35 Surprising Facts About The Office

NBC
NBC

In 2005, a group of Americans were tasked with adapting Ricky Gervais and Stephen Merchant's beloved British series The Office. They rose to the high expectations and managed to create a successful comedy that ran for nine seasons.

Here are 35 things you might not have known about the workplace sitcom.

1. B.J. NOVAK WAS THE FIRST PERSON CAST.

 Actor Mindy Kaling (L) and B. J. Novak at the world premiere of Disney’s 'A Wrinkle in Time' at the El Capitan Theatre in Hollywood CA, Feburary 26, 2018
Alberto E. Rodriguez, Getty Images for Disney

The show’s producer, Greg Daniels, was inspired by his time on Saturday Night Live and wanted to hire a writer-performer. Other writer-performers who were later added include Mindy Kaling (Kelly) and Paul Lieberstein (Toby). Michael Schur, who wrote and produced the show, played Dwight’s cousin, Mose.

2. THE CAST COULD HAVE BEEN WAY DIFFERENT.

For instance, Adam Scott auditioned for the part of Jim Halpert. Seth Rogen was in the running to play Dwight Schrute. Eric Stonestreet, who is now on Modern Family, auditioned for Kevin. Before getting cast as Angela, Angela Kinsey auditioned for Pam. Bob Odenkirk was originally cast as Michael Scott but was replaced by Steve Carell when the show he’d been working on, Come to Papa, was canceled. In a late-season episode, Odenkirk played a very Michael Scott-like manager looking to hire Pam.

See Also: 12 Outrageous Fan Theories About The Office

3. JOHN KRASINSKI HAD A ROUGH AUDITION.

One reason Adam Scott could have easily played Jim: John Krasinski’s audition for The Office didn’t go too well. First of all, he was supposed to audition for Dwight, but he convinced the casting directors to let him read for the part of Jim. Secondly, he got into some trouble in the waiting room. A man eating salad in the room asked him if he was nervous. Krasinski answered, “You know, not really. You either get these things or you don't. But what I'm really nervous about is this show. It's just I love the British show so much and Americans have a tendency to just really screw these opportunities up. I just don't know how I'll live with myself if they screw this show up and ruin it for me.” The man responded, “My name's Greg Daniels, I'm the executive producer.” Still, Krasinski managed to get the part.

4. AFTER HE GOT THE PART, JOhn KRASINSKI INTERVIEWED PAPER COMPANy EMPLOYEES for research.

John Krasinski stars in 'The Office'
NBCUniversal Media, LLC

Krasinski met with several employees at different paper companies to research his role, and he filmed a visit he took through Scranton, Pennsylvania. The footage of his trip through the city was actually used in the show’s opening credits sequence and, according to Rainn Wilson’s memoir, The Bassoon King: Art, Idiocy, and Other Sordid Tales from the Band Room, would go on to play a role in helping production with set decoration and design details.

5. PHYLLIS SMITH GOT CAST BY CASTING PEOPLE.

Phyllis was a casting agent for the show before she got the part of Phyllis. She was reading the script with some auditioning actors when director Ken Kwapis decided that she was the one who should play the role.

6. EVERYBODY NEEDED TO IMPROVISE.

Even if they weren’t writers, Daniels wanted to make sure his actors had a background in improvisation. He has said, “Improv is a good tool to make it seem more natural."

7. THEY INITIALLY STAYED CLOSE TO THE BRITISH VERSION.

Ricky Gervais stars in 'The Office'
BBC

The pilot was shot with essentially the same script as the pilot from the British show. Many viewers questioned this decision, but it had to be done considering NBC bought an adaptation. Daniels believes that the show really branched out into its own entity in the second season.

8. nO ONE WAS OPTIMISTIC ABOUT THE SHOW.

It was hard for the cast and crew to have faith early on. During the first season, NBC executives would bring a lot of pessimism to the set. According to Krasinski, they would say things like, “This episode is so good—unfortunately, it’s the last one we’re going to do.”

9. THEY OWE THEIR SUCCESS TO APPLE.

One thing that helped save the show was iTunes. Around the second season, when NBC made the show available on the platform, it took up four of the top five slots for downloaded television shows. That’s when the people behind the show learned that their audience skewed young, rather than the white-collar workers they thought would be watching.

10. THE CAST PICKED THE OPENING THEME SONG.

When it came to the show’s opening theme music, series creator Greg Daniels gave the cast four versions of the song and let them vote on the winner. The now-iconic song came from a demo by composer Jay Ferguson, which was then re-recorded by musician Bob Thiele Jr. and a group later dubbed The Scrantones, who made an appearance on the episode “The Booze Cruise.”

11. THEY LOST THEIR ORIGINAL THEME SONG TO HEATHER LOCKLEAR.

In 2015, Rainn Wilson revealed that a number of hit songs were given consideration for the show’s opening theme, including “Better Things” by the Kinks and “Float On” by Modest Mouse. But the one the cast really wanted was “Mr. Blue Sky” by the Electric Light Orchestra. Those plans were dashed, though, when production found out that it was already the song for the blink-and-you’ll-miss-it Heather Locklear comedy, LAX.

12. tHE OFFICE'S ADDRESS IS AN HOMAGE TO THE BRITISH SHOW.

The Scranton branch of Dunder Mifflin is located at 1725 Slough Avenue. That’s not a real street in the actual Scranton, Pennsylvania, though—it’s a reference to the original version of the show, which takes place in Slough, England.

13. THE COMPUTERS ON SET REALLY WORKED.

Jenna Fischer, Rainn Wilson, John Krasinski, Ed Helms, and Ellie Kemper in 'The Office'
NBCUniversal Media

They even had Internet, which helped the cast feel like they were in a real-life office.

14. THEY LITERALLY MADE THE SHOW BRIGHTER FOR SEASON TWO.

In an attempt to boost ratings after the first season, the producers pivoted the show's style away from the British version to make Michael Scott more likable and make the episodes more optimistic. According to Novak's DVD commentary track for "The Dundies," the first episode of the second season, they also made the lights in the office brighter to help complete that tonal shift.

15. THEY ALSO RECREATED THE OFFICE SPACE FROM SCRATCH.

The show's first season was shot in a real-life office in Culver City, California, so when they transitioned to a sound stage for the second season, the crew had to rebuild it and stock it with supplies to make a perfect replica. They did make Michael's office a little bigger to accommodate cameras, and since they were on a sound stage, they could control the weather.

16. THE DOCUMENTARY CREW MAY HAVE HAD A TRAGIC REASON FOR COVERING DUNDER MIFFLIN.


NBC Universal

In the season two episode “Performance Review,” Michael reads papers from his suggestion box, including one from “Tom,” who wrote, “We need better outreach for employees fighting depression.” Then, he’s reminded that Tom killed himself. During a 2007 Office Convention, a group of writers proposed that this suicide was why the documentary crew showed up in Scranton. They wanted to document how the office was dealing with the suicide before turning to simpler storylines.

17. JIM'S FAKE-RAIN-FILLED PROPOSAL WAS EXPENSIVE.

The writers had a clear vision for how Jim’s proposal to Pam would look. They wanted to shoot it at an actual rest stop on the Merritt Parkway, but it would have cost $100,000. Plus, they wouldn’t be allowed to use fake rain, which was important to the scene. So, the crew built a replica of the Parkway and a rest stop. The shot ended up costing $250,000. Daniels described the scene as “the most expensive and elaborate shot we've ever done, but it's also sort of the highlight of five years of storytelling.”

18. YOU COULD ACTUALLY BUY DUNDER MIFFLIN PAPER.

In 2011, the company Quill.com, owned by Staples, announced that they would start selling Dunder Mifflin paper. At the time, their director of innovation explained, “Paper…is a race to the bottom as paper usage is going down. We’re looking for different pop culture phenomena and external brands that we can tie to these mundane product categories to differentiate. That’s really how initially pairing copy paper and Dunder Mifflin came about.”

19. STEVE CARELL IMPROVISED HIS KISS WITH OSCAR.


Photo by Alberto E. Rodriguez/Getty Images for CinemaCon

In the season three episode, “Gay Witch Hunt,” the script only called for a hug. Nunez recalled, “We were just supposed to hug, and he kept hugging me. And that particular take he came in really close, and I'm like, ‘Where is he going with this?’ Oh, dear, yes here we go.”

20. THE ACTORS WEREN'T THE ONLY ONES WHO WOULD IMPROVISE.

In season five, Pam closes her dorm door on a camera person, who lets out an audible sigh. That was an impromptu moment from the director of photography, Randall Einhorn.

21. sEVERAL RESTAURANTS FEATURED ON THE SHOW ARE REAL.

Remember when Michael bungled the office’s pizza order by getting pies from Pizza By Alfredo rather than the popular Alfredo’s Pizza Cafe? Well, you can head to Alfredo’s Pizza Café right now if you’d like—it’s a real place, right in Scranton. (Its similarly named competition is purely a product of Hollywood.) To get that authentic Pennsylvania feel, the show’s production incorporated real-world businesses and restaurants from the area when writing scripts. So if you want some calamari, you can go to Cooper’s Seafood, one of Kevin’s favorites. You can also swing by Poor Richard’s for a pint, or head to the Steamtown Mall, where you can see a display featuring the original burgundy “Welcome to Scranton” sign from the show’s opening credits.

22. SADLY, SCHRUTE FARMS ISN'T (BUT ITS REVIEWS ARE).

Rainn Wilson in 'The Office'
NBCUniversal Media, LLC

On the opposite end of the spectrum, Schrute Farms is a very fictional place with very real reviews on TripAdvisor—more than 1100 of them. Though all the reviews are full of obvious Office-isms, the site still covers its bases with a warning at the top that reads: “This is a fictional place, as seen on NBC's The Office. Please do not try to book a visit here.”

23. STEVE CARELL HAD HIS NUMBER RETIRED.

When Steve Carell left the show after seven seasons, he was still adored by the cast and crew. Up until that point, he had always been number one on the call sheet. So, when he left, they “retired” the number one, and it didn’t appear on the call sheet again.

24. ANDY BECAME OFFICE MANAGER IN THE FINAL TWO SEASONS BECAUSE HE'S A PEOPLE PERSON.

Lieberstein, who was showrunner at the time, said, “The Andy character is very different from Michael, but one of the things they have in common is that they both put people first and relationships first.” The writers also considered promoting Darryl, but decided that he was “too rational and smart to be the manager,” so he couldn’t cause as many disasters.

25. JAMES SPADER WAS ONLY SUPPOSED TO make A CAMEO.

James Spader and Craig Robinson in The Office
Chris Haston, NBCUniversal, Inc

The writers liked him so much that they asked him to expand the role. "[Spader] has a way of taking on his character so fully, even in rehearsal, that it's changing the mood on the set,"Lieberstein said. "Everyone is discovering who they are with this new energy."

26. SHOWRUNNERS KEPT CARELL'S FINALE APPEARANCE SECRET FROM EVERYONE.

The showrunners didn't even tell network executives that Carell was going to appear in the finale. According to Daniels, “We shot the Steve stuff and we kept it out of the dailies and didn’t tell them about it. At the table reading, we gave the Steve Carell lines to Creed.”

27. WE MISSED OUT ON A DWIGHT SPIN-OFF SHOW.

Thomas Middleditch and Rainn Wilson in 'The Office'
Tyler Golden, NBCUniversal

After The Office ended, Dwight was supposed to get a spinoff called The Farm on NBC, but the network passed on the show in 2012. According to Rainn Wilson, “The timing was wrong.”

28. bUT THERE WAS AN OFFICE SPIN-OFF, KINDA.

Although The Farm never happened, nor did a proposed Andy Bernard show based on An American Family, you can view Parks and Recreation as a kind of spinoff. It was developed by the same producers and was originally going to be a spinoff before Rashida Jones got cast after playing a separate character on The Office.

29. THE CPR EPISODE HELPED SAVE SOMEONE'S LIFE.

Rainn Wilson in the "Stress Relief" episode of 'The Office'
NBCUniversal

In the season 5 episode “Stress Relief,” Michael arranges a CPR training session for his staff that quickly devolves into a very Scranton-y debacle. But even if no one at Dunder Mifflin learned anything, someone at home actually did. On the show, it’s said that the chest compressions should be done to the beat of the popular Bee Gees song, “Stayin’ Alive,” and this tip helped an Office fan from Arizona perform successful CPR on a woman he found slumped over in the seat of her car. She regained consciousness after about a minute of CPR and was brought to the hospital, where she was later discharged.

30. YOU CAN SEARCH THROUGH ALL THE SHOW'S "STARES."

One of The Office’s trademarks is the way the characters would seamlessly break the fourth wall and communicate their feelings to the audience by doing nothing more than looking directly into the camera. These Office “stares” became such a hit that they even became the subject of a fansite that allows you to search through more than 800 different emotions—boredom, sadness, anger, and loneliness, to name a few—and watch a brief YouTube clip of an Office character perfectly embodying it with nothing more than a glance. Lose hours of productivity by experimenting with The Office Stare Machine here.

31. Steve CARELL ISN'T INTERESTED IN JOINING A REBOOT.

Though the show is always the subject of reboot rumors, Steve Carell has said on multiple occasions that bringing back The Office isn’t on his mind, telling Esquire: "Because The Office is on Netflix and replaying, a lot more people have seen it recently. And I think because of that there's been a resurgence in interest in the show, and talk about bringing it back. But apart from the fact that I just don't think that's a good idea, it might be impossible to do that show today and have people accept it the way it was accepted 10 years ago."

32. MICHAEL HAS A DIFFERENT FISH IN EACH EPISODE OF THE "mICHAEL SCOTT PAPER COMPANY" ERA.

Steve Carell in 'The Office' (2005)
NBCUniversal, Inc.

He starts with a goldfish and ends up with a black beta. Maybe he's not good at keeping fish alive? At least it's good practice for falling into a koi pond.

33. SEVERAL OFFICE STARS INTERNED FOR CONAN O'BRIEN.

Obviously cutting your teeth with a comedy legend like Conan O'Brien helps when you're starring in your own show. Mindy Kaling (1999), John Krasinski (2000), and Ellie Kemper (2005) were all interns for the NBC late night host before hitting it big.

34. EVERY EPISODE COULD HAVE BEEN AN HOUR LONG.

According to Nunez, the cast and crew always shot "tons" of footage. A lot of it ended up as DVD extras, but the actor claimed that each episode could have been much longer. "Even the awkward scenes, where nothing is happening, where everyone is just uncomfortable, could go on longer and become even funnier, because the level of discomfort just rises," he said.

35. PAM AND MICHAEL HAD A GENUINE GOODBYE.

Actor Steve Carell, actor B.J. Novak, actor John Krasinski, Jenna Fischer, actor Rainn Wilson poses in the press room after winning "Outstanding Comedy Series" for "The Office " at the 58th Annual Primetime Emmy Awards at the Shrine Auditorium on August
Cast members of The Office after winning an Emmy for "Outstanding Comedy Series" in 2006
Kevin Winter/Getty Images

For their goodbye scene at the airport in Carell’s last episode, Jenna Fischer was told by production to, “Just say whatever you would want to say to Steve. Just say goodbye and we'll tape it and when you're finished, just give each other a hug and go your separate ways.’” Fischer later revealed in 2018 that, “Those were real tears and a real goodbye.”

10 Forgotten Rankin/Bass Christmas Specials

A scene from Rudolph's Shiny New Year (1976).
A scene from Rudolph's Shiny New Year (1976).
Rankin/Bass Productions

If you're prone to picturing your favorite Christmas characters as stop-motion puppets, you can thank Rankin/Bass. The production company founded by Arthur Rankin Jr. and Jules Bass found success in transforming holiday songs and myths into fully-developed television specials in the 1960s, '70s, and '80s. Their most popular specials, like Rudolph the Red-Nosed Reindeer and Frosty the Snowman, are still staples of holiday programming decades after they first aired.

But not every holiday film that played under the Rankin/Bass banner was an instant success. After adapting the most beloved Christmas stories, the company broadened its definition of holiday material, with varying degrees of success. Some films were forgettable, and others were so strange and unsettling that young viewers forced themselves to forget. Here are some Rankin/Bass specials that may be missing from holiday television marathons this year.

1. Rudolph’s Shiny New Year (1976)

Scene from Rudolph's Shiny New Year.
Rankin/Bass Productions

After the stressful events of his 1964 Christmas special, Rudolph deserved a vacation. In Rudolph's Shiny New Year (1976), the red-nosed reindeer barely has a day to rest before being sent on his next adventure. When Santa Claus and his reindeer return home to the North Pole after delivering presents on Christmas, they learn that Happy the Baby New Year is missing. It’s up to Rudolph to bring him home before midnight on New Year’s Eve or else the calendar will be stuck at December 31. And because it wouldn’t be a Rankin/Bass cartoon without a terrifying villain, a vulture named Eon the Terrible is racing to catch Happy first so he can live forever. Thankfully, Rudolph has a caveman, a Medieval knight, and Benjamin Franklin on his side.

2. The Little Drummer Boy, Book II (1976)

Scene from The Little Drummer Boy, Book II.
Rankin/Bass Productions

The Little Drummer Boy from 1968 ends with the birth of Jesus Christ, a.k.a. the events of Christmas. This meant that Rankin/Bass’s most overtly religious Christmas special wasn’t an obvious choice for a follow-up, but the studio still released one in 1976. The Little Drummer Boy, Book II is inspired by "Silver Bells"—a song whose lyrics have nothing to do with the first Christmas at Bethlehem. In the sequel, the drummer boy Aaron and the wise man Melchior join forces to protect silver bells made for baby Jesus from the Roman soldiers plotting to steal them.

3. Nestor, the Long-Eared Christmas Donkey (1977)

Scene from Nestor, the Long-Eared Christmas Donkey.
Rankin/Bass Productions

By the late 1970s, it was apparent that Rankin/Bass was running out of Christmas myths to expand into television specials. Nestor, the Long-Eared Christmas Donkey, their 1977 stop motion film, tells the story of an outcast donkey who experiences a series of traumatic events during the Roman Empire. After being bullied by other animals, left for dead by his owner, and suffering the loss of his mother, Nestor becomes a hero by carrying a pregnant Mary to Bethlehem, where she gives birth to Jesus. Needless to say, Nestor, the Long-Eared Donkey didn’t have the same cultural impact as Rudolph the Red-Nosed Reindeer.

4. The First Christmas: The Story of the First Christmas Snow (1975)

Scene from The First Christmas.
Rankin/Bass Productions

It may have a happy ending, but The First Christmas (1975) is the bleakest movie on this list. An orphaned shepherd named Lucas is taken in by a group of nuns after he’s blinded by lightning. When snow falls during the abbey’s Christmas pageant, Lucas miraculously regains his eyesight and sees snow for the first time. The story swaps Rankin/Bass's signature humor and fantasy for heavy-handed sentimentality, which may be why it didn’t land as well with kids as the company’s other holiday specials. One highlight is a voice performance by Angela Lansbury as the narrator.

5. Jack Frost (1979)

Scene from Jack Frost.
Rankin/Bass Productions

So this film from 1979 is technically a Groundhog Day special, but its connection to winter means it’s usually lumped in with the rest of Rankin/Bass’s Christmas programming. A groundhog named Pardon-Me-Pete (voiced by Buddy Hackett) narrates the story of Jack Frost. After Jack Frost falls in love with a woman on Earth, Father Winter agrees to make him human, with the catch that Jack will turn back into a sprite if he fails to obtain a house, a horse, a bag of gold, and a wife by the first sign of spring. The special is notable for its weird characters, including a villain with a clockwork horse and henchmen. And—spoiler alert!—because Jack doesn’t get the girl at the end, it’s one of the few Rankin/Bass films that doesn’t have a happy ending.

6. Rudolph and Frosty's Christmas in July (1979)

Scene from Rudolph and Frosty's Christmas in July.
Rankin/Bass Productions

In 1979, Rankin/Bass gave two of its most iconic Christmas characters—Frosty the Snowman and Rudolph the Red-Nosed Reindeer—their own movie. The studio was so confident in the product that Rudolph and Frosty's Christmas in July even had a brief theatrical release overseas. But the film has failed to take the place of the original specials in the public consciousness—maybe because seeing snow snakes terrorize Rudolph and watching an evil wizard transform into a tree were too much for younger viewers to handle.

7. Pinocchio's Christmas (1980)

Scene from Pinocchio's Christmas.
Rankin/Bass Productions

The story of Pinocchio may not be the first thing that comes to mind when you think of Christmas, but that didn’t stop Rankin/Bass from turning the classic Italian fairytale into a holiday special. Pinocchio's Christmas (1980) features many of the same themes and characters as The Adventures of Pinocchio—only this version of the tale centers around the puppet’s first Christmas. Santa Claus even makes a cameo appearance.

8. The Stingiest Man in Town (1978)

Scene from The Stingiest Man in Town.
Rankin/Bass Productions

Charles Dickens’s A Christmas Carol is one of the most widely adapted stories of all time, so of course it shows up in Rankin/Bass’s filmography. An insect named B.A.H. Humbug narrates this musical retelling from 1978, with Walter Matthau starring as Ebeneezer Scrooge. The Stingiest Man in Town joins Frosty the Snowman as one of the few Rankin/Bass Christmas productions made with traditional 2D animation instead of stop-motion.

9. The Leprechauns' Christmas Gold (1981)

Scene from The Leprechaun's Christmas Gold.
Rankin/Bass Productions

Rankin/Bass’s streak of mashing up Christmas with other holidays reached peak weirdness in 1981. That’s when the studio released The Leprechauns' Christmas Gold—a story that follows a young Irish sailor who helps a clan of leprechauns protect their gold from an evil banshee named Old Mag the Hag. By trying to create a special that could air around Christmas and St. Patrick’s Day, the filmmakers ended up with something that made little sense at any time of year.

10. The Life and Adventures of Santa Claus (1985)

Scene from The Life and Adventures of Santa Claus.
Rankin/Bass Productions

In 1970, Rankin/Bass explored how Kris Kringle became Santa Claus with Santa Claus Is Comin’ to Town. Fifteen years later, the studio produced a film that provided an alternate origin story for the character, based on L. Frank Baum's 1902 children's book of the same name. This second special wasn’t as well-received as the first. It starts with an antler-sporting sorcerer called the Great Ak finding an abandoned baby in the forest. The child is taken in and raised by wood nymphs, eventually growing up to become a jolly man who delivers toys to children—all while fighting monsters called Awgwas on the side. It ends with a council of mythical beings granting Santa Claus immortality. What was arguably Rankin/Bass’s most unusual Christmas special was also the last to use stop-motion animation.

2020 Golden Globes: The Full List of Nominees

Andrew Scott stars in Fleabag.
Andrew Scott stars in Fleabag.
Steve Schofield/Amazon Studios

Awards season is officially upon us and we're all rushing out to the movie theater—or, more frequently, our own couches—to load up on some of the year's biggest movie and television titles.

Now that the 2020 Golden Globe nominations have been announced, it's clear that Netflix's investment in original content like Martin Scorsese's The Irishman and Noah Baumbach's Marriage Story, which scored the most nominations with six, was a wise decision.

On the television side, streaming emerged victorious as well; The Crown landed a total of four nominations while Phoebe Waller-Bridge's Amazon hit Fleabag earned three, including one for "Hot Priest" Andrew Scott, who was a notable Emmy snub. Amazingly, Game of Thrones was nominated for just a single award: a Best Actor in a Drama Series nomination for Kit Harington.

Below is the full list of nominees for the 77th annual Golden Globe Awards, which will take place on January 5, 2020.

Best Motion Picture, Drama

1917
The Irishman
Joker
Marriage Story
The Two Popes

Best Motion Picture—Musical or Comedy

Once Upon a Time in Hollywood
Jojo Rabbit
Knives Out
Rocketman
Dolemite Is My Name

Best Motion Picture—Foreign Language

The Farewell
Pain and Glory
Portrait of a Lady on Fire
Parasite
Les Misérables

Best Director, Motion Picture

Bong Joon Ho, Parasite
Sam Mendes, 1917
Todd Phillips, Joker
Martin Scorsese, The Irishman
Quentin Tarantino, Once Upon a Time … in Hollywood

Best Screenplay—Motion Picture

Noah Baumbach, Marriage Story
Bong Joon-ho and Han Jin-won, Parasite
Anthony McCarten, The Two Popes
Quentin Tarantino, Once Upon a Time in Hollywood
Steven Zaillian, The Irishman

Best Original Score, Motion Picture

Alexandre Desplat, Little Women
Hildur Gudnadottir, Joker
Randy Newman, Marriage Story
Thomas Newman, 1917
Daniel Pemberton, Motherless Brooklyn

Best Original Song—Motion Picture

Beautiful Ghosts, Cats
I'm Gonna Love Me Again, Rocketman
Into the Unknown, Frozen II
Spirit, The Lion King
Stand Up, Harriet

Best Actor in a Supporting Role in Any Motion Picture

Tom Hanks, A Beautiful Day in the Neighborhood
Anthony Hopkins, The Two Popes
Al Pacino, The Irishman
Joe Pesci, The Irishman
Brad Pitt, Once Upon a Time in Hollywood

Best Actress in a Supporting Role in Any Motion Picture

Kathy Bates, Richard Jewell
Annette Bening, The Report
Laura Dern, Marriage Story
Jennifer Lopez, Hustlers
Margot Robbie, Bombshell

Best Actor in a Motion Picture—Musical or Comedy

Daniel Craig, Knives Out
Roman Griffin Davis, Jojo Rabbit
Leonardo DiCaprio, Once Upon a Time in Hollywood
Taron Egerton, Rocketman
Eddie Murphy, Dolemite Is My Name

Best Motion Picture—Animated

Frozen II
How to Train Your Dragon: The Hidden World
Missing Link
Toy Story 4
Lion King

Best Actor in a Motion Picture—Drama

Christian Bale, Ford v Ferrari
Antonio Banderas, Pain and Glory
Adam Driver, Marriage Story
Joaquin Phoenix, Joker
Jonathan Pryce, The Two Popes

Best Actress in a Motion Picture—Drama

Cynthia Erivo, Harriet
Scarlett Johansson, Marriage Story
Saoirse Ronan, Little Women
Charlize Theron, Bombshell
Renée Zellweger, Judy

Best Actress in a Motion Picture—Musical or Comedy

Awkwafina, The Farewell
Ana de Armas, Knives Out
Cate Blanchett, Where'd You Go, Bernadette
Beanie Feldstein, Booksmart
Emma Thompson, Late Night

Best Performance by an Actor in a Limited Series or Motion Picture Made for Television

Christopher Abbott, Catch-22
Sacha Baron Cohen, The Spy
Russell Crowe, The Loudest Voice
Jared Harris, Chernobyl
Sam Rockwell, Fosse/Verdon

Best Performance by an Actress in a Limited Series or Motion Picture Made for Television

Kaitlyn Dever, Unbelievable
Joey King, The Act
Helen Mirren, Catherine the Great
Merritt Wever, Unbelievable
Michelle Williams, Fosse/Verdon

Best Television Limited Series or Motion Picture Made for Television

Catch-22, Hulu
Chernobyl, HBO
Fosse/Verdon, FX
The Loudest Voice, Showtime
Unbelievable, Netflix

Best Performance by an Actress in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television

Patricia Arquette, The Act
Helena Bonham Carter, The Crown
Toni Collette, Unbelievable
Meryl Streep, Big Little Lies
Emily Watson, Chernobyl

Best Performance by an Actor in a Television Series, Drama

Brian Cox, Succession
Kit Harington, Game of Thrones
Rami Malek, Mr. Robot
Tobias Menzies, The Crown
Billy Porter, Pose

Best Performance by an Actor in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television

Alan Arkin, The Kominsky Method
Kieran Culkin, Succession
Andrew Scott, Fleabag
Stellan Skarsgård, Chernobyl
Henry Winkler, Barry

Best Television Series—Drama

Big Little Lies, HBO
The Crown, Netflix
Killing Eve, AMC
The Morning Show, Apple TV+
Succession, HBO

Best Performance by an Actress in a Television Series, Drama

Jennifer Aniston, The Morning Show
Olivia Colman, The Crown
Jodie Comer, Killing Eve
Nicole Kidman, Big Little Lies
Reese Witherspoon, The Morning Show

Best Television Series—Musical or Comedy

Barry, HBO
Fleabag, Amazon
The Kominsky Method, Netflix
The Marvelous Mrs. Maisel, Amazon
The Politician, Netflix

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