14 Facts About Mathew Brady

Henry Guttmann, Getty Images
Henry Guttmann, Getty Images

When you think of the Civil War, the images you think of are most likely the work of Mathew Brady and his associates. One of the most successful early photographers in American history, Brady was responsible for bringing images of the Civil War to a nation split in two—a project that would ultimately be his undoing. Here are some camera-ready facts about Mathew Brady.

1. HIS EARLY LIFE MIGHT BE AN INTENTIONAL MYSTERY.

Most details of Brady’s early life are unknown. He was born in either 1822 or 1823 to Andrew and Julia Brady, who were Irish. On pre-war census records and 1863 draft forms Brady stated that he was born in Ireland, but some historians speculate he changed his birthplace to Johnsburg, New York, after he became famous due to anti-Irish sentiment.

Brady had no children, and though he is believed to have married a woman named Julia Handy in 1851, there is no official record of the marriage.

2. HE TOOK PHOTOGRAPHY CLASSES FROM THE INVENTOR OF MORSE CODE.

When he was 16 or 17, Brady followed artist William Page to New York City after Page had given him some drawing lessons. But that potential career was derailed when he got work as a clerk in the A.T. Stewart department store [PDF] and began manufacturing leather (and sometimes paper) cases for local photographers, including Samuel F.B. Morse, the inventor of Morse Code.

Morse, who had learned the early photographic method of creating Daguerreotypes from Parisian inventor Louis Daguerre in 1839, brought the method back to the United States and opened a studio in 1840. Brady was one of his early students.

3. HE SET UP SHOP IN NEW YORK AND BECAME THE GO-TO PHOTOGRAPHER.

Brady eventually took what he learned from Morse and opened a daguerreotype portrait studio at the corner of Broadway and Fulton Street in New York in 1844, earning the nickname “Brady of Broadway.” His renown grew due to a mix of his knack for enticing celebrities to sit for his camera—James Knox Polk and a young Henry James (with his father, Henry James Sr.) both sat for him—as well as a flair for the dramatic: In 1856, he placed an ad in the New York Daily Tribune urging readers to sit for a portrait that warned, “You cannot tell how soon it may be too late.”

His rapidly-expanding operation forced him to open a branch of his studio at 625 Pennsylvania Avenue in Washington, D.C., in 1849, and then move his New York studio uptown to 785 Broadway in 1860.

4. HE ACHIEVED WORLDWIDE FAME.

In 1850, Brady published The Gallery of Illustrious Americans, a collection of lithographs based on his daguerreotypes of a dozen famous Americans (he had intended to do 24, but due to costs, that never happened). The volume, and a feature profile [PDF] in the inaugural 1851 issue of the Photographic Art-Journal that described Brady as the “fountain-head” of a new artistic movement, made him a celebrity even outside of America. “We are not aware that any man has devoted himself to [the Daguerreotype art] with so much earnestness, or expended upon its development so much time and expense," the profile opined. "He has merited the eminence he has acquired; for, from the time he first began to devote himself to it, he has adhered to his early purpose with the firmest resolution, and the most unyielding tenacity.” Later that year, at the Crystal Palace Exhibition in London, Brady was awarded one of three gold medals for his daguerreotypes.

5. HE PHOTOGRAPHED EVERY PRESIDENT FROM JOHN QUINCY ADAMS TO WILLIAM MCKINLEY ... WITH ONE EXCEPTION.

The one that got away was William Henry Harrison—he died only a month after his inauguration in 1841.

6. ONE OF HIS PORTRAITS INTRODUCED HONEST ABE TO THE COUNTRY.

When Abraham Lincoln campaigned for president in 1860, he was dismissed as an odd-looking country bumpkin. But Brady’s stately portrait of the candidate, snapped after he addressed a Republican audience at Cooper Union in New York, effectively solidified Lincoln as a legitimate candidate in the minds of the American populace. (After he was elected, Lincoln supposedly told a friend, “Brady and the Cooper Union speech made me president.”) It was one of the first times such widespread campaign photography was used to support a presidential candidate.

7. HIS STUDIO’S WORK ENDED UP ON TWO VERSIONS OF THE $5 BILL.

A researcher holding one of America's most priceless negatives, the glass plate made by famous civil war photographer Mathew Brady of Abraham Lincoln in 1865 just before he was assassinated.
Three Lions, Getty Images

On February 9, 1864, Lincoln sat for a portrait session with Anthony Berger, the manager of Brady’s Washington studio. The session yielded both images of Lincoln that would go on the modern iterations of the $5 bill.

The first, from a three-quarter length portrait featuring Lincoln seated and facing right, was used on the bill design from 1914 to 2000. When U.S. currency was redesigned that year, government officials chose another image Berger took at Brady’s studio of Lincoln. This time, the president is seen facing left with his head turned more to the left.

According to Lincoln historian Lloyd Ostendorf, when the president was sitting for portraits, “Whenever Lincoln posed, a dark melancholy settled over his features. He put on what Mrs. Lincoln called his ‘photographer’s face.’ There is no camera study which shows him laughing, for such an attitude, unfortunately, was impossible when long exposures were required.”

8. OTHER PEOPLE ARE RESPONSIBLE FOR SOME OF HIS BEST-KNOWN WORK.

At the outbreak of the Civil War in 1861, Brady decided to use his many employees and his own money to attempt to make a complete photographic record of the conflict, dispatching 20 photographers to capture images in different war zones. Alexander Gardner and Timothy H. O’Sullivan were both in the field for Brady. Both of them eventually quit because Brady didn’t give individual credit.

Brady likely did take photos himself on battlefields like Bull Run and Gettysburg (although not necessarily during the actual battle). The photographer later boasted, “I had men in all parts of the army, like a rich newspaper.”

9. HE HAD BAD EYESIGHT.

Brady's eyes had plagued him since childhood—in his youth, he was reportedly nearly blind, and he wore thick, blue-tinted glasses as an adult. Brady's real reason for relying less and less on his own expertise might have been because of his failing eyesight, which had started to deteriorate in the 1850s.

10. HE HELPED REVOLUTIONIZE COMBAT PHOTOGRAPHY.

War photographer Mathew Brady's buggy was converted into a mobile darkroom and travelling studio, or, Whatizzit Wagon, during the American Civil War.
Mathew B Brady, Getty Images

The group of Brady photographers that scoured the American north and south to capture images of the Civil War traveled in what became known as “Whatizzit Wagons,” which were horse-drawn wagons filled with chemicals and mobile darkrooms so they could get close to battles and develop photographs as quickly as possible.

Brady’s 1862 New York gallery exhibit, "The Dead of Antietam,” featured then-unseen photographs of some of the 23,000 victims of the war’s bloodiest day, which shocked American society. “Brady has done something to bring home to us the terrible reality and earnestness of war," a New York Times reviewer wrote. "If he has not brought bodies and laid them in our door-yards and along the streets, he has done something very like it.”

11. HE USED A FREEBIE TO CONVINCE GENERALS TO LET HIM PHOTOGRAPH THE WAR.

Brady and his associates couldn't just wander out onto the battlefield with cameras—the photographer needed to obtain permission. So he set up a portrait session with Winfield Scott, the Union general in charge of the Army. The story goes that as he photographed the general—who was posed shirtless as a Roman warrior—Brady laid out his plan to send his fleet of photographers to tell the visual story of the war unlike any previous attempts in history. Then the photographer gifted the general some ducks. Scott was finally convinced, and he approved Brady’s plan in a letter to General Irvin McDowell. (Scott's Roman warrior portrait is, unfortunately, now lost.)

12. HE WAS BLAMED FOR UNION BATTLE LOSSES.

Brady’s first foray into documenting the Civil War was the First Battle of Bull Run. Though he had approved of Brady's plan, General McDowell did not appreciate the photographers' presence during the battle.

Brady himself was supposedly near the front lines when the fighting began, and quickly became separated from his companions. During the battle, he was forced to take shelter in nearby woods, and slept there overnight on a bag of oats. He eventually met back up with the Army and made his way to Washington, where rumors swelled that his equipment caused a panic that was responsible for the Union’s defeat at the battle. “Some pretend, indeed, that it was the mysterious and formidable-looking instrument that produced the panic!” one observer noted. “The runaways, it is said, mistook it for the great steam gun discharging 500 balls a minute, and took to their heels when they got within its focus!”

13. HE DIDN’T JUST PHOTOGRAPH THE UNION SIDE.

Before, after, and occasionally during the Civil War, Brady and Co. also photographed members of the Confederate side, such as Jefferson Davis, P. G. T. Beauregard, Stonewall Jackson, Albert Pike, James Longstreet, James Henry Hammond, and Robert E. Lee after he returned to Richmond following his surrender at Appomattox Court House. “It was supposed that after his defeat it would be preposterous to ask him to sit,” Brady said later. “I thought that to be the time for the historical picture.”

14. HIS CIVIL WAR PHOTOS ALSO MADE HIM POOR.

Union troops with a field gun during the American Civil War.
Mathew Brady, Hulton Archive/Getty Images

“My wife and my most conservative friends had looked unfavorably upon this departure from commercial business to pictorial war correspondence,” Brady told an interviewer in 1891. Their instincts were right.

Brady invested nearly $100,000 of his own money in the Civil War project in hopes that the government would buy his photo record of the war after it was all said and done. But once the Union prevailed, a public reeling from years of grueling conflict showed no interest in Brady's grim photos.

After the financial panic of 1873 he declared bankruptcy, and he lost his New York studio. The War Department eventually bought over 6000 negatives from Brady’s collection—which are now housed in the National Archives—for only $2840 total.

Despite being responsible for some of the most iconic images of the era, Brady never regained his financial footing, and he died alone in New York Presbyterian Hospital in 1896 after being hit by a streetcar.

History Vs. Podcast Bonus Episode: Theodore Roosevelt vs. Bigfoot

iHeartRadio
iHeartRadio

Erin McCarthy: Hello and welcome to a very special bonus episode of History Vs., a podcast from Mental Floss and iHeartRadio about how your favorite historical figures faced off against their greatest foes. I’m your host, Erin McCarthy, and today, we’re going to be exploring a tale Theodore Roosevelt wrote about in his book The Wilderness Hunter, a memoir of his time on the frontier, which was published in 1893. Many of the stories in the book are just what you’d expect from a big game hunter like TR, but there’s one unusual tale that stands out from the rest, one that Roosevelt called “a goblin story which rather impressed me.”

Here to tell us about what’s now known as The Bauman Incident is Mental Floss science editor Kat Long, who wrote a piece about the event for us.

Kat Long: A couple years ago I visited a small village on the central coast of British Columbia, where members of the Kitasoo/Xai’xais First Nation have cultural stories about sasquatches, or buk’wis in the local language. They also shared with me a lot of stories about sasquatches and their personal encounters with them in their ancestral territory.

McCarthy: Is that why when I asked someone to write this story, you volunteered so quickly?

Long: Yes, it is.

McCarthy: What was the Bauman incident?

Long: The Bauman Incident supposedly occurred in the mountains of western Montana and northwestern Wyoming, which in the late 19th century was still the Montana Territory.

On one of TR’s hunting trips to the region, he met a grizzled old trapper named Bauman who told him a wild tale.

TR doesn’t mention Bauman’s first name, but it may have been Carl L. Bauman. According to a Montana Historical Society journal, this Carl L. Bauman was born in Germany in 1831. He moved west in the 1860s, and died in Montana in 1909. So that timeline and geographical detail fits with TR’s account, but we don’t have any proof that he was the one.

Bauman told TR how, as a young man, he and a friend went into the Montana forest to hunt beaver. And they set up their traps in a mountain pass that had been the scene of another trapper’s mysterious, gruesome death the year before.

So over a few days and nights, Bauman and his friend were tormented by a strange animal that destroyed their camp, and it howled with the cover of the trees, and watched them as they slept and all kinds of creepy activities. And in the morning, they found footprints indicating that the creature walked upright.

Finally, after a few days of this, they couldn’t take it anymore, and as they packed up to leave, Bauman had to walk a few miles away to gather up some beaver traps from a stream and when he returned to the campsite, he found his friend dead, with fang marks in his neck. The scariest part about it was that the beast had not devoured the flesh, but merely—and this is what TR wrote—“romped and gamboled round it in [an] uncouth, ferocious glee.”

McCarthy: What did they think was the culprit?

Long: TR writes in the beginning of the story that the culprit could have been “merely some abnormally wicked and cunning wild beast, but … no man can say.” He also suggests that Bauman thought it was “something either half human or half devil, some great goblin beast.” Bauman doesn’t tell TR what he thought it was, and TR never comes right out and says it, but he seems to imply that it was a sasquatch.

McCarthy: But he wouldn’t have called it sasquatch or Bigfoot, because according to the Oxford English Dictionary, we weren’t using those words yet—sasquatch didn’t come around until the late 1920s, and Bigfoot until the late 1950s. So anyway—why do people think this incident involved a sasquatch? Was that something they believed in at that time?

Long: Tales of “hairy giants” or “wild men” of the forest were already circulating around the Pacific Northwest and indigenous peoples of the region had legends including sasquatch-like characters. So they also shared tales of seeing and interacting with the actual sasquatches with the white trappers they met, and then the white trappers and hunters picked up the tale and retold the stories.

McCarthy: What’s the differences between what’s in this account and what’s in the account of indigenous peoples’ encounters with the sasquatch?

Long: The Kitasoo say sasquatches are shy and generally stay out of people’s way, and they are definitely not known as bloodthirsty murderers. But they do, however, scream really loudly in this really high-pitched freaky sound, and they also really stink, and TR mentioned those two characteristics in his account of the Bauman Incident as well.

McCarthy: What are some of the encounters that the Kitasoo told you about with sasquatch?

Long: I remember one story that was told to me by one of the leaders in the community that they were out overnight on a beach gathering clams, because it was the time of year when the tide was out and they could dig them up out of the beach really easily. So they’d been doing this all night and they were sort of gathered around the beach. Some of the members of the group heard this crazy scream coming out of the woods. They looked over to the elder of the group and the elder wasn’t doing anything, he didn’t seem alarmed at all, so they were like “OK, we’ll just continue doing our thing,” but they kept hearing this scream just out of the woods. And it is very quiet up there, I mean, it would have been shocking. And so [they] kind of gathered closer and closer to the boat they had all come in on. The elder said “Why aren’t you out gathering clams? What’s going on?” and all of a sudden, this piercing, super loud scream just came out of the woods, and he suddenly looked incredibly shocked and started banging the anchor on the boat trying to scare whatever it was away, and everybody jumped on the boat and motored away as fast as they could.

So in that story, we see the sasquatch screaming. They didn’t see him—it really stayed out of sight—but it was kind of like, the sasquatch might have been a little curious about what they were doing and was trying to get their attention, but then they just got the hell out of there.

McCarthy: They were like “we don’t see you, and based on that noise, we don’t want to see you.”

Long: Yeah.

McCarthy: How often are they having encounters like this? I mean, are they common?

Long: A lot of people in the village have had them, but they don’t happen every day or anything like that. They may happen, to each person, maybe a few times in their life.

McCarthy: And what do they say to Western science’s belief that sasquatch isn’t real?

Long: They understand that a lot of people don’t think that they’re real, or they don’t believe them when they say they’ve seen them with their own eyes, and their response to that is “well, you know, we don’t need some Western scientist telling me whether they exist or not. I’ve seen them,” or, “Elders in our community have seen them and I believe what they say,” or, “Our stories over generations and generations all talk about them, so how can they not exist?”

McCarthy: And one thing that I thought was really interesting about your piece is that I think you went back to one of the elders, and you asked him, right, and he said, “Just because we haven’t found a skeleton or bones or anything doesn’t mean anything—I’ve never found a bear skeleton in the woods either.”

Long: Exactly.

McCarthy: Which is a pretty good point.

Long: Yeah. Yeah. It really makes you think. We know a lot about what’s out in the forest, but there’s a lot that we don’t know, and so … we’ll just kind of have to leave that where it is.

McCarthy: So TR was a pretty practical dude, and he was not really given to flights of fancy. So how did he explain what happened here?

Long: TR wrote that Bauman was of German ancestry, and must have heard “all kinds of ghost and goblin lore, so that many fearsome superstitions were latent in his mind.”

He also said that Bauman had heard tales from the Native American medicine men of “snow-walkers … spectres, and the formless evil beings that haunt the forest depths.”

TR says that Bauman “must have believed what he said, for he could hardly repress a shudder at certain points of the tale.”

McCarthy: Have any scientists thought about what the animal actually was?

Long: I don’t think any real scientists have looked into this because from a scientific investigation point of view, there aren’t many specific clues to go on, and no physical evidence that could be tested for, like, sasquatch DNA or they don’t have any material to test for stable isotopes, which can show where an animal has been or what it’s eaten, or that kind of thing.

McCarthy: Besides the walking on two feet thing, it almost sounds like it could be a mountain lion—people say that a cougar screaming sounds like “a woman screaming for her life.” TR himself once said that “No man could well listen to a stranger and wilder sound.”

Long: What I was thinking is that maybe a cougar was attacking a bear that was walking upright, which would cover all the bases.

McCarthy: Yes, that was definitely it. That was definitely, definitely it. Well, I guess this is just one of those mysteries that we are never going to solve.

Thanks to Kat Long for joining us, and thanks for listening to this special bonus episode of History Vs. We’ll be back with another bonus episode in a few weeks.

Credits

History Vs. is hosted by me, Erin McCarthy. The executive producers are Erin McCarthy, Julie Douglas, and Tyler Klang. The show is edited by Dylan Fagan and Lowell Brillante.

History Vs. is a production of iHeartRadio and Mental Floss.

Subscribe to History Vs. Apple Podcasts here.

10 Surprising Facts About Malcolm X

Three Lions/Hulton Archive/Getty Images
Three Lions/Hulton Archive/Getty Images

Minister and civil rights activist Malcolm X (born Malcolm Little) was profoundly influential during the middle of the 20th century. From his birth on May 19, 1925 to February 21, 1965, the day he was assassinated at a New York City rally, he rose to the national scene as a leading voice advocating for black self-determinism, self-defense, and pan-Africanism. His fiery rhetoric is often spoken of in tandem with (really, in contrast to) Martin Luther King, Jr.’s non-violent movement, but X was far more complex than his historical image as a firebrand suggests.

1. Malcolm X’s parents were harassed into moving by racists more than once.

Malcolm’s parents, Louise and Earl, were devotees of pan-Africanist and Universal Negro Improvement Association (UNIA) founder Marcus Garvey. A Baptist preacher, Earl was a leader in their local UNIA chapter in Omaha, Nebraska, and Louise acted as secretary, tasked with inter-chapter communication. Their activities caught the ire of Ku Klux Klan members, whose threats sent the family packing for Milwaukee, Wisconsin, and then to Lansing, Michigan, by the time Malcolm was a year old. There, it was the white supremacist group Black Legion that regularly harassed the Littles. Their family home burned when Malcolm was 4 (his father blamed the Black Legion), and his father was killed in what was ruled a streetcar accident when Malcolm was 6 years old (his mother also blamed the Black Legion).

2. Malcolm X grew up in foster homes.

When Malcolm was 13, his mother entered Kalamazoo State Hospital following a nervous breakdown, sending Malcolm and his seven siblings to various foster families, boarding houses, and state-run institutions. He entered a detention home in Mason, Michigan, after being expelled for putting a thumbtack on a teacher’s chair. While there, he noted that the white couple who ran it and white politicians who visited treated him kindly, but not like he was a fellow human being.

3. Malcolm X dropped out of school after discouragement from his teacher.

Malcolm was a strong student who aspired to one day become a lawyer, but he dropped out after eighth grade when a teacher told him that his dream job was “no realistic goal for a n*****.” He both diminished and recognized the power of the encounter as an adult, noting that he wouldn’t be accepted as a black man regardless of how smart or talented he was. At the founding rally of the Organization of Afro-American Unity, he’d famously say, “Education is our passport to the future, for tomorrow belongs to the people who prepare for it today.”

4. Malcolm X worked with Redd Foxx at Jimmy’s Chicken Shack.

Before Malcolm became a national civil rights speaker and John Sanford became a nationally beloved comedian, they were known respectively as Detroit Red and Chicago Red because of their red hair. In 1943, they worked as dishwashers at Jimmy’s Chicken Shack in Harlem and committed petty crimes together. Sanford, whose stage name was Redd Foxx, went on to become one of the first black performers to play to white audiences in Las Vegas, put out several hit comedy albums, and become an icon, starring in the 1970s sitcom Sanford and Son.

5. Malcolm X converted to the Nation Of Islam while he was in jail.

In 1946, Malcolm’s larcenies caught up with him, and he was sentenced to 10 years in prison (he served seven before earning parole). While incarcerated, his brother Reginald urged him to convert to the Nation of Islam (NOI), and Malcolm soon started studying and then corresponding with its founder Elijah Muhammad, who preached black self-reliance. He visited Muhammad in Chicago after getting out of prison in 1952, and quickly rose through the ranks of the organization as an assistant minister with his impressive oratory and ability to attract new members. The NOI went from 500 members in 1952 to 30,000 in a little over a decade.

6. The X in Malcolm X’s adopted name symbolizes a surname he’d never know.

Like many black Americans, Malcolm’s roots were obscured by the slave trade that stripped him of his true ancestral last name. In 1950, he started signing his name as Malcolm X, viewing the surname “Little” as another tool of oppression. In his autobiography he wrote, “For me, my ‘X’ replaced the white slavemaster name of ‘Little’ which some blue-eyed devil named Little had imposed upon my paternal forebears.”

7. The FBI created a file for Malcolm X after he wrote to President Truman.

While still in prison, Malcolm wrote a letter to President Harry Truman denouncing the Korean War and declaring himself a Communist. The FBI created a file on him for his Communist affiliation but would later surveil him because of his affiliation and ascendancy within NOI. They continued to track him and record his phone conversations until his assassination, listening in on death threats made against him.

8. Malcolm X inspired Muhammad Ali to join Noi.

On February 25, 1964, the boxer known as Cassius Clay bested Sonny Liston to become world heavyweight champion. The next day, he proclaimed at a press conference he’d be henceforth known as Cassius X, and a few months later, he changed his name to Muhammad Ali. This was the coming out of a spiritual change that had already taken place, guided by Malcolm after the two met in 1962 and cultivated a friendship. Ali was impressed by Malcolm’s speech at a NOI event and the latter became a mentor figure for the up-and-coming fighter.

9. Malcolm X was once opposed to integration.

As Ali’s star was rising as a sports star and NOI member, Malcolm already had one foot out the door of the organization. But during his time in NOI, Malcolm promoted the concept of separation from white society and opposed the mainstream Civil Rights movement for its emphasis on integration. In a speech to the NAACP at Michigan State University in 1963, Malcolm said, “The white community, though it’s all white, is never called a segregated community. It’s a separate community. In the white community, the white controls the economy, his own economy, his own politics, his own everything. But at the same time while the Negro lives in a separate community, it’s a segregated community. Which means it’s regulated from the outside by outsiders ... Separation is when you have your own. You control your own economy. You control your own politics.”

10. Malcolm X’s Hajj profoundly transformed him.

Malcolm butted heads with NOI leadership multiple times by 1964 and was viewed by NOI members as a threat to Elijah Muhammad’s leadership because of his celebrity. In March, he publicly left the organization to found Muslim Mosque, Inc. and the Organization of Afro-American Unity before converting to Sunni Islam and making Hajj (the Muslim pilgrimage to Mecca). A state guest of Saudi Prince Faisal, the experience of praying, living, and eating with fellow Muslims of all skin colors shifted his thinking completely. Going forward, he viewed Islam as a means of overcoming racial disunity.

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