 pages of love letters to each other.

When the pair met in 1916, Stieglitz was famous and married; she was unknown and 23 years his junior. All the same, they began writing to each other often (sometimes two or three times a day) and at length (as many as 40 pages at a time). These preserved writings chart the progression of their romance—from flirtation to affair to their marriage in 1924—and even document their marital struggles.

10. Georgia O'Keeffe served as a muse to other artists.

Thanks in part to Stieglitz, O'Keeffe was one of the most photographed women of the 20th century. Stieglitz made O'Keeffe the subject of a long-term series of portraits meant to capture individuals as they aged, and she made for a striking model. Though he died in 1946, the project lived on as other photographers sought out O'Keeffe in order to capture the beloved artist against the harsh New Mexican landscapes she loved so dearly.

O'Keeffe later wrote:

"When I look over the photographs Stieglitz took of me—some of them more than 60 years ago—I wonder who that person is. It is as if in my one life I have lived many lives. If the person in the photographs were living in this world today, she would be quite a different person—but it doesn't matter—Stieglitz photographed her then."

11. Georgia O'Keeffe quit painting—three times.

The first break spanned several years (the exact number is a matter of debate), when O'Keeffe took on more stable jobs to help her family through financial troubles. In the early 1930s, a nervous breakdown led to her hospitalization, and caused her to set aside her brushes for more than a year.

In the years leading up to her death in 1986, failing eyesight forced O'Keeffe to give up painting entirely. Until then, she fought hard to keep working, enlisting assistants to prepare her canvas and mix her oil paints for pieces like 1977's Sky Above Clouds/Yellow Horizon and Clouds. She managed to use watercolors until she was 95.

12. After going blind, Georgia O'Keeffe turned to sculpting.


By Alfred Stieglitz - Phillips, Public Domain, Wikimedia Commons

Although her vision eventually made painting impossible, O'Keeffe's desire to create was not squelched. She memorably declared, "I can see what I want to paint. The thing that makes you want to create is still there.” O'Keeffe began experimenting with clay sculpting in her late 80s, and continued with it into her 96th year.

13. Georgia O'Keeffe is the mother of American Modernism.

Searching for what she called “the Great American Thing,” O'Keeffe was part of the Stieglitz Circle, which included such lauded early modernists as Charles Demuth, Arthur Dove, Marsden Hartley, John Marin, Paul Strand, and Edward Steichen. By the mid-1920s, she had become the first female painter to gain acclaim alongside her male contemporaries in New York's cutthroat art world. Her distinctive way of rendering nature in shapes and forms that made them seem simultaneously familiar and new earned her a reputation as a pioneer of the form.

14. Georgia O'Keeffe blazed new trails for female artists.

In 1946, O’Keeffe became the first woman to earn a retrospective at the Museum of Modern Art. Twenty-four years later, a Whitney Museum of American Art retrospective exhibit introduced her work to a new generation. Fifteen years after that, O'Keeffe was included in the inaugural slate of artists chosen to receive the newly founded National Medal of Arts for her contribution to American culture.

15. Georgia O'Keeffe wasn't fearless, but she rejected fear.

O'Keeffe was purported to have said, "I've been absolutely terrified every moment of my life and I've never let it keep me from doing a single thing I wanted to do."

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