Why Did Soap Operas Look Different From Other TV Shows?

0meer/iStock via Getty Images
0meer/iStock via Getty Images

Soap operas, "soaps" or "my stories," as many a grandmother has called them, are dramas presented in a serial format on daytime television or radio. Their name comes from a time when old serial dramas broadcast on radio had soap manufacturers (Procter & Gamble and Lever Brothers, to name a couple) as sponsors and/or producers. They also, you probably remember, looked really really crappy.

There are two main reasons for this lack of visual quality, both of which were rooted in the problem of soap operas' time slots and scheduling. Daytime TV shows generally don't pull in as much advertising revenue as evening programs, and many soap operas air daily instead of weekly, so low budgets, short production times and quick turnaround are the name of the game.

The Lighting Game

Soap opera lighting is a major reason the shows look the way they do.

Backlighting, part of the three-point lighting setup often used in television production, helps "lift" actors out of the background. This is especially useful for productions that are shot on a lower-quality medium and in small interior sets, which soaps often are. The problem is that shooting on videotape on a small set can reduce the subtlety of the lighting technique. Actors in the foreground often wind up very noticeably backlit, something that doesn't happen on shows with larger sets, or shows that are recorded on film.

Soaps and other lower-budget shows also look "off" because they're often evenly lit across the entire set to facilitate simultaneously shooting with more than one camera. This lighting/shooting method means the actors can move around and the lights don't have to be reset for every shot. This allows for fewer takes and costs less, but it also means more diffuse, less natural-looking lighting in the final product.

On Tape

The filming medium (that is, what the show is recorded on) and the way the show is shot make up the the other half of the equation. Soaps have often been shot on various types of videotape to keep costs down, and compared to prime time shows and big budget movies shot on film, they can look a little flat. Shooting with videotape also gives you a lower resolution, and to compensate, soaps have always made heavy use of close-ups.

Time and budgetary constraints and the multi-camera setup also require soaps to edit differently than prime time shows. Soaps usually use static cameras, since dollies would mean more opportunities for mistakes, more takes, and more cost. Angle shifts are usually accomplished by cutting from one camera to another and any movement tends to be simple zooming, which you're about as likely to see in a movie as you are to see sweeping pan shots and long-take tracking shots on daytime TV.

Of course, daytime soaps have taken a big hit in recent years, and only four of the classics—The Young and the Restless, The Bold and the Beautiful, General Hospital and Days of Our Livesremain on air. They all made the switch to broadcast in high definition, which was a costly upgrade, but one that greatly improved viewability. For a couple of years, All My Children and One Life to Live briefly found new life on Hulu, where they were also filmed and streamed in high definition. But old habits die hard, and the term "soap opera effect" still persists as a way to describe the glossy, overly polished look that shows or TV settings can take.

Has An Element Ever Been Removed From the Periodic Table?

lucadp/iStock via Getty Images
lucadp/iStock via Getty Images

Barry Gehm:

Yes, didymium, or Di. It was discovered by Carl Mosander in 1841, and he named it didymium from the Greek word didymos, meaning twin, because it was almost identical to lanthanum in its properties. In 1879, a French chemist showed that Mosander’s didymium contained samarium as well as an unknown element. In 1885, Carl von Weisbach showed that the unknown element was actually two elements, which he isolated and named praseodidymium and neodidymium (although the di syllable was soon dropped). Ironically, the twin turned out to be twins.

The term didymium filter is still used to refer to welding glasses colored with a mixture of neodymium and praseodymium oxides.

One might cite as other examples various claims to have created/discovered synthetic elements. Probably the best example of this would be masurium (element 43), which a team of German chemists claimed to have discovered in columbium (now known as niobium) ore in 1925. The claim was controversial and other workers could not replicate it, but some literature from the period does list it among the elements.

In 1936, Emilio Segrè and Carlo Perrier isolated element 43 from molybdenum foil that had been used in a cyclotron; they named it technetium. Even the longest-lived isotopes of technetium have a short half-life by geological standards (millions of years) and it has only ever been found naturally in minute traces as a product of spontaneous uranium fission. For this reason, the original claim of discovery (as masurium) is almost universally regarded as erroneous.

As far as I know, in none of these cases with synthetic elements has anyone actually produced a quantity of the element that one could see and weigh that later turned out not to be an element, in contrast to the case with didymium. (In the case of masurium, for instance, the only evidence of its existence was a faint x-ray signal at a specific wavelength.)

This post originally appeared on Quora. Click here to view.

Can You Ever Truly Lose Your Accent?

DGLimages, iStock via Getty Images
DGLimages, iStock via Getty Images

You may be able to pull off a Spanish accent when showing off your Antonio Banderas impression, but truly losing your native accent and replacing it with a new one is a lot harder to do. The way you speak now will likely stick with you for life.

According to Smithsonian, our accent develops as early as 6 months old—accents being the pronunciation conventions of a language shaped by factors like region, culture, and class. When a baby is learning the words for nap and dad and play, they're also learning how to pronounce the sounds in those words from the people around them. Newborn brains are wired to recognize and learn languages just from being exposed to them. By the time babies start talking, they know the "right" pronunciations to use for their native language or languages.

As you get older, your innate understanding of foreign accents and languages gets weaker. If you're an English speaker raised in Boston, you may think that the way someone from Dallas speaks English sounds "wrong" without being able to articulate what it is that makes them sound different. This is why pulling off a convincing foreign accent can be so difficult, even if you've heard it many times before.

Around age 18, your ability to learn a second language takes a steep nosedive. The same may be true with your ability to speak in a new accent. If you immerse yourself in a foreign environment for long enough, you may pick up some ticks of the local accent, but totally adopting a non-native accent without making a conscious effort to maintain it is unlikely as an adult.

There is one exception to this rule, and that's Foreign Accent Syndrome. Following a head injury or stroke, some people have reported suddenly speaking in accents they didn't grow up using. The syndrome is incredibly rare, with only 100 people around the world having been diagnosed with it, and medical experts aren't sure why brain injuries cause it. But while patients may be pronouncing their words differently, they aren't exactly using foreign accents in the way most people think of them; the culprit may be subtle changes to muscle movements in the jaw, tongue, lips, and larynx that change the way patients pronounce certain vowels.

[h/t Smithsonian]

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