27 Fun Facts About Pee-wee’s Playhouse

Shout! Factory
Shout! Factory

Thirty years ago, on September 13, 1986, Paul Reubens introduced America’s youth—and millions of its young-at-heart adults—to a new brand of Saturday morning programming when Pee-wee’s Playhouse made its triumphant debut. Over the next five years, Reubens—as his slim suit-loving, bow-tied alter ego—and his merry band of playmates (human, puppet, and otherwise) would go on to revolutionize the face of children’s television and pick up dozens of award nominations in the process. Thanks to Shout! Factory, you can own all five seasons of Reubens’s groundbreaking series on Blu-ray with Pee-wee’s Playhouse: The Complete Series. To celebrate the show's anniversary, we chatted with Reubens and uncovered some things you might not know about Pee-wee’s Playhouse


Pee-wee Herman “came about from an extended improv at The Groundlings,” Reubens says of the character’s origin. “We were just given an assignment to come up with a character that one might encounter in a comedy club and I came up with Pee-wee Herman.” Pee-wee’s first stage appearance was in 1977. 


Reubens says the character’s many distinctive traits were "a bunch of stuff all mixed in together. The voice came from a stage production that I was involved in. And then the name came from a kid I knew who was kind of off-the-wall. The name Pee-wee came from a little harmonica I had that said ‘Pee-wee’ on it. I loved the idea of a nickname, because it sounded so real to me. ‘Pee-wee Herman’ sounds like a name that is so odd, how would you make that up? If you were going to make up a name, you’d make up a better name. It seemed real to me; it was a nickname with a last name that’s also a first name… And it went hand-in-hand with what I wanted to do, which was to make people think this was a real person, not an actor.” 


“The director and co-founder of The Groundlings, a man named Gary Austin, loaned me his suit, which I never gave back,” Reubens says of Pee-wee’s now-iconic gray suit. “Someone else gave me a kid’s black bowtie, which I later changed out for a kid’s red bowtie. And the white shoes were mine. That’s just sort of what I put on and I had success with it so I thought, why mess with it? If it ain’t broke.” 


Pee-wee’s debut onscreen appearance occurred in 1979, when he made his first of three appearances on The Dating Game (totally in character). “That was a little test experiment I was doing early on,” Reubens recalled to Interview Magazine. “I went to a cattle call audition for The Dating Game, and before I even got home they called me back.” On one occasion, he even won the date! 


In 1980, Pee-wee made his first big-screen appearance as a not-so-sweet hotel employee in Cheech & Chong’s Next Movie. 


On February 7, 1981, Reubens helped to take The Groundlings in a new direction when he premiered The Pee-wee Herman Show at midnight, a stage show that became the group’s first piece of alternative format programming. Shortly thereafter, it moved to The Roxy on Sunset Strip, where it ran for five months. But it wasn’t an adults-only kind of thing; matinee performances proved to be fun for the whole family. Miss Yvonne, Captain Carl, Jambi, Pterri, and Clocky are some of the characters that were there from the beginning. 


Pee-wee gained national attention courtesy of HBO, which aired a taping of one of the show’s performances at The Roxy in 1981.


Following the success of The Pee-wee Herman Show, Warner Bros. approached Reubens with the idea of making a Pee-wee movie. Though the studio originally had another director in mind, several people mentioned Burton to Reubens one night at a party. “I screened Frankenweenie and I spoke to Shelley Duvall who was a friend of mine who was in Frankenweenie,” Reubens recalled to Ain’t It Cool News. “I knew Tim was the director about 15 seconds into Frankenweenie, like the second or third shot of it. I was looking at the wallpaper in this bedroom and the lighting and just going, ‘This is the guy who has style and understands art direction.’ Those were two really important things for me and my baby, I guess, and you know it just happened to luckily all work out." 


Shot on a budget of approximately $7 million, Pee-wee’s Big Adventure earned nearly $41 million at the box office. Which, not surprisingly, led to a sequel: On July 22, 1988, Big Top Pee-wee hit theaters. 


Following the financial success of Pee-wee’s Big Adventure, CBS approached Reubens about creating a children’s series around the character—only they wanted it to be animated. “I'd had the stage show originally, so I was much more interested in doing something closer to that, something live-action,” Reubens recently told Rolling Stone. “So when they suggested doing a cartoon, I said ‘I'm not really interested in that; let's do a real kids' show.’ I was a big Howdy-Doody freak growing up—I was actually on one show when I was a kid, in the audience—and was more interested in doing something like that. Howdy-Doody, Captain Kangaroo, a lot of the local kids' shows that were on a long time ago—those were the influences.” 


Bob “Captain Kangaroo” Keeshan was such a fan of Pee-wee’s Playhouse that he reviewed one of the show’s earlier video releases for Entertainment Weekly in 1996. In it, he cited the series’ “awesome production values; with the possible exception of the Muppets, you can't find such creativity anywhere on TV,” and went on to say that “star Paul Reubens is an absolute genius.”


Throughout its five seasons, Reubens maintained full creative control of Pee-wee’s Playhouse and says there were only a few occasions where the network asked that something be changed. “In the first episode, the network said ‘You can't stick that pencil in that potato, because pencils are sharp, and you might encourage kids to stab things,’” Reubens recalled to The A.V. Club. “So we didn't do that. Let's see. There was an episode they got a letter about, where there was a fire in the playhouse, and a firefighter showed up and he and Miss Yvonne were flirting, and he said ‘You have to have a smoke detector,’ and she said ‘I have one in my bedroom, above the bed.’ They asked us to change that for subsequent airings of the show, so we went in and looped dialogue over it, so instead, she said ‘I have one in my kitchen.’ I put it back to the original version for the DVD release. There was a shot of a bathroom door that we held for a really long time, and you could hear Pee-wee peeing. They asked us to tone the sound of the peeing down, and add a score so it was a little less graphic. All the changes they asked us to make seemed really reasonable to me, and we accommodated them. I think in 45 episodes, there were only maybe three other changes they ever asked for.” 


“Originally, I lost quite a bit of money on Pee-wee’s Playhouse,” admits Reubens. “I was responsible, financially, for Pee-wee’s Playhouse. So when it went over budget—not if it went over budget, when it went over budget—that came out of my pocket. I don’t want to mention a figure, but we had one season that was over budget by a lot of money. I’m a little bit of a perfectionist. Not a little bit: I’m a perfectionist … I want to rebuild the whole Playhouse door if it’s too big or the wrong color. So I feel like I’m a great producer, but I also have distinct limitations in that department because I will always spend more money and not sacrifice quality. So it went over budget a lot. Like, every season.”


Reubens says that some of the ways they worked to get the budget back on track in the last two seasons was to do a couple of clip shows. “Somebody just wrote somewhere that [the clip shows] were a good indicator that I had lost interest in the show by the last season," he says. "And it’s so far from the truth. I lost interest in having to pay all this money out of my pocket and so I paid way more attention to the line producer, who was a great man who came up to me all the time and said, ‘You can have this or this,’ or ‘If you want this, then this is how you have to do that.’ I trusted him and he was right and he was the guy who brought in the last two seasons on budget.”


Though the series’ theme song is credited to Ellen Shaw, Cyndi Lauper admitted in her autobiography that she is the voice behind it.


A number of burgeoning stars got their starts on Pee-wee’s Playhouse. Among them: Phil Hartman, S. Epatha Merkerson, and Natasha Lyonne. Both Laurence Fishburne and Jimmy Smits also made early-career appearances.


The Playhouse had plenty of talent behind the camera, too. Five years before he wrote and directed Boyz n the Hood—for which he earned two Oscar nominations—John Singleton was a P.A. on the Playhouse set. Around the same time he formed White Zombie—and 17 years before he moved into the director’s chair with House of 1000 Corpses—Rob Zombie held the same title. 


In the new Blu-ray collection’s special features, Law & Order star S. Epatha Merkerson recalled how hard she laughed the first time she saw Reubens dressed as Pee-wee. “And from that point on I know that Paul knew that he could make me laugh. And he tortured me,” she recalled. “At one point the director came over and said in this very low voice, ‘I need to get this shot. How do I get this shot?’ And I said, ‘Well then I can’t look at Paul…’ I really thought I was going to lose the job!”


Phil Hartman, Reubens’ longtime friend and collaborator (they co-wrote Pee-wee’s Big Adventure together), left the Playhouse—where he played Captain Carl—after the first season to join Saturday Night Live.


Two Emmys, actually. One in 1987 and another in 1989. The show won a total of 15 Emmys throughout its five-season run. 


On the Blu-ray collection, writer John Paragon describes Jambi’s famous “Mekka lekka hi mekka hiney ho. Mekka lekka hi mekka chahny ho” chant as gibberish. “So I’m in The Groundlings and we’re doing a sketch and it’s customers in a Hawaiian restaurant and I’m wearing a Hawaiian shirt and doing Hawaiian gibberish. So that’s where that line came from. It was supposed to be bad Hawaiian.” 


During his original audition for Cowboy Curtis, Laurence Fishburne didn’t get the note that the tone of the show was rather silly. “I was in the D.C. area making Gardens of Stone, and I got this call that Paul wanted to see me,” Fishburne recalled to Entertainment Weekly. “I had almost no hair on my head because I had been doing this military picture. I [auditioned as] a Yul Brynner-esque kind of cowboy—very dark and serious. [Reubens and Paragon] both looked at me like, 'Could you lighten it up?'"


Because of a 1988 strike by the Writers Guild of America, the third season of Pee-wee’s Playhouse is comprised of just three episodes—two regular episodes and one primetime special, Pee-wee’s Playhouse Christmas Special.


To keep the idea alive that Pee-wee Herman is indeed a real person, Paul Reubens’ name does not run in the end credits. They simply list “Pee-wee Herman as Himself.” 


“I just politely said ‘No,’ Reubens recalled to Entertainment Weekly about his decision to take some time off after five seasons. “It was time to take a year off. I had actually made a list of things I wanted to do—learn Spanish, learn to play the sax—and I never hit one of them. At the end of [1990, while season 5 was airing], I decided I was going to take a second year off.” 


On October 26, 2010, Pee-wee was back—this time on Broadway—for a limited-run stage show.


“Oh, how can you ask me that! Now you know that I can’t answer that! If I said one person then all the rest would be angry,” Reubens laughs. “And I still love all those people and they’re all my friends. I still see every one of those people so I couldn’t. I couldn’t do it.”

All images courtesy of Shout! Factory.

Turn Your LEGO Bricks Into a Drone With the Flybrix Drone Kit


Now more than ever, it’s important to have a good hobby. Of course, a lot of people—maybe even you—have been obsessed with learning TikTok dances and baking sourdough bread for the last few months, but those hobbies can wear out their welcome pretty fast. So if you or someone you love is looking for something that’s a little more intellectually stimulating, you need to check out the Flybrix LEGO drone kit from Fat Brain Toys.

What is a Flybrix LEGO Drone Kit?

The Flybrix drone kit lets you build your own drones out of LEGO bricks and fly them around your house using your smartphone as a remote control (via Bluetooth). The kit itself comes with absolutely everything you need to start flying almost immediately, including a bag of 56-plus LEGO bricks, a LEGO figure pilot, eight quick-connect motors, eight propellers, a propeller wrench, a pre-programmed Flybrix flight board PCB, a USB data cord, a LiPo battery, and a USB LiPo battery charger. All you’ll have to do is download the Flybrix Configuration Software, the Bluetooth Flight Control App, and access online instructions and tutorials.

Experiment with your own designs.

The Flybrix LEGO drone kit is specifically designed to promote exploration and experimentation. All the components are tough and can totally withstand a few crash landings, so you can build and rebuild your own drones until you come up with the perfect design. Then you can do it all again. Try different motor arrangements, add your own LEGO bricks, experiment with different shapes—this kit is a wannabe engineer’s dream.

For the more advanced STEM learners out there, Flybrix lets you experiment with coding and block-based coding. It uses an arduino-based hackable circuit board, and the Flybrix app has advanced features that let you try your hand at software design.

Who is the Flybrix LEGO Drone Kit for?

Flybrix is a really fun way to introduce a number of core STEM concepts, which makes it ideal for kids—and technically, that’s who it was designed for. But because engineering and coding can get a little complicated, the recommended age for independent experimentation is 13 and up. However, kids younger than 13 can certainly work on Flybrix drones with the help of their parents. In fact, it actually makes a fantastic family hobby.

Ready to start building your own LEGO drones? Click here to order your Flybrix kit today for $198.

At Mental Floss, we only write about the products we love and want to share with our readers, so all products are chosen independently by our editors. Mental Floss has affiliate relationships with certain retailers and may receive a percentage of any sale made from the links on this page. Prices and availability are accurate as of the time of publication.

30 Fascinating Facts About Marilyn Monroe

Keystone Features/Getty Images
Keystone Features/Getty Images

Marilyn Monroe was born on June 1, 1926. Had she not passed away in 1962 at the age of 36, what might she be doing now? Would she have continued acting? Become Mrs. Joe DiMaggio for the second time, as he claimed? Carved out an Oscar-winning career for herself? What could have been remains a mystery, much like Monroe herself. But here are some facts we do know.

1. Norma Jeane Baker's first marriage was arranged.

Portrait of a young Marilyn Monroe
Sotheby's/Getty Images

As a child, Norma Jean Baker (originally spelled as Norma Jeane) was in and out of foster homes, state care, and the guardianship of various family friends. She never knew her father, and her mother had been committed to a psychiatric facility. A 15-year-old Baker had been staying with family friend Grace Goddard, but they decided to move to West Virginia, and couldn’t take Baker. Unless she married, the teenager would have been turned back over to an orphanage. So they turned to 20-year-old James Dougherty next door and suggested a marriage. "I thought she was awful young," he later said, but "we talked and we got on pretty good." They were married just 18 days after she turned 16.

2. Norma Jean Baker was named after a movie star.

Norma Jean Baker's mother had fame on the brain early on for her daughter. She chose "Norma" as her first name after actress Norma Talmadge.

3. “Marilyn Monroe” wasn’t her first choice for a stage name.

If Norma Jean Baker had gone with her first choice of stage name, "Jean Adair" would be the household name today. According to Baker's sister, Baker's original stage name of choice played off of Norma Jeane, her real name.

4. "Monroe" was the maiden name of Marilyn Monroe's mother.

Baker chose Monroe as her surname because it was her mother's maiden name. In her ghost-written autobiography, Monroe said she was told that she was somehow related to President James Monroe, but no evidence has ever been found to support that. "Marilyn" came from a studio executive who thought she resembled Marilyn Miller, an actress who died at the age of 37 (Monroe was 36 when she passed away).

5. When Gladys Baker told people she was Marilyn Monroe’s mother, no one believed her.

Marilyn Monroe in June 1949.
Marilyn Monroe in June 1949.
Hulton Archive/Getty Images

When Gladys Baker, Marilyn's mother, told people Marilyn Monroe was her daughter, no one believed her. Gladys, once a film cutter at RKO, was diagnosed with bipolar disorder and was in and out of psychiatric care for years. Gladys took Norma Jean to a foster family when she was just two weeks old, which resulted in a series of orphanages and foster care homes for the rest of her childhood—so she didn’t have a close relationship with her mother. When Marilyn hit it big and Gladys told friends and co-workers that her daughter was the Marilyn Monroe, they dismissed it as one of her paranoid schizophrenic delusions.

6. Marilyn Monroe often referred to "Marilyn Monroe" in the third person.

Actor Eli Wallach once recalled that Monroe seemed to flip an inner switch and turn "Marilyn" on and off. He had been walking on Broadway with her one evening, totally incognito, and the next minute, she was swarmed with attention. "'I just felt like being Marilyn for a minute,'" Wallach remembers her saying. Photographer Sam Shaw often heard her critiquing "Marilyn's" performances in movies or at photo shoots, making comments like, "She wouldn't do this. Marilyn would say that."

7. Marilyn Monroe was Truman Capote's first choice to play Holly Golightly in Breakfast at Tiffany's.

Truman Capote had Monroe in mind for the lead role in Breakfast at Tiffany's—and she even performed two scenes for him. "She was terrifically good," Capote later said. In the end, she didn't take the part because her advisor and acting coach didn't think it was the type of character she should be playing. Either way, Capote wasn't at all thrilled with the studio's choice of Audrey Hepburn, saying, "Paramount double-crossed me in every way and cast Audrey."

8. Marilyn Monroe reportedly hated being in front of the camera.

After working with Monroe on Bus Stop, Oscar-nominated actor Don Murray noted that while her talent was undeniable, she was never fully comfortable in front of the camera. “She was a very experienced film actress, but she could forget so many of the mechanical techniques. She would constantly miss her marks, so she would be out of focus or out of the light or in a shadow,” Murray said. “I think it was a lack of confidence. For somebody who the camera loved, she was still terrified of going before the camera and broke out in a rash all over her body.”

9. Marilyn Monroe's on-camera glow wasn't exactly natural.

Before her makeup was applied, Marilyn slathered on a layer of Nivea Creme or Vaseline, believing it made her look more luminous on film. And she tried to stay out of the sun. “Despite its great vogue in California, I don’t think suntanned skin is any more attractive ... or any healthier, for that matter," Monroe once said. "I’m personally opposed to a deep tan because I like to feel blond all over.”

10. Marilyn Monroe had a thing for intellectual men.

Marylin Monroe waves to the camera with husband Arthur Miller on her arm in 1958.
Marylin Monroe waves to the camera with husband Arthur Miller on her arm in 1958.
Votava/Imagno/Getty Images

Monroe's marriage to writer Arthur Miller probably tells you that, but there's more evidence. Monroe was once roommates with actress Shelley Winters, who said they made a list of men they wanted to sleep with, just for fun. "There was no one under 50 on hers," Winters later reported. "I never got to ask her before she died how much of her list she had achieved, but on her list was Albert Einstein, and after her death, I noticed that there was a silver-framed photograph of him on her white piano."

11. Marilyn Monroe was loyal to Arthur Miller, even thought it put her career in jeopardy.

In 1956, Marilyn’s future husband—The Crucible playwright Arthur Miller—was called to testify before the House Un-American Activities Committee. When this happened, celebrities were expected to name names of people who had allegedly been involved in Communist activities. Miller refused to do so, which could have landed him in prison. Marilyn’s steadfast commitment to Miller probably kept the playwright from being sentenced. (It probably didn’t hurt that he announced their wedding plans in the middle of his testimony.)

12. The FBI had a file on Marilyn Monroe.

The FBI's file on Monroe was probably opened due to her relationship with Miller and his “un-American” activities, coupled with a request she made to visit the Soviet Union in 1955. (She never actually made the trip.) If you’re so inclined, you can peruse the file online.

13. Marilyn Monroe's house was bugged.

The only house Monroe ever owned, a modest hacienda in Brentwood, California, was purchased by married actors Michael Irving and Veronica Hamel in the early 1970s, roughly a decade after Marilyn had died there. During a remodel, the couple discovered a sophisticated, government-grade phone tapping system that extended throughout the house.

14. According to Shelley Winters, Marilyn Monroe wasn't much of a cook.

Winters says she once asked the actress to wash lettuce so they could have salad for dinner. When she walked into the kitchen, Winters found Monroe washing each individual lettuce leaf “with a Brillo pad.”

15. But Marilyn Monroe eventually found her footing in the kitchen.

Marilyn Monroe circa 1954.
Marilyn Monroe circa 1954.
Baron/Getty Images

Several of Monroe's recipes were discovered after her death, and in 2010, The New York Times tried making her stuffing recipe for Thanksgiving. They found it surprisingly complex and theorized that “she not only cooked, but cooked confidently and with flair.”

16. Marilyn Monroe was well-read.

Monroe's bookshelf was exceedingly impressive. At the time of her death, she owned more than 400 volumes, including several first editions. Of the thousands of photographs taken of her, she was especially fond of ones that showed her reading. When a director once found her reading R.M. Rilke's Letters to a Young Poet, he asked her how she chose it. "[On] nights when I've got nothing else to do I go to the Pickwick bookstore on Hollywood Boulevard," she told him. "And I just open books at random—or when I come to a page or a paragraph I like, I buy that book. So last night I bought this one. Is that wrong?"

17. Marilyn Monroe helped Ella Fitzgerald book the Mocambo Club.

The rumor has long circulated that Ella Fitzgerald was originally denied due to her race, but according to one biographer, race wasn't the deterrent for nightclub owner Charlie Morrison; Eartha Kitt and Dorothy Dandridge had already played there. The problem was that Morrison didn't believe Fitzgerald was glamorous enough for his patrons. A huge Fitzgerald fan, Monroe promised to be in the front row every night if Morrison would book her, guaranteeing massive amounts of press for the club. He agreed, and Monroe was true to her word. "After that, I never had to play a small jazz club again," Fitzgerald said. "She was an unusual woman—a little ahead of her times. And she didn't know it."

18. Marilyn Monroe had a hard time memorizing lines.

"The joke was, she couldn't make two sentences meet," said Don Murray, an actor who co-starred with Monroe in the 1956 film Bus Stop. Though some chalked it up to a lack of professionalism, others—including Murray—believed it was nerves.

19. Marilyn Monroe's wardrobe is worth a fortune.

Marilyn Monroe's famous "Happy Birthday" dress.
DAN CALLISTER Online USA, Inc./Hulton Archive

At $1,267,500, the sheer, spangled dress Monroe wore to sing "Happy Birthday" to JFK in 1962 set the world record for the most expensive piece of clothing ever sold. A collectible company purchased it. The famous Seven Year Itch dress set a record, too, selling for $4.6 million in 2011. Casual attire goes for less, but still fetches more than your average pair of Levi's: Tommy Hilfiger bought her jeans from Otto Preminger's River of No Return for $37,000—and gave them to Britney Spears as a gift.

20. Frank Sinatra gifted Marilyn Monroe with a dog named Maf.

The Maltese Terrier was a gift from Frank Sinatra, and the dog's full name was “Mafia Honey,” which was apparently a nod to Sinatra’s supposed criminal ties. After Monroe's death, Maf was taken in by Sinatra’s secretary, Gloria Lovell.

21. Maf the dog “wrote” a book in 2010.

In 2010, author Andrew O’Hagan wrote The Life and Opinions of Maf the Dog, and of his Friend Marilyn Monroe—a work of fiction written from Maf’s perspective.

22. Joe DiMaggio and Frank Sinatra once attempted to catch Marilyn Monroe cheating with another man.

In 1954, Joltin’ Joe and Ol’ Blue Eyes were having dinner together when a private investigator that DiMaggio had hired tipped them off that Marilyn was with another man—right that second—in a house not far away. They assembled a crowd—yes, a crowd—and broke into the house where she was allegedly having her tryst.

It wasn’t until they broke the lock on the door and stormed inside snapping photos that they realized it was the wrong house entirely. The whole thing blew up when the homeowner sued; Sinatra had to testify before the California State Senate two years later. The homeowner, secretary Florence Kotz, was awarded $7,500 for her trauma.

23. Marilyn Monroe and Joe DiMaggio were only married for 8 months.

Marilyn Monroe stars in The Seven Year Itch (1955).
Marilyn Monroe stars in The Seven Year Itch (1955).
20th Century Fox Home Entertainment

Their romance is infamous, but Monroe was only married to second husband Joe DiMaggio for a mere 274 days. Though many things contributed to their divorce, the infamous "subway scene" in The Seven Year Itch—where the skirt of Marilyn's white dress billows up—was said to have been the last straw. The scene was shot in front of a large crowd of media and bystanders, and DiMaggio became irate over how much she was exposing herself. They fought over it, and according to some reports, DiMaggio got physical.

24. Marilyn Monroe divorced Joe DiMaggio over "mental cruelty."

Whether or not DiMaggio did get physical with Monroe, their marriage came to an end shortly after The Seven Year Itch incident. Monroe filed for divorce on the grounds of "mental cruelty" not long after.

The kicker? That particular fight was completely unnecessary. The crowd made enough noise that the footage shot that day was completely unusable, so Monroe had to re-shoot her scenes on a closed sound stage.

25. Joe DiMaggio remained devoted to Marilyn Monroe, even after their divorce.

DiMaggio continued to be there when Monroe needed him, including bringing her to spring training with him so that she could get away from Hollywood for a while. Shortly before her death, DiMaggio had been telling friends that they were going to get remarried. When she died, he was in charge of the funeral, and he refused to allow almost anyone from Hollywood to attend. "Tell them, if it wasn't for them, she'd still be here," he said. He had roses delivered to her grave twice a week for 20 years following her death.

26. Marilyn Monroe had been in discussions to star in a biopic about Jean Harlow, one of her heroes, for years.

Marilyn and her friend Sidney Skolsky had long been hatching plans for a biopic of Jean Harlow, which Marilyn would star in and Skolsky would produce. Harlow, another blonde bombshell and Hollywood starlet who died young, was one of Marilyn’s idols—so the self-casting would have been poetic.

27. Even in death, Marilyn Monroe and Jean Harlow had a lot in common.

About DiMaggio having roses delivered to Monroe’s grave several times a week for 20 years following her death? The tradition was taken from Jean Harlow’s untimely death: When she died, fiance William Powell had flowers delivered to her grave every week for years. One account says that Monroe actually asked DiMaggio to deliver on this same morbid promise on their wedding day.

28. Warren Beatty was one of the last people to see Marilyn Monroe alive.

A 25-year-old Warren Beatty was attending a party at actor (and JFK’s brother-in-law) Peter Lawford’s house when he met Monroe for the first time. She asked him to take a walk along the beach with her; he later recalled that “It was more soulful than romantic.” Her death was announced the next day.

29. Marilyn Monroe’s estate earned much more money following Monroe’s passing.

At the height of her career, Marilyn had a million-dollar contract for two films. During the same time frame, Elizabeth Taylor was paid $1 million for her role in Cleopatra alone. It’s estimated that Marilyn was worth about $20 million at the time of her death, which is nothing to sneeze at—but these days, her estate is making $30 million a year.

30. being buried near Marilyn Monroe is a big deal.

Marilyn Monroe's gravesite.
Mel Bouzad/Getty Images

After her death, Monroe was buried at Westwood Village Memorial Park Cemetery in Los Angeles. DiMaggio originally owned the crypt above hers, but sold it when they divorced. The buyer was Richard Poncher, a fan who requested that he be flipped over when he was buried so he could lay face down on top of Monroe for eternity. Charming. Though his wife obliged the request, she changed her mind in 2009 and put the plot up for sale on eBay. It brought in a whopping $4.6 million, but the buyer later backed out.

Hugh Hefner famously purchased the plot right next to hers. Though she graced the first cover of Playboy, the two never met. "I feel a double connection to her because she was the launching key to the beginning of Playboy," he said. When Hefner died in 2017, he was buried in the plot he'd bought for $75,000 in 1992.

This story was updated in 2020.