Royals from Norway, Denmark, Belgium, Monaco, and elsewhere gathered at the 2010 wedding of Crown Princess Victoria of Sweden.
Jonas Ekstromer-Pool, Getty Images
Thanks to a history of intermarriage, Europe's royal families are all tied to each other in some way. For instance, Queen Elizabeth II is third cousins with most of Europe’s monarchs, including Carl XVI Gustaf of Sweden, Margrethe II of Denmark, and former Belgian ruler Albert II. To explore how the monarchies are connected, Expedia created an interactive family tree that lets you see the ties between different royals. While the feature is geared toward exploring the family ties of Nordic royalty, since European monarchs are basically all related, just about everyone appears on the same family tree eventually.
To expand the tree and explore different monarchs' ancestry, click the plus signs above their photos. The crowns indicate that the person is a ruling monarch, while the interlocking circles indicate a marriage. Each graphic is color-coded to show whether the royals are related to the monarchies of Norway, Denmark, Sweden, or another country. Clicking on each face brings up a window with pertinent information on each royal, like their title and their heritage. (Though he is the king of Sweden, Carl XVI Gustaf, for instance, is 70 percent German, 10 percent French, and 20 percent British.)
The tree goes back to the Victorian era—to Victoria herself, in fact, as Carl XVI Gustaf is the great-great-grandson of the long-ruling British monarch. Victoria's granddaughter, Margaret of Connaught, married Sweden's Gustaf VI Adolf in 1905. They had Gustaf Adolf, father of the current king, in 1906. Carl XVI Gustaf's mother, Sibylla, was also a great-grandchild of Victoria's, descended from her youngest son, Prince Leopold, but unfortunately, the family tree doesn't let you explore her line.
Still confused? Navigate the graphic yourself above, or visit the full version on Expedia's website.
Earlier this week, England’s Parliament announced that a secret door had been discovered in the walls of Westminster Hall.
BBC News reports that the 360-year-old passageway, located in the cloister on Westminster Hall’s west side, opens into a small chamber that would have led right to Westminster Hall if the other entry hadn’t been sealed. There are still traces of that entryway inside the passage, though, which include the original hinges for two wooden doors that would’ve been just under 11.5 feet tall.
Liz Hallam Smith, a University of York historical consultant for Parliament, explained that she and her team had been sifting through 10,000 uncatalogued documents about the Palace of Westminster when they uncovered old plans for the doorway, which they then located in person.
“As we looked at the paneling closely, we realized there was a tiny brass keyhole that no one had really noticed before, believing it might just be an electricity cupboard,” Smith said in a statement.
After several attempts, the Parliamentary locksmith managed to design a key that unlocked the door, revealing the long-forgotten passageway. Dendrochronologists analyzed wood from the ceiling and determined that the trees had been cut down in 1659, which tracked with historical accounts of the construction having occurred between 1660 and 1661 for the coronation banquet of Charles II.
According to Parliament’s statement, the passageway was used for coronations, Speaker’s processions—in which the Sergeant at Arms escorts the Speaker of the House of Commons from his apartments in the palace to the Commons chamber—and shortcuts by members of Parliament.
It hasn’t been used for decades, but it’s not completely empty: There’s a light switch and a working light bulb that historians believe was installed during renovations after World War II, and there’s also some cheeky “graffiti” from about 100 years before then. Bricklayers who restored the room in the years after the fire of 1834 scrawled “This room was enclosed by Tom Porter who was very fond of Ould Ale” and “These masons were employed refacing the groines [sic] August 11th 1851 Real Democrats” on its walls.
“The mystery of the secret doorway is one we have enjoyed discovering,” Mark Collins, a Parliament estates historian who helped find the passage, said in the statement. “But the palace no doubt still has many more secrets to give up.”
As songwriting partners, Daryl Hall (the blonde one) and John Oates (the mustachioed one) were tentpoles of the 1970s and 1980s music scene. Beginning with “She’s Gone” and continuing on through “Rich Girl,” “Kiss on My List,” “Private Eyes,” and “I Can’t Go For That,” they’re arguably one of the biggest pop act duos in history.
Unfortunately, it took a riot and some gunfire to bring them together.
Both Hall and Oates were raised in the Philadelphia suburbs in the late 1950s and 1960s. After high school, both went on to Temple University—Hall to study music and Oates to major in journalism. While in their late teens, the two each had a doo-wop group they belonged to. Hall was a member of The Temptones, a successful act that had recently earned a recording contract with a label called Arctic Records; Oates was part of the Masters, which had just released their first single, “I Need Your Love.”
In 1967, both bands were invited to perform at a dance event promoted by area disc jockey Jerry Bishop at the Adelphi Ballroom on North 52nd Street in Philadelphia. According to Oates, the concert was a professional obligation: Bishop had the ability to give songs airtime.
“When Jerry Bishop contacted you, you had to go,” Oates told Pennsylvania Heritage magazine in 2016. “If you didn’t, your record wouldn’t get played on the radio.”
That’s how Hall and Oates found themselves backstage at the Adelphi, each preparing to perform with their respective group. (Oates said Hall looked good in a sharkskin suit with the rest of his partners, whereas he felt more self-conscious in a “crappy houndstooth” suit.) While Oates had previously seen The Temptones perform, the two had never met nor spoken. It’s possible they never would have if it weren’t for what happened next.
Before either one of them had even made it onto the stage, they heard gunshots. A riot had broken out between two rival factions of high school fraternities. They “really were just gangs with Greek letters,” Hall later told the Independent. Peering out from behind the curtain, Hall saw a fight involving chains and knives. Someone had fired a weapon.
“We were all getting ready for the show to start when we heard screams—and then gunshots,” Oates said in 2016. “It seemed a full-scale riot had erupted out in the theater, not a shocker given the times. Like a lot of other cities around the country, Philly was a city where racial tensions had begun to boil over.”
Worse, the performances were being held on an upper floor of the Adelphi. No one backstage could just rush out an exit. They all had to cram into a service elevator—which is where Hall and Oates came nose-to-nose for the first time.
“Oh, well, you didn’t get to go on, either,” Hall said. “How ya doin’?”
After acknowledging they both went to Temple, the two went their separate ways. But fate was not done with them.
The two ran into each other at Temple University a few weeks later, where they began joking about their mutual brush with death. By that time, Oates’s group, the Masters, had broken up after two of its members were drafted for the Vietnam War. So Oates joined The Temptones as a guitarist.
When The Temptones later disbanded, Hall and Oates continued to collaborate, and even became roommates. Hall eventually dropped out of Temple just a few months before he was set to graduate; Oates went traveling in Europe for four months and sublet his apartment to Hall’s sister. When he returned, he discovered she hadn’t been paying the rent. The door was padlocked. Desperate, Oates showed up on Hall’s doorstep, where Hall offered him a place to sleep. There, they continued to collaborate.
“That was our true birth as a duo,” Oates said.
Hall and Oates released their first album, Whole Oats, in 1972. Using a folk sound, it wasn’t a hit, but the rest of their careers more than made up for it. More than 50 years after that chaotic first encounter, the two have a summer 2020 tour planned.