10 Fascinating Facts About Pi

Artisan Entertainment
Artisan Entertainment

Pi, Darren Aronofsky’s debut feature, is a manic flash through conspiratorial surrealism and number theory. It’s the kind of thing you watch at night if you want to make yourself anxious before you go to sleep.

Pi is also the last gasp of 1990s indie filmmaking, with its heavy black and vibrant white chiaroscuro backing frothy-mouthed intellectualism that either made people turn their heads or turn away. With its fiery peek into one man’s obsession, Aronofsky announced himself as the kind of fierce talent who would go on to make Requiem for a Dream, The Wrestler, Black Swan, and mother!.

Here are 10 facts about the low-budget freakout.

1. It was financed with small investments from Darren Aronofsky's friends and family members.

It took five years and a lot of $100 checks for Darren Aronofsky to raise the nearly $60,000 needed to make Pi. After his senior thesis landed in the finals for a Student Academy Award and he earned his MFA in directing from the AFI Conservatory, the aspiring pro approached “friends, family, enemies, everyone” with a promise of converting their money into a small profit if the film delivered. It did. Artisan Entertainment bought it for over $1 million.

2. In order to save money, they filmed illegally.

In order to film in many public places, you need permits ... unless you’re on an ultra-tight budget, and you’re willing to risk fines and jail time. Aronofsky was willing to risk it, so the crew shot several scenes—most notably on the subway—without securing the proper permits because the young director didn’t want to (or couldn’t) pay for them.

3. Frank Miller's sin City comic book inspired The film's look.

Stephen Pearlman in 'Pi' (1998)
Artisan Entertainment

Sin City would come out in movie form almost a decade after Pi, but the comic book inspired Aronofsky and cinematographer Matthew Libatique’s vision for their film. “Matty was brave enough to take on Reversal film, which many of us shot in film school, and its black and white Reversal, extremely hard film stock to expose,” Aronofsky told IndieWire in 1998. "We didn’t want it to end up looking like Clerks and be all gray. We wanted it to be black or white. We were inspired by Sin City by Frank Miller—he just does white scratches into black ink."

4. At its heart, it's about the danger of searching for order.

Pi isn’t so much about math as it is about trying to use numbers to find patterns in reality, whether it's in the search for God or control or something broaching enlightenment. Max’s (Sean Gullette) focus on his supercomputer’s theoretical capabilities offers a lesson in not seeing the forest for the millimeter of bark you’re examining. According to Aronofsky, “The major point of Pi is that the search for order—for meaning, for God—is usually so one-dimensional and so pinpointed, and often leads to the destruction of the ego and the self and leads to death. And the beauty of the world is in the chaos and in the reality of what is now."

5. The film was shot from Max's perspective.

One of the reasons the film is so effective at raising our blood pressure is because we end up seeing the world through its crazed protagonist’s eyes. “The idea behind Pi was to make a fully subjective movie,” Aronofsky said. “We can shoot the other actors almost POV, almost straight-on, but Sean was almost always shot in profile so he was more of an objective, and the audience was seeing his point of view more subjectively ... Because we were trying to be subjective, every little gimmick we did, we tried to have a reason for."

6. There are patterns embedded within the movie itself.

Just as Max searches for—and finds—patterns in life tied to numbers, Aronofsky and company thought it would be fun to use patterns in constructing the movie, leading several fans to come up with some intense theories. “Some of the structural things we did relate back to the spirals and also the Fibonacci sequence,” Aronofsky told Patheos. “For instance, we even shot the film in a ratio called 1.68 which is rarely ever shot. It’s shot sometimes in Europe, but it’s never really shot in America, and the reason we shot that is because that’s the Golden Ratio.” The rest of the patterns you’ll have to find yourself.

7. It was the launching pad for three modern masters of cinema.

Before all the awards and accolades, there was a crew working for deferred pay hoping to make something special. Aronofsky, of course, would go on to ride the ups and downs of divisive filmmaking to acclaim and an Academy Award nomination, but Pi was also the first film for cinematographer Matthew Libatique and composer Clint Mansell. Libatique got his Oscar nod for shooting Black Swan, and has worked with Spike Lee, Jodie Foster, and Marvel. Mansell is a world class composer who, in addition to scoring several Aronofsky movies, has made music for Moon, Black Mirror, and Park Chan-wook.

8. It cost more to finish the film than it did to shoot it.

Pi's total production budget was $60,927, which went to set dressing (“computer stuff”), music (“the whole thing was done on a keyboard”), and other unavoidable expenses like trucks and film and camera rentals. Post-production, on the other hand, cost $68,183, most of which went to post-production sound, post-production film and lab work, and film editing.

9. Ant hills gave Aronofsky the idea for the film.

Sean Gullette in 'Pi' (1998)
Artisan Entertainment

Ants eventually invade Max’s apartment, but Aronofsky also owes the movie to Formicidae pals (as well as a road trip through the Yucatan Peninsula). “We started to notice that in the middle of this plaza there are these giant anthills about two or three feet high,” Aronofsky told The Washington Post. “The openings are like the size of volleyballs, and there are rivers of ants flowing between the different anthills and rivers going out into the rain forest. And we just watched them for an hour, and I just had this moment—one of those epiphanies in life—which is realizing that, here in the center of one of the greatest human civilizations of all time, that’s completely extinct, that’s been inherited by the ants, they’re totally unaware of us ... And what the hell are we unaware of that’s going on above us?”

10. It's made in the sci-fi tradition of Philip K. Dick.

Tossing Pi into one genre is a tough task, but its roots are most clearly in science fiction, which makes the miniscule budget a rarity, especially in the CGI boom of the 1990s. “I always think of science fiction as a state of mind, not special effects,” Aronofsky told Filmmaker Magazine. “All those Star Wars movies took sci-fi down the effects road for the last 20 years. The interesting science fiction is the inner space, the return to the work of Philip K. Dick. Blowing up sh*t doesn’t do it for us anymore.” He also cited The Twilight Zone as a major inspiration and Rod Serling as the “patron saint of the movie.”

K-Swiss Has Cooked Up an Entire Line of Breaking Bad Sneakers

Breaking Bad lives on in sneaker form.
Breaking Bad lives on in sneaker form.
K-Swiss

Breaking Bad has been off the air for nearly seven years, but there’s no sign that AMC’s breakthrough drama is showing any hints of slowing down. On the heels of their success with a limited-edition Breaking Bad sneaker in October 2019, K-Swiss has returned to the seedy underbelly of Albuquerque, New Mexico, with an entire line of shoes.

The company announced a joint venture with Sony Pictures Consumer Products for three new sneakers based on the popular drug-running series starring Bryan Cranston as Walter White, a chemistry teacher-turned-unlikely drug kingpin. All of the K-Swiss x Breaking Bad Classic 2000 varieties are based on the K-Swiss Classic 2000 low-top design and take inspiration from different elements of the show.

The Cooking shoe has a yellow color scheme that takes after the protective suits worn by Walter and Jesse Pinkman (Aaron Paul) during meth cooks. K-Swiss will make 1144 pairs available:

The K-Swiss x 'Breaking Bad' Classic 2000 Cooking sneaker is pictured
The K-Swiss x Breaking Bad Classic 2000 Cooking sneaker.
K-Swiss

The Cleaning shoe (1162 pairs) is patterned after the jumpers worn by the two during the cleaning of their elaborate underground lab built by drug lord Gus Fring (Giancarlo Esposito):

The K-Swiss x 'Breaking Bad' Classic 2000 Cleaning sneaker is pictured
The K-Swiss x Breaking Bad Classic 2000 Cleaning sneaker.
K-Swiss

The Recreational Vehicle design, with a stripe that looks like the exterior of White’s mobile meth laboratory, resembles the October 2019 shoe release. K-Swiss will make 1396 pairs available:

The K-Swiss x 'Breaking Bad' Classic 2000 Recreational Vehicle sneaker is pictured
The K-Swiss x Breaking Bad Classic 2000 Recreational Vehicle sneaker.
K-Swiss

The Cooking and Cleaning shoes have “Heisenberg,” Walter’s alias, written on the sole:

The K-Swiss x 'Breaking Bad' Classic 2000 Cooking sneaker sole with 'Heisenberg' printed on it is pictured
The K-Swiss x Breaking Bad Classic 2000 Cooking and Cleaning sneakers have 'Heisenberg' printed on the sole.
K-Swiss

All the sneakers come packaged in a Breaking Bad periodic table box. Men’s sizes retail for $80 to $90. No women’s sizes have been announced. You can find them in limited quantities online at KSwiss.com, FootLocker.com, Footaction.com, and ChampsSports.com beginning February 20.

8 Surprising Facts About Andy Kaufman

Andy Kaufman in 1981.
Andy Kaufman in 1981.
Joan Adlen, Getty Images

For fans of the late comedian Andy Kaufman (1949-1984), the debate over whether Kaufman was more interested in antagonizing audiences or making them laugh still rages. During a career that saw him appear on stage and on television (Taxi), the performer often blurred the lines between his real persona and the characters he inhabited.

For more on Kaufman, keep reading. Thank you very much.

1. Andy Kaufman got a letter from his doctor that kept him from being drafted.

Born in New York City on January 17, 1949, Kaufman was raised in Great Neck, Long Island and displayed an interest in performing from an early age, entertaining children at their birthday parties when Kaufman himself was only 8 years old. After graduating from high school in 1967, Kaufman though he might be drafted for military service but didn’t wind up serving. His doctor wrote a letter explaining that Kaufman seemed to have no basic grasp of reality, let alone the Vietnam conflict. Joining the Army, the doctor wrote, might cause Kaufman to completely lose his mind. The letter, which likely contained a good measure of hyperbole, earned him a permanent 4-F deferment from service. He went on to attend Grahm Junior College in Boston.

2. Andy Kaufman’s stand-up act was very, very bizarre.

Kaufman got his start in the early 1970s performing at comedy clubs in New York and Los Angeles. Unlike most comics of the time, Kaufman didn’t write a conventionally-structured act. Instead, he would take on the role of performance artist, confusing audiences with stunts like reading from The Great Gatsby and threatening to start over if they complained. He would also drag a sleeping bag on stage and climb into it or do his laundry with a portable dryer. These appearances were sufficiently provocative that Kaufman sometimes hired off-duty police officers to break up fights in the crowd or intercept people trying to attack him.

3. Andy Kaufman once opened for Barry Manilow.

Before Kaufman got television exposure, it was easy for bookers to assume he was a polished and conventional performer. As a result, Kaufman got a number of gigs in the early 1970s opening for established musical acts like the Temptations and Barry Manilow. Appearing onstage in 1972 before the Temptations came out, Kaufman wept and then shot himself in the head with a cap gun. Similarly bizarre behavior was also displayed before a Manilow concert, with irate members of the audience having to be calmed down by Manilow himself.

4. Andy Kaufman was once voted off of Saturday Night Live.

Kaufman succeeded in drawing attention to himself on stage, which led to being invited to perform on Saturday Night Live beginning in 1975. During these appearances, Kaufman would take material from his act, including his lip-syncing of the theme to the Mighty Mouse animated series. Such stunts drew a mixed reception from viewers. From 1975 to 1982, Kaufman made a total of 14 appearances on the show. Then, producers decided to offer viewers the chance to “vote” Kaufman off by calling in to cast their ballot. On the November 20, 1982 broadcast, 195,544 callers asked that the show not permit him to come back on. They outnumbered the 169,186 viewers who called in support of him. While the bit was intended to be humorous, Kaufman honored the results and never appeared on Saturday Night Live again.

5. Andy Kaufman once took his entire audience out for milk and cookies.

Kaufman eventually took his show to Carnegie Hall in 1979, where he was greeted by 2800 people who had come to appreciate his eccentric approach to performing. At the show's conclusion, he invited the entire audience to board buses waiting outside the building. Kaufman took them to the New York School of Printing in Manhattan, where he served the nearly 3000 attendees milk and cookies. He later gave them a ride on the Staten Island Ferry.

6. Andy Kaufman thought about franchising Tony Clifton.

One of Kaufman’s great ruses on the public was dressing as the abrasive lounge singer Tony Clifton, complete with prosthetic chin and torso padding, all while insisting Clifton was an entirely different person. Kaufman sometimes enlisted associates, including his brother Michael and his writing partner Bob Zmuda, to put on the make-up. In 2013, Michael told Vice that Kaufman’s plan was to have Clifton become a roving character. “Andy had been talking about franchising Tony Clifton before he died,” Michael Kaufman said. “He was going to have one in every state.”

7. Andy Kaufman insisted on an Andy Kaufman stand-in for Taxi.

When Kaufman agreed to appear on Taxi (1978-1983) as Latka Gravas, a version of the “Foreign Man” character he had been performing on stage, he had a peculiar request: He wanted to be expected on set for only two of the five shooting days for each episode. While Kaufman didn’t seem to want to do it at all, the paycheck allowed him to pursue his more experimental brand of comedy. Producers agreed. In 2018, co-star Carol Kane, who played Kaufman's love interest, told The Hollywood Reporter that the cast “would work with a fake Andy who wore a sign around his neck that said ‘Latka.’”

Kaufman also showed up to shoot an episode as his alter ego Tony Clifton, insisting that he was not Kaufman. Star Judd Hirsch got so angry that he had Clifton thrown off the set.

8. Andy Kaufman broke character for Orson Welles.

While there were certainly times Kaufman spoke from the heart, it was rare to see him break any one of his myriad characters in front of an audience. That happened—fleetingly—when Kaufman appeared on The Merv Griffin Show in 1982 on a night it was being guest-hosted by legendary film director Orson Welles. Sporting a neck brace from his stint in professional wrestling, Kaufman didn’t keep up appearances for long. After Welles told him he was “fascinated” by his characters, talk turned to Kaufman’s “Foreign Man,” his Elvis Presley imitation, and his “third character,” Tony Clifton. “Well, he wasn’t a character,” Kaufman said, correcting himself. “There’s a lot of debate over whether it’s a character or a real guy, and that’s Tony Clifton, but that’s a whole other story.”

“That’s metaphysics,” Welles replied.

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