11 Surprising Facts About A Bronx Tale

Universal Pictures Home Entertainment
Universal Pictures Home Entertainment

On September 29, 1993, the now-defunct Savoy Pictures distributed the coming-of-age crime drama A Bronx Tale, starring Robert De Niro and Chazz Palminteri. It was based on a one-man show Palminteri had started performing in Los Angeles in 1989, and then performed it Off-Broadway the same year. Palminteri ended up writing the screenplay and using it as a vehicle to act in the film, whereas De Niro used the script to make his directorial debut.

The film, which is set in the Bronx in the 1960s, centers on a kid named Calogero “C” Anello who witnesses a mafia boss, Sonny (Palminteri), murder someone. As Calogero grow ups, he sees Sonny as a father figure but also copes with his own father’s (De Niro) advice. Partly based on Palminteri’s own life (yes, he really witnessed a murder), the semi-autobiographical film grossed $17.2 million against a $10 million budget.

In 2007, Palminteri resurrected the play on Broadway, and in 2016 A Bronx Tale: The Musical began performances on Broadway. Palminteri wrote the book and De Niro co-directed with Jerry Zaks. After 700 regular performances, the musical closed on August 5, 2018 (though it's now on tour). To celebrate the film's 25th anniversary, here are 11 things you might not have known about A Bronx Tale.

1. A BAD EXPERIENCE AS A BOUNCER INSPIRED CHAZZ PALMINTERI TO WRITE THE PLAY.

While living in Los Angeles and trying to be an actor in the ’80s, Palminteri worked various jobs, including a gig as a bouncer at a nightclub. “One night a guy was going to come in, and he was very rude to me,” Palminteri told The A.V. Club. “I told him I wasn’t going to let him in, he got mad and told me that I’d be fired in 15 minutes. I said, ‘Sure sure, everyone tells me that.’ That man turned out to be Swifty Lazar, the biggest agent in the world at the time—this was 1989—and sure enough, 15 minutes later I did get fired.”

Palminteri went home and considered his options. “I thought that if no one was going to give me a great part—and it was very difficult to break into film, obviously—then I’d write one myself.” He wrote the play in increments—every week he wrote more and performed the material at Los Angeles's Theatre West. “I really honed it and sharpened it,” he said. “About 10 months or a year later, I had a 90-minute one-man show.”

2. PALMINTERI WOULD ONLY SELL THE FILM RIGHTS IF HE COULD PLAY SONNY.

Robert De Niro and Chazz Palminteri in A Bronx Tale (1993)
Universal Pictures Home Entertainment

Palminteri's play garnered enough buzz that studios offered anywhere from $250,000 to $1 million to purchase the story rights, but they didn’t want Palminteri to act in it, as he wasn’t a big enough name. De Niro saw the play and decided to help Palminteri out. “At first, I didn’t want anything in the ingredients if I did a film of it—I wanted a totally clean slate—but I saw it and liked it and liked Chazz,” De Niro told Interview Magazine. “While he was writing the screenplay I said, ‘Let me make this clear. If you give it to a studio, they’ll pay you for it and people will get involved and they’ll give the Sonny part to another actor. If you give it to me now, I can guarantee you’ll be in it and we’ll set it up our own way and I’ll have more control, which is what I want. I don’t want any producer getting in the way and telling me what to do.’ I didn’t want all that mishmoshing—I knew what had to be done.”           

3. PALMINTERI WANTED TO MAKE A FILM ABOUT “THE WORKING MAN.”

In real life, Palminteri’s father was a school bus driver and a saxophone player. “Too many movies speak about us as just gombas or Mafioso,” Palminteri told Roger Ebert. “I wanted a movie about the working man, about a real Italian-American community. The real fabric comes from working men. My dad was similar to Lorenzo. I used to see him put his boots on in the morning to go out and drive the bus. He’d get up in the rain, the snow, smiling, just to make his children’s lives better. That's all he wanted. No dreams to be this, or that. To me, a man like that is a hero, and I wanted the movie to reflect that.”

4. ROBERT DE NIRO WANTED TO WORK WITH KIDS FROM THE NEIGHBORHOOD.

In casting the film, De Niro wanted to hire non-actors from New York. “One day Marco Greco, who was casting for us, was on Jones Beach and he saw this kid and asked him if he wanted to audition for us,” De Niro told Roger Ebert. “The kid says, ‘You’re not looking for me. You’re looking for my brother.’ And his brother, Lillo Brancato, came out of the water, and started doing impersonations of me and Joe Pesci in Goodfellas. He was great. He was perfect for C. It always excites me to work with people who are new, who fit. To create this world—this medieval village in the Bronx—I needed real teenagers, not actors trying to be teenagers.”

5. DE NIRO WARNED LILLO BRANCATO ABOUT THE DANGERS OF FAME.

Soon after the film’s release, Brancato became an in-demand actor, even starring in season two of The Sopranos. But his on-screen father warned him about the trappings of fame. “De Niro came to my house in spring or summer of 1993, not only to warn me, but also my parents,” Brancato told People. “My parents are Italian immigrants and knew nothing about show biz and the temptations that lie ahead. De Niro talked about the changes that will occur in my life. He said this can be very dangerous if not handled the right way.”

Unfortunately, Brancato did not heed De Niro's advice and ended up serving eight years of a 10-year prison sentence following a 2005 attempted robbery that led to the death of a New York City police officer. Brancato was found guilty of attempted burglary but acquitted of murder. His co-defendant was convicted of murder and sentenced to life in prison without parole.

6. DE NIRO ASKED MARTIN SCORSESE FOR DIRECTING ADVICE.

Because it was De Niro’s first time directing, he turned to regular collaborator Martin Scorsese for some tips. "I asked certain things about the way you do this or that," De Niro told Interview Magazine. "I also talked to other actors who have turned directors, like Danny DeVito. I guess I felt that I’d be okay. I didn’t want to build up some kind of fear of it. Directing yourself isn’t stressful—you’re just a bit uncomfortable, because [when you’re acting], you have to set your mind in a certain way, and then you have to direct everybody else."

7. THE REAL EDDIE MUSH PLAYED EDDIE MUSH.

Eddie Mush was a gambler both in the movie and in real life. During a racetrack scene in the movie, Mush, Sonny, and Calogero bet on the same horse, Kryptonite, and lose. “We were looking for someone to play Bad Luck Eddie Mush, the guy who is a jinx,” Palminteri told Roger Ebert. "We couldn’t find anyone. Finally I told Bob [De Niro] the real guy, Eddie Montanaro, was still around, 63 years old. Bob saw him and cast him—but I was worried, because Eddie really does bring bad luck, and sure enough, the first day he worked, it rained."

8. DE NIRO WANTED TO PLAY AGAINST TYPE.

In 1993, De Niro told Interview Magazine he thought casting himself in the movie would “get it off the ground more easily.” He had already promised Palminteri the role of Sonny, a part De Niro could’ve played, but the role of Lorenzo—Calogero's father—was more interesting to De Niro. “I hadn’t done this kind of part, and it’s something really different, and I wanted to do it for that reason, because people would expect me to play Sonny. As Lorenzo, I had my own experiences to draw on, and it’s something closer to me because of my kids. I have a son Lillo’s age.”

9. THE CALOGERO-JANE ROMANCE ALMOST GOT CUT.

Lillo Brancato and Taral Hicks in 'A Bronx Tale' (1993)
Universal Pictures Home Entertainment

One of the film's main storylines focuses on Calogero's romance with Jane (Taral Hicks), a black girl from the neighborhood. De Niro told Interview Magazine the plotline almost got excised, but he wanted to keep it in. “People would say, ‘Just make it between a father and a son—that’s really a story in itself,’ which it was. But I felt that to take away any one of those elements would be wrong. The part with Jane is the one part that you didn’t expect, and for that reason alone I didn’t want to take it out. There’s a beginning, middle, and end to this whole relationship. It happens fast. They meet and fall in love and boom!—they come together.”

10. TOMMY MOTTOLA MADE THE MUSICAL HAPPEN.

The chairman and CEO of Sony Music—who’s also known as Mariah Carey’s first husband—helped get the musical off the ground. In an interview with The A.V. Club, Palminteri said it was the Bronx-born Tommy Mottola who suggested adapting the film into a Broadway musical. (He ended up producing it.) “Even though I had been trying to do one for years, it was him who put it on his back and made it happen,” Palminteri said. “If not for Tommy Mottola, it would not have happened. He put his money where his mouth was.”

11. PALMINTERI THINKS THE FILM IS ABOUT CHOOSING LOVE OR FEAR.

During a 2016 interview on The Today Show, Palminteri explained why he thinks the film and musical still resonate today. “There’s the black neighborhood and the Italian neighborhood, and what A Bronx Tale talks about is how people can come together,” he said. “One of the main aspects of the play is: Is it better to choose love or fear? Because Sonny studied Machiavelli in jail. He tells the boy, ‘What do you choose, love or fear?’ In the end, Sonny ends up choosing love. So I think that’s why it’s so relevant today.”

Friends's Lisa Kudrow and Matt LeBlanc Once Pitched the Idea of a Phoebe and Joey Romance

Hulton Archive/Getty Images
Hulton Archive/Getty Images

It's hard not to get sucked into all the romantic relationships that Ross, Chandler, Monica, Joey, Rachel, and Phoebe had on the hit '90s sitcom Friends. And if you're a devout fan of the show, you probably have some opinions of your own on the various love interests seen throughout the 10 seasons. Or you may even have rooted to see relationships play out that never happened. For those viewers who ever hoped to see Phoebe and Joey get together: you're not alone. That was one romance Lisa Kudrow and Matt LeBlanc pushed for, too.

During a joint interview with Entertainment Weekly back in 2016 (per Insider), Kudrow and LeBlanc, who played Phoebe and Joey, respectively, revealed that they had pitched a secret affair between their characters at one point in the show. When asked why the pair never got together, LeBlanc explained:

"Towards the end we actually pitched the idea that Joey and Phoebe had been having casual sex the entire time. We’d go back and shoot all the historical scenes and just before a moment that everyone recognizes, there’s Joey and Phoebe coming out of a broom closet together. But they were like, 'Nah.'"

While the idea sounds like it was shot down pretty quickly, imagine the Central Perk crew finding out that Joey and Phoebe had been having an affair all along. But for now, this reveal from the actors is all just a "moo point" at the end of the day.

[h/t Entertainment Weekly]

You Could Get Paid to Watch Disney+ While Social Distancing

She’s excited to belt out both parts of Aladdin and Jasmine’s "A Whole New World."
She’s excited to belt out both parts of Aladdin and Jasmine’s "A Whole New World."
demaerre/iStock via Getty Images

In October 2019, Reviews.org chose five lucky couch potatoes for its “Disney+ Dream Job,” a position that paid people $1000 and gave them a year-long Disney+ subscription to watch 30 Disney programs in 30 days.

Now, the technology review site is accepting applicants for a similar (albeit less time-consuming) role: 10 people will receive a $200 Visa gift card and a free year of Disney+ to watch one single Disney film. Since most Disney movies are around 90 minutes long, your one-time wage works out to about $133 per hour.

To enter, all you have to do is send an email to giveaways@reviews.org with “Dream Job” in the subject line and your name and the title of your favorite Disney film in the body of the email. Winners will be selected at random, so you don’t have to worry about trying to pick the “right” movie or explaining why you’re the right person for the job. You do, however, have to be at least 18 years old and a U.S. citizen. Submissions will be accepted through Thursday, April 10, and winners will be notified by email on the following Monday, April 13.

While October’s dream job was more about drumming up excitement for Disney+, which was a brand-new platform at the time, this one is all about encouraging social distancing and supporting people through the coronavirus crisis. With Disney+’s wide array of entertainment at your disposal—from National Geographic animal documentaries to animated classics you loved as a kid—you might feel a little less bored while you’re camped out on your couch.

If you want to check out Disney+ for yourself, head here to learn how to get a free seven-day trial.

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