10 Facts About Seinfeld’s 'The Finale'

NBC
NBC

On May 14, 1998, NBC aired the two-part series finale of Seinfeld, simply named “The Finale,” written by Seinfeld co-creator Larry David. The show had been on the airwaves for nine seasons and had taped 180 episodes (including the final two episodes). About 76.3 million viewers tuned in to watch Jerry (Jerry Seinfeld), Elaine (Julia Louis-Dreyfus), Kramer (Michael Richards), and George (Jason Alexander) end up in jail, in fictional Latham, Massachusetts. The series remains the fourth most-watched series finale ever, behind M*A*S*H. (1983), Cheers (1993), and The Fugitive (1967).

The polarizing finale sees NBC finally giving George and Jerry the greenlight to their pilot, Jerry. To celebrate his and George’s pending move to L.A., Jerry invites the gang to take the NBC private jet anywhere they want to go for “one big fling.” They choose Paris. But on the way, Kramer knocks into the cockpit and causes the plane to make an emergency landing in Latham for repairs.

While walking around the town, the gang watches an overweight citizen get mugged and carjacked. Kramer films it, and they all make fun of the victim instead of helping him. Turns out, their indifference violated the Good Samaritan law and they're arrested and sent to trial.

The finale was an excuse to bring back Seinfeld’s greatest hits characters, everyone from the Soup Nazi to Puddy to Marla the Virgin. The series ends with the four convicted and having to serve a year in a jail so that they can be “removed from society.” The final scene reveals Jerry bombing during a stand-up set in prison.

Though critics and fans panned the finale, it has actually aged pretty well. The finale was prescient in debating cellphone etiquette and how in America “we don’t have to help anybody.” Because the characters never learned from their lessons nor changed, them ending up in jail for crimes against humanity seems apropos. On the 20th anniversary of its sign-off, here are 10 facts about "The Finale."

1. THE SERIES BEGINS AND ENDS WITH A DISCUSSION ABOUT SHIRT BUTTONS.

On July 5, 1989, NBC aired the pilot, back when the show was called The Seinfeld Chronicles. The first dialogue occurs between George and Jerry at a restaurant, where Jerry declares that the second button on a shirt “literally makes or breaks a shirt. It’s too high." During the series finale’s final moments, while the gang sits in jail, Jerry again brings up the button conversation, but this time George asks, “Haven’t we had this conversation before?”

2. LARRY DAVID THINKS THE FINALE IS “CLEVER.”

In 2014, David talked to Grantland’s Bill Simmons about how disappointed people were with the finale, and how much “grief” David received for it. “I was not interested in an emotional ride, and neither was Jerry,” David said. “No wonder why they would dislike it, yeah. But let me toot my own horn for a second. I thought it was clever to bring back all those characters in a courtroom and testify against them for what they did, and then show those clips, and also for why they even got arrested in the first place. And then to wind up—forget the self-aggrandizement here—I thought it was clever."

3. JERRY SEINFELD MADE SURE JULIA LOUIS-DREYFUS’S JOKE ON THE DAVID LETTERMAN FINALE WORKED.

On May 20, 2015, Letterman aired the final episode of his talk show, Late Show with David Letterman. During a Top Ten List segment, Louis-Dreyfus—who had flown all the way to New York to deliver a joke alongside Seinfeld, Chris Rock, Jim Carrey, and Steve Martin—delivered the burn, “Thanks for letting me take part in another hugely disappointing series finale.” Seinfeld told Vulture’s "Good One" podcast that he “fought hard for that particular joke.” The writers wanted to use a different joke, but Louis-Dreyfus didn’t think it worked. “I read the joke and I go, ‘No, that’s a bad joke,’” Seinfeld said. “It was a really cool experience to be on Dave’s last show and I didn’t want her to go out there and tank.” He mulled it over with the writers and they agreed on the joke, “which was sensational,” Seinfeld said.

4. SEINFELD CHANGED HIS MIND ABOUT "THE FINALE."

In a 2014 Reddit AMA, Seinfeld said: “I was happy with the Seinfeld finale, because we didn’t want to do another episode as much as we wanted to have everybody come back to the show we had so much fun with. It was a way to thank all of the people who worked on the show over the years that we thought made the show work. I don’t believe in trying to change the past, but I’m very happy with it.”

However, in October 2017, during an interview at the New Yorker Festival, Seinfeld seemed to have changed his opinion on the finale. “I sometimes think we really shouldn’t have even done it,” he said. “There was a lot of pressure on us at that time to do one big last show, but big is always bad in comedy.”

5. JASON ALEXANDER THINKS THE FINALE WAS A “GOOD, NOT GREAT EPISODE.”

In an interview with Emmy TV Legends, Alexander discussed the finale. “For me, I thought it was a good episode, not a great episode, as written,” he said. “I thought it was a good idea.” He liked how David brought back so many popular characters. “They all added to our baby and then they went away,” Alexander said. “We never really say thank you. We never really got to be with them and Larry found a way to bring them back. Everybody who had been a meaningful part of our success was back to be with us at the end. So the atmosphere all week long was joyous and sentimental in a way that had never been."

6. DAVID CHASE THINKS THE SOPRANOS AND SEINFELD SHOULD’VE SWAPPED FINALES.

In a 2012 interview with The New York Times, The Sopranos creator David Chase discussed how to end a series the right way. “It’s just very difficult to end a series,” he said. “For example, Seinfeld, they ended it with them all going to jail. Now that’s the ending we should have had. And they should have had ours, where it blacked out in a diner.”

7. THE FINAL TAPING WAS AN OVERWHELMINGLY EMOTIONAL EXPERIENCE FOR THE CAST.

Right before the four main cast members taped the final episodes in front of a studio audience, they did one last Circle of Power huddle, something they did before every show in which the cast held hands and grunted. During the final Circle of Power, Seinfeld gave a speech. “Jerry goes, ‘I want to say something,’” Alexander said. “He said: ‘For the rest our lives, when anyone thinks of one of us, they will think of all four of us. And I can’t think of three people I’d rather have that be true of.’ I’m gone, Julia’s gone. And now the cast—we came running out, and we must look like we got hit by a truck. That was a huge thing. It was true. We had been through a rough year and that was a big gesture on his part.”

Louis-Dreyfus—who liked the finale—also felt a similar way about Seinfeld’s words. “I was so caught by surprise by the emotion,” she told Emmy TV Legends. “I knew I’d be emotional, but I didn’t understand the profundity of it. It was a very sweet and dear moment.”

8. DAVID BLAMES FANS FOR WRITING THE FINALE IN THEIR HEADS.

“I think the thing about finales is everybody writes their own finale in their head, whereas if they just tune in during the week to a normal show, they’re surprised by what’s going on,” David told Grantland. “They haven’t written it beforehand, they don’t know what the show is. But for a finale, they go, ‘Oh, well this should happen to George, and Jerry and Elaine should get together,’ and all that. They’ve already written it, and often they’re disappointed, because it’s not what they wrote.”

9. RUDY GIULIANI WOULDN’T LET SEINFELD THROW A PARTY IN TIMES SQUARE.

NBC liked the idea of throwing a series-end party in Times Square. They wanted to air the finale and clips from the show on the Square’s giant Astrovision video screen, and they also wanted to close off part of the street. They applied for a permit, but the city rejected it, saying “it would be too disruptive to traffic.”

10. CURB YOUR ENTHUSIASM REVISITED “THE FINALE.”

NBC

During the seventh season of Curb Your Enthusiasm, David reunited the cast of Seinfeld for a fictional reunion special. Seinfeld, Alexander, Louis-Dreyfus, and Richards play versions of themselves. On November 22, 2009, Curb aired its season finale, featuring the Seinfeld special. George has married (then divorced) a woman named Amanda, and he got rich (then lost his money) from inventing an app called the iToilet. Jerry and Elaine have a daughter, but the daughter doesn’t know Jerry is her father. Seinfeld, playing himself, jokes to David, “We already screwed up one finale.”

Amazon’s Big Fall Sale Features Deals on Electronics, Kitchen Appliances, and Home Décor

Dash/Keurig
Dash/Keurig

If you're looking for deals on items like Keurigs, BISSELL vacuums, and essential oil diffusers, it's usually pretty slim pickings until the holiday sales roll around. Thankfully, Amazon is starting these deals a little earlier with their Big Fall Sale, where customers can get up to 20 percent off everything from home decor to WFH essentials and kitchen gadgets. Now you won’t have to wait until Black Friday for the deal you need. Make sure to see all the deals that the sale has to offer here and check out our favorites below.

Electronics

Dash/Amazon

- BISSELL Lightweight Upright Vacuum Cleaner $170 (save $60)

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Home office Essentials

HP/Amazon

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Selieve/Amazon

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Home Improvement

DEWALT/Amazon

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NECA/Amazon

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12 Surprising Facts About T.S. Eliot

Getty
Getty

Born September 26, 1888, modernist poet and playwright Thomas Stearns (T.S.) Eliot is best known for writing "The Waste Land." But the 1948 winner of the Nobel Prize in Literature was also a prankster who coined a perennially popular curse word, and created the characters brought to life in the Broadway musical "Cats." In honor of Eliot’s birthday, here are a few things you might not know about the writer.

1. T.S. Eliot enjoyed holding down "real" jobs.

Throughout his life, Eliot supported himself by working as a teacher, banker, and editor. He could only write poetry in his spare time, but he preferred it that way. In a 1959 interview with The Paris Review, Eliot remarked that his banking and publishing jobs actually helped him be a better poet. “I feel quite sure that if I’d started by having independent means, if I hadn’t had to bother about earning a living and could have given all my time to poetry, it would have had a deadening influence on me,” Eliot said. “The danger, as a rule, of having nothing else to do is that one might write too much rather than concentrating and perfecting smaller amounts.”

2. One of the longest-running Broadway shows ever exists thanks to T.S. Eliot.

Getty Images

In 1939, Eliot published a book of poetry, Old Possum’s Book of Practical Cats, which included feline-focused verses he likely wrote for his godson. In stark contrast to most of Eliot's other works—which are complex and frequently nihilistic—the poems here were decidedly playful. For Eliot, there was never any tension between those two modes: “One wants to keep one’s hand in, you know, in every type of poem, serious and frivolous and proper and improper. One doesn’t want to lose one’s skill,” he explained in his Paris Review interview. A fan of Eliot's Old Possum’s Book of Practical Cats since childhood, in the late '70s, Andrew Lloyd Webber decided to set many of Eliot's poems to music. The result: the massively successful stage production "Cats," which opened in London in 1981 and, after its 1982 NYC debut, became one of the longest-running Broadway shows of all time.

3. Three hours per day was his T.S. Eliot’s writing limit.

Eliot wrote poems and plays partly on a typewriter and partly with pencil and paper. But no matter what method he used, he tried to always keep a three hour writing limit. “I sometimes found at first that I wanted to go on longer, but when I looked at the stuff the next day, what I’d done after the three hours were up was never satisfactory," he explained. "It’s much better to stop and think about something else quite different.”

4. T.S. Eliot considered "Four Quartets" to be his best work.

In 1927, Eliot converted to Anglicanism and became a British citizen. His poems and plays in the 1930s and 1940s—including "Ash Wednesday," "Murder in the Cathedral," and "Four Quartets"—reveal themes of religion, faith, and divinity. He considered "Four Quartets,” a set of four poems that explored philosophy and spirituality, to be his best writing. Out of the four, the last is his favorite.

5. T.S. Eliot had an epistolary friendship with Groucho Marx.

Eliot wrote comedian Groucho Marx a fan letter in 1961. Marx replied, gave Eliot a photo of himself, and started a correspondence with the poet. After writing back and forth for a few years, they met in real life in 1964, when Eliot hosted Marx and his wife for dinner at his London home. The two men, unfortunately, didn’t hit it off. The main issue, according to a letter Marx wrote his brother: the comedian had hoped he was in for a "Literary Evening," and tried to discuss King Lear. All Eliot wanted to talk about was Marx's 1933 comedy Duck Soup. (In a 2014 piece for The New Yorker, Lee Siegel suggests there had been "simmering tension" all along, even in their early correspondence.)

6. Ezra Pound tried to crowdfund T.S. Eliot’s writing.

Wikimedia Commons // Public Domain

In 1921, Eliot took a few months off from his banking job after a nervous breakdown. During this time, he finished writing "The Waste Land," which his friend and fellow poet Ezra Pound edited. Pound, with the help of other Bohemian writers, set up Bel Esprit, a fund to raise money for Eliot so he could quit his bank job to focus on writing full-time. Pound managed to get several subscribers to pledge money to Eliot, but Eliot didn’t want to give up his career, which he genuinely liked. The Liverpool Post, Chicago Daily Tribune, and the New York Tribune reported on Pound’s crowdfunding campaign, incorrectly stating that Eliot had taken the money, but continued working at the bank. After Eliot protested, the newspapers printed a retraction.

7. Writing in French helped T.S. Eliot overcome writer’s block.

After studying at Harvard, Eliot spent a year in Paris and fantasized about writing in French rather than English. Although little ever came of that fantasy, during a period of writer’s block, Eliot did manage to write a few poems in French. “That was a very curious thing which I can’t altogether explain. At that period I thought I’d dried up completely. I hadn’t written anything for some time and was rather desperate,” he told The Paris Review. “I started writing a few things in French and found I could, at that period ...Then I suddenly began writing in English again and lost all desire to go on with French. I think it was just something that helped me get started again."

8. T.S. Eliot set off stink bombs in London with his nephew.

Eliot, whose friends and family called him Tom, was supposedly a big prankster. When his nephew was young, Eliot took him to a joke shop in London to purchase stink bombs, which they promptly set off in the lobby of a nearby hotel. Eliot was also known to hand out exploding cigars, and put whoopee cushions on the chairs of his guests.

9. T.S. Eliot may have been the first person to write the word "bulls**t."

In the early 1910s, Eliot wrote a poem called "The Triumph of Bulls**t." Like an early 20th-century Taylor Swift tune, the poem was Eliot’s way of dissing his haters. In 1915, he submitted the poem to a London magazine … which rejected it for publication. The word bulls**t isn’t in the poem itself, only the poem’s title, but The Oxford English Dictionary credits the poem with being the first time the curse word ever appeared in print.

10. T.S. Eliot coined the expression “April is the cruelest month.”

Thanks to Eliot, the phrase “April is the cruelest month” has become an oft-quoted, well-known expression. It comes from the opening lines of "The Waste Land”: “April is the cruelest month, breeding/Lilacs out of the dead land, mixing/Memory and desire, stirring/Dull roots with spring rain.”

11. T.S. Eliot held some troubling beliefs about religion.

Over the years, Eliot made some incredibly problematic remarks about Jewish people, including arguing that members of a society should have a shared religious background, and that a large number of Jews creates an undesirably heterogeneous culture. Many of his early writing also featured offensive portrayals of Jewish characters. (As one critic, Joseph Black, pointed out in a 2010 edition of "The Waste Land" and Other Poems, "Few published works displayed the consistency of association that one finds in Eliot's early poetry between what is Jewish and what is squalid and distasteful.") Eliot's defenders argue that the poet's relationship with Jewish people was much more nuanced that his early poems suggest, and point to his close relationships with a number of Jewish writers and artists.

12. You can watch a movie based on T.S. Eliot’s (really bad) marriage.

Wikimedia Commons // Public Domain

Tom & Viv, a 1994 film starring Willem Dafoe, explores Eliot’s tumultuous marriage to Vivienne Haigh-Wood, a dancer and socialite. The couple married in 1915, a few months after they met, but the relationship quickly soured. Haigh-Wood had constant physical ailments, mental health problems, and was addicted to ether. The couple spent a lot of time apart and separated in the 1930s; she died in a mental hospital in 1947. Eliot would go on to remarry at the age of 68—his 30-year-old secretary, Esmé Valerie Fletcher—and would later reveal that his state of despair during his first marriage was the catalyst and inspiration for "The Waste Land."

This story has been updated for 2020.