Charmin Thinks Its Forever Roll Is the Perfect Toilet Paper for Millennials

Charmin
Charmin

It’s hard to reinvent toilet paper. So long as it’s soft and of sufficient thickness to make its intended use as smooth as possible, consumers are generally happy. (Unless, of course, they wipe too aggressively, leading to rectal irritation known as Polished Anus Syndrome.) But Charmin is betting on the fact that they have a solution to a problem most toilet paper users didn’t even realize they had: where to stock their inventory of Ultra Soft rolls.

The Charmin Forever roll is a massive stool spool that measures between 8.7 inches and a foot in diameter, the larger more than twice the dimensions of a standard 5-inch roll. The idea, according to Charmin, is to eliminate the need for consumers to store extra rolls. The company believes that Millennials are often living either alone or in smaller domestic units, with storage space at a premium. With a Forever roll, users only need to worry about buying toilet paper every one to three months.

Although people would no longer need to stockpile rolls, the Forever roll is so large that it won’t fit on a conventional wall-mounted toilet paper dispenser. Charmin offers a stainless-steel freestanding apparatus or wall brackets to accommodate the rolls. Those kits average $29.

As for the rolls themselves: There’s a price for convenience. Newsweek estimates that the 12-inch roll retailing for $9.99 comes out to 58 cents per 100 sheets, while their smaller Mega rolls average 34 or 35 cents per 100 sheets. This hybrid of practicality and viral marketing is currently only available on the Charmin website.

[h/t Business Insider]

Meet Isabelle de Borchgrave, the Belgian Artist Who Recreates Historical Fashion Using Paper

From "Papiers à la Mode," Isabelle de Borchgrave's first series of paper sculptures.
From "Papiers à la Mode," Isabelle de Borchgrave's first series of paper sculptures.
SCAD FASH Museum of Fashion + Film

When you walk into the exhibition space at SCAD FASH Museum of Fashion + Film right now, you’re met with a breathtaking homage to the history of fashion. Mannequins are dressed in everything from the court gowns of Queen Elizabeth I to the crinoline tutus of the Ballets Russes, and the overall impression is one of almost otherworldly beauty.

From across the room, you can see silk pooling at the feet of some figures, while light glances off the beaded bodices of others. But if you get within about a foot of the mannequins, you might notice that it isn’t silk at all—and those aren’t beads, either.

Actually, it’s paper.

isabelle de borchgrave fashioning art from paper
SCAD FASH Museum of Fashion + Film

The all-paper ensembles in the “Fashioning Art From Paper” exhibition were created by Belgian artist Isabelle de Borchgrave, who decided at age 14 that she would very much like to leave traditional school behind and study drawing instead. Her parents agreed, and de Borchgrave spent the next three years sketching nude models at the Royal Academy of Fine Arts of Brussels. Though she tells Mental Floss that the repetition no doubt taught her how to draw, the rest of her arts education was left mostly up to her.

So she visited museums, letting the art inform and inspire her own work, and she soon developed an interest in fashion that she’s been cultivating ever since. To de Borchgrave, her lack of formal training in fashion is a creative asset.

“I never studied fashion—that means I stay really free,” she tells Mental Floss. She began making vibrant hand-painted dresses and other outfits, which she’d either sell or wear herself.

Then, in 1994, a fateful visit to the Metropolitan Museum of Art sparked an idea that would alter the course of her career. After seeing a retrospective for French fashion designer Yves Saint Laurent, de Borchgrave—who, at that point, had been drawing on paper and painting on fabrics for years—began to wonder how she’d recreate certain designs using only paper and paint.

“I was so touched by the beauty, by the elegance, by the fabrics, and I wanted to have everything for me,” she says. It seemed like the perfect way to remain in the realm of fashion, while liberating herself from the demands of consumers. And, in theory, her paper reconstructions of garments really are just for her.

“When I finish a dress, I put it in a room. I don’t show it to anybody,” she says. “But I feel better, because I have done something I can be proud of.”

Over the last few decades, however, word has gotten out about the extraordinary paper gowns, and they’ve now been displayed in museums all over the world. At the SCAD FASH exhibition, the ensembles are divided into categories that each reflect a different era and inspiration, spanning about 500 years of fashion history.

Several ensembles from de Borchgrave's first sculpture series, “Papiers à la Mode,” are included in the exhibition. To create "à la Mode,” she collaborated with theatre costume designer Rita Brown to determine how best to manipulate paper, paint, and glue to mimic fabrics and patterns from the late 16th century all the way up through the 1920s. Though the more delicate fabrics might require specialty paper—for some lace trimmings and veils, for example, she orders a thin, gauzy paper from England—she primarily works with an inexpensive paper usually used for wrapping chocolate in Belgium.

isabelle de borchgrave fashioning art from paper
SCAD FASH Museum of Fashion + Film

Recreating ruffled collars, gold embroidery, and intricate designs with paper and paint seems difficult enough even if you could inspect the original garments with a magnifying glass and your own two hands—but de Borchgrave doesn’t often have that luxury. While some of her sculptures in "Papiers à la Mode" are modeled after actual clothing at The Metropolitan Museum of Art’s Costume Institute and other costume collections around the world, many are based on paintings alone.

Queen Elizabeth I’s court dress, for example, framed with lace and decorated with various flowers and animals, was inspired by Nicholas Hilliard’s portrait of the queen from 1599.

elizabeth i portrait with isabelle de borchgrave's paper replica
Ellen Gutoskey (left), Workshop of Nicholas Hilliard (right), Wikimedia Commons // Public Domain

And after seeing François Boucher’s 1756 painting of Madame de Pompadour, mistress of King Louis XV and something of a French fashion icon herself, de Borchgrave constructed her own version of the resplendent ribbon- and rose-adorned gown.

portrait of madame de pompadour with isabelle de borchgrave's paper replica
SCAD FASH Museum of Fashion + Film (left), François Boucher (right), Wikimedia Commons // Public Domain

As illustrated above, de Borchgrave’s garments aren’t always exact reproductions of the originals, and they’re not meant to be; instead, she aims to capture the spirit of each style, giving herself the freedom to alter patterns or add embellishments wherever she sees fit.

Having said that, it’s nearly impossible to wander the exhibition without being awestruck by how closely she’s managed to replicate some of the outfits. This is especially true of the “Splendor of the Medici” series, which celebrates the lavish finery worn throughout the Renaissance by Florence’s (and later Tuscany’s) most famous ruling family.

isabelle de borchgrave fashioning art from paper
SCAD FASH Museum of Fashion + Film

Sometime between 1593 and 1595, Marie de’ Medici, daughter of Francesco I de’ Medici, posed for a portrait by Pietro Facchetti while wearing a gown with rich gold pattern down the front and a magnificent lace collar. If you didn’t know any better while looking at de Borchgrave’s rendering, you might think that very dress—right down to the “pearl” embellishments—had survived these last four centuries.

portrait of marie de medici next to isabelle de borchgrave's paper replica
Ellen Gutoskey (left), Pietro Facchetti (right), Wikimedia Commons // Public domain

isabelle de borchgrave fashioning art from paper
SCAD FASH Museum of Fashion + Film

And then there’s “Les Ballets Russes,” a whimsical, vibrant series that reimagines the unconventional costumes worn by the Ballets Russes, a ballet company established in 1909 that featured some of the most famous dancers and choreographers of all time, including Anna Pavlova, Vaslav Nijinsky, and George Balanchine. Much like how de Borchgrave’s garments aren’t created by a career fashion designer, the costumes and sets of the Ballets Russes weren’t designed by actual costume and set designers. Instead, founder Serge Diaghilev commissioned artists like Henri Matisse and Pablo Picasso to come up with them.

isabelle de borchgrave fashioning art from paper
SCAD FASH Museum of Fashion + Film

Working off photos and the artists’ sketches, de Borchgrave gives the bold, eclectic performance attire another life in the limelight. And here, in particular, you can see the manifestation of all her early days spent drawing human models. Though these mannequins are made only of wire, de Borchgrave has set the costumes on them in such a way that the figures actually seem like they’re dancing.

isabelle de borchgrave fashioning art from paper
Based on a costume by Léon Bakst for Vaslav Nijinsky in La Péri, 1912
Ellen Gutoskey

Even if you can’t picture yourself headed to your office wrapped in yards of tulle and taffeta, there are likely elements from de Borchgrave’s work that you do see in stores these days, from bright floral patterns to large, front-facing bows. After all, as de Borchgrave says herself, styles simply never stop coming back.

The SCAD FASH Museum of Fashion + Film, located on Savannah College of Art and Design’s Atlanta campus, is exhibiting “Fashioning Art From Paper” from now through January 12, 2020, and you can purchase tickets for $10 each here.

isabelle de borchgrave fashioning art from paper
SCAD FASH Museum of Fashion + Film

Nike Is Releasing a Durable Slip-On Sneaker Designed for Medical Professionals

monkeybusinessimages/iStock via Getty Images
monkeybusinessimages/iStock via Getty Images

Nike is known for releasing footwear that covers just about every activity under the moon—impact-absorbing running shoes, sleek soccer cleats, snazzy fashion statements, and so much more. Now, they’ve developed a sneaker for nurses, doctors, and other medical professionals who spend long shifts on their feet.

According to a press release, Nike sent designers to the OHSU Doernbecher Children’s Hospital in Portland, Oregon, where they learned from healthcare providers exactly what their jobs entail. Then, they used their findings to create the Nike Air Zoom Pulse, a “traditional clog made athletic.”

nike air zoom pulse
Nike

If you’ve ever gone sightseeing in a new city or even just taken a longer-than-expected afternoon stroll, you might have experienced firsthand that even your most comfortable walking shoes stop being so comfortable after a few miles of non-stop action—and nurses experience that type of exercise every time they go to work. During a regular 12-hour shift, a nurse might walk between four and five miles and sit for less than an hour. To account for that, the Nike Air Zoom Pulse features a full-rubber outsole, a flexible drop-in midsole, arch support, and a “heel fit so secure [that] it feels like a soft, snug hug.”

nike air zoom pulse
Nike

Since healthcare professionals also need a shoe durable enough to withstand spills of any kind, Nike coated the top of the Air Zoom Pulse with a polyurethane layer that’s easy to wipe down. It’s also a laceless slip-on, so people won’t have to worry about tripping on untied laces—and they’ll also be able to slip their shoes off for a quick nap in the staff room.

nike air zoom pulse
Nike

Six patients at the OHSU Doernbecher Children’s Hospital have contributed vibrant, colorful designs for the Air Zoom Pulse, which Nike will release for online orders (in versions that include its own colorways) starting December 7.

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