15 Facts About Roy Lichtenstein's Drowning Girl

 Sean Gallup // Getty Images
Sean Gallup // Getty Images

Arguably the most popular of American painter Roy Lichtenstein's works, Drowning Girl is an iconic landmark of pop art. But beneath its bold lines, clever circles, and rushing waves lies the story of a 40-something artist who finally found his calling by looking to kids stuff.

1. LICHTENSTEIN FOUND INSPIRATION IN COMIC BOOKS.

Though comic books had been overlooked by art critics, Lichtenstein, a Manhattan-born painter, relished in their bold lines, vibrant colors, and use of word bubbles to convey speech and thought. While the artist was also a sculptor and lithographer, he'd become best-known for his comic-influenced paintings, which elevated comics' low-brow aesthetic to high art.

2. HE EVEN MIMICKED THEIR PRINTING PROCESS'S LOOK.

At a glance, Drowning Girl might seem like she's printed like old-school comics. But Lichtenstein actually recreated this aesthetic with oil and synthetic polymer paint on canvas. Brushing paint over stencils he'd perforated with a dot pattern, he mimicked the "tonal variations with patterns of colored circles that imitated the half-tone screens of Ben Day dots used in newspaper printing."

3. DROWNING GIRL IS A RIFF OFF A DC COMIC PANEL.

Lichtenstein lifted the imagery of the drowning girl and her thought bubble from the splash page of the 1962 comic Secret Hearts #83. There, a story called "Run for Love!" featured a full-page illustration with a drowning dark-haired girl in the foreground. In the background lies a small, capsized boat, and a befuddled blonde man holding on to it. For his 1963 homage, Lichtenstein cropped the image, bumped up the color, thickened the line work, and changed the thought bubble wording from "I don't care if I have a cramp! -- I'd rather sink -- than call Mal for help!" to "I don't care! I'd rather sink -- than call Brad for help!"

4. THE MAN'S NAME CHANGE WAS BECAUSE HIS DROWNING GIRL DESERVED BETTER.

"A very minor idea," Lichtenstein has said of the revision of Mal for Brad, "But it has to do with oversimplification and cliché." Or to simplify, he felt that his cartoon representation of frustrated American Womanhood demanded a boyfriend with "a heroic name." Mal just wouldn't cut it.

5. LICHTENSTEIN WAS A GROUNDBREAKER.

Wesley / Stringer // Getty Images

His peers Robert Rauschenberg and Jasper Johns had already been bringing popular imagery into their work. But by dabbling in comic motifs as early as 1958, Lichtenstein was the first pop artist to dive into cartoons and comics, beating even Andy Warhol whose brush with comic-based pieces came in 1960.

6. BEFORE DROWNING GIRL, HE PAINTED MICKEY MOUSE AND POPEYE.

In her book Roy Lichtenstein, art historian Carolyn Lanchner pinpoints the summer of 1961 as when the painter moved away from Abstract Expressionism, which was popular at the time, and toward cartoon imagery, which was overlooked if not despised. The acclaimed artist recounted this stage in his evolution by saying, "The early (paintings) were of animated cartoons, Donald Duck, Mickey Mouse, and Popeye, but then I shifted into the style of cartoon books with a more serious content such as 'Armed Forces of War,' and 'Teen Romance.'" He continued, "I was very excited about and interested in the highly emotional content yet detached impersonal handling of love, hate, war, etc., in these cartoon images."

7. LICHTENSTEIN USED AN OPAQUE PROJECTOR TO COPY THE DETAILS OF THE COMICS.

This machine allows opaque objects—like a pencil sketch—to be projected onto a screen, or canvas. He once described the process thusly, "From a cartoon, photograph or whatever, I draw a small picture—the size that will fit into my opaque projector ... I don't draw a picture in order to reproduce it—I do it in order to recompose it ... I project the drawing onto the canvas and pencil it in and then I play around with the drawing until it satisfies me." This process allowed Lichtenstein to work out composition and minor details on large canvases, like Drowning Girl which measures in at 67 5⁄8 inches by  66 3⁄4 inches.

8. THESE LICHTENSTEIN PIECES ARE REGARDED AS PARODIES.

He also crafted works inspired by Cézanne, Mondrian, and Picasso, which were likewise dubbed "parodies" by art critics. But Lichtenstein rejected this description—he didn’t want viewers to think he was mocking the works of others. Instead, he insisted, "The things that I have apparently parodied I actually admire."

9. DROWNING GIRL HAS HIGHBROW INSPIRATIONS AS WELL.

Katsushika Hokusai's The Great Wave off KanagawaWikimedia Commons // Public Domain

The pastiche-loving pop artist confessed that his use of blacks and blues to create the waves and the curls of the girl's hair was influenced by Japanese printmaker Hokusai's world-famous wood-block print The Great Wave off Kanagawa. "In the Drowning Girl the water is not only Art Nouveau," Lichtenstein explained, "But it can also be seen as Hokusai. I don't do it just because it is another reference. Cartooning itself sometimes resembles other periods in art—perhaps unknowingly ... They do things like the little Hokusai waves in the Drowning Girl. But the original wasn't very clear in this regard—why should it be? I saw it and then pushed it a little further until it was a reference that most people will get ... it is a way of crystallizing the style by exaggeration."

10. BRAD WAS A RECURRING CHARACTER.

While that cad Brad doesn't make into the frame of Drowning Girl, the mentioned boyfriend can be found in Lichtenstein's 1962 painting Masterpiece. There, a blonde woman says through speech bubble, "Why, Brad darling, this painting is a masterpiece! My, soon you'll have all of New York clamoring for your work!" But between the scenes something bitter must have befallen this mysterious beau. In 1963's I Know How You Must Feel, Brad ...”, he's out of frame, leaving a brooding blonde girl thinking, "I know how you must feel, Brad…"

11. CROPPING AND TWEAKING COMIC PANELS MAKES THEM UNIQUELY LICHTENSTEIN'S.

The provocative painter became known for focusing in on expressions of comic panels, and revamping their thought bubbles to play to a new context. In a recent re-assessment of Drowning Girl, Expressionist artist Vian Shamounki Borchert felt Lichtenstein's cropping suggests a woman drowning in her own tears over that dreadful Brad. Meanwhile, art critic Kelly Rand saw the hurt heroine as being "in a suspended state of distress," pointing out that the lack of any context leads the viewer to ask what’s happening. Had the boat and the heroine's lamentable beau been left in the frame, the meaning of the image would have shifted to a far more literal sense of peril.

12. APPROPRIATION FROM COMICS MADE DROWNING GIRL.

Drowning Girl had a coveted spot in some of Lichtenstein's early '60s art shows, and over the years has become one of his most adored creations. But even as his comic-inspired pieces made him famous in his 40s, a debate raged over whether this comic appropriation or parody was art at all. In 1963, New York Times critic Brian O'Doherty infamously declared Lichtenstein "one of the worst artists in America," bristling that the painter won praise as he "briskly went about making a sow's ear out of a sow's ear." Then in 1964, Life magazine covered the brewing art scene kerfuffle with the hurtful headline “Is He the Worst Artist in the U.S.?

13. THE TIDE TURNED FOR DROWNING GIRL.

Critics may have initially huffed, but over the decades, no one could deny that Lichtenstein's comic-influenced works had a lasting allure. Art collectors paid out enormous amounts to claim them as their own. Drowning Girl was acquired by the Museum of Modern Art in 1971, and has been a proud part of their permanent collection ever since. Lichtenstein won redemption in 1986, when Life re-evaluated his works, declaring him "always the most thoughtful of the pop artists ... [who] had the most to say. Those cartoon blowups may have disturbed the critics, but collectors, tired of the solemnity of abstract expressionism, were ready for some comic relief. Why couldn't the funny pages be fine art?'' Ultimately, this daring artist's re-interpretation challenged art critics and broader audiences to examine their own biases. As his work grew in popularity, so did the art community's respect for comics and cartoons. Lichtenstein—who lived until 1997 and the ripe age of 73—had the chance to see the sea change he'd begun in the world's understanding of art.

14. WOMEN IN PERIL BECAME A THEME FOR THE PAINTER.

Roy Lichtenstein's Crying GirlBen Pruchnie // Getty Images

Now heralded as a "masterpiece of melodrama," Drowning Girl is by far the most famous of these. Other titles from this unofficial series include Crying Girl (1963), Crying Girl (1964), Hopeless, In the Car, and Oh, Jeff...I Love You, Too...But.... Each painting hints at a story, which the viewer is urged to imagine. It's believed this invitation to collaboration is a major part of what has made Lichtenstein's comic art, and particularly Drowning Girl, remain a popular attraction to museum visitors, even decades later.

15. LICHTENSTEIN BECAME CELEBRATED AS NOT JUST A PAINTER, BUT A STORYTELLER.

In 2012, Washington's National Gallery of Art helped put together a rousing Lichtenstein retrospective which did not shy away from his comic-inspired art, but rather relished in it. More specifically, a conversation emerged about the carefully selected images Lichtenstein plucked from comics. National Gallery curator Harry Cooper told NPR the artist "really looked hard for these comics that had a kind of crux of the story in them," then applied his unique perspective to them to open them up to an audience who might never touch a comic book, but could nonetheless be enchanted with their stories. With that, he helped elevate pop art to a place where it could not be ignored or written off as a "just a gimmick, just a joke." Though Lichtenstein experimented in many forms of art and style over his long career, it was his embracing of comics in works like Drowning Girl that secured his legacy as a painter, a pop art pioneer, and a visual storyteller in his own right.

Amazon's Under-the-Radar Coupon Page Features Deals on Home Goods, Electronics, and Groceries

Stock Catalog, Flickr // CC BY 2.0
Stock Catalog, Flickr // CC BY 2.0

This article contains affiliate links to products selected by our editors. Mental Floss may receive a commission for purchases made through these links.

Now that Prime Day is over, and with Black Friday and Cyber Monday still a few weeks away, online deals may seem harder to come by. And while it can be a hassle to scour the internet for promo codes, buy-one-get-one deals, and flash sales, Amazon actually has an extensive coupon page you might not know about that features deals to look through every day.

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12 Very Haunted Roads

Don't get caught on these roads at night.
Don't get caught on these roads at night.
Pixabay, Pexels // CC0

What could be scarier than driving down a dark road at night? Driving down one of these dark roads at night. If any of the below routes—compiled by Commercial Truck Trader—pop up on your GPS this spooky season, consider finding an alternate way to your destination.

1. Jeremy Swamp Road // Southbury, Connecticut

Jeremy Swamp Road and several other streets in southwestern Connecticut are said to be frequented by Melon Heads, creatures that, according to the New England Historical Society, live in wooded areas and “look like small humanoids with oversized heads” that “survive by eating small animals, stray cats and human flesh, usually the flesh of teenagers.” Some say the Melon Heads are the result of inbreeding, with others theorizing that they escaped from local hospitals or asylums.

2. Owaissa Street // Appleton, Wisconsin

Legend has it that every full moon, a tombstone in Owaissa Street’s Riverside Cemetery bleeds. The tombstone belongs to Kate Blood, who, according to some stories, was either a witch who killed her husband and children with an ax, or was a woman murdered by her husband. (Local historians, however, say Blood died of tuberculosis.) Visitors also report seeing a creepy hooded figure roaming the cemetery.

3. Prospector’s Road // Garden Valley, California

Driving along this hilly, three-mile stretch of road is not for the faint of heart: It’s supposedly haunted by the spirit of a tall, bearded prospector who was murdered after he drunkenly bragged about his claim. According to Weird California, those who run into the entity—who is supposedly responsible for many an accident along the road—will hear him whisper: “Get off my claim.”

4. Sandhill Road // Las Vegas, Nevada

The flood tunnels beneath Sandhill Road between Olive Avenue and Charleston Boulevard in Las Vegas are said to be haunted by a dead couple. People have also reported hearing creepy, ghostly moans coming from the darkness and being chased by the specter of an old woman.

5. Bloody Bride Bridge // Steven’s Point, Wisconsin

Drivers on Highway 66 in Steven’s Point, Wisconsin, might get a glimpse of the ghost of a bride who was supposedly killed on her wedding day in a car accident on the bridge. Legend has it that if those drivers park on the bridge at midnight and look in their rearview mirrors, they’ll see the bride, in her bloody wedding dress, sitting in the backseat.

6. Boy Scout Lane // Steven’s Point, Wisconsin

Also located in Steven’s Point, the isolated Boy Scout Lane is supposedly where a group of Boy Scouts died, although no one quite seems to know why or how—some say they were killed while camping when their fire raged out of control; others say it was a bus accident; and some say they simply disappeared. Whatever the reason, visitors to the area now say they can hear footsteps and calls for help coming from the woods.

7. Route 66 // Villa Ridge, Missouri

Located on Route 66, the abandoned Tri-County Truck-Stop is a hotbed of ghostly activity. Before the restaurant shut down, employees reported hearing strange noises, seeing apparitions, and watching as coffee pots were thrown across the room by invisible forces.

8. Stagecoach Road // Marshall, Texas

On this red dirt road—which once served as a route for stagecoaches traveling to the town from Shreveport, Louisiana—paranormal investigators have snapped photos of ghosts and had the batteries of the equipment they were using to investigate drain inexplicably. Others who have driven down the road and turned off their cars said they felt a presence stepping on the bumper; when they went home, they discovered tiny handprints in the red dust on the back of the car. The road is supposedly haunted by the spirit of a Voodoo priestess.

9. Route 666 // Douglas, Arizona

The road formerly known as Route 666 may now be part of Route 491 [PDF], but some still call it The Devil’s Highway. Drivers traveling on this section of highway have recounted being pursued by a pack of terrifying dogs or a phantom semi-truck, among other strange and scary encounters.

10. Goatman's Bridge // Denton, Texas

Old Alton Bridge is an iron-truss structure built in 1884 that got its unsettling moniker from local legends. Fifty years after the bridge was built, a successful Black goat farmer named Oscar Washburn—who went by the nickname “Goatman”—put a sign on the bridge that read “This Way to the Goatman.” The sign incensed the Ku Klux Klan, who hanged Washburn on the bridge. But according to Legends of America, “when they looked over to make sure he was dead, they could see only the rope. Washburn was gone and was never seen again.” Some report seeing a man herding goats across the bridge, which was decommissioned around 2001, while others say they’ve seen a half-man, half-goat creature there.

11. Route 375 // Rachel, Nevada

Entertaining the idea of a close encounter? Drivers on this road—which runs near the Nevada Test and Training Range, home of Area 51—have reported hundreds of strange, potentially alien sightings from Alamo to Tonopah, leading to the route’s nickname: “The Extraterrestrial Highway.”

12. Ortega Ridge Road // Montecito, California

This road is haunted by Las Ters Hermanas, or The Three Sisters—three nuns who, it’s said, were murdered more than a century ago. They can be seen standing on the side of the road, arms crossed, their eyes bright blue and their faces glowing.