11 Debuts That Got Booed

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Getty Images

1. Charlie Sheen's Torpedo of Truth Tour

After Charlie Sheen's high-profile media meltdown that got him kicked off of Two and a Half Men, he capitalized on the attention and launched a 20-city live "comedy" tour. Nobody quite knew what to expect from the Torpedo of Truth tour, named after one of his many outrageous descriptions of himself. The event kicked off in Detroit and the crowd cheered when he entered flanked by his "goddesses," but soon it turned ugly. He joked about the city's history of crack cocaine, answered questions from the audience, and showed a short film he had written several years earlier. The crowd booed, chanted "refund," and had mostly filed out before the show ended. Sheen retooled the show for future dates to eventually focus on some of his outrageous Hollywood stories and pulled in comedian Jeff Ross to roast him in several more cities.

2. The Barber of Seville

It's believed that Gioachino Rossini wrote the music for his comic opera in less than three weeks, not out of the norm for a man known for cranking out two operas per year. Still, Rossini could not have been prepared for the opera's disastrous opening in Rome. During the show, one of the singers tripped over a loose board. Then a cat wandered onto the stage near the end of the first act, prompting laughter from the audience and overshadowing the performance. After the show closed to deafening boos on opening night, Rossini locked himself in his dressing room for the show's second performance the next day, and nearly missed the standing ovation from the more receptive crowd. Interestingly, the French play on which the opera was based, Le Barbier de Séville, was also booed on its opening night and was hastily rewritten.

3. Bob Dylan Going Electric

Bob Dylan had been known as a leader in the folk movement, but his 1965 album Bringing It All Back Home marked a shift by backing him with an electric band. He brought his new sound to the 1965 Newport Folk Festival to mixed results. Dylan opened his performance with Maggie's Farm and some in the crowd instantly started booing, which continued throughout most of the set. It's unclear if the crowd was really booing Dylan's electric transition: some think the crowd was upset with festival organizers for only giving Dylan 45 minutes, and others said it had to do with poor sound quality. (Pete Seeger said in his memoir that he was standing backstage during the set and wanted to cut the microphone cord because of all the distortion.) Dylan wouldn't return to the Newport festival until 2002.

4. The Rite of Spring

 Igor Stravinsky's ballet is now famous for its avant-garde structure, use of dissonance and unusual rhythms. But those features were far less appreciated during the ballet's debut in 1913. The audience famously began laughing just as the introduction started and continued as the dancers on stage performed unfamiliar, jerky moves. Some of the dancers even said it was difficult to hear the music on the stage, the audience was so loud. Theater managers even had to flash the house lights to suppress a possible riot. The controversial piece would eventually be recognized as a touchstone of 20th century music and even made its way into Disney's Fantasia.

5. 2009 Philadelphia Phillies

Coming off a World Series win in 2008—the city's first sports title in 25 years—the Phillies opened in front of a sellout crowd. Of course, being a sellout Philadelphia crowd, it naturally ended in booing (sound familiar, Santa Claus?). A lengthy ceremony honoring the championship win was marred when manager Charlie Manuel was stranded high on a platform in center field; the ladder had been removed. And the game only got worse from there: the Phillies failed to score a single run until the ninth inning, and starter Brett Myers gave up four runs on three homers to seal the loss and get the crowd jeering. The Phillies did eventually rebound, though, and made it to another World Series that season.

6. Lauryn Hill

As a 13-year-old, the future Grammy winner appeared on amateur night on It's Showtime at the Apollo. As she launched into Smokey Robinson's "Who's Loving You?," the normally raucous crowd almost immediately began to boo, and someone even shouted "Step up to the mike" to get her to project (check out the video here). Hill kept going and eventually won over the crowd. Just a few years later, Hill would go on to appear in Sister Act II and join the Fugees, launching a successful career. Hill is not alone in overcoming a tough Apollo crowd: Luther Vandross, James Brown, and Dave Chapelle were all once booed at the Harlem theater.

7. The Tree of Life

Terrence Malick's 2011 film stretched from the dawn of the universe to the end of the Earth (or the afterlife or something), all while being anchored in a story about a 1950s family led by Brad Pitt; it's tough to explain and even tougher to watch. And audiences reflected that at the film's debut at the Cannes Film Festival, where the screening was met with a mix of boos and cheers. The film got some critical appeal after its dicey reception, winning the Palme d'Or at that year's festival and scoring an Oscar nomination, but it continued to split audiences.

8. L'Avventura

There's actually a rich tradition of critics and the press booing films at Cannes. Sofia Coppola's Marie Antoinette, Vincent Gallo's The Brown Bunny, and Darren Aronofsky’s The Fountain were all jeered during initial screenings. Audiences were even so noisy at the end of Lars von Trier's 2009 film Antichrist that they booed straight through a credit paying tribute to late Russian filmmaker Andrei Tarkovsky. But one of the more famous negative reactions was to the 1960 Italian film L'Avventura, where heckling grew so loud that director Michelangelo Antonioni and star Monica Vitti fled the theater. A second screening was better received, and the film won a jury prize and is now regarded as a touchstone in film for its slow pacing and visual style.

9. The Seagull

 Anton Chekhov's seminal comedy is regarded as a touchstone of theater for its use of subtext and subtleties. Its premiere in St. Petersburg, however, was an unmitigated disaster. Lead actress Vera Komissarzhevskaya lost her voice and was mocked by the audience. The crowd booed the performance, and Chekhov himself even hid backstage for the final two acts. After the performance, Chekhov vowed to never write another play, although thankfully he broke that promise.

10. Eminem

Eminem may be one of the best-selling artists of all time, but his rap career almost ended before it started. In one of his first public performances at a Detroit club, he remembers being booed. In an interview, he said the experience was "f***ing traumatic, and I think I went home and I was like, man, I quit."

11. Bryce Harper

Even before he made his major league debut, Harper had appeared on the cover of Sports Illustrated (at age 17), won the Golden Spikes Award for the nation's best amateur baseball player, been the number one overall draft pick and had been hyped beyond belief. His reputation for brashness and showboating had also led many to form their opinion of him. And when the Washington Nationals called him up for his first game (against the Los Angeles Dodgers) on April 28 this year, the L.A. crowd let him know what it was: he was resoundingly booed before his first at bat (he would ground out) and even his first hit was marred by a fan mooning the camera. Harper ended up having a stellar rookie season and was even named to the All Star Game as a replacement player.

10 Products for a Better Night's Sleep

Amazon/Comfort Spaces
Amazon/Comfort Spaces

Getting a full eight hours of sleep can be tough these days. If you’re having trouble catching enough Zzzs, consider giving these highly rated and recommended products a try.

1. Everlasting Comfort Pure Memory Foam Knee Pillow; $25

Everlasting Comfort Knee Pillow
Everlasting Comfort/Amazon

For side sleepers, keeping the spine, hips, and legs aligned is key to a good night’s rest—and a pain-free morning after. Everlasting Comfort’s memory foam knee pillow is ergonomically designed to fit between the knees or thighs to ensure proper alignment. One simple but game-changing feature is the removable strap, which you can fasten around one leg; this keeps the pillow in place even as you roll at night, meaning you don’t have to wake up to adjust it (or pick it up from your floor). Reviewers call the pillow “life-changing” and “the best knee pillow I’ve found.” Plus, it comes with two pairs of ear plugs.

Buy it: Amazon

2. Letsfit White Noise Machine; $21

Letsfit White Noise Machine
Letsfit/Amazon

White noise machines: They’re not just for babies! This Letsfit model—which is rated 4.7 out of five with nearly 3500 reviews—has 14 potential sleep soundtracks, including three white noise tracks, to better block out everything from sirens to birds that chirp enthusiastically at dawn (although there’s also a birds track, if that’s your thing). It also has a timer function and a night light.

Buy it: Amazon

3. ECLIPSE Blackout Curtains; $16

Eclipse Black Out Curtains
Eclipse/Amazon

According to the National Sleep Foundation, too much light in a room when you’re trying to snooze is a recipe for sleep disaster. These understated polyester curtains from ECLIPSE block 99 percent of light and reduce noise—plus, they’ll help you save on energy costs. "Our neighbor leaves their backyard light on all night with what I can only guess is the same kind of bulb they use on a train headlight. It shines across their yard, through ours, straight at our bedroom window," one Amazon reviewer who purchased the curtains in black wrote. "These drapes block the light completely."

Buy it: Amazon

4. JALL Wake Up Light Sunrise Alarm Clock; $38

JALL Wake Up Light Sunrise Alarm Clock
JALL/Amazon

Being jarred awake by a blaring alarm clock can set the wrong mood for the rest of your day. Wake up in a more pleasant way with this clock, which gradually lights up between 10 percent and 100 percent in the 30 minutes before your alarm. You can choose between seven different colors and several natural sounds as well as a regular alarm beep, but why would you ever use that? “Since getting this clock my sleep has been much better,” one reviewer reported. “I wake up not feeling tired but refreshed.”

Buy it: Amazon

5. Philips SmartSleep Wake-Up Light; $200

Philips SmartSleep Wake-Up Light
Philips/Amazon

If you’re looking for an alarm clock with even more features, Philips’s SmartSleep Wake-Up Light is smartphone-enabled and equipped with an AmbiTrack sensor, which tracks things like bedroom temperature, humidity, and light levels, then gives recommendations for how you can get a better night’s rest.

Buy it: Amazon

6. Slumber Cloud Stratus Sheet Set; $159

Stratus sheets from Slumber Cloud.
Slumber Cloud

Being too hot or too cold can kill a good night’s sleep. The Good Housekeeping Institute rated these sheets—which are made with Outlast fibers engineered by NASA—as 2020’s best temperature-regulating sheets.

Buy it: SlumberCloud

7. Comfort Space Coolmax Sheet Set; $29-$40

Comfort Spaces Coolmax Sheets
Comfort Spaces/Amazon

If $159 sheets are out of your price range, the GHI recommends these sheets from Comfort Spaces, which are made with moisture-wicking Coolmax microfiber. Depending on the size you need, they range in price from $29 to $40.

Buy it: Amazon

8. Coop Home Goods Eden Memory Foam Pillow; $80

Coop Eden Pillow
Coop Home Goods/Amazon

This pillow—which has a 4.5-star rating on Amazon—is filled with memory foam scraps and microfiber, and comes with an extra half-pound of fill so you can add, or subtract, the amount in the pillow for ultimate comfort. As a bonus, the pillows are hypoallergenic, mite-resistant, and washable.

Buy it: Amazon

9. Baloo Weighted Blanket; $149-$169

Baloo Weighted Blanket
Baloo/Amazon

Though the science is still out on weighted blankets, some people swear by them. Wirecutter named this Baloo blanket the best, not in small part because, unlike many weighted blankets, it’s machine-washable and -dryable. It’s currently available in 12-pound ($149) twin size and 20-pound ($169) queen size. It’s rated 4.7 out of five stars on Amazon, with one reviewer reporting that “when it's spread out over you it just feels like a comfy, snuggly hug for your whole body … I've found it super relaxing for falling asleep the last few nights, and it looks nice on the end of the bed, too.” 

Buy it: Amazon 

10. Philips Smartsleep Snoring Relief Band; $200

Philips SmartSleep Snoring Relief Band
Philips/Amazon

Few things can disturb your slumber—and that of the ones you love—like loudly sawing logs. Philips’s Smartsleep Snoring Relief Band is designed for people who snore when they’re sleeping on their backs, and according to the company, 86 percent of people who used the band reported reduced snoring after a month. The device wraps around the torso and is equipped with a sensor that delivers vibrations if it detects you moving to sleep on your back; those vibrations stop when you roll onto your side. The next day, you can see how many hours you spent in bed, how many of those hours you spent on your back, and your response rate to the vibrations. The sensor has an algorithm that notes your response rate and tweaks the intensity of vibrations based on that. “This device works exactly as advertised,” one Amazon reviewer wrote. “I’d say it’s perfect.”

Buy it: Amazon

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The Maestro: 10 Facts About Ennio Morricone

Peter Tea via Flickr // CC BY-ND 2.0
Peter Tea via Flickr // CC BY-ND 2.0

Famed composer Ennio Morricone died on July 6, 2020 at the age of 91, leaving behind a body of work that eclipses the idea of “productivity” itself. It’s not just that Morricone composed thousands of hours of music for hundreds of movies. It’s that he managed to create so many original, indelible moments over and over again, in such a broad variety of genres for so long, without acquiescing to repetition or compromising his creativity. The last, best comfort to take in his absence is the thrilling—and rather intimidating—volume of music he left for us to revisit and, more likely, discover while celebrating his legacy in the days, weeks, months, and years ahead.

In spite of his seemingly constant presence in the film industry for more than 70 years, there are many details about Morricone's life and career that even longtime fans may not know. In honoring the man and the artist, we’ve collected a handful of facts and figures about the Oscar-winning composer and his vast, incredible, and unforgettable body of work.

1. Ennio Morricone made music for 85 of his 91 years.

Ennio Morricone was encouraged to develop his natural musical abilities at a young age—he created his first compositions at age 6. He was taught music by his father and learned several instruments, but gravitated toward the trumpet. When he was just 12 years old, Morricone enrolled in a four-year program at the prestigious National Academy of St. Cecilia in Rome, where he was born, and completed his studies within six months.

2. Ennio Morricone's career primarily focused on film, television, and radio compositions, but he also worked in popular music.

Morricone’s professional career began in 1950 as an arranger for jazz and pop artists. He helped compose hits for a diverse slate of stars including Nora Orlandi, Mina, Françoise Hardy, Mireille Mathieu, and Paul Anka, whose song “Ogni Volta” (“Every Time”) sold more than 3 million copies worldwide.

Morricone later worked with Pet Shop Boys, k.d. lang, Andrea Bocelli, and Sting. From 1964 to 1980, he was also part of Gruppo di Improvvisazione Consonanza (or “The Group”), an ensemble focused on avant-garde improvisations. Although it was reissued a few years ago, original copies of their 1970 album The Feed-back once fetched as much as $1000 on the collector’s market.

3. Ennio Morricone hit the ground running as a composer—and never slowed down.

Many of Morricone’s first efforts in the movies were as an orchestrator for more established composers, but he quickly joined their ranks. Between 1955 and 1964, when he created his breakthrough score for A Fistful of Dollars, he either orchestrated or composed (or both in some cases) some 28 film scores. During this time, he was already working with Michelangelo Antonioni (L’Avventura), Vittorio De Sica (The Last Judgment), Lucio Fulci (twice!), Lina Wertmüller (I basilischi), and Bernardo Bertolucci (Before the Revolution).

4. Ennio Morricone helped turn A Fistful of Dollars into a worldwide classic.

When Sergio Leone hired Morricone for his first Western, he’d already embarked on an iconoclastic journey, referencing Akira Kurosawa’s Yojimbo. Leone’s initial “concession” was to evoke Dimitri Tiomkin’s score for Howard Hawks’s Rio Bravo in its music. Morricone combined ideas from Tiomkin’s music with an arrangement of folk singer Peter Tevis’s cover of the Woody Guthrie song “Pastures of Plenty” to create what became the opening title theme. The music won the Silver Ribbon Award for Best Score from the Italian National Syndicate of Film Journalists and forged a longtime partnership between Morricone and Leone.

5. During their heyday, Sergio Leone and Ennio Morricone worked in a way that was virtually unprecedented outside of musicals.

The music in Leone’s films is at once one of their most distinctive features, and also one of their most inextricable. Later in his career, Morricone explained that he would often compose portions of the music for Leone’s films before shooting began, and then scenes were staged and shot to match the timing and rhythm of the composer’s music. “That’s why the films are so slow,” Morricone joked in 2007. His use of so many then-unconventional instruments, including electric guitars, the mouth harp, and sound effects like gunshots redefined the musical landscape of the genre, while Leone razed its traditional morality tales to explore darker, more complex stories.

6. A Fistful Of Dollars spawned a lifetime of awards.

Morricone won his only competitive Oscar just four years ago, and had previously received an honorary Oscar in 2007. But after that recognition from the Italian National Syndicate of Journalists, he racked up hundreds of nominations and awards from the Motion Picture Academy (five other nominations), the American Film Institute (four), the Hollywood Foreign Press Association (six nominations, three wins), the Grammys (five nominations and four awards including their Grammy Hall of Fame and Trustees Award), and the Los Angeles Film Critics Association (a Career Achievement award and a win for his score for Once Upon a Time in America). Somewhat predictably, much of the work he did in “genre” films, even the acclaimed “Spaghetti Westerns,” was marginalized at the time, but went on to be appropriately recognized and reevaluated for its impact and artistry.

7. Ennio Morricone was both a critical and a commercial success.

Morricone's work with Leone raised his profile as a formidable collaborator for filmmakers and gave him worldwide chart success. His score for The Good, The Bad and The Ugly sold more than 2 million copies, and the soundtrack to Once Upon A Time In The West, his fourth collaboration with Leone, sold approximately 10 million copies worldwide. It remains one of the top five best-selling instrumental scores in the world today. To date, Morricone has sold more than 70 million records worldwide.

8. Ennio Morricone’s partnership with Sergio Leone was exemplary, but he wasn’t the composer’s only frequent collaborator.

From A Fistful of Dollars to Once Upon a Time in America, Leone’s final film, he and Morricone always worked together. While working primarily in Italy, he often teamed up with Sergio Corbucci and Sergio Sollima, Pier Paolo Pasolini, Bernardo Bertolucci, and Dario Argento, among others. After being courted by Hollywood, Morricone began developing long-term partnerships with American and international filmmakers like Brian De Palma, Warren Beatty, Samuel Fuller, and Roland Joffe. By the late 1970s, he was working with John Boorman and Terrence Malick, and by the 1980s and ‘90s, he was regularly collaborating with John Carpenter, Barry Levinson, George Miller, and Pedro Almodóvar.

Beginning in 1988, Morricone began working with Giuseppe Tornatore on the Oscar-winning Italian film Cinema Paradiso, and subsequently worked on all of Tornatore's other films, including 2016’s The Correspondence and the director's commercials for Dolce & Gabbana.

9. Quentin Tarantino championed Ennio Morricone’s work even before the two of them ever worked together.

Quentin Tarantino’s films are always an exciting pastiche of past and present influences, and he has used cues from Morricone scores in many of his films, beginning with Kill Bill: Volume 1 and 2. Tarantino first hoped to work with the composer on Inglorious Basterds, but when the timing couldn’t be worked out, the filmmaker utilized eight older tracks by Morricone on the soundtrack.

Morricone composed the song “Ancora Qui” for Django Unchained, but it wasn’t until The Hateful Eight that he composed a full score for Tarantino, who still used archival tracks—namely, some unreleased cues from his score for John Carpenter’s The Thing—to expand the film’s musical backdrop. In 2016, Morricone won his first competitive Oscar for his work on Tarantino's film after being nominated six times over the course of nearly 40 years. Morricone also earned an Honorary Oscar in 2007 "For his magnificent and multifaceted contributions to the art of film music."

10. Morricone’s discography remains an embarrassment of riches—at least, whatever’s left of it.

Though the extent of the loss hasn’t been reported, Morricone’s was among the work reportedly destroyed in the 2008 fire on the Universal backlot where the company’s Music Group stored original recording and master tapes from some of the world’s best-selling artists. But Morricone recorded more than 400 film scores throughout his career and more than 100 classical pieces, not counting the thousands of pieces licensed for use. More and more of them have been restored and re-released digitally, on CD and vinyl. Meanwhile, his work continues to elicit as strong reactions from moviegoers as the images they were originally written to accompany.

Yo-Yo Ma released an album of performances of Morricone pieces in 2004 that sold more than 130,000 copies. His work tested and redefined the boundaries of film composition, what instruments could be used, and how music and imagery could work together to tell stories and generate powerful feelings. And each listen of those recordings, whether of transgressive experimentation, pointed drama, or lush sentimentality, honors Morricone's enormous talent and evokes his irreplaceable spirit.