Why Did Soap Operas Look Different From Other TV Shows?

0meer/iStock via Getty Images
0meer/iStock via Getty Images

Soap operas, "soaps" or "my stories," as many a grandmother has called them, are dramas presented in a serial format on daytime television or radio. Their name comes from a time when old serial dramas broadcast on radio had soap manufacturers (Procter & Gamble and Lever Brothers, to name a couple) as sponsors and/or producers. They also, you probably remember, looked really really crappy.

There are two main reasons for this lack of visual quality, both of which were rooted in the problem of soap operas' time slots and scheduling. Daytime TV shows generally don't pull in as much advertising revenue as evening programs, and many soap operas air daily instead of weekly, so low budgets, short production times and quick turnaround are the name of the game.

The Lighting Game

Soap opera lighting is a major reason the shows look the way they do.

Backlighting, part of the three-point lighting setup often used in television production, helps "lift" actors out of the background. This is especially useful for productions that are shot on a lower-quality medium and in small interior sets, which soaps often are. The problem is that shooting on videotape on a small set can reduce the subtlety of the lighting technique. Actors in the foreground often wind up very noticeably backlit, something that doesn't happen on shows with larger sets, or shows that are recorded on film.

Soaps and other lower-budget shows also look "off" because they're often evenly lit across the entire set to facilitate simultaneously shooting with more than one camera. This lighting/shooting method means the actors can move around and the lights don't have to be reset for every shot. This allows for fewer takes and costs less, but it also means more diffuse, less natural-looking lighting in the final product.

On Tape

The filming medium (that is, what the show is recorded on) and the way the show is shot make up the the other half of the equation. Soaps have often been shot on various types of videotape to keep costs down, and compared to prime time shows and big budget movies shot on film, they can look a little flat. Shooting with videotape also gives you a lower resolution, and to compensate, soaps have always made heavy use of close-ups.

Time and budgetary constraints and the multi-camera setup also require soaps to edit differently than prime time shows. Soaps usually use static cameras, since dollies would mean more opportunities for mistakes, more takes, and more cost. Angle shifts are usually accomplished by cutting from one camera to another and any movement tends to be simple zooming, which you're about as likely to see in a movie as you are to see sweeping pan shots and long-take tracking shots on daytime TV.

Of course, daytime soaps have taken a big hit in recent years, and only four of the classics—The Young and the Restless, The Bold and the Beautiful, General Hospital and Days of Our Livesremain on air. They all made the switch to broadcast in high definition, which was a costly upgrade, but one that greatly improved viewability. For a couple of years, All My Children and One Life to Live briefly found new life on Hulu, where they were also filmed and streamed in high definition. But old habits die hard, and the term "soap opera effect" still persists as a way to describe the glossy, overly polished look that shows or TV settings can take.

Learn Python From Home for Just $50

Andrea Piacquadio / Pexels.com
Andrea Piacquadio / Pexels.com

It's difficult to think of a hobby or job that doesn’t involve some element of coding in its execution. Are you an Instagram enthusiast? Coding and algorithms are what bring your friends' posts to your feed. Can’t get enough Mental Floss? Coding brings the entire site to life on your desktop and mobile screens. Even sorting through playlists on Spotify uses coding. If you're tired of playing catch-up with all the latest coding techniques and principles, the 2020 Python Programming Certification Bundle is on sale for $49.99 to teach you to code, challenge your brain, and boost your resume to get your dream job.

Basically, coding is how people speak to computers (cue your sci-fi vision of a chat with a creepy, sentient computer), and while it does sound a bit futuristic, the truth is that people are talking to computers every day through a program called Python. The 2020 Python Programming Training Certification Bundle will teach you how to build web applications, database applications, and web visualizations in the world’s most popular programming language.

Python is also the language computers are using to communicate back to programmers. You’ll learn how Jupyter Notebook, NumPy, and pandas can enhance data analysis and data visualization techniques with Matplotlib.

Think back to your creepy, sci-fi visual from earlier; was it some form of artificial intelligence? Contrary to what you may have seen in the movies, artificial intelligence is something you can learn to create yourself. In the Keras Bootcamp, you’ll learn how to create artificial neural networks and deep-learning structures with Google’s powerful Deep Learning framework.

Coding is associated with endless text, numbers, and symbols, but the work code is performing is hardly limited to copy. Dig deep into image processing and computer vision tasks with sessions in OpenCV. You’ll give yourself an extra edge when you can use Python for sifting through information and implement machine learning algorithms on image classification.

Explore coding education with the bundle’s 12 courses, spanning from beginner to advanced levels, to elevate your skillset from home. The 2020 Python Programming Certification Bundle is on sale for $49.99.

 

The Complete 2020 Python Programming Certification Bundle - $49.99

See Deal



At Mental Floss, we only write about the products we love and want to share with our readers, so all products are chosen independently by our editors. Mental Floss has affiliate relationships with certain retailers and may receive a percentage of any sale made from the links on this page. Prices and availability are accurate as of the time of publication.

Why Did Noon Used to Mean 3 p.m.?

3 p.m. is basically noon for people who wake up at 12 p.m.
3 p.m. is basically noon for people who wake up at 12 p.m.
Mckyartstudio/iStock via Getty Images

If you’re a late sleeper, you might find yourself thinking 12 p.m. seems way too early to be considered midday, and the word noon would much better describe, say, 3 p.m. It turns out that ancient Romans would have agreed with you, if only for etymological reasons.

As Reader’s Digest explains, the days in ancient Rome were split into four periods of three hours each. The first hour was at sunrise around 6 a.m.—called prime, for first—followed by 9 a.m. (terce, denoting the third hour), 12 p.m. (sext, for sixth), and 3 p.m. (none, for ninth).

According to Merriam-Webster, Middle and Old English borrowed the time-keeping tradition, along with the Latin word for ninth, which was changed to nōn and eventually noon. Though we’re not sure exactly when or why noon started referring to 12 p.m. instead of 3 p.m., it could have something to do with Christian prayer traditions. In the Bible, Jesus’s crucifixion is said to have taken place at the ninth hour, and that’s when worshippers partook in their second of three daily prayers; the others were in the morning and evening. It’s possible that hungry monks were behind noon’s gradual shift from 3 p.m. to 12 p.m.—since their daily fast didn’t end until after the midday prayer, they had a built-in motive for moving it earlier.

While we didn’t exactly stay true to the original Latin meaning of noon, there’s another important remnant of ancient Rome hiding in the way we tell time today. Romans referred to 12 p.m. as meridiem, for midday, and so do we. A.M. is an abbreviation for ante meridiem, or before midday, and P.M. means post meridiem, or after midday.

Have you got a Big Question you'd like us to answer? If so, let us know by emailing us at bigquestions@mentalfloss.com.