The 1876 International Exhibition of Arts, Manufactures, and Products of the Soil and Mine, which was more commonly known as the Centennial Exposition, was held in Philadelphia in honor of the 100th anniversary of the signing of the Declaration of Independence. From May through October, almost 10 million visitors, including repeat guests, wandered through the 249 temporary buildings and stayed in the temporary hotels constructed in and around Fairmount Park. These visitors were treated to more than 30,000 exhibits from all over the world, with each participating country determined to showcase its inventive clout. Here's a sampling of some of the more famous and bizarre items on display.
1. Corliss Steam Engine
The Corliss steam engine was assembled on a platform in the center of Machinery Hall, the main attraction inside the most popular building at the fair. After presiding over the opening ceremonies, President Ulysses S. Grant and his guest, Brazilian Emperor Dom Pedro, each pulled a lever to set the famed engine in motion. The impressive machine, which symbolized the United States' rise to industrial prominence, was nearly 50 feet tall and powered most of the machines within the 13-acre building.
2. The Telephone
While the Corliss steam engine initially attracted the largest crowds, Alexander Graham Bell's telephone would eventually become the talk of the fair. Bell, who hadn't planned to attend the event, gave the first public demonstration of his instrument on a sweltering afternoon in June, in front of an audience that included Emperor Pedro and Lord Kelvin. Bell picked up the transmitter and spoke into it. Standing 20 feet away, Empeor Pedro put the receiver up to his ear and famously remarked, "My God, it talks!" Lord Kelvin took the receiver and reportedly said, "It is the most wonderful thing I have seen in America."
3. Portable Bathtub
Ethelbert Watts, a Pennsylvania native who was cashier of the Centennial Board of Finance, introduced a portable bathtub made of rubberized cloth at the Exposition. The inspiration for Watts' invention was what he perceived as a lack of bathing services for travelers.
4. Typographic Machine
The typewriter on display at the Centennial Exposition wasn't nearly as popular with the judges or the public as Bell's telephone. It resembled a sewing machine and featured a QWERTY keyboard that produced only capital letters. The Remington No. 2, which was released in 1878, featured both upper- and lower-case letters on the same type bar. By 1893, Remington was producing typewriters in multiple languages.
5. Mechanical Calculator
George B. Grant, who holds four patents for calculators, displayed his barrel model difference machine in Philadelphia. The machine was 5 feet by 8 feet, weighed 2,000 pounds, and included 15,000 components. When hand-cranked, Grant's invention could calculate 10 to 12 terms per minute. When connected to a power source, its efficiency doubled. The machine received high praise from the judges, but by the 1880s, it was obsolete. Cheaper, more efficient, and—most importantly—smaller models hit the market.
6. Hires Root Beer
Charles Elmer Hires served free glasses of his recently perfected root beer from a booth at the exhibition, a refreshing treat for thirsty fairgoers. The average daily attendance at the fair was never greater than 34,000 between May and August, which was partly the result of a devastating heat wave. The average daily attendance in September and October spiked to roughly 80,000 and 100,000, respectively. Visitors to Hires' booth could purchase 25-cent packages of the dried roots, herbs, and bark that went into his root beer, along with three-ounce bottles of condensed extract. The following year, a local newspaper publisher convinced Hires to advertise his root beer and the rest was history.
For many visitors, the Philadelphia Exposition was their first opportunity to try an exotic yellow fruit. Bananas, which were still a novelty in the United States and were often served with a knife and fork, were wrapped in tinfoil and sold for 10 cents apiece.
Citing records provided by the aforementioned Centennial Board of Finance, which managed to do its job even while some of its members were busy inventing portable bathtubs, the Philadelphia Record reported that a vendor paid $3,000 for the right to sell popcorn at Fairmount Park. "This in its way is as remarkable as the concession to lager at $50,000, and to catalogues at $100,000," the reporter opined. "Considering the cheapness of the delicacy, think how many tons of pop-corn must be sold at the fair in order to justify the merchants in paying $3,000 for the privilege of selling it!" Buttered popcorn was indeed a big hit at the Centennial Exposition. Charles Cretors would display some of his patented popcorn machinery at the 1893 World's Fair in Chicago.
Kudzu was one of several ornamental plants exhibited in the Japanese pavilion. While the plant was first used in the United States after the Centennial Exposition as a decorative shade provider, it was later adopted for a much different purpose. When the Soil Erosion Service, which later became the Soil Conservation Service, was created as part of the New Deal, it began recommending kudzu as a means of erosion control. "What, short of a miracle, can you call this plant," Hugh H. Bennett, head of the SCS, remarked.
10. Lady Liberty's Arm and Torch
Frederic Auguste Bartholdi, who began constructing the Statue of Liberty in 1876, sent the completed arm and torch to Philadelphia for display beginning in August. The torch display was part of a fundraising effort to help pay for the base of the to-be-completed statue. Visitors paid 50 cents to climb a ladder to the balcony around the torch. After the Centennial Exposition closed, the torch was displayed in New York City's Madison Square Garden for several years.
Long before Disney World opened, General LeRoy Stone's monorail carried passengers around the fairgrounds at the Centennial Exposition. Stone's monorail ran more than 150 yards between Horticultural Hall and Agricultural Hall. The double-decker vehicle featured two main wheels and the rear wheel was powered by a rotary steam engine.
12. Iron Lifeboat
In its centennial look back at the Centennial Exposition, Popular Mechanics recalled the popularity of a lateen-rigged, noncapsizable iron lifeboat on display. "It boasted luxuries no one had ever seen before in a lifeboat—"˜covered accommodations for females and children, arrangements for water-saving, mail box, and required no lowering device.'"
PHOTO COLLAGE BY DAMON AMATO, MINUTE MEDIA. MOTORCYCLE/CAR/DIVINGBOARD, ISTOCK VIA GETTY IMAGES. PORTRAIT, MIDCO SPORTS MAGAZINE // YOUTUBE
Kitty O’Neil could do it all. A stuntwoman, drag racer, and diver, the legendary daredevil's skills were once described by the Chicago Tribune as “full and partial engulfment in fire; swimming; diving; water skiing; scuba diving; horse falls, jumps, drags, and transfers; high falls into an air bag or water; car rolls; cannon-fired car driving; motorcycle racing; speed, drag, sail, and power boat handling; fight routines; gymnastics; snow skiing; jet skiing; sky diving; ice skating; golf; tennis; track and field; 10-speed bike racing; and hang gliding.”
During her lifetime, O’Neil set 22 speed records on both the land and sea—including the women’s land speed record of 512 mph, which remains unmatched to this day. Through it all, she battled casual sexism and ableism, as she was often not only the lone woman in the room, but the lone deaf person on the drag strip or movie set.
"It Wasn't Scary Enough for Me"
O’Neil was born on March 24, 1946, in Corpus Christi, Texas. Her father, John, was an Air Force pilot and oil driller, while her mother, Patsy, was a homemaker. When she was just a few months old, O’Neil contracted mumps, measles, and smallpox, an onslaught of illness that damaged her nerves and caused her to lose her hearing. Patsy, who had packed her in ice during the worst of the fever, went back to school for speech pathology so she could teach her daughter how to read lips and form words. She placed the young girl’s hand on her throat as she spoke, allowing her to feel the vibrations of her vocal cords.
Feeling those sensations helped Kitty learn to talk, while the sensations associated with engines would teach her something else. At the age of 4, O’Neil convinced her father to let her ride atop the lawn mower in what would be a transformative experience. “I could feel the vibrations,” she told the Associated Press. “That’s what got me into racing. When I race, I feel the vibrations.”
But racing wasn’t her first thrill ride. As a teenager, O’Neil showed such an aptitude for diving that Patsy decided to move the family to Anaheim, California, where O’Neil could train with the two-time Olympic gold medalist Sammy Lee. She was on her way to the qualifying rounds for the 1964 Tokyo Olympics when she broke her wrist, eliminating her from consideration. Soon after, she contracted spinal meningitis. Her doctors worried she wouldn’t walk again.
She recovered, but found she was no longer interested in diving. “I gave it up because it wasn’t scary enough for me,” she told the Chicago Tribune.
Motorcycle racing proved to be a better adrenaline rush, so she began entering competitions along the West Coast. It was at one of those races that she met another speedster named Ronald “Duffy” Hambleton, who offered his assistance after O’Neil crashed her bike, severing two fingers. Once she had gotten stitched up, the pair began a professional and romantic relationship. O’Neil moved onto a 40-acre ranch in Fillmore, California, with Hambleton and his two children from a previous relationship.
Hambleton would act as O’Neil’s manager, often speaking to the press for her after stunts or record attempts. However, O’Neil later alleged that he stole money from her and physically abused her during their partnership. In 1988, a Star Tribune reporter would describe O’Neil’s scrapbooks as containing a photo of Hambleton with his face scratched out; she had also written “not true” in the margins of newspaper clippings touting his profound impact on her success.
The Need for Speed
O’Neil wanted to go fast and she didn’t care how. So she expanded her scope beyond motorcycles, setting a new women’s water skiing record in 1970 with a speed of 104.85 mph. Her national breakout arrived six years later, when she drove a skinny three-wheel rocket car into the Alvord Desert. The hydrogen peroxide-powered vehicle was dubbed “The Motivator,” and it was the work of William Fredrick, a designer who normally created cars for movie and TV stunts. When O’Neil got behind the wheel of The Motivator, she quickly smashed the women’s land speed record. Her average speed was 512 mph, over 1.5 times faster than the previous 321 mph record held by Lee Breedlove since 1965.
She believed she could beat the men’s record of 631.4 mph, too, which should’ve been great news for her entire team. Fredrick and his corporate sponsors were gunning for a new record, and O'Neil had already reportedly hit a maximum speed of 618 mph in her initial run. But before she could take The Motivator for a second spin, she was ordered out of the car.
As O’Neil would discover, she had only been contracted to beat the women’s record. Marvin Glass & Associates, the toy company that owned the rights to the vehicle, wanted Hollywood stuntman Hal Needham to break the men’s record. The company claimed it was purely a business decision, as they had a Needham action figure in the works. But according to Hambleton, the company reps had said it would be “unbecoming and degrading for a woman to set a land speed record.”
“It really hurts,” O’Neil told UPI reporters as she choked back tears. “I wanted to do it again. I had a good feeling.” She earned the immediate support of the men’s record holder, Gary Gabelich, who called the whole incident “ridiculous” and “kind of silly.” She and Hambleton tried to sue for her right to another attempt, but she wouldn’t get a second ride in The Motivator. Needham wouldn’t break the record, either, as a storm dampened his chances. Not that he was especially polite about it.
“Hell, you’re not talking about sports when you’re talking about land speed records,” he told the Chicago Tribune. “It doesn’t take any God-given talent … even a good, smart chimpanzee could probably do it. Probably better—because he wouldn’t be worried about dying.”
As the messy legal battle dragged on, O’Neil focused on her budding career in stunt work. According to The New York Times, she completed her first stunt in March of 1976, when she zipped up a flame-resistant Nomex suit and let someone set her on fire. For her second job, she rolled a car, which was practically a personal hobby. (She liked to tell people she rolled her mother’s car when she was 16, the day she got her driver’s license.) O’Neil eventually became Lynda Carter’s stunt double on Wonder Woman, where she famously leapt 127 feet off a hotel roof onto an air bag below. “If I hadn’t hit the center of the bag, I probably would have been killed,” she told The Washington Post in 1979.
Her work earned her a place in Stunts Unlimited, the selective trade group that had, until that point, only admitted men. O’Neil continued racking up credits with gigs on The Bionic Woman, Smokey and the Bandit II, and The Blues Brothers. Although few stunt doubles achieve name recognition, O’Neil was a media darling who inspired her own 1979 TV movie starring Stockard Channing and a Barbie in her trademark yellow jumpsuit.
A Pioneer's Legacy
But by 1982, feeling burned out after watching the toll the work had taken on colleagues, O'Neil decided she was finished. She retired from the business at the age of 36, packing up and leaving Los Angeles entirely. She wound up in Minneapolis and then in Eureka, South Dakota, a town with a population of fewer than 1000 people. She would live out the rest of her days there, eventually dying of pneumonia in 2018 at the age of 72.
O’Neil lived her life as a never-ending challenge—to go faster, jump higher, do better. She always said that her lack of hearing helped her concentrate, eliminating any fear she might’ve felt over the prospect of breaking the sound barrier, let alone self-immolation.
“When I was 18, I was told I couldn’t get a job because I was deaf,” she told a group of deaf students at the Holy Trinity School in Chicago. “But I said someday I’m going to be famous in sports, to show them I can do anything.”
O’Neil did exactly that. Over her the course of perilous career, she carved out a name for herself in a space that was often openly hostile towards her, setting records and making it impossible for anyone who doubted her to catch up.
Amy Madigan and Kevin Costner star as Annie and Ray Kinsella in Field of Dreams (1989).
If you have seen Field of Dreams, you likely have a strong opinion on it. While some are moved by its fantastical and heartfelt story of personal redemption, others dismiss it as maudlin and silly, or a "male weepie at its wussiest," as Richard Corliss of TIME Magazine once infamously put it. Either way you look at it, the Oscar-nominated movie—which made its debut on May 5, 1989—is still being talked about 30 years after its release.
1. Field of Dreams was based on a book called Shoeless Joe.
Field of Dreams writer-director Phil Alden Robinson had loved W.P. Kinsella's Shoeless Joe since the book was first published in 1982. Despite 20th Century Fox's repeated insistence through the years that the story wasn't commercial enough to be adapted into a movie, Robinson continued working on a script for it. Eventually Robinson and producers Lawrence and Charles Gordon sold the screenplay to Universal.
2. Shoeless Joe evolved from a short story.
Ray Liotta stars as Shoeless Joe Jackson in Field of Dreams (1989).
Before Shoeless Joe, there was “Shoeless Joe Jackson Comes to Iowa,” a 20-page short story that W.P. Kinsella penned for an anthology. When Larry Kessenich—an editor at Houghton Mifflin—read the synopsis, he contacted Kinsella and convinced him to turn the premise into a full-length novel. “I wrote back to say I would need guidance, as I had published four collections of short stories but had never written a publishable novel," Kinsella said.
3. It took W.P. Kinsella just nine months to write the book.
While Shoeless Joe may have been Kinsella's first novel, he finished it rather quickly. With Kessenich’s help, this new extended version of the story was completed in the span of nine months.
4. Phil Alden Robinson was upset that the studio wouldn’t let him use the title Shoeless Joe.
When Field of Dreams was first shown to test audiences, it was using the title Shoeless Joe. Audiences said it reminded them of a hobo. With trepidation, Robinson called Kinsella to tell him that the movie's name was being changed to Field of Dreams. Kinsella was ok with it, as one of his own ideas for his book's title was The Dream Field. It was apparently his publisher who pushed for Shoeless Joe.
5. A few characters from Shoeless Joe were omitted from the Field of Dreams script.
In the Shoeless Joe novel, we’re introduced Eddie “Kid” Scissions, the previous owner of Ray’s farm. An elderly Iowan, Scissons claims to be the “oldest living Chicago Cub,” but soon enough, Ray learns he never even suited up for the team. “It was a wonderful subplot,” Robinson said, “[but] we couldn’t find room for it.” Another character cut out of Robinson’s screenplay was Richard Kinsella, Ray’s identical twin brother.
6. In the book, J.D. Salinger was the author Ray Kinsella tries to kidnap.
W.P. Kinsella's real original title for his book was The Kidnapping of J.D. Salinger. Studio executives, however, were afraid that bad publicity from Salinger's threats to file a lawsuit would harm them, so the character of Terence Mann was created instead.
7. Ray Kinsella was named after a J.D. Salinger character.
W.P. Kinsella insists he didn't just put his own last name as Ray's and call it a day. Kinsella was a last name Salinger used in two stories: Richard Kinsella was an annoying classmate of Holden Caulfield in The Catcher In the Rye, and Ray Kinsella was a character in the short story A Young Girl in 1941 With No Waist at All. The idea was for a Salinger creation to appear in front of his creator and take him to a ballgame.
8. An outfield fence was considered, but never built, for Field of Dreams.
Here’s another difference between Kinsella’s novel and its Hollywood adaptation. “In the book, there’s a fence with a door in it that separates the ball field from the corn field, and we had done drawings of walls and fences” Robinson explained in a discussion with sportswriters Stephen C. Wood and J. David Pincus. “I asked, ‘Why would he build a fence?’ and then the corn became the wall.”
9. Kevin Costner wasn't initially considered for Field of Dreams because he had just starred in Bull Durham.
Tim Robbins and Kevin Costner face off in Bull Durham (1988).
Metro-Goldwyn-Mayer Studios Inc.
Kevin Costner was the first actor to come to Robinson's mind to play Ray, but he had just starred in Bull Durham, another baseball movie. A Universal executive got Costner to read the script anyway, and he decided to do it because he felt it would be akin to It's a Wonderful Life.
10. W.P. Kinsella and his wife almost appeared in Field of Dreams.
Kinsella and his wife were in the crowd for a scene of a PTA meeting, which was shot at a gymnasium in Farley, Iowa. “My wife and I were part of the audience at the PTA scene,” Kinsella later said. “We were trapped there for a full day of sweltering retakes, and we never appeared in the final cut.”
11. Ben Affleck and Matt Damon were extras in Field of Dreams.
Damon was 17 years old and Affleck turned 16 during the summer of 1988, when the film shot on location for the scenes in Fenway Park. More than a decade later Affleck would star in Robinson's The Sum of All Fears; on the first day of shooting, he reportedly told Robinson: "Nice working with you again."
12. There’s a Watergate Easter egg in Field of Dreams.
While walking through the streets of Chisholm, Minnesota, Ray spots a campaign poster for Richard Nixon in a storefront window. Guess what’s on display right behind it? An assortment of tape recorders. “I thought that was so clever, but in the film print you can’t actually see [the recorders],” Robinson said in 2013. However, they’re clear as day in digital editions of the movie.
13. The person who voiced "The Voice" that spoke to Ray in Field of Dreams remains a mystery.
For years it was rumored that the voiced belonged to Ray Liotta, who played Shoeless Joe Jackson. Kinsella wrote that he was told it was actually Ed Harris, Amy Madigan's husband (Madigan played Ray's wife, Annie).
"What’s funny is that a few people who thought they knew have revealed it and gotten it wrong," Robinson said in June 2019. "I’ll read people saying, ‘Well I happen to know that it’s so-and-so,’ and I’m like, ‘Oh no, it’s not!’ We’ll let that remain a secret. It’s a great mystery, and I like that.” The Voice is officially credited as being played by Himself.
14. A deleted scene from Field of Dreams sees Ray getting his hearing checked.
Before Ray starts obeying the mysterious voice that's speaking to him, he tries to find a logical explanation for it. “I … had a scene in which he goes to an ear doctor to have his hearing checked,” Robinson told Deadline. Ultimately, this footage wound up on the cutting room floor.
15. People regularly misquote Field of Dreams’s most famous line.
The actual quote is: "If you build it, he will come," not "If you build it, they will come." It's a common mistake. The line was ranked number 39 on AFI's 100 Greatest Movie Quotes of All Time.
16. The grass was painted green for Field of Dreams.
Filmed on an actual cornfield-turned-baseball diamond in Dyersville, Iowa, a season-long drought led to the need for some cosmetic touch-ups. The dying grass was coated with some green vegetable dye and latex turf paint.
17. James Earl Jones's wife told him his "people will come" speech would never make the final cut.
It was James Earl Jones's wife who convinced him to accept the role of Terence Mann in the first place, though she warned him that the "long speech about baseball will never be in the film, it'll be on the cutting-room floor."
18. James Earl Jones reunited with a former Broadway co-star while shooting Field of Dreams.
Back in 1958, Jones made his Broadway debut in a stage production of Sunrise at Campobello. One of his castmates in that show was Anne Seymour, who portrays the Chisolm newspaperwoman in Field of Dreams. This was to be her last role, as she died shortly before the movie’s release. “It was nice to have that moment with Anne,” Jones told the Des Moines Register in 2019.
19. Moonlight Graham is a real person.
Kinsella used Archibald Moonlight Graham's real life story for his book, with the exception that the real Graham's lone major league game took place on June 1905, not on the last day of the 1922 season like Burt Lancaster's character in the film. The author found Graham's name in a baseball encyclopedia he received as a Christmas gift and decided the name was better than anything he could ever come up with on his own. In real life, Graham became the beloved town doctor of Chisholm, Minnesota after answering a newspaper ad.
20. Moonlight Graham’s on-screen uniform in Field of Dreams is a little anachronistic.
Late in the film, a young Graham takes the field in an orange and black New York Giants jersey. This isn’t quite period-accurate: The Giants didn’t start wearing those uniform colors until 1933—long after Graham’s MLB career wrapped up.
21. Jimmy Stewart was the first choice to play Moonlight Graham in Field of Dreams.
Jimmy Stewart in Alfred Hitchock's Rear Window (1954).
Universal Pictures Home Entertainment
Jimmy Stewart passed on the role. Burt Lancaster himself initially didn't "get it," but a friend convinced by him to take the part. In Roger Ebert's four-star review of the movie, he said Field of Dreams was "the kind of movie Frank Capra might have directed and James Stewart might have starred in."
22. Field of Dreams quotes Moonlight Graham’s actual obituary.
When the real Graham died in 1965, Veda Ponikvar—the founder of the Chisolm Free Press and Tribune—wrote a stirring tribute. “There were times when children could not afford eyeglasses or milk or clothing,” noted Ponikvar at the time. “Yet no child was ever denied these essentials because in the background there was always Dr. Graham. Without any fanfare or publicity, the glasses or the milk or the tickets to the ballgame found their way into the child’s pocket.” In Field of Dreams, Anne Seymour recites those lines word-for-word.
23. Field of Dreams was Burt Lancaster's last film to play in theaters.
Oscar-winning actor Burt Lancaster was 74 years old during the filming of Field of Dreams. After a couple of TV movie jobs, Lancaster retired from acting. He passed away in 1994.
24. Field of Dreams was Gaby Hoffmann's first movie.
Kevin Costner, Gaby Hoffmann, and Burt Lancaster in Field of Dreams (1989).
Gaby Hoffmann, the daughter of Andy Warhol superstar Viva Auder Hoffmann and soap actor Anthony Herrera, played Ray's daughter Karin at age six. More recently, you may have seen her in Transparent or Girls.
25. The filming schedule for Field of Dreams was based on the height of the corn.
The corn had to be Kevin Costner's height (he's listed as 6'1") or taller when the voice first spoke to him. With a thumbs up from the state of Iowa, filmmakers dammed a nearby creek to make sure the corn had enough water. It worked almost too well; when Costner first hears "If you build it, he will come," he had to walk onto a foot-high platform. Just in case the creek damming failed, fake corn was on standby to be shipped in from Asia.
26. Field of Dreams’s corn-based schedule upset the powers-that-be on another Kevin Costner movie.
Production on Tony Scott's Revenge was repeatedly postponed while Costner and the cast and crew of Field of Dreams were working with the vegetation. A producer threatened to sue the actor, until it was agreed that Costner would start work on Revengetwo days after Field of Dreams wrapped.Revengeended up making less than $16 million at the box office, while Field of Dreams raked in more than $64 million.
27. Field of Dreams’s composer James Horner was moved to tears by a rough cut of the film.
Before composer James Horner, the musical maestro behindTitanic and Braveheart, agreed to score Field of Dreams, Robinson gave him a private test-screening. “He came to look at it at an early stage,” Robinson said on a DVD bonus feature. “We showed him the film and when the lights came up, he got up and left the room.” At first, Robinson was crestfallen, thinking Horner must’ve hated the film. But a few moments later, the Oscar-winning composer—who passed away in 2015—came back “very teary-eyed” and agreed to take the job.
28. Field of Dreams star Ray Liotta has never seen the movie.
Though Ray Liotta has been told that Field of Dreams is a great movie, he has yet to see it for himself. Liotta's mother was ill while they were filming the movie, which he mentally associates with the movie.
29. Ray Liotta thought the Field of Dreams script was "silly."
Frank Whaley and Ray Liotta in Field of Dreams (1989).
It was only after the actor read the script a couple more times and read the book Shoeless Joe that it made more sense to him.
30. Former USC baseball coach Rod Dedeaux was a consultant on Field of Dreams.
The USC Trojans men’s baseball team claimed 11 national championships under Dedaux, who passed away in 2006. While Field of Dreams was in production, he and Don Buford (a major league veteran) helped the actors refine their playing skills. Some of them didn’t need much assistance: According to ESPN’s Jeff Merron, Dedeaux thought Costner “would’ve been good enough to play at USC.”
31. Ray Liotta couldn't hit left-handed well enough for Field of Dreams.
Shoeless Joe Jackson hit lefty and threw righty, but in the movie Liotta plays him as a right-handed batter. Liotta trained with professional baseball coaches for one month to hit left-handed like his character, but it wasn't good enough for the director Robinson. Liotta claimed Robinson said it was okay if the batting wasn't historically accurate, though to this day the actor regrets not finding a way to make it work.
32. Shoeless Joe Jackson and Ty Cobb were on friendly terms in real life.
Despite being one of the first inductees to the National Baseball Hall of Fame, Detroit Tigers legend Tyrus “Ty” Cobb never shows up at Ray’s magical park. “None of us could stand the son of a bitch when we were alive, so we told him to stick it,” Shoeless Joe says in the film. Yet the two players actually liked each other. Once, after they had both retired, Cobb told Shoeless Joe, “I’ll tell you how well I remember you … Whenever I thought I was a good hitter, I’d stop and take a good look at you. Then I knew I could stand some improvement.” By all accounts, Jackson was visibly touched.
33. W.P. Kinsella described watching Field of Dreams get made as “colossal boredom.”
Amy Madigan and Kevin Costner in Field of Dreams (1989).
"Colossal boredom" was how Kinsella described Iowa in the summer of 1988. The author said his daughter had more fun, because she was involved in "a little romance" with Liotta.
34. W.P. Kinsella gave Field of Dreams four out of five stars.
It lost a potentially perfect rating because Kinsella didn't think Timothy Busfield's Mark was villainous enough, nor that Gaby Hoffmann looked like Ray and Annie's child.
35. A few months before he retired, Vin Scully read Terrence Mann’s iconic speech from Field of Dreams.
Scully started calling Brooklyn Dodgers games in 1950. For the next 67 years, the broadcaster stayed with the club, covering its relocation to Los Angeles, all six of the franchise’s World Series championships to date, and almost 10,000 games overall. On May 26, 2016—during his last season in the announcer’s booth—Scully tugged at fans’ heartstrings by reciting the classic “People will come” monologue from Field of Dreams in a viral MLB video.
36. In order to make the final scene in Field of Dreams work, the citizens of Dyersville, Iowa agreed to a town-wide blackout.
In order to film the movie's final scene, 3000 Iowa residents in 1500 cars agreed to take part. There was a forced blackout in the town of Dyersville, Iowa, which included other baseball games and the local train. The director's instructions were broadcast on a local radio station. One was for the drivers to flash their high beams off and on as they drove to make it look as if there was more movement than there actually was.
37. Dwier Brown, who played Kevin Costner’s father in Field of Dreams, worried he would drop the ball during their seminal game of catch.
The scene in which Ray plays catch with his father had to be shot during magic hour, 15 minutes after sunset, which gave little room for error for actor Dwier Brown, who was working with a rock-hard, vintage catcher's mitt. He is proud of the fact that he never dropped it.
38. Dwier Brown shot Field of Dreams right after his own father's funeral.
He got back in time to play catch with Costner. It helped him access the necessary emotions.
39. To celebrate Field of Dreams’s 25th anniversary, Kevin Costner and his sons played catch at the now-iconic field.
Costner tossed a ball around with his sons Hayes and Cayden on June 13, 2014. (At the times, the boys were ages 5 and 7, respectively.) This was part of a three-day festival which included an on-site screening of the film, a Q&A panel hosted by Bob Costas, and a concert featuring Costner’s own band, Modern West.
40. The owner of the farm featured in Field of Dreams proposed to his wife on the baseball field.
Don Lansing met his wife Becky on New Year's Eve 1995 when she made a pilgrimage to visit the baseball field from Field of Dreams. When he proposed marriage, he did so on first base.
41. The field still attracts approximately 100,000 visitors per year.
When Don and Becky Lansing put the property up for sale in 2010, it was purchased by Go the Distance Baseball, an organization that made the property even more accessible to visitors and fans of the movie with a regular roster of special events. Today, 30 years after the movie's original release, an estimated 100,000 people make the trek to visit the baseball field each year.
42. You can rent the Field of Dreams farmhouse—and baseball field.
James Earl Jones and Kevin Costner in Field of Dreams (1989).
In 2018, Go the Distance Baseball partnered with Booking.com to make spending the night in the farmhouse featured in Field of Dreams a reality. Guests can book stays of one night or longer. And while they'll have to share the field with the tourists during the hours it's open to the public, you're welcome to have your own private picnic in centerfield once the crowds clear out.
43. The White Sox and Yankees will play one regular-season game near the “Field of Dreams” site in 2020.
Scheduled for August 13, 2020, this’ll be the first Major League Baseball game ever played in Iowa. For the big event, a temporary 8,000-seat stadium will go up next to the park where Field of Dreams was shot. The White Sox have been designated as the “home” team.