CLOSE
Shutterstock
Shutterstock

11 Insane Features of Normal Human Anatomy

Shutterstock
Shutterstock

Sure, we’ve wowed you with medical oddities, but why should abnormal bodies get all the attention? The truth about the normal human body can be stranger than fiction. To prove it, here are 11 weird facts about the body you thought you knew.

1. Your Tongue

What does your tongue have in common with an octopus’ tentacle and an elephant’s trunk? All three are examples of a unique structure called the “muscular hydrostat,” a bundle of muscles that work without the assistance of bones. Like anything made mostly of water, the hydrostat has a constant volume, so when certain cells contract, the whole thing has to expand somewhere else. The result is a body part that is both strong and flexible. If your tongue were as big as an elephant’s trunk, it could uproot trees too.

2. Your Hyoid Bone

This wee, horseshoe-shaped bone will never appear in the song by James Weldon Johnson, as it’s connected to...no bones at all, in a meaningful sense; its job is independent of the rest of the skeleton. Also known as the lingual bone, the hyoid bone sits atop the larynx, providing an anchor for the muscles on the floor of the mouth, the tongue. Don’t worry: you’re not likely to break this bone, unless someone starts choking you to death. At that point, you’ve got bigger problems.

3. Your Philtrum

No, that little indent under your nose isn’t there to make it difficult to apply lipstick in the dark, but it doesn’t serve any other purpose either. The indent, called the philtrum, is just a residual reminder of your time in the womb: in utero, the two sides of your face develop independent of one another, then join at the middle. When the two sides fail to fuse properly, the result is a cleft palate, which occurs in about 1 of every 750 births. Ancient Romans found the philtrum erotic, and named that lipstick-thwarting dip in the upper lip “Cupid’s Bow.” In fact, the word philtrum comes from a Greek term meaning “love potion.”

4. Your Hair

People love tossing around hair facts. That old wives tale about it growing after you’re dead? A fun fallacy. After you die, your hair and nails don’t continue growing, but the skin retreats as it dehydrates, causing that creepy illusion of ghoulish growth.

In truth, hair is a weird combination of living and dead. The living hair follicle pushes out the hair, which is made up of different kinds of non-living yet protective cells made of keratin — the same keratin that's on your top (dead) layer of skin, and in your nails. When your hair turns grey, it means your pigment cells are dying. Yet another hairy reminder of your own mortality.

5. Your Nails

Ever notice how your toenails grow more slowly than your fingernails? That’s because there’s an evolutionary correlation between the length of your “terminal phalanges” (the outer-most bones in your toes and finger-tips) and the rate at which your nails grow. The tips of your toes are shorter than your fingertips, so your toenails don't grow as fast. In the same way, the nail on your middle finger will grow faster than the nail on your pinky. The seemingly random correlation has to do with the lessening necessity of claws through human evolution. If your fingernails are thick and grow quickly, ask yourself the question: “Should I be digging more?”

6. Your Bioluminescence

Fireflies and jellyfish glow, but humans? Believe it. The phenomenon is a natural byproduct of the metabolic process, and scientists have long been aware of the presence of bioluminescence in most living creatures. But it wasn’t until 2009, when a team of Japanese researchers developed a camera 1000 times more sensitive than the human eye, that human bioluminescence was captured on film. The light show apparently works on a 24-hour cycle — brightest in the late afternoon and on the cheeks, forehead and neck. Next time someone tells you “you’re glowing,” you can take it literally.

7. Your Walking Proteins

Of the microscopic menagerie that is your cell biology, the most bizarre member is perhaps the kinesin protein, a “motor” protein whose job it is to deliver important molecules to their necessary cellular destinations. What’s most remarkable is the kinesin’s mode of transportation: It “walks” along its micro-pathway using two structures at its base commonly referred to as “feet.” Though scientists disagree as to exactly how these feet were “made for walking,” there’s no denying that the mode of transportation closely resembles that of the humans they assist.

8. Your Sonic Hedgehog

What’s more complex than cell biology? Cell biology in your infinitely complex brain. In 1993, scientists discovered a protein in the hippocampus instrumental in developing a variety of neural traits. Isolated in fruit flies, the protein causes spines to grow on the back, so the scientists named it “Sonic” after the spiny Sega Genesis character. Similar proteins are named desert hedgehog and Indian hedgehog. Who says scientists don’t have fun?

9. Your Liver

The lumpy, lobey, unwieldy liver gets a bad rap, but if you didn’t have it in there cleaning out your system, you’d be looking pretty bad yourself. Lucky for you, the liver is perhaps the most resilient of the major organs: it can regenerate from only 25% of its tissue mass. You wouldn’t vote it the cutest kid in school, but “Most Likely to Succeed”? Maybe.

10. Your Vomeronasal Organ

There are important organs, and there are ones just along for the ride. As far as useless leftover body parts, you’ve probably heard about the tailbone, the appendix, even the little toe (wee wee wee all the way home). But you may not have heard of the “vomeronasal organ,” located unglamorously inside the nose.

Back in the day, the little guy used to aid in detecting subtle airborne information, most importantly, pheromones from a member of the opposite sex. In the age of modern man, the vomeronasal organ doesn’t appear to be doing much -- it doesn’t even have nerves connecting it to the brain. Still, scientists continue to argue about the potential chemical messages it might be sending, titillating that part of us that is still animal.

11. Your Sexy Bits

And speaking of pheromones and vestigial organs...

Men and women have more in common “down there” than you might think. Because the sex organs of a fetus don’t develop until about five months into development, males and females have remnants of the opposite sexual organs — and some are more useful than others. While the penis is basically an enlarged version of a lady’s clitoris, the male remnant of the lower vagina is less useful. Called the prostatic utricle (Latin for “pouch of the prostate”), the little-discussed fleshy sac just kind of hangs out near the prostate gland, leading nowhere. In the 1800s, the structure was more commonly called the vagina masculina, which requires no translation.

nextArticle.image_alt|e
Miramax
arrow
entertainment
11 Single Facts About Bridget Jones’s Diary
Miramax
Miramax

While it's not officially a holiday movie, so much of the action in Bridget Jones's Diary happens around the most wonderful time of the year that the rom-com has become essential wintertime viewing for many movie fans. Based on Helen Fielding’s novel of the same name, it tells the story of a very single, and hopelessly romantic, working professional named Bridget (Renée Zellweger) who is determined to improve her love life. Enter two strapping gentlemen (Colin Firth and Hugh Grant) to vie for her heart. Get to know more about the timeless dramedy that’s been delighting audiences since 2001. Just as it is.

1. THE SOURCE NOVEL CAME ABOUT FROM AN ANONYMOUS COLUMN ABOUT SINGLE LIFE.

In the foreword of Bridget Jones’s Diary, author Helen Fielding wrote about how she came to conjure up the story: “The Independent asked me to write a column, as myself, about single life in London. Much as I needed the money, the idea of writing about myself in that way seemed hopelessly embarrassing and revealing. I offered to write an anonymous column instead, using an exaggerated, comic, fictional character. I assumed no one would read it, and it would be dropped after six weeks for being too silly.”

2. SEVERAL CHARACTERS ARE BASED ON PEOPLE IN HELEN FIELDING’S LIFE.


Miramax

These include Jude (Tracey MacLeod) and Shazzer (Sharon Maguire, also the film’s director). In a column for the Evening Standard, MacLeod described how she didn’t even realize she inspired part of her best friend’s story until Fielding’s book launch party. “At the launch party for the first Bridget book, I was cornered by a smug married friend, ‘So ... what's it like being Jude?’ she asked,” MacLeod writes. “I was outraged. Of course I wasn't Jude, with her self-help books and horrible boyfriend. My boyfriend wasn't anything like Vile Richard ... But as more people began to believe that Jude and Shazzer were thinly-veiled portraits of myself and Sharon, I secretly got to like the idea.”

3. TONI COLLETTE DECLINED THE LEAD, AND KATE WINSLET WAS CONSIDERED FOR IT.

Before Zellweger stole the show, Aussie Toni Collette and Brit Kate Winslet were up for the part. According to AMC, “Toni Collette declined the role because she was on Broadway starring in The Wild Party at the time, and Kate Winslet was considered but the producers decided she was too young.”

4. HUGH GRANT ONLY SIGNED ON WHEN RICHARD CURTIS WAS ANNOUNCED AS THE WRITER. 


Miramax

“The only reason [I was a hard sell] was because I didn't feel they had the script quite right for a long time,” Firth told Cinema.com. “And I kept saying, ‘It's not working. Just get Richard Curtis to come in and help rewrite it.’ Eventually they did, and as soon as Richard came on board, I signed on the dotted line. So that's all it was.”

5. RENÉE ZELLWEGER GAINED 17 POUNDS FOR THE PART.

Zellweger’s weight gain for the role had the media abuzz for a while. According to The Guardian, “In order to play the eponymous heroine in the film adaptation of Fielding's bestseller, the actress gained 17 pounds, consulting a dietitian and endocrinologist who devised a regime of three full meals a day, multiple snacks, and no exercise.”

6. ZELLWEGER WORKED AT PICADOR FOR THREE WEEKS.

Zellweger went full Method for her iconic role, and became a temporary employee of the Picador publishing house. “We came up with a plan: she would be Bridget Cavendish, Bridget for obvious reasons and Cavendish as she was to be passed off as the sister of Jonathan Cavendish, a friend of one of our company chairmen,” Picador publicist Camilla Elworthy told The Guardian. “That last bit at least is true, and no one was to know that Jonathan Cavendish was one of the film's producers.”

7. ZELLWEGER KEPT A PHOTO OF JIM CARREY ON HER DESK.


Miramax

While working at Picador, Zellweger kept a picture of Jim Carrey on her desk—which made her alter ego Bridget Cavendish seem like some sort of obsessed fan. “Under the name Bridget Cavendish, she answered phones, served coffee, and made photocopies—without being recognized by any of her co-workers, who offered career advice and wondered privately why she kept a photo of Jim Carrey (her then-boyfriend) on her desk,” noted Hollywood.com.

8. ZELLWEGER INVITED HER BOSS AT PICADOR TO BE AN EXTRA ON SET.

In Camilla Elworthy’s write-up for The Guardian, she noted how she became a part of the production. “Renée sent me a thank you letter and gift after she'd gone and I have seen her a few times since then," Elworthy wrote. "She invited me on to the film set one day. She informed me that I had to stick around and be an extra and made sure that I was put somewhere that I would be seen ... As a result, half my head can be seen for half a nano-second in the launch party scene.”

9. THE EPIC FIGHT SCENE BETWEEN GRANT AND COLIN FIRTH WASN’T CHOREOGRAPHED.

You can thank the two actors for the hilarity of the iconic scene. In a Vulture article about the greatest fight scenes in movie history, writer Denise Martin recalled the improvised spar, writing, “No stunt coordinators. No elaborate choreography. Just a perfectly realized wimp brawl between two upper-middle-class Englishmen coming to awkward fisticuffs in front of a Greek restaurant.”

10. FIELDING ASKED FRIEND SALMAN RUSHDIE TO CAMEO IN THE FILM.

Recalling how he came to be part of the film, famed novelist Salman Rushdie told Texas Monthly, “Helen Fielding, the author of the book, is an old pal of mine, and she asked if I’d come along and make a fool of myself, and I said, ‘Why not?’”

11. GRANT DIDN’T HEAR ZELLWEGER SPEAK IN HER AMERICAN ACCENT UNTIL THE FILM’S WRAP PARTY.

Zellweger was so engrossed with Bridget Jones that one of her leading love interests didn’t meet the real actress until the end of the shoot. “Not once did she stop speaking with that accent, until the wrap party,” Grant told Cinema.com, “when suddenly this weird ... Texan appeared. I wanted to call security, I didn't know who the f*ck she was!”

nextArticle.image_alt|e
Universal Home Video
arrow
entertainment
15 Surprising Facts About Scarface
Universal Home Video
Universal Home Video

Say hello to our little list. Here are a few facts to break out at your next screening of Scarface, Brian De Palma’s gangsters-and-cocaine classic, which arrived in theaters on this day in 1983.

1. IT WASN'T THE FIRST SCARFACE.

Brian De Palma's Scarface is a loose remake of the 1932 movie of the same name, which is also about the rise and fall of an American immigrant gangster. The producer of the 1983 version, Martin Bregman, saw the original on late night TV and thought the idea could be modernized—though it still pays respect to the original film. De Palma's flick is dedicated to the original film’s director, Howard Hawks, and screenwriter, Ben Hecht.

2. IT COULD HAVE BEEN A SIDNEY LUMET FILM.

At one point in the film's production, Sidney Lumet—the socially conscious director of such classics as Dog Day Afternoon and 12 Angry Men—was brought on as its director. "Sidney Lumet came up with the idea of what's happening today in Miami, and it inspired Bregman," Pacino told Empire Magazine. "He and Oliver Stone got together and produced a script that had a lot of energy and was very well written. Oliver Stone was writing about stuff that was touching on things that were going on in the world, he was in touch with that energy and that rage and that underbelly."

3. OLIVER STONE WASN'T INTERESTED IN WRITING THE SCRIPT, UNTIL LUMET GOT INVOLVED.


Universal Home Video

Producer Bregman offered relative newcomer Oliver Stone a chance to overhaul the screenplay, but Stone—who was still reeling from the box office disappointment of his film, The Hand—wasn't interested. "I didn’t like the original movie that much," Stone told Creative Screenwriting. "It didn’t really hit me at all and I had no desire to make another Italian gangster picture because so many had been done so well, there would be no point to it. The origin of it, according to Marty Bregman, [was that] Al had seen the '30s version on television, he loved it and expressed to Marty as his long time mentor/partner that he’d like to do a role like that. So Marty presented it to me and I had no interest in doing a period piece."

But when Bregman contacted Stone again about the project later, his opinion changed. "Sidney Lumet had stepped into the deal," Stone said. "Sidney had a great idea to take the 1930s American prohibition gangster movie and make it into a modern immigrant gangster movie dealing with the same problems that we had then, that we’re prohibiting drugs instead of alcohol. There’s a prohibition against drugs that’s created the same criminal class as (prohibition of alcohol) created the Mafia. It was a remarkable idea."

4. UNFORTUNATELY, ACCORDING TO STONE, LUMET HATED HIS SCRIPT.

While the chance to work with Lumet was part of what lured Stone to the project, it was his script that ultimately led to the director's departure from the film. According to Stone: "Sidney Lumet hated my script. I don’t know if he’d say that in public himself, I sound like a petulant screenwriter saying that, I’d rather not say that word. Let me say that Sidney did not understand my script, whereas Bregman wanted to continue in that direction with Al."

5. STONE HAD FIRSTHAND EXPERIENCE WITH THE SUBJECT MATTER.

In order to create the most accurate picture possible, Stone spent time in Florida and the Caribbean interviewing people on both sides of the law for research. "It got hairy," Stone admitted of the research process. "It gave me all this color. I wanted to do a sun-drenched, tropical Third World gangster, cigar, sexy Miami movie."

Unfortunately, while penning the screenplay, Stone was also dealing with his own cocaine habit, which gave him an insight into what the drug can do to users. Stone actually tried to kick his habit by leaving the country to complete the script so he could be far away from his access to the drug.

"I moved to Paris and got out of the cocaine world too because that was another problem for me," he said. "I was doing coke at the time, and I really regretted it. I got into a habit of it and I was an addictive personality. I did it, not to an extreme or to a place where I was as destructive as some people, but certainly to where I was going stale mentally. I moved out of L.A. with my wife at the time and moved back to France to try and get into another world and see the world differently. And I wrote the script totally f***ing cold sober."

6. BRIAN DE PALMA DIDN'T WANT TO AUDITION MICHELLE PFEIFFER.


Universal Home Video

De Palma was hesitant to audition the relatively untested Pfeiffer because at the time she was best known for the box office bomb Grease 2. Glenn Close, Geena Davis, Carrie Fisher, Kelly McGillis, Sharon Stone and Sigourney Weaver were all considered for the role of Elvira, but Bregman pushed for Pfeiffer to audition and she got the part.

7. YES, THERE IS A LOT OF SWEARING.

According to the Family Media Guide, which monitors profanity, sexual content, and violence in movies, Scarface features 207 uses of the “F” word, which works out to about 1.21 F-bombs per minute. In 2014, Martin Scorsese more than doubled that with a record-setting 506 F-bombs thrown in The Wolf of Wall Street.

8. TONY MONTANA WAS NAMED FOR A FOOTBALL STAR.

Stone, who was a San Francisco 49ers fan, named the character of Tony Montana after Joe Montana, his favorite football player.

9. TONY IS ONLY REFERRED TO AS "SCARFACE" ONCE, AND IT'S IN SPANISH.

Hector, the Colombian gangster who threatens Tony with the chainsaw, refers to Tony as “cara cicatriz,” meaning “scar face” in Spanish.

That chainsaw scene, by the way, was based on a real incident. To research the movie, Stone embedded himself with Miami law enforcement and based the infamous chainsaw sequence on a gangland story he heard from the Miami-Dade County police.

10. VERY LITTLE OF THE FILM WAS ACTUALLY SHOT IN MIAMI.

The film was originally going to be shot entirely on location in Miami, but protests by the local Cuban-American community forced the movie to leave Miami two weeks into production. Besides footage from those two weeks, the rest of the movie was shot in Los Angeles, New York, and Santa Barbara.

11. ALL THAT "COCAINE" LED TO PROBLEMS WITH PACINO'S NASAL PASSAGES.

Though there has long been a myth that Pacino snorted real cocaine on camera for Scarface, the "cocaine" used in the movie was supposedly powdered milk (even if De Palma has never officially stated what the crew used as a drug stand-in). But just because it wasn't real doesn't mean that it didn't create problems for Pacino's nasal passages. "For years after, I have had things up in there," Pacino said in 2015. "I don't know what happened to my nose, but it's changed."

12. PACINO'S NOSE WASN'T HIS ONLY BODY PART TO SUFFER DAMAGE.

Still of Al Pacino as Tony Montana in 'Scarface' (1983)
Universal Home Video

In the film's very bloody conclusion, Montana famously asks the assailants who've invaded his home to "say hello to my little friend," which happens to be a very large gun. That gun took a beating from all the blanks it had to fire, so much so that Pacino ended up burning his hand on its barrel. "My hand stuck to that sucker," he said. Ultimately, the actor—and his bandaged hands—had to sit out some of the action in the last few weeks of production.

13. STEVEN SPIELBERG DIRECTED A SINGLE SHOT.

De Palma and Spielberg had been friends since the two began making studio movies in the mid-1970s, and they made a habit of visiting each other’s sets. Spielberg was on hand for one of the days of shooting the Colombians’ initial attack on Tony Montana’s house at the end of the movie, so De Palma let Spielberg direct the low-angle shot where the attackers first enter the house.

14. SOME COOL TECHNOLOGY WENT INTO THE GUN MUZZLE FLASHES.

In order to heighten the severity of the gunfire, De Palma and the special effects coordinators created a mechanism to synchronize the gunfire with the open shutter on the movie camera to show the huge muzzle flash coming from the guns in the final shootout.

15. SADDAM HUSSEIN WAS A FAN OF THE FILM.

The trust fund the former Iraqi dictator set up to launder money was called “Montana Management,” a nod to the company Tony uses to launder money in the movie.

SECTIONS

arrow
LIVE SMARTER
More from mental floss studios