15 Things You Might Not Know About Who Framed Roger Rabbit

Walt Disney Studios
Walt Disney Studios

As both a groundbreaking feat for the world of animation and an enjoyable crime comedy, Who Framed Roger Rabbit stands in a class all its own. Here are a few interesting nuggets about the cartoon-live action classic, on the 30th anniversary of its release.

1. IT WAS THE MOST EXPENSIVE MOVIE EVER MADE.

At the time of its release on June 22, 1988, Who Framed Roger Rabbit boasted the highest budget of any film to date: a whopping $70 million (nearly $150 million in today's dollars). It topped the previous record holder, Rambo III (which had come out less than a month earlier), by about $12 million. Roger Rabbit held the designation until July 1991, ultimately falling to Terminator 2: Judgment Day, which cost $100 million.

2. THE FILM ALSO BROKE THE RECORD FOR LONGEST END CREDITS.

Recognizing a cast and crew of just over 800, Who Framed Roger Rabbit featured the longest closing credit reel ever upon its release. The film’s credits ran for over 10 minutes, even without attribution for Jessica Rabbit’s voice actor, Kathleen Turner.

3. BOB HOSKINS WAS NOT THE FIRST PICK FOR EDDIE VALIANT.

Director Robert Zemeckis and producer Steven Spielberg communicated with a number of big name actors in regard to the casting of human protagonist Detective Eddie Valiant. Among those considered for the curmudgeonly private eye were Harrison Ford (who was too expensive), Chevy Chase (who was not interested in the part), and Bill Murray (who allegedly never got the message and was dismayed to learn he had missed such an opportunity). Other names tossed around included Robert Redford, Jack Nicholson, Sylvester Stallone, Wallace Shawn, Ed Harris, and Charles Grodin.

4. CHRISTOPHER LLOYD WASN'T THE FILMMAKERS' FIRST CHOICE EITHER.

Christopher Lloyd in 'Who Framed Roger Rabbit' (1988)
Walt Disney Studios

Before landing on Zemeckis’s Back to the Future colleague Christopher Lloyd as the nefarious Judge Doom, producers considered Tim Curry (who they deemed too scary), John Cleese (not scary enough), and Christopher Lee (who turned the role down). Also in early contention: Roddy McDowell, Eddie Deezen, and Sting.

5. LLOYD WAS MORE TERRIFYING THANKS TO ONE SIMPLE TRICK.

Prompted by a suggestion from Zemeckis, Lloyd does not blink even once while onscreen in the film.

6. CHARLES FLEISCHER ACTUALLY DRESSED UP LIKE ROGER RABBIT WHEN PERFORMING HIS LINES.

Voice actor Charles Fleischer was so devoted to his role as the animated title character that he asked the costume department to create a full-body Roger Rabbit suit for him to wear on set. Fleischer delivered all of his lines from inside the suit, claiming that it helped both him and costar Hoskins immerse within the fantastical world of the film (even though Fleischer admits that Hoskins initially thought he was out of his mind).

7. THE “DIP” IS REAL.

Kathleen Turner and Bob Hoskins in 'Who Framed Roger Rabbit' (1988)
Walt Disney Studios

Who Framed Roger Rabbit subverts the old maxim about cartoon characters never dying by introducing the one thing that proves fatal to the lot: a liquid concoction known as “dip.” There is actually a bit of science behind this plot device. The ingredients of the dip are revealed to be turpentine, benzene, and acetone, which are all paint thinners commonly used to erase animation cells (in other words, wipe out cartoon characters).

8. THE FILM SENT BART SIMPSON TO STARDOM.

One of the film’s most chilling sequences sees Judge Doom exacting his wrath upon an anthropomorphic cartoon shoe. The character never speaks, but it squeaks and whimpers as the Judge lowers it into a vat of dip. Those cries were the work of relatively unknown voice actor Nancy Cartwright, who would rise to fame one year later as the voice of Bart Simpson.

9. EARLY DRAFTS OF THE SCRIPT WERE DARKER.

The screen adaptation of Gary K. Wolf’s 1981 novel Who Censored Roger Rabbit? underwent quite a few changes before it hit the big screen. Some drafts involved Jessica Rabbit and Baby Herman each turning out to be the story’s villain, Judge Doom revealing that he was the hunter who shot Bambi’s mother, and even Roger’s death.

10. ROGER AND EDDIE HAD FAMOUS STAND-INS FOR TEST SHOOTS.

At various stages in the film’s development, animators put together test reels for studio presentation. An early go at the project employed the vocal talents of Paul Reubens, better known as Pee-wee Herman, for a variation of Roger marked by neurotic stammering. Some time later, Richard Williams (who eventually became Who Framed Roger Rabbit’s animation director) treated Walt Disney Pictures to a taste of his talents via a scene uniting a more recognizable Roger with an appropriately cranky Eddie Valiant. Here, Eddie is played by future The Sopranos star Joe Pantoliano.

11. ROGER WAS MODELED AFTER BIG STARS.

In designing Roger Rabbit, Williams wanted to incorporate elements from classic animation. He has expressed that Roger is meant to embody the production caliber of Disney, the character design of Warner Bros.’ Looney Tunes, and the personality and sense of humor of animator Tex Avery. Furthermore, Roger’s anatomy and attire can be broken up by studio influence: His face is meant to resemble a Looney Tunes character’s and his torso a Disney hero’s, while his overalls are a nod to Goofy, his gloves to Mickey Mouse, and his bow tie to Porky Pig.

12. JESSICA WAS INSPIRED BY SOME A-LISTERS, TOO.

While Jessica Rabbit’s principal aesthetic inspiration was the titular heroine of Avery’s famous short “Red Hot Riding Hood,” she had a few human influences as well. Among them were Lauren Bacall, Rita Hayworth, and Veronica Lake.

13. THE FILM SPAWNED THE INDUSTRY TERM “BUMPING THE LAMP.”

For movie animators and special effects artists, the phrase “bumping the lamp” refers to the application of tremendous effort to a particular aesthetic feature that viewers will more than likely never even notice. The saying entered the lexicon thanks to a scene that involved Bob Hoskins’s character repeatedly bonking his head on a low-hanging ceiling lamp, causing it to swing around the room. Animators had to draw and redraw Roger Rabbit in a fashion that was consistent with the rapidly fluctuating illumination of the scene. While the team was well aware that absence of the effect wouldn’t bother most audiences, they were so devoted to their craft that they stuck with it. (You can watch the scene above.)

14. THE FILM FEATURES OVER 140 PREEXISTING ANIMATED CHARACTERS.

Who Framed Roger Rabbit is the only film to date to unite Disney mascot Mickey Mouse and Warner Bros. icon Bugs Bunny; the pair shares a scene in the latter half of the movie, merrily skydiving next to an airborne Bob Hoskins.

In addition to Mickey, Disney showcased 81 distinct characters, as well as 14 “groups” of characters (for instance, the titular sprites from the short “The Merry Dwarfs” or the anthropomorphic fauna from the short “Flowers and Trees”) in the movie. Meanwhile, Bugs was one of 19 Warner Bros. characters to get screen time. MGM, Paramount Pictures/Fleischer Studios, Universal Studios, 20th Century Fox, King Features Syndicate, and Al Capp’s cartoons all had characters make appearances as well.

15. THAT SAID, THERE WERE SUPPOSED TO BE MANY MORE CAMEOS.

Although Zemeckis and his crew managed to populate Who Framed Roger Rabbit with a vast array of recognizable characters, their original ambitions were even more sweeping. Contractual issues and time constraints kept characters like Popeye, Chip and Dale, Pepe Le Pew, Mighty Mouse, Tom and Jerry, Pedro from Saludos Amigos, Casper the Friendly Ghost, Witch Hazel, Heckle and Jeckle, several characters from Fantasia, and even Superman from the final cut.

21 Fun Facts About Elf

Warner Home Video
Warner Home Video

Everyone knows the best way to spread Christmas cheer is singing loud for all to hear! But the second best way is to enjoy Elf. Revel in the giddy glow of this modern holiday classic with a slew of secrets from behind the scenes.

1. Jim Carrey was initially eyed to play Buddy the elf.

When David Berenbaum's spec script first emerged in 1993, Carrey was pre-Ace Ventura: Pet Detective and attached to front the Christmas film. However, it took another 10 years to get the project in motion, at which time Saturday Night Live star Will Ferrell was signed to star. Carrey would go on to headline his own Christmas offerings—the live-action How The Grinch Stole Christmas and the CGI animated A Christmas Carol.

2. Will Ferrell worked as a mall Santa.


Warner Bros.

And his A Night at the Roxbury co-star Chris Kattan was his elf. This was back when the pair were pre-Saturday Night Live, and part of the comedy troupe The Groundlings. Ferrell recollected to Spliced Wire, "I have some experience playing Santa Claus … Chris Kattan was my elf at this outdoor mall in Pasadena for five weeks, passing out candy canes. It was hilarious because little kids could care less about the elf. They just come right to Santa Claus. So by the second weekend, Kattan had dropped the whole affectation he was doing and was like (Ferrell makes a face of bitter boredom), 'Santa's over there, kid.'"

3. Director Jon Favreau favored practical effects.

Inspired by the Christmas specials he grew up with, Favreau explained in the film's commentary track that he employed “old techniques” instead of CGI whenever possible. This included stop-motion animation, and using forced perspective to make Buddy look like a giant among his elf peers. For North Pole scenes, two sets were built—one larger scale for the actors playing elves, the other smaller to make Buddy and Santa look big. These elements where then carefully overlaid in camera, using lighting to blend the seams.

4. Snow was often computer-generated.


Warner Home Video

Some effects just couldn't be practical. These included the snowflakes that drift over the opening credits, and many of the snowballs in Buddy's pivotal fight scene. It's probably not much of a shocker that much of these were added in post, considering Buddy's perfect aim. But to further underscore the drama that is a snowball fight in frosty New York, Favreau asked composer John Debney to give this section a Western vibe that would recall The Magnificent Seven.

5. Elf's production design was heavily influenced by Rudolph The Red-Nosed Reindeer.

The classic stop-motion Christmas special from 1964 gave a memorable presentation of Santa's winter wonderland to which Favreau wanted to pay tribute. The elves' costumes in Elf were inspired by those worn by Hermey and his peers in the animated film. And Elf's workshops were modeled after the Rankin/Bass designs, as were the stop-motion animals of the area. The production did secure permission for these allusions, and was even granted the privilege of using the company's signature snowman.

6. There's a Christmas Story cameo.

Peter Billingsley, who memorably played the Red Ryder-wanting Ralphie in the 1983 holiday classic, popped in to play Ming the elf. It's an uncredited role, but between the glasses and those bright baby blue eyes, Billingsley stands out as an A Christmas Story Easter egg. This marks just one of many Billingsley and Favreau's collaborations. Billingsley has been a producer on several of Favreau's film and television projects.

7. Jon Favreau played multiple parts in Elf.

Jon Favreau directs Will Ferrell in 'Elf' (2003)
Alan Markfield, New Line Productions

As a writer/director/actor, Favreau has often appeared in his own films. He fronted Made with friend Vince Vaughn, and later found a sweet supporting role for himself in Iron Man. You may have picked him out as the doctor in Elf, but on the DVD commentary, Favreau revealed he also tapped in to his inner narwhal and provided the voices for some of the stop-animation critters who see Buddy off from the North Pole. He also voiced the rabid raccoon Buddy encounters.

8. Baby buddy was fired.

To play the bubbly baby version of the titular elf, Favreau had initially cast twin boys whose blonde curly hair made them great little doubles for the mop-topped Ferrell. However, the production ran into a problem when the boys couldn't perform. Instead of smiling and crawling as needed, they cried relentlessly. To replace them, brunette triplet girls were brought in, who were far perkier and more playful, and thereby ready for their close-ups.

9. Buddy was bullied in an early version.

In first drafts of Berenbaum's Elf script, Buddy's decision to seek out his dad was in part because he was being hassled by the actual elves for being different. Favreau pushed to take out this element. He preferred to keep the North Pole characters warm, even when Buddy bugs them. In the DVD commentary, Favreau offers, “It explained why Buddy was doing all these good things in New York if he grew up in a world where everybody was so sweet even when he’s obviously screwing everything up and doesn’t fit in at all.”

10. Elf hockey hit the cutting room floor.

Poor Buddy accidentally wreaks all kinds of havoc on his elf community because of his ungainly size. One such scene of his well-meaning mayhem featured Buddy playing hockey on a frozen pond. The friendly game becomes unintentionally violent when the too-big Buddy takes to the ice. Though it was shot, it ended up being chopped from the finished film.

11. Elf was shot on location in New York when it counted.

Like many productions, this one took advantage of the financial benefits of filming in Canada, and much of Elf was shot in sound stages in Vancouver. However, when Buddy comes to New York, it was important to Favreau to shoot on location whenever possible. This includes all the Manhattan exteriors, as well as scenes shot at Rockefeller Center, Central Park, and Central Park West, where Buddy's dad lives.

12. Some of Elf’s sets were built in a horror factory.

Okay, technically it was an abandoned mental hospital, where the production team constructed the interior sets for Walter's Central Park West apartment, Gimbels's lavish toy department, and that grim prison cell. The facility is called Riverview Hospital, and it has played host to a long list of film and television productions, including The X-Files, Final Destination 2, Jennifer's Body, and See No Evil 2.

13. Macy's stood in for Gimbels.

The sprawling department store that takes up a whole block in Manhattan was digitally altered to transform into Elf's Gimbels. A bit awkward: Gimbels was once a real department store, and a noted rival of Macy's. Though immortalized here and in the 1947 classic Miracle on 34th Street, the department store closed its doors in 1987, its 100th year of operation.

14. Will Ferrell broke James Caan.


Warner Home Video

The Academy Award-nominated star of The Godfather was hired to play Walter in part because Favreau wanted a stern persona to play against Ferrell's giddy Buddy, and Caan took the comedy of Elf seriously. He knew it was crucial for Walter to be annoyed—never amused—by his supposed son's antics. But when it came to the blood test scene where Buddy bellows when pricked by a needle, Caan cracked. Watch closely and you'll see he turns away from the camera so as not to ruin the take.

15. The studio didn't get a joke from the mailroom sequence.

This was the last set piece shot for Elf, and one that filmmakers were wavering on from its conception late in production. Grizzled Mark Acheson's casting as Buddy's drinking buddy concerned execs because of the line, "I'm 26 years old." The studio noted the actor does not look 26, to which Favreau—who had previously cast Acheson in a small role that had been cut before production—responded that this disconnect was part of the joke.

16. Will Ferrell went method with those jack-in-the-boxes.

In the scene where Buddy suffers as a toy tester, he's subjected to popping open an endless stream of menacing jack-in-the-boxes. The anxiety etched on Ferrell's face in these scenes is real. Rather than standard jack-in-the-boxes that would pop at the song's end, these were remote controlled by Favreau, who purposely manipulated their timing to toy with his star and get authentic reactions.

17. Will Ferrell frolicked all over New York City in character.

The final day of Elf's New York shooting was pared down from a massive crew to just three people: its star, its director, and one cameraman. Together, this trio traveled around the city, looking for mischief for Buddy to get into with random passersby turned background extras. This included him leapfrogging across a pedestrian walk, happily accepting flyers, and getting his shoes shined, all of which made it into the movie's cheerful montage.

18. That epic burp was real, but overdubbed.

Though uncredited, that lengthy belch came not from Ferrell, but from noted voice actor Maurice LaMarche, who might be best known for Brain of Pinky and the Brain. LaMarche shared his secret to such an impressive burp with The A.V. Club, saying, "I’ve always been able to do this weird effect, where I turn my tongue, not inside out, but almost. I create a huge echo chamber with my tongue and my cheeks, and by doing a deep, almost Tuvan rasp in my throat, and bouncing it around off this echo chamber, I create something that sounds very much like a sustained deep burp."

19. Elf made its star stick.

In the movie, Buddy is happy to gobble down an endless supply of sweets, including maple syrup-coated spaghetti and cotton balls made of cotton candy. But this sugary diet played havoc on Ferrell, who told About Entertainment, "That was tough. I ingested a lot of sugar in this movie and I didn't get a lot of sleep. I constantly stayed up. But anything for the movie, I'm there. If it takes eating a lot of maple syrup, then I will—if that's what the job calls for."

20. Will Ferrell refuses to make Elf 2.

Though the comedian reprised the role of Ron Burgundy for Anchorman 2: The Legend Continues and returned as Mugatu in Zoolander 2, he flat out rejected the possibility of bringing back Buddy, even after being offered a reported $29 million. In December of 2013, he told USA TODAY, "I just think it would look slightly pathetic if I tried to squeeze back in the elf tights: Buddy the middle-aged elf."

21. Elf became a hit Broadway musical.

From November 2010 to January 2011, Elf the musical ran on Broadway, boasting songs like "World's Greatest Dad," "Nobody Cares About Santa," and "The Story of Buddy The Elf." This run was a huge success, taking in more than $1.4 million in one week, a record for the Al Hirschfield Theater where it debuted. Plus, The New York Times called it, "A splashy, peppy, sugar-sprinkled holiday entertainment." A revival hit in time for Christmas 2012, and national tours have been recurring.

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